Index
‘Schizo artist’
451
Adaptive intelligence
461–462
Aesthetic approach (contrasted with scientific approach)
10, 26, 36, 41
Africa
14, 421–423, 425, 430–431, 444
Benin
421, 426, 430, 432–434, 446
West Africa
426, 430
Althöfer, Heinz
90–91, 93, 100, 104, 111, 391–393
Restauriert und Neu Entdeckt
111
American Institute for Conservation (AIC)
127, 139–140, 142
Analytical techniques
92, 202
Chromatographic analysis
266, 275
Colorimetry
280
Fibre optic reflectance spectroscopy (FORS)
283
Fourier transform infrared spectroscopy (FTIR)
202
Gas chromatography
199, 274, 279
Gas chromatography-mass spectrometry (GC-MS)
199, 202
High-performance liquid chromatography
283
Laser microspectral analysis (LMA)
281
Microchemical analysis
235, 240, 271, 281
Microspectrophotometry
283
Paper chromatography
266–267
Reflectance spectrometry
280
Scanning electron microscopy-energy-dispersive X-ray (SEM-EDX)
202, 269
Thin-layer chromatography
274, 283
X-ray diffraction (XRD)
176, 199, 204
X-ray fluorescence (XRF)
269, 276, 325
Angelini, Aldo
230
Angelini, Nerina
230
Anglade-Bergeron, Claire
157–159, 170
Argan, Giulio Carlo
41, 221, 336
Asperen de Boer, J.R.J. van
13, 279, 364–366, 368–370, 373–376, 378–379
Augusti, Selim
215, 218, 230–231, 233, 235–238, 240–242, 244, 246, 337–339
Aulmann, Hans
61, 99
Bayerische Staatsgemäldesammlung, Munich
101, 105, 108, 170
Bayerisches Bayerisches Landesamt für Denkmalpflege, Munich
111
Bazin, Germain
33, 165, 167–170, 173–174
Beer, Randall
461
Bellini, Giovanni
32, 225, 247
Transfiguration of Christ
225, 247
Belmont Report, 1967
138, 140, 142
Berenson, Bernard
171, 216–217, 333
Beuys, Joseph
385, 391
Bologna, Ferdinando
216
Borsook, Eve
222–223, 225, 227, 240, 247, 249–250
Botolfsen, Erling
186–187
Brachert, Thomas
91, 94, 96, 100, 104, 108–109, 111–112
Patina, Von Nutzen und Nachteil der Restaurierung
112
Brachtert, Thomas
Gemäldepflege
111
Brandi, Cesare
33, 35, 37–38, 40–46, 66–67, 70, 73, 93, 100, 103, 108, 159, 162, 170, 214–215, 218, 221, 242, 334, 336–340, 343, 345–346, 349, 357, 391–392
Theory of Restoration
214
British Museum, London
2, 8, 23, 63, 132–134, 136, 158–159, 191, 199, 260, 264–265, 268, 276, 298, 300, 303–305, 307
Brommelle, Norman
74, 264, 266, 286
Brun, Christen
184
Brun, Harald
184
Burroughs, Alan
324–326, 328, 330–334, 349, 357
Cascianelli, Primo
244
Causa, Raffaello
216, 229–230, 246, 249
Centraal Laboratorium voor Onderzoek van Voorwerpen van Kunst en Wetenschap (CL), Amsterdam
370
Central Research Laboratory for Objects of Art and Science, Amsterdam
281, 283, 370, 430
Centre National de la Recherche Scientifique (CNRS)
156–157, 165, 168–169
Chemistry
23, 31–32, 58, 65, 67, 93, 96, 123, 126, 133, 154, 165, 186, 191, 199, 218, 231, 261, 267, 279, 333, 337, 389, 420, 423, 443, 453, 455, 461, 463
Chromophores
455
Clavir, Miriam
54, 419
Cleaning controversy
10, 12, 25, 28–29, 66, 83, 88–89, 91, 99, 311, 387
Cleaning of paintings
89, 276
Complete cleaning
31, 33, 40–41, 48
Partial cleaning
31–32, 40–41, 48
Climate control
13, 297, 306, 311, 314–317, 319
Air-conditioning
108, 308, 310–312, 314, 319
Heating
298, 302, 304–306, 308–309
Historical climate
297
Ventilation
300, 302–303
Code of ethics
137–138
Conservation guidelines
198, 409
Murray Pease Report
137
Colonialism
421
Conservation
Buildings
421, 432, 434, 438, 440, 443
Complexity
401, 424, 461–462
Contemporary conservation
389
Cultures of conservation
4, 411
Decolonial conservation
429, 432
Degree in conservation
