7.1 Bahman Borojeni, mural, engraving on clay and then baked, lobby of the Ministry of Agriculture in Tehran, 16 Ã 4 m2 205
7.2 Bahman Borojeni, 1982, oil on canvas, TMoCA 206
7.3 Abolghassem Saidi, 1968, mural on canvas, TÄlÄr-e Rudaki (now TÄlÄr-e Vahdat) concert hall in Tehran 206
7.4 KayhÄn, February 1, 1978, page 5 207
7.5 Cover of Muralism and the Revolution of Mexico (NaqqÄshi-ye divÄri va enqelÄb-e Mekzik), GolshÄâi Publications, Winter of 1973 (Zemestun 1352) 208
7.6 Cover of the brochure of the 1979 exhibition at TMoCA organized by revolutionary artists. The white Persian text on the left side reads: âReopening of the Museum of Contemporary Arts. The Revolution of Mexico and Muralism. The Evolution of Painting from Miniature to Kamal-ol-Molk. Introduction of Young Artists. 1979 Events Through the Eyes of Four Photographers. Wall Writings. Caricature. Realism in Cinemaâ 209
7.7 Photo of Mohammad Hassan Sciddel (or Shiddel) and Mario Amezcua posing together in front of Castel SantâAngelo in Rome 210
7.8 Mohammad Hassan Sciddel (or Shiddel), La creación (The Creation), mural painting on the pendentives of the Parish Church of San Francisco in Uruapan, Mexico, 1968 210
7.9 Mohammad Hassan Sciddel (or Shiddel), Melquisedec, mural painting on the pendentives of the Parish Church of San Francisco in Uruapan, Mexico, 1968 211
7.10 Mohammad Hassan Sciddel (or Shiddel), La última cena (The Last Supper), mural painting on the pendentives of the Parish Church of San Francisco in Uruapan, Mexico, 1969 211
7.11 Mohammad Hassan Sciddel (or Shiddel), La resurrección (Resurrection), mural painting on the pendentives of the Parish Church of San Francisco in Uruapan, Mexico, 1968 212
7.12 Mohammad Hassan Sciddel (or Shiddel), 60-metre mural, acrylic on concrete, main conference hall of the Ministry of Agriculture premises, 1976 212
7.13 Mohammad Hassan Sciddel (or Shiddel), a 60-metre mural, acrylic on concrete, main conference hall of the Ministry of Agriculture premises, 1976 213
7.14 Mohammad Hassan Sciddel (or Shiddel), section of 60-metre mural, acrylic on concrete, main conference hall of the Ministry of Agriculture premises, 1976 213
7.15 Mohammad Hassan Sciddel (or Shiddel), section of the 60-metre mural, acrylic on concrete, main conference hall of the Ministry of Agriculture premises, 1976 214
7.16 Mohammad Hassan Sciddel (or Shiddel), with Ahmad Shamlou 214
7.17 Mohammad Hassan Sciddel (or Shiddel), mural, acrylic on concrete, premises of the Ministry of Agriculture 215
7.18 Mural painted on the external walls of the former US Embassy in Tehran. It depicts the Statue of Liberty with a skull face on the left, set against a background resembling the US flag with green stripes. On the right, a white silhouette map of Iran is overlaid with barbed wire lines 215
7.19 Mural painted on the external walls of the former US Embassy in Tehran. The artwork features a large Persian inscription in black text on a turquoise background, alongside an image of Ayatollah Ruhollah Khomeini in a black robe and turban, standing before the Iranian flag. Additional panels display abstract or symbolic designs 216
7.20 Mural on the external walls of the former US Embassy in Tehran. On the left, a grid of repeated geometric floral motifs in red, green, and black. On the right, a stylized revolver in red, white, and blue, with its barrel bent downward like a faucet, releasing a single red bullet. The revolverâs grip is decorated with white stars on a blue background, evoking the US flag 217
7.21 Mural painted on the external walls of the former US Embassy in Tehran, depicting a dark blue military drone with the US Air Force insignia, emitting white beams downward. Silhouettes of black bats emerge from the drone against a solid red background, with stylized white lines on both sides 218
