âBEING ONESELF ON STAGEâ: MODALITIES OF PRESENCE ON STAGE

Henri Schoenmakers

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âBEING ONESELF ON STAGEâ: MODALITIES OF PRESENCE ON STAGE

äºPlaying Culture

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Henri Schoenmakers

Henri Schoenmakers
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Page Range:: 223â242

DOI:: https://doi.org/10.1163/9789401210393_013

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The expression âbeing oneself on stageâ is often used to characterize differences between those developments in (post)modern theatre in which performers are considered not playing roles anymore and more traditional types of theatre in which fictional worlds with fictional characters are shown on stage. Konijn (1992, 1994, 2000) concluded in her research about the relationship between actorâs and characterâs emotions that during a performance actors experience emotions related to their acting task and not to the emotions they portray as characterâs emotions. With these results as point of departure a proposal is being made for a more detailed approach to the idea of âbeing oneself on stageâ by distinguishing between social roles and artistic roles. The conclusion is that the expression âbeing oneself on stageâ is hiding the fundamental similarities between performers portraying fictional characters and those who are considered to be oneself on stage. In both cases their dominant social role is the one of actor/crafts(wo)man of performer/crafts(wo)man. In both cases the assumed dominant emotions will be the ones related to their acting/performing task, which makes an image of oneself as much a construction as a fictional character is.

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Playing Culture

Conventions and Extensions of Performance

ä¸ç¼ï¼ Themes in Theatre, å·ï¼ 8

ISBN:: 9789401210393

åºçç¤¾:: Brill

å°å·åºçæ¥æ:: 01 Jan 2014

Subjects
- Art History
  - Drama & Theatre Studies
- Social Sciences
  - Cultural Studies

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âBEING ONESELF ON STAGEâ: MODALITIES OF PRESENCE ON STAGE

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