119–120, 122–123, 125–127, 134, 137, 140–141, 143–144, 146–147
Education
11, 44, 57–59, 73–75, 83, 91, 93–96, 104–105, 112, 123, 125, 138, 140, 142–143, 147, 194, 198–199, 201, 208, 258
History of conservation
4–12, 14–15, 31, 92, 147, 182–183, 203, 269, 386, 411, 425, 451
Humanistic conservation
409
Mission
11, 64, 121, 126, 131, 345, 460
Participatory conservation
432
Repair
130, 250, 259, 262, 310, 402, 433–434, 440, 444
Repairs
133, 410, 433–434, 438, 440, 443
Scientific ideology
454
Solution
33, 45–46, 48, 251, 307, 403
Solutions
32, 45, 99, 224, 411, 440, 443
Standards in conservation
195, 320
Training programme
12, 74, 76, 191, 429
Conservation paradigm
1, 3, 404, 409, 421, 446
Performance paradigm
1
Processual paradigm
1–2
Scientific paradigm
1, 387–388, 411, 420, 424, 429, 443–444
Conservation science
2, 4, 58, 63, 109, 154, 198, 215, 253, 260, 269, 273, 285, 287–288, 298, 319, 337, 344, 378–379, 410
Constable, W.G.
40, 59, 64
Contemporary art
1, 3, 14, 101, 104, 325, 388, 390–394, 404–406, 408–409, 411, 420
Conservation of contemporary art
390
Installation art
401
Intermedial art
388
Performance art
401
Conti, Alessandro
6, 214
Storia del restauro e della conservazione delle opere d’arte
6, 214
Coremans, Paul
10, 12, 26, 28, 35–36, 43, 55, 62, 65, 67–68, 70–71, 97, 158–159, 162, 164, 169–170, 175, 193, 196–199, 207, 259, 368–369, 376
Correggio
246
Zingarella and Mystic Marriage of St. Catherine
246
Courtauld Institute of Art, London
44, 59, 86–87, 92–93, 107, 158, 261, 298
Craftsmanship
3, 14, 191, 207, 386
Danzas, Jacob von
88–89
Destaville, François
157, 160–161, 163–164, 166
Doerner, Max
84, 91, 111
Malmaterial und seine Verwendung im Bilde
111
Doerner-Institut, Munich
90, 93, 109, 111–113
Dørje Haug, Ole
184
Dyck, Anthony van
347, 349
Saint Rosalie Interceding for the Plague-stricken of Palermo
349
École du Louvre, Paris
44, 155–156, 165, 176
Eibner, Alexander
55, 88, 97
Empirical approach to conservation
22, 45
Engineering
453
Environmental conditions
23–24, 31, 258, 263, 279, 281, 288, 300, 304–305, 307, 314, 461
Gaseous pollutants
273
Lighting
244, 259, 265, 268, 280, 286, 288, 316, 396
Relative humidity (RH)
258, 263, 266, 279, 281, 286, 297, 299
Temperature (T)
107, 268, 280–281, 286, 297–298, 300, 302, 305, 307–309, 318
Epistemic validation
451
Eyck, Hubert and Jan van
5, 368
Ghent Altarpiece
5, 65, 68, 70, 170, 368–369, 374, 376
Factors
Communicable factors
463
Cultural factors
462
Difficult-to-communicate factors
463
Factors that cannot be precisely quantified
459
Human factors
456
Immaterial factors
456, 459
Material factors
456, 459
Measurable factors
463
Non-verbalisable factors
459, 463
Verbalisable factors
460, 463
Faries, Molly
364, 374, 376–377
Filedt Kok, Jan Piet
364, 374–375
Florence Flood, 1966
11, 102, 127, 147, 201, 207, 222, 230, 373
Fluxus
385–386, 389, 393–394, 403–404, 408
Fogg Art Museum, Harvard University, Cambridge (MA)
10, 28, 31, 44, 106, 159, 324, 326, 344, 349
Department for Conservation and Technical Research
21, 24
Technical Studies in the Field of the Fine Arts (1932–1942)
24, 60, 158
Forbes, Edward Waldo
22, 44–45, 324, 326, 328, 330, 332, 349, 357, 373
Gabinetto Pinacologico, Napels
215, 218, 229, 231, 336, 338
Gettens, Rutherford John
11, 35, 55, 121, 124–126, 130, 133, 139, 144, 146, 159, 261
Giltaij, Jeroen
377
Gouaches
456, 458–459
Goulinat, Jean-Gabriel
60, 162, 170
Guichen, Gaël de
315–316, 319
Hahn, Wolfgang
14, 388–391, 393–395, 397–398, 400–401, 403–404, 406–409, 411
Hansen, E.F.
