Chapter 10 Jockey and Jenny: English Broadside Ballads and the Invention of Scottishness
In: The Common VoicePurchase instant access (PDF download and unlimited online access):
Abstract
This essay examines the images of Scots portrayed in English broadside ballads of the seventeenth and early eighteenth centuries. On the one hand, ballads on political themes most often portrayed the ‘blue caps’ of Scotland as traitors and rebels. On the other hand, the wooing ballads of the period promoted an idealized ‘north country’ as a backdrop to the amorous adventures of ‘Jockey’ and ‘Jenny’. The discussion argues that the ‘Scotch’ tunes composed for songbooks, plays and broadsides in London during the late seventeenth century came to be adopted by the popular press in Scotland as it developed over the following generations. As a result, melodies of English provenance were naturalized north of the border and entered the repertoire of ‘Caledonian air’ that were to become such a defining feature of Scottish culture in the Georgian age.