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Index

in A Companion to Nō and Kyōgen Theatre (Vol. 2)
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Dar Hadith al Hassania
  • Vollständiger Text

Index

Page numbers in bold indicate illustrations and in some instances scores or tables. Pages for nō and kyōgen synopses are generally not included in the index; for these, see the respective summary sections.

Abbreviated Sarugaku Illustrations (Sarugaku zuryaku) 611, 632, 632
Abe Yoshishige (scholar) 566, 569
Actors
age 37, 330, 332, 527, 554, 822, 830, 832, 833
body (concept of/movement of) 150, 180–96, 251, 336, 339, 378, 456, 531, 533, 544, 545, 549, 551, 570, 575, 687, 698, 701, 703, 711, 713, 764, 821, 823, 827, 832
ado (role) 4, 5, 728, 757, 798, 1015
koado (“small ado”) 4, 5, 737, 807, 1028
aesthetics
in nō/kyōgen 211, 293, 339, 350, 380, 490, 497, 526, 527, 565, 567, 670, 682, 685, 689, 691, 815, 866
agemaku (curtain) 156, 349, 360, 741n5, 1015, 1024
ageuta (high-pitched song) 229, 230–31, 1015, 1044, 1048
ai (interlude) 158, 436, 728, 768, 997
kae ai 740, 767, 1024
ai kyōgen (interlude narratives) 158, 168, 171, 173, 220, 235, 238, 289, 330, 338, 343, 346, 353, 729, 743, 748, 749, 753, 765, 767, 781, 788, 789, 790, 792, 793, 802, 817, 818, 833, 1015, 1016, 1019, 1021, 1026, 1031
roles
ado ai 173, 174, 899, 918, 928, 934, 943, 967, 972, 983, 1016, 1037
omo ai 173, 175–79, 899, 918, 927, 934, 943, 967, 972, 98, 1037
Ai shimai tsuke (text) 793. tsuke aishō . see Go-on
Aizen Myōō (guardian king) 415. Fudō Myōō
alliteration
in nō 448, 449, 743
amateurs (shirōto) 8, 9, 56, 59, 65, 73, 76, 97, 100, 132, 316, 319, 324, 328, 330–31, 342, 351, 356, 368–71, 370, 377, 379, 468, 487, 520–22, 525, 526, 556, 558, 559, 560, 561, 562, 577, 617, 618, 619, 620, 647, 675, 784, 829, 834
amateur recitals 359, 363, 372–74
female amateurs 335, 336, 791, 1027, 1034, 1043
in Kyoto (kyōshu) 784, 1031
lessons 771–72
tesarugaku 629, 784, 1031, 1046
utaibon for 622–26
apprentices, Kurokawa nō
an’i (yasuki kurai; “level of ease”) 540
Ano no tsu, also Anotsu 44, 493, 500
apprentices 319, 327–30, 348, 377
approaches
to nō/kyōgen (empirical/theoretical) 68–71, 497, 498, 504, 567, 711, 727, 834
aristocracy
participation/interest in sarugaku nō 20, 31
in dengaku nō 31
in nō 491
patrons/patronage
Ariwara no Narihira (poet/courtier) 265, 281, 389, 398, 421, 424n47, 448, 459, 460, 462, 891, 915, 917, 945
Arnold, Paul (scholar) 859
ARTA . see Mnouchkine, Ariane
Ashikaga clan 42, 50, 51
Takauji 30
Yoshiaki 68
Yoshihisa 51
Yoshikatsu 45
Yoshimasa 45, 52
Yoshimitsu 37, 41
Yoshimochi 42, 458, 492
Yoshinori 43, 48
ashirai (instrumental passage) 195, 198, 228, 357, 1015, 1017
asobime (performer) 336. shirabyōshi
Aston, William George (scholar) 673
Asura (warrior hell; J. shuradō) 191, 195, 211, 236, 387, 412, 898, 913, 914, 924, 957, 960, 973, 1044
atsuita (nō costume) 253, 266, 269, 270, 746, 1015, 1029
audience
seats 30, 88n175, 90, 124, 360, 609, 610, 611, 612, 613, 615, 616, 714