459
Hauser, Alois
88–89, 184
Held, Julius
331–332
Hell, Johannes
82, 86, 88–89, 91, 93, 96, 100, 108, 112
Hendy, Philip
25, 28–29, 33–34, 37–38, 40, 42, 44, 47, 61, 170, 258–259, 264, 288
Hölling, Hanna
393, 409–410
Hours, Madeleine
12, 41, 153–177
A la découverte de la peinture par les méthodes physiques
176
Une vie au Louvre
156
Huyghe, René
25, 32–33, 35–38, 41–44, 46, 160, 163, 167–168, 170, 174
Imaging techniques
93, 184, 202, 344, 347, 357
Autoradiography
13, 325, 344, 346–350, 352, 355
Infrared photography
13, 157, 160, 162, 172, 201, 279, 364, 369
Infrared reflectography (IRR)
13, 279, 333, 348, 357, 364–366, 369–370, 372–379
Macro-photography
54, 93, 172
Macro-Xray fluorescence (Macro-XRF)
325, 350–351, 355
Raking light examination/photography
157–158, 160, 162, 218, 244
Ultraviolet (UV) examination/photography
60, 92–93, 100, 157–158, 160–162, 164, 171–172, 184, 230, 244, 260–261, 273, 280, 286, 344, 364, 378–379
X-radiography (X-ray)
13, 54, 60, 84–85, 92–94, 156–160, 162, 164, 166, 168, 171–174, 185, 187, 194, 202, 246–247, 260–261, 265, 275, 324–328, 330–334, 337, 339–340, 343–344, 347, 349, 356–358, 364, 369, 377–379, 423
Infrared equipment
364–366, 370, 373, 376, 378–379
Barnes infrared camera
370, 373–374
Hamamatsu infrared vidicon
367, 374
Heimann infrared vidicon
373
International Centre for the Study of the Preservation and Restoration of Cultural Property (ICCROM)
70–71, 73–74, 99, 221, 314, 316, 430
International Conference for the Study of Scientific Methods for the Examination and Preservation of Works of Art, Rome, 1930
23, 84, 97, 105, 260, 324
International Council of Museums (ICOM)
10–11, 13, 24, 29, 32–35, 37, 40, 47, 70, 101–105, 112, 133, 169–170, 191, 299, 313–314, 378–379
Committee for Conservation (ICOM-CC
)3, 75, 97, 99, 101, 133, 286
First Biennial Conference, Paris, 1948
10, 24, 37, 40, 99
First Commission meeting, London, 1948
34–36
Manual on the Conservation of Paintings
23, 105–106, 108, 111, 355
Second Commission meeting, Rome, 1949
38
International Institute for the Conservation of Museum Objects (IIC)
10, 12–13, 21, 23–24, 28, 35–36, 38, 40, 42, 48, 64–65, 67, 74, 99, 101, 103, 124, 135–137, 159, 170, 196, 231, 286, 314–316, 319, 379
IIC American group (IIC-AG)
137–138
Studies in Conservation
3, 21, 47, 194, 231, 272, 343–344, 370, 373–374, 378
International Museums Office (IMO)
97, 260
Islam
433
Istituto Centrale del Restauro (ICR), Rome
13, 33, 38, 41, 46, 66, 70, 73–74, 99, 170, 215, 218, 221, 230–231, 246, 325, 334, 336–340, 345–346, 357–358, 430
Istituto Centrale del Restauro (IRC), Rome
Bollettino dell’Istituto Centrale del Restauro
242
Iterative scientific approach
462
Jaujard, Jacques
156, 170
Kaiser Friedrich Museum (KFM), Berlin
59, 83–84, 88–90, 97, 112, 333
Kaland, Bjørn Harmens
192–194, 196–198
Keck, Caroline
106, 119–120, 138
Keck, Sheldon
28, 67–68, 82, 119
Knowledge
Conservator’s knowledge
453, 455, 458–461, 464
Empirical knowledge
65, 319, 460
Incommunicability of knowledge
460
Knowledge unique to conservation
452
Knowledge versus ‘intuition’
411, 460
Knowledge versus ‘skill’
457, 459–460
Scientific knowledge