7.22 Hannibal Alkhas, Kazem Chalipa, and Adham Zargham, mural, external walls of the US Embassy in Tehran, early 1980s 218
7.23 Hannibal Alkhas, Kazem Chalipa, and Adham Zargham, mural, external walls of the US Embassy in Tehran, early 1980s 219
7.24 Hannibal Alkhas, Kazem Chalipa, and Adham Zargham, mural, external walls of the US Embassy in Tehran, early 1980s 219
7.25 Cover of the Persian edition of Oriana Fallaciâs Niente e così sia, published by Amir Kabir 220
7.26 Niloofar Ghaderinejad, Masoud Sadedin, and Hannibal Alkhas. Revolution, mural, 300 Ã 700 cm, walls of the Faculty of Fine Arts of the University of Tehran, 1979/1980 221
7.27 Niloofar Ghaderinejad painting a mural on the walls of the Trade Union office in Tehran, near Jomhuri (Republic) Avenue, Tehran, 1979 221
9.1 Cover of Turkish edition of Carlos Marighellaâs Minimanual of the Urban Guerrilla 258
10.1 Read from top to bottom and from left to right: Olivio Martinez, May 15 World Solidarity Day with the Struggle of the People of Palestine, OSPAAAL (1975); cover of Filastin al-Thawra (1975); Andrés Hernández, May 15 World Solidarity Day with the Struggle of the People of Palestine. OSPAAAL (1974); cover of Filastin al-Thawra (1975); photograph of a Palestinian fedayeen in Jordan, by Hani Jawharied (1970); cover of Tricontinental bulletin No. 57 (1970); design of a Palestinian woman by Borhan Karakotli (1978); cover of Tricontinental magazine No. 93 (MayâJune 1984). The images of the OSPAAAL have been consulted in the official web portal of the organization (http://www.ospaaal.com/) and the magazine Tricontinental (personal collection). Images from the Arab world have been consulted on the web portal: The Palestine Poster Project Archives, Liberation Graphics, (https://www.palestineposterproject.org/) accessed on January 25, 2023 284
10.2 Ghassan Kanafani in his Beirut office during the interview conducted by Richard Carleton in 1970. In the circle, some of the OSPAAAL posters visible on its walls have been highlighted. Image consulted on the web portal: The Palestine Poster Project Archives, Liberation Graphics, (https://www.palestineposterproject.org/) accessed on December 10, 2023 285
10.3 Read from top to bottom and from left to right: Rafael EnrÃquez Vega, Western Sahara, Independence or Genocide, OSPAAAL, 1978, retrieved from the official website of the OSPAAAL (http://www.ospaaal.com/); postcard with original photograph of Sahrawi fighter, author of the picture unidentified, image uploaded by John Atherton to the Flickr Portal on July 12, 2019, accessed at https://www.flickr.com/ on January 25, 2023. Mai Albattat, In the name of the fighter who created a new horizon wearing sneakers, Palestinian Museum (Bir Zeit), 2018; Womenâs Organization of the Popular Front for the Liberation of Palestine (PFLP), International Womenâs Day, 1977, both accessed at The Palestine Poster Project Archives (https://www.palestineposterproject.org) on January 12, 2023 288
10.4 From left to right: Saharawi combatant photographed by Christine Spengler (1978), consulted in Tricontinental, No. 59 (MarchâApril 1983), 65â77; Palestinian fighter parading, author unknown, consulted in Tricontinental, No. 115 (JanuaryâFebruary 1988), 44 295
10.5 Palestinian activist and diplomat Rhanda Nablusi during an exclusive interview with OSPAAAL. Retrieved from Tricontinental, 57, 71â72 296
10.6 From left to right: designs by Abdel Rahman Al Muzain, consulted in Tricontinental, No. 123 (MayâJune 1989), 28, and Tricontinental, No. 97 (JanuaryâFebruary 1985), 31 297