corner (naka shōmen) 360
front (shōmen) 360
side (waki shōmen) 360
auspicious plays . see kyōgen: categories: fukujin mono
avant-garde 670, 677, 697, 704, 711
dengaku/sarugaku as 42
artists/groups 133, 570, 697, 700, 701, 703
theatre 526, 670, 697
Azuma nō kyōgen (troupe/movement) 111, 793
ba (act) 150, 158–63
maeba (first act) 158, 232, 434, 1016, 1031
nochiba (second act) 158, 232, 1016, 1035
Bai Juyi (poet) 119, 511
banquets
nō performance at 54, 75, 88, 92, 97, 110, 115, 368
Barrault, Jean-Louis (director) 11, 687, 698–700, 703
Beckett, Samuel (playwright) 133, 702, 774, 795, 835
Bénazet, Alexandre (scholar) 858
Benl, Oscar (scholar/translator) 862
Benkei . see Musashibō Benkei
binan (turban sash), also binan bōshi, binan kazura 735, 751, 753, 764, 832
Bing, Siegfried (Samuel) (collector/scholar) 675
Bing, Suzanne (actor) 686
biwa hōshi (blind musician) 32, 1016, 1046, 1051
blocking
in kyōgen 741–42, 772
Bohner, Hermann (scholar) 863
bōji (colored cloth) 278
booksellers
catalogues of (shojaku mokuroku) 655
Brazell, Karen (scholar) 154, 186, 187
breathing 209, 339, 531, 765, 767
Brecht, Bertolt (playwright) 11, 682, 686–89, 688, 701, 773
bricolage (tsuzure no nishiki) 565
bridgeway. See hashigakari
Britten, Benjamin (composer) 11, 697
Buddhism
Buddha 274, 407, 410, 416, 417, 424, 439, 445, 448, 449, 458, 459, 955, 957
buddha(s) 405, 406, 408, 410, 552
Amida (Amitabha) 403, 406, 410–11, 438, 893, 898, 920, 936, 964, 977
Gautama 802
Shakyamuni 407, 529, 896, 920, 957
Yakushi Nyorai 940, 957
bodhisattvas
Fugen (Samantabhadra) 495, 899
Hachiman 402, 403, 905, 924
Kannon (Avalokitesvara) 173, 407, 410, 411–13, 501, 905, 911
Monju (Manjushri) 283, 553, 905, 929, 955
Sengen 901
of song and dance (kabu no bosatsu) 398, 399, 459, 464, 917, 952
lineages
New Pure Land 784
Pure Land 384, 410, 812, 905, 914, 920, 964, 977, 982
Shingon 463, 646
Tendai 405, 410, 419
Zen 384, 404, 414–19, 493, 703, 857, 912
monks 26 (shuto), 27, 58, 59, 149, 261, 408, 444, 445, 521, 528, 565, 738, 784 (bōzushu). individual names
rituals . see hōe, shunie, shushōe
temples
Anrakuji 943, 944
Daigoji 32, 43, 56, 88, 489, 500, 1032
Daijōin 53, 56
Hōjōji 20
Hōkyōji 659
Honganji 58, 94, 106, 522, 559, 591, 784, 1029, 1042
(Higashi) Honganji 122, 155n3
(Nishi) Honganji 105, 608, 619
Hōryūji 32, 606n28, 777, 779, 796, 797
Hosshōji 20, 36
Hōzanji 503, 850, 1035
Kiyomizudera 173, 179, 411, 916, 917, 934, 937, 967, 970, 985, 992, 994, 995
Kōfukuji 20, 23, 26, 35, 36, 51, 59, 76, 78, 108, 461, 500, 503, 504, 606, 607, 633, 1026, 1028, 1029, 1041, 1045, 1049
Mōtsūji 27, 28, 778n23
Myōryakuji 27n26, 1041
Sōrinji 92
Tōdaiji 15, 503, 548, 550, 777, 778, 895. gozan
bugaku (court dance) 27, 193, 219, 407, 776, 907, 908, 1016, 1018, 1032
bunjin (literati) 386, 1016
bunraku 4, 339, 361, 669, 688, 704, 774, 826
Butai no zu (prop illustrations) 288, 289
Cagnoni, Paola (scholar) 861
Calza, Gian Carlo (scholar) 861
Casari, Matteo (scholar) 861
castles 59, 60, 607, 732, 787, 1037, 1043