3, 11, 14, 23, 206, 319, 335, 463
Sufficiently specialised knowledge
452
Systematised knowledge
458
Tacit knowledge
142, 463
Transmissibility of knowledge
460
Unspeakable knowledge
458
Koninklijk Instituut voor het Kunstpatrimonium/ Institut Royal du Patrimoine Artistique, Brussels (KIK-IRPA)
3, 68, 193, 198–199, 368
Kühn, Hermann
109
Kunsthistorisches Museum (KHM), Vienna
93, 170
Laboratoire de recherche des musées de France (C2RMF)
167, 175–176
Laurie, Arthur Pillans
23, 55
Leonardo da Vinci
167–168, 172, 175
Baptism of Christ
173
Madonna and Child with Saint Anne
170–171
Madonna of the Rocks
170–171
Mona Lisa
167, 172
Liebermann, Max
90
Light, effects of
273, 280
Longhi, Roberto
227, 338
Maciunas, George
385, 394
Mainini, Carlos
155, 161, 163, 218
Maltechnik (1955–1972)
3, 84, 87, 93, 100–101, 103, 105, 107–109, 111–112
Deutsche Zeitschrift für Maltechnik (1942–1944)
84–85, 88, 100
Maltechnik-Restauro (1972–1988)
111
Technische Mitteilungen für Malerei (1885–1941)
84–85
Marijnissen, Roger
5–6
Het beschadigde kunstwerk
5
Martini, Simone
239, 241, 250
St. Louis of Toulouse
223
Masaccio
237
Crucifixion
225, 227, 239
Maximale Arbeitsplatz Konzentration (MAK)
Maximum Workplace Concentration
108–109
McMillan, Eleanor
127–128, 130–131, 134–135, 139–140, 147
Meiss, Millard
373
Metropolitan Museum of Art, New York
29, 93, 128, 347, 357
Microscopy
93, 109, 130, 156, 166, 194, 234, 237, 241, 269, 271, 276, 281, 283, 334, 337, 377, 388, 451
Mills, John
199, 266–267, 274–275, 279, 286–287
Molajoli, Bruno
215–221, 228–229, 231, 244
Mosque
433–434, 438, 440
Much, Edvard
The Scream
188, 203–204
Munch, Edvard
188, 190, 195–196, 203–206
Munch Museum, Oslo
190, 204
Musée du Louvre, Paris
2, 11–12, 25, 31, 33, 36, 41–42, 66, 93, 99, 153–160, 162–163, 165, 167–170, 172–177, 218, 244, 264
Bulletin du Laboratoire du musée du Louvre
169, 175
Mainini Institute
155–156, 160
Museo di Capodimonte, Naples
93, 219, 221
Museum Boijmans Van Beuningen, Rotterdam
377
Museum Services Act, 1973
140
National Conservation Advisory Council (NCAC)
119, 144, 147
National Gallery of Norway (NG), Oslo
11–12, 182–184, 187–188, 190–191, 193–196, 198, 201–208
National Gallery, London
6, 9–10, 12, 21–23, 25, 29, 31, 33, 36–38, 40, 61–62, 87–88, 97, 99–100, 108, 158, 162, 166, 170, 193, 199, 202, 240, 258, 260–261, 263–264, 266–269, 275–276, 279, 282, 285, 288–289, 299, 303–306, 310–312, 317, 326, 328, 330, 334
Committee of Confidential Inquiry (‘Weaver Committee’)
26, 62
Exhibition of Cleaned Pictures, 1936–1947
26, 31, 42
National Gallery Technical Bulletin
285, 288
Weaver Report
33, 40, 63, 97, 108, 190, 261, 265, 285, 311, 314
Nationalsozialistische Deutsche Arbeiterpartei (NSDAP)
90
Nef, John
463
Non-scientific assessments
462
Office International des Musées (OIM)
59, 355
Mouseion (1927–1946)
60, 301, 308
Olin, Charles
121, 123, 125–128, 130–131, 134, 146–147
Olin, Jacqueline
126, 135, 139
Organ, Robert
121, 123, 131–138, 140–143, 146–147
Ortolani, Sergio
215, 217–218, 229, 231, 244, 336–338
Os, Henk van
375
Paik, Nam June
385–386, 394–395, 397–398, 400–401, 403–404, 408
Klavier Intégral
394–395, 400–402, 404
Zen for TV
394, 398, 400, 402–404
Zen for Walking
394, 397–398, 400–402, 404
Paint
Binding media
101, 199, 202, 266–267, 269, 273–275, 285, 287
Cross-sections
161, 165–166, 192–193, 197, 202, 240–241, 261, 269, 271, 275, 281–283, 287, 328, 330, 357, 377
Paintings
Changes in appearance
250, 253, 273, 280, 288
Underdrawing
13, 332, 348, 351, 364–366, 369–370, 372–373, 375–376, 378–379
Underdrawings
369
Paper bleaching
454–457
Patina
31–33, 41–43, 67, 108, 165, 224, 239, 250, 253, 346
Perez, Fernando
155, 160–161, 165, 218, 244, 337–338
Philippot, Albert
71, 193
Philippot, Paul
11, 68, 70–71, 73–74, 76, 313–314
Physics
67, 93, 96, 109, 126, 133, 154, 157, 176, 260–261, 306, 368, 370, 389, 453
Pigments
13, 161, 164–165, 187, 204, 242, 250, 264–265, 269, 271–273, 275–276, 279–283, 285, 287, 325, 332, 347, 349, 372–373, 453, 456, 458
Analysis
187, 193, 199, 202, 235, 240, 269, 275, 282
Deterioration
272, 434
Plahter, Leif
194–199, 201–202, 207
Plahter, Unn
12, 183, 199, 202
Plenderleith, Harold J.
48, 55, 63, 133, 158–159, 162, 169, 221, 265, 303, 307, 310, 313–314, 316–317
Plesters, Joyce
9, 12, 240, 260–261, 264, 269, 272, 276–277, 285–286
Polanyi, Michael
463
Post-war Germany
82, 88–89
Pragmatism
44, 433, 443–444
Preventive conservation
4, 12–13, 74, 167, 273, 288, 297, 315–317, 319–320
Environmental specifications
297, 300, 318–319
Museum standard
320
Printing ink
456, 458
Procacci, Ugo
221
Professionalisation
10, 55–56, 58, 61, 68, 75–76, 120–123, 132, 137, 191, 194, 208
Raphael
251, 346, 349, 357
Deposition
346
Rathgen, Friedrich
55
Rawlins, F. Ian G.
10, 21–24, 28, 36–37, 42, 47–48, 158–159, 170, 175, 258–259, 261, 263, 265, 273, 280, 286, 305, 307, 310, 314, 317
Reedy, L.R.
459
Rembrandt
5, 9, 89–90, 153, 172–175, 347–348, 350, 353, 357
Aristotle with the bust of Homer
350
Philosopher in Meditation
174
Philosopher with an Open Book
174
Portrait of Titus
174
Supper at Emmaus
174
The Night Watch
5
Restaurierungszentrum Düsseldorf /Schenkung Henkel
104, 393
Riederer, Josef
109, 137
Rivera, Juan Antonio
463
Roth, Dieter
407–408
Rousseau Jr., Théodore
29, 31–32
Ruhemann, Helmut
22, 25, 37, 82, 84–91, 93, 97, 99–101, 107–108, 111–112, 193, 261, 264, 310
The Cleaning of Paintings
111
Salles, Georges
24, 33, 35, 41, 156–160, 165, 167, 174
Schutzstaffel (SS)
85–87, 90, 112
Schweizerisches Institut für Kunstwissenschaft (SIK-ISEA), Zurich
93
Swiss Institute for Art Research
93
Scientific approach to conservation
10, 21, 24–25, 29, 36, 40–41, 45–48, 146, 163, 197, 206, 336, 345, 387, 411
Scientific conservation
1–5, 9–11, 13–14, 48–49, 134, 387–388, 409–410, 420, 423, 443
Scientific research
8, 23–24, 54, 60, 64, 76, 156, 198, 206, 215, 260, 287, 314, 319, 324, 337, 344, 369, 425
Second World War
1, 3, 5, 8–10, 12–13, 21, 23–24, 46, 54, 56, 66, 82–83, 97, 111, 125–126, 146, 153, 156–158, 177, 182, 184–185, 187, 193, 198, 203, 205–207, 216, 218, 258, 298–300, 313, 315, 319, 334, 344, 356–357, 386, 389, 443
Kunstkammer
85, 88
Monuments Men
82, 108
National Socialism (NS)
82–88, 90–91, 111
Situated knowledge
420
Smithsonian Institution, Washington D.C.
Conservation Analytical Laboratory (CAL)
11, 121–123, 125, 127, 130–132, 134–137, 139–141, 143–144, 146–147
Conservation Information Program
134, 142
Conservation Research Laboratory (CRL)
121–123, 125–128, 130–131
Office of Museum Program
134
Solvents
25, 31, 33, 101, 107, 109, 235–237, 265–267, 269, 286, 458
Sources
7, 75, 84, 184, 277, 287, 301, 375, 391, 406, 420, 431, 453
Specialists
54, 65, 70, 73–74, 121, 158–159, 259, 285, 313–314, 460
Spectrographic analysis
161
Spini, Tarcisio
230
Spoerri, Daniel
406–407
Standardised conditions
461
Stout, George L.
10, 21–22, 26, 34–35, 44, 46, 48, 60, 62, 65, 82, 97, 106, 124, 126, 173, 259, 314
Straub, Rolf
92–96, 100, 102, 107, 111
Über die Erhaltung von Gemälden und Skulpturen
111
Stuttgart Art Academy
87, 93, 96, 102, 107, 109
Institut für Technologie der Malerei (Institute for Painting Technology)
105, 111
Subjective assessment
462
Symbolism of the object
462
Taubert, Johannes
91–92, 101–102, 104, 369, 375
Temple of Dendur, Metropolitan Museum of Art, New York
128
Thiis, Jens
184–187, 203, 205–206
Thomson, Garry
12, 268, 273, 279–281, 285–288, 297, 315–319
The Museum Environment
281, 297, 315, 317
Tinguely, Jean
406
Tintori, Leonetto
222, 230, 250–251
Titian
225, 230, 246, 263
Paul III and his nephews
246
Pope Paul III
225
Portrait of Pierluigi Farnese
230
Transfer (paintings conservation)
105–106, 264
UNESCO – United Nations Educational, Scientific and Cultural Organization
70, 431, 438, 443
Vall, Renée van de
1, 4, 409
Van Baburen, Theodor
202
Van Schoute, Roger
375
Varnish
Dammar
265–268, 461
Mastic
239, 265–268
Synthetic resins
106, 238–239, 267, 272, 286–287, 391
Tinted varnish
31–32, 100
Velázquez, Diego
239, 241
Venice Charter, 1964
103
Verband Deutscher Gemälderestauratoren, (VDGR)
84, 94–95, 101
Verdinelli, Oddo
230
Vereinigte Staatsschule für freie und angewandte Kunst, Berlin
85
Vergnet-Ruiz, Jean
155–157, 165
Vermeer, Johannes
160, 196, 347–348, 368
A Maid Asleep
347
Lacemaker
160
Vermehren, Augusto
13, 102, 246, 324–325, 333–334, 339–340, 343, 356
Verougstraete, Hélène
375
Viollet-le-Duc, Eugène
451
Walden, Sarah
53, 55
The Ravished Image
53–54
Wallraf-Richartz Museum, Cologne
14, 378, 386, 388, 390
Wartime storage
23–24
Manod slate quarry, Wales
258, 261, 263, 305, 308–311, 313–314
Wehlte, Kurt
3, 11, 82–88, 91–94, 99–101, 103, 105, 108, 111–112, 326
Weimar Republic
7, 82–84, 93, 97, 112
Weiner, Lawrence
407
Werner, Anthony E.
37, 166, 261, 266, 268–269, 277
Weyden, Rogier van der
161, 171, 376
Braque Triptych
161
Last Judgement
168, 171
Wharton, Glenn
4, 14
Wheelock, Arthur
374
Wilde, Johannes
88, 332
Wild, Martin de
2, 187, 261, 326
Willemsen, Ernst
92, 106
Willoch, Sigurd
190–191, 194–196, 198, 206–208
Wolters, Alfred
88
Wolters, Christian
2, 11, 82–83, 88–93, 96, 101–102, 105, 108, 111–112, 170
Yoruba
433