Edo 75, 81, 89, 90, 98, 99, 109, 613, 638n70, 788, 790, 793
Hamamatsu 61, 62, 560
Morioka 467
Nagoya (Kyushu) 69, 70
Nijō (Kyoto) 74, 85
Okayama 81
Osaka 74, 75, 466, 612, 635
Sendai 468
Tanabe 559
Tsuruoka 96, 97
goten nō
Chamberlain, Basil Hall (scholar) 673, 674, 675, 676, 679, 681
chants: for styles of . see eight-beat metrical unit: chūnori, hiranori, ōnori; einori, matsu-bayashi, su-utai, utai, sashinori
China: for performance traditions influenced by . see bugaku, gigaku, tōgaku
chōken (outer robe) 220, 253, 256, 257, 258, 269, 270, 271, 579, 581, 1036, 1038
chorus (jiutai) 5, 151, 156, 161, 191, 209, 212, 225–26, 232, 302, 328, 349, 373, 456, 575, 1023
chorus area (jiiutai za) 156, 157, 1023
chorus leader (jigashira) 209, 212, 226, 332, 346, 353
Chūjōhime (court lady) 240, 410, 411
Claudel, Paul (diplomat/dramatist) 686–89
comic elements
in kyogen 3, 355, 476, 726, 728, 1031
comic players (okashi hōshi) 798. ado, ai, kyōgen-kata
imitation (modoki) 779, 780, 781, 798, 1033, 1040
in performance 19, 796, 817, 819, 823
in sarugaku 21, 22, 27, 28, 776, 777, 778
mimicry 18, 19, 798, 799
Copeau, Jacques (actor/director) 682, 686–87, 689, 698, 703
court music 203n23, 233, 602, 901, 969, 976
Bureau of Court Music 16, 969, 1018
See also gagaku
COVID -19
impact on nō/kyōgen 375n53, 376, 379, 773, 774
Craig, Edward Gordon (stage designer/director) 682–85, 687, 689
dan (section in instrumental dance/danced scene) 158–63, 219, 230, 233, 234, 236, 419
Kane no dan (“Bell Scene”) 172, 177, 190, 413, 1017
Sanbasō
momi no dan (“stamping section”) 24, 779, 994, 1040
suzu no dan (“bell section”) 24, 779, 944, 1040
dance . see mai
Daoism
concepts of 538, 540
deities 511, 965
immortals 900, 912, 969
wizards 505, 952, 981
Date clan
Masamune 467, 619
Shigemura 467
Shigezane 467
Yoshimura 656
de Ghelderode, Michel (dramatist) 838
de Poorter, Erika (scholar) 867
Decroux, Etienne (actor) 687, 698
deha (instrumentation) 237, 558
deities
Amaterasu Ōmikami 120n228, 279, 458, 529, 538, 900, 1022
Benzaiten 407, 513, 894, 900, 925, 978
Bishamonten, also Bishamon 20, 21, 754, 988, 990
Hachiman 403, 924, 985, 986
Kangiten 406, 504, 553
Katte Myōjin 983
Konohana Sakuyahime 407
Matarajin 406, 1032
Oshio 460, 461
Sumiyoshi Myōjin 407, 552
Tenman Tenjin (Sugawara Michizane) 403, 890, 898, 930, 931, 946
Zaō Gongen 407, 466, 891, 930
Deity plays . see nō: categories: 1st
Deme lineage (mask carvers) 598
Deshi
Kogenri Yoshimitsu 598
Echizen
Genkyū Mitsushige 598
Genkyū Mitsuzane 592, 598
Kogenkyō Mitsunaga 592, 598
Naka Mitsutada 598
Hokan Mitsunao 598, 761
Kodama
Ōmi Mitsumasa 248, 598
Ōno
Chōun (Yasuyoshi) 247, 592
Tōhaku (Mitsutaka) 242, 248, 598
Tōsui Mitsunori 598
Yūkan Mitsuyasu 598
Yūsui Yasuhisa 598
Zekan Yoshimitsu 242, 595, 597, 598
masks: carvers
demons (oni) 3, 7, 151, 152, 164, 220, 387, 390, 405, 491, 492, 492, 503, 510, 730, 736, 1037
expulsion of (oni oi) 21n14, 22, 23, 407
masks: nō
den/densho (transmission/treatise) 525, 815, 1017
kuden (oral transmission) 325, 768, 1017, 1030
dengaku. See also kanjin dengaku
dengaku nō 30, 31, 38, 46, 50, 608, 781, 1017, 1041
dengaku shinza 42
Dharma 413, 415, 551, 893, 986
dialogue 3, 4, 28, 29, 32, 159, 161, 167, 171, 174, 177, 179, 216, 389, 393, 414, 416, 424, 427, 442, 445, 489, 728, 743, 744, 763, 765, 767, 797, 799, 800, 806, 819
Discover Noh & Kyōgen (events) 358
Dōami . see Inuō
dōgi (robe) 273
dolls . see ningyō
Dōmoto Masaki (critic) 568
“dream” or “phantom” nō . see mugen nō
dressing room, also backstage (gakuya) 156, 606, 1019
gakuya-bataraki (backstage assistant) 330, 349, 1019
drums 5, 54, 70, 109, 150, 156, 202, 203–4, 204, 209, 217, 229, 233, 234, 236, 237, 275, 318, 331, 336, 507, 601–3, 1020, 1021, 1031, 1038, 1039, 1040, 1045. See also hayashi, kotsuzumi, ōtsuzumi, taiko
drummer’s calls (kakegoe) 150, 218, 200, 201, 221, 339, 1024
Edwards, Osman (scholar) 644, 674
eight-beat metrical unit 202, 205, 206, 207, 209, 210, 218, 227, 228
chūnori (half-beat) 207, 211, 229
hiranori (plain) 207, 208, 211–12
ōnori (whole-beat) 209–10
Eiho Eiyū (monk) 641
einori (poetic recitation) 206, 229, 230, 1017, 1022
Ekū (monk) 847
Emmert, Richard (scholar/practitioner) 472, 702, 867
Theatre Nohgaku 472, 473, 704
emperors
Antoku 913
Godaigo 401, 779, 930, 950
Gofukakusa 505
Gokomatsu 42, 44
Gomizunoo 86, 87
Goshirakawa 796n70, 943, 1022, 1040
Go-uda 985
Goyōzei 623, 634, 786
Kanmu 923
Meiji 114, 115, 120n227
Murakami 922
Ninmyō 963
Nintoku 939
Ōjin 434, 928
Sutoku 933
Tenmu 930
Toba 31
Yūryaku 981
Xuanzong (Tang-dynasty) 505, 926, 974, 981
empresses
Jingū 120, 403
Enami lineage (writers) 487, 488, 920, 975
Enami no Saemon Gorō 487, 488, 920, 975
engeki (drama)
debate regarding 568–69
engo (associated words) 421, 446, 448, 458, 1017
enkyoku. See sōka
ennen (entertainment after Buddhist ceremony) 27–29, 606, 607, 778, 779, 780, 796, 797
Enpō Tadamasa-bon (set of kyogen scripts) 788
entrance/exit music 150, 220, 228, 235–38, 237, 1015, 1020
entrance/exit scenes 166, 167, 169, 174, 179, 179, 230, 231, 284, 298, 301–2, 448, 1022
exaggeration
in kyōgen 726
expansion
in nō structure 179, 309
ezōshiya (seller of illustrated books) 653, 655
fans
folding (ōgi) 194, 234, 274, 275–78, 587–88, 675, 800, 909, 1043
chūkei 274, 276, 276, 277, 587, 1016, 1036
shizume ōgi 275, 276, 587, 588, 1036, 1043
round (uchiwa) 234
ha uchiwa 278
Tō uchiwa 194, 278
Farmers
as dengaku performers 50
as nō performers/chanters 96, 577
Kurokawa nō, kyōgen: categories: ohyakusho mono
favoritism
toward troupes 76, 81, 89, 103
female performers
in kyōgen 763, 785, 830, 831–34, 864
in nō 123, 124, 211, 334–41, 864
fujin nō 123, 124, 125, 126
Iwakura Chisako 335
Maruyama Tokie 338
Ōyama Yōko 339
Tsumura Kimiko 336, 338
Uzawa Hisa 340, 340
Yamashina Akiko 335
Yamashina Yaji 338
Yotsuya Chiyoko 338
in sarugaku 48, 49, 833, 1037
Yamashina Fujinkai 336
Fenollosa, Ernest (scholar) 647, 648, 679, 680, 682, 865, 1048
festivals . see matsuri
filial piety, stories of 163, 415, 438, 439, 824, 958
film, inspired by nō 12, 642, 690–94, 693
Finale plays . see nō: categories: 5th
Florenz, Karl (scholar) 862
flower arranging (ikebana) 557
Ikenobō school 557
folk performance
of kyōgen 727, 798. Sagi lineage
forgeries
of treatises 558, 562
Fróis, Luís (missionary) 63, 65, 66
Fudō Myōō (guardian king) 410, 895, 921, 967, 986. Aizen Myōō
fue (nō flute), also nōkan 5, 49, 54, 156, 197–99, 198, 199, 318, 331, 603–4, 1017, 1021, 1040
hayafue (“fast flute”) 220, 237, 716, 1017, 1021
player (fue-kata) 322, 1017, 1021, 1022
modes
banshiki chō 199, 218, 234, 300, 301, 305, 307, 1016
hyōjō chō 300n72, 301
ōshiki chō 199, 218, 300, 1016, 1038
sōjō chō 300, 301
Fūgyokushū (treatise) 534
Fujita Takanori (scholar) 312, 867
Fujiwara clan 633, 1026, 1028
Akihira 15, 18, 776, 777, 1017, 1043
Fusazaki 890
Hidehira 940
Kiyotsura 953
Moronaga 922
Nagayoshi, also Nagatō 542
Nakamitsu 931
Nakatomo 35
Sanetaka 951
Shunzei 164, 166
Takaiko 460
Tameaki 462
Tamaei 462
Teika 169, 462, 505, 552, 968
Toshiie 952
Yasumasa 947
fukkyoku (revived plays) 355, 739, 740, 772, 1018
Fulchignoni, Enrico (scholar) 861
Furukawa Hisashi (scholar) 856
furyū (performance style) 62, 63, 226, 510, 511, 514, 779, 780, 781, 798, 1017, 1018, 1026, 1033
furyū nō (theatrical nō) 159n7, 226, 510, 514, 781, 1018
Fūshi kaden 27, 34, 38, 387, 406, 407, 409, 493, 497, 499, 527–30, 531, 540, 544, 555, 560, 566, 579, 681, 822, 846, 851, 855, 863, 1018, 1033
Fushishōku hidenshō (treatise) 559n53
Fushizuke shidai (treatise) 534, 547
Fūzoku gahō (journal) 644, 648
gagaku (refined performing arts) 16, 18, 152, 199, 203n23, 300n72, 433, 602, 604, 953, 1016, 1018, 1038, 1046
Gagakuryō (Bureau of Court Music), also Utamai no Tsukasa, Utaryō 16, 1018
gaichi (Japan’s overseas territories) 120, 121, 128, 698
gakko (register) 16
sangakko 16, 17, 1018
gaku (dance) 219, 234, 298, 300, 303, 305, 716, 1016, 1018
gakutō (performance master) 43, 44, 59, 1032
gakutōshiki (Director of Performances) 500
garments, nō and kyōgen 253
gates
Rashōmon 510, 947
Namdaemun 121
Nandaimon 1028
Gei keikoden (treatise) 815, 816, 819, 821, 824, 1019, 1040
geidan (actor memoirs) 563, 770
geifū (“flavor”) 770, 773
gender 127, 151, 182, 211, 241, 297, 336, 337, 339, 378, 712, 751, 831, 832, 833, 864
Genji . see Minamoto clan
Genna uzukibon (utaibon) 625, 1019
genzai nō (“present-time” nō) 6, 9, 159, 164, 171–79, 233, 237, 239, 384, 389, 393–95, 401, 420, 433–40, 442, 453, 494, 504, 513, 519, 1019, 1039
gesture 7, 66, 170, 189, 275, 309, 310, 349, 430, 541, 542, 619
gigaku (masked mime performances) 16, 17, 775, 1019, 1032, 1043
Gikeiki (narrative tale) 400, 402, 518, 810, 899, 902, 903, 909, 927, 928, 955, 1019
Giroux Murakami, Sakaé (scholar) 859
Go-on (treatise) 221n29, 387, 488, 520, 542, 554, 559, 850, 1015, 1019
Go-on jittei 548, 549, 554, 560, 1019
Go-on no shidai 548, 552
Go-on sangyokushū 503, 548, 552, 554
Go-ongyoku jōjō 221n29, 542, 552, 1019
Go-on
singing styles in
aisho 387, 388, 542, 1015
rangyoku 387, 388, 507, 542, 1039
renbo 387, 388, 542, 1039
shūgen 222, 225, 387, 542, 1044
yūkyoku 387, 388, 542, 1050
Godel, Armen (scholar) 859
Goi (treatise) 152n2, 537, 850
Gonse, Louis (collector/scholar) 675, 676, 677, 678
goryōe (appeasement ritual) 17, 18, 19, 20, 1020
Gion goryōe 17, 20
goten nō (nō in palaces/castles) 607, 610, 615
gozan (“five mountains”) 508
Great Kantō Earthquake 127, 129, 616, 849n5, 850
Grosso, Piero (scholar) 860
Gundert, Wilhelm (scholar) 862
Hachijō-bon kadensho (treatise) 560, 561, 561, 580, 628, 629, 629, 1020
Hachiman gudōkun (text) 403
Hachimangū junpaiki (text) 403
haiden (shrine building) 608, 1028
haikai (poetry) 855
haikyoku (“abandoned”/“discarded” plays) 80, 465n113
haitōmai (awarding of government stipends) 36, 65, 71, 73, 76, 77, 787, 789, 1020, 1047
hakama (divided trousers) 252, 253, 254, 273, 275, 345, 346, 741, 748, 751, 753, 839, 1020, 1043, 1045
types
han-bakama 253, 273, 748, 749, 752
kukuri-bakama 253, 748, 749, 751, 753, 1020
naga-bakama 253, 272, 580, 747, 748, 751, 991, 1020
Hakkō sarugaku (performance) 36, 40, 1041
hakobi (walking) 181–86, 569, 764, 1020, 1045
Hana no Kai (society) 133
hane ōgi . see kata
happi (jacket) 253, 254, 262–64, 264, 269, 270, 580, 581, 1038
hashigakari (bridgeway) 30, 155, 156, 250, 299, 326, 349, 360, 363, 426, 604, 606, 607, 608, 611, 613, 617, 630, 741, 1015, 1016, 1020, 1024, 1043
Hashimoto Asao (scholar) 855, 857
Hashi no Kai (group of scholars/performers) 359
Hata no Kawakatsu, also Hada no Kawakatsu (legendary sarugaku founder) 406, 553, 848
hataraki (instrumental/action dance), also hataraki-goto 190, 194–96, 218, 219, 227, 235, 298, 299
hatsu omote (first performance with mask) 327, 345
Hattanda Tomoko (flute player) 339
hayashi (nō ensemble) 1021
hayashi-goto (instrumental passage) 227, 232–38, 1044
hayashi-kata (nō instrumentalists) 156, 374, 526, 558, 1018, 1021, 1035
Hayashi no koto (treatise) 554, 1021
Hayashi Tadamasa (dealer/collector) 676, 677
head of a troupe . see tayū
headgear 252, 253
eboshi 254, 268, 270, 405, 733, 1043
Heike . see Taira clan
Hiei, Mount 410, 521, 782, 811, 896, 909, 919, 946, 957, 986
hell 812, 890, 902, 923, 933, 938, 941, 944, 975, 978, 979, 987, 988, 998, 1001. Asura
Higaimoto Hikobei (instrumentalist) 558
Hiraizumi 27, 28, 645, 940
Hirata Kiichi (Hirata Tokuboku) (translator) 679
hitamen (roles without masks) 238, 336, 1021, 1039
hitatare (matched suits) 253, 271–74, 273, 580, 746, 748, 1039
hitoe (unlined garment) 262
Hitorigoto (text) 44, 503
hōe (Buddhist ritual service) 20, 1044
Hoff, Frank (scholar) 154
Hōgan mono . see Minamoto clan: Yoshitsune
Hogoura no sho (treatise) 64, 136, 553, 555, 1021
Hōjō clan 60
Tokimasa 978
Tokiyori 907, 969
hōkō nō (nō for Toyotomi Hideyoshi) 71, 466
Hon’ami Kōetsu (artist) 66, 604, 624, 1028
honji suijaku (doctrine) 408
hon kyōgen (independent kyōgen) 353, 354, 355, 357, 728, 833, 1021
honmen (original/model mask) 576, 594, 595, 1021, 1048
honza (original troupe) 30, 35, 36, 38, 50, 1017, 1030. za
honzetsu (plot sources) 395, 423, 1021
Hōonshō (text) 847
Hōreki Namekawa-bon (set of kyōgen scripts) 789
Horii Sensuke (performer) 95
Horike (Horike-dayū) 61n122, 69, 87
Horike (Kita) troupe 106
Hōshō (Kurō) lineage (nō)
Hōshō Kurō 110, 114, 563, 764
Shigetomo 80
Tomoharu 114, 116, 119, 126, 128, 647
Hosokawa clan 52, 53, 54, 82, 96, 559, 579, 600, 615, 1022
Morihisa 115
Myōan (Yukitaka) 559, 619
Tadaoki 70
Yokoo Motohisa 520, 975
Yūsai 559, 619
Hosokawa jūbu densho (treatise) 559, 619n50, 1022, 1035
ian kyōgen (relief kyōgen) 130–31
ian nō (relief nō) 130–31
Ichijō Kaneyoshi (scholar) 462, 503, 520, 548, 550, 1040
ichijōdai (platform) 282–84, 284, 745, 1022
iemoto, also sōke/iemoto seido 8, 99, 100, 118, 123, 124, 126, 127, 131, 154, 228, 271, 294, 318, 319–20, 321, 324, 327, 328, 330, 331, 352, 355, 362, 371, 372, 378, 379, 393, 472, 580, 624, 829, 833, 1022, 1040, 1045
Igarashi Chikara (scholar) 565
Ihara Saikaku (writer) 88n175, 146, 335, 381
Ii Naosuke (statesman/patron) 740, 814
Ikeda clan 87, 579, 659, 787
Mochimasa 116
Tsunamasa 81
Ikenouchi Nobuyoshi (scholar) 110, 331, 335
Ikkyū Sōjun (monk) 417, 546
Illustration of Viewing Nō (Kannō zu) 66, 634, 667
Illustrated Model of Nō, An, Kanō Shunko (artist) 391, 392, 490, 495, 501, 506, 511, 513, 517, 519, 521, 636, 637
Illustrated Nō Stories (Utai no ehon) 639, 640
Illustrations of Nō Stage Properties (Ōkura-ryū tsukurimono hiroku) (text) 279, 280, 281, 284, 285, 287, 291
imayō (popular songs) 780, 793n65, 797, 924, 1022, 1040
imayō no shosagoto (contemporary dance pieces) 716
imperial palace
performances at 88, 94, 108, 305, 784, 790, 791, 1020, 1031. goten nō
Important Intangible Cultural Property (jūyō mukei bunkazai) 317
Holders of Important Cultural Properties (jūyō mukei bunkazai sōgō shitei hojisha) 324, 338
improvisation 726, 727, 783, 788, 796, 820, 821, 1040
Inari (deity) 925, 926
Inariyama sanrōki (text) 548, 553, 1022
inori (exorcism dance) 195, 219, 235, 236, 1020
Inscription on Nobumitsu’s Portrait, The (Nobumitsu gazō san) 507, 509
instrumentation 205, 237, 290, 430, 558, 622, 765
Inuō, later Dōami 38–42, 307, 532
Iroha sakusha chūmon (list of plays) 385, 1022
iroiri (“with color”) 256
ironashi (“without color”) 256
Ise Sadayori (protocol steward to Ashikaga) 45, 54
Iseki lineage (mask carvers) 590n10, 592, 598
Ōmi
Iseki Kawachi Ieshige (Kawachi Daijō Ieshige) 243, 596, 598, 599, 754
Ōmiya Yamato Sanemori 598
masks: carvers
Ishimoda Shō (scholar) 568
issei (opening passage) 199, 206, 237, 430, 437, 1022
isse ichidai nō (“once in a lifetime nō”) 89, 90, 630, 1022, 1025
ISTA (International School for Theatre Anthropology) 701, 774, 836
Itchū (performer) 38, 39
Itō Anchū (performer) 560
Itō Masayoshi (scholar) 464, 504, 567
Itō, Michio (performer) 684, 686, 694, 696
Iwakura Tomomi (statesman) 114, 115, 118, 119, 335, 647
Iwanami Shigeo (publisher) 566
Iwanami Bunko (publisher) 566
Izumi Kyōka (writer) 691
Izumi lineage (kyōgen) 761, 766, 769, 775, 786, 790–91, 792, 794, 810, 811, 833, 1036
Junko 833
Miyake Tōkurō 790, 1033
Tōkurō IX 814, 1033
Miyake Tōkurō X (Izumi [Yamawaki] Shōko) 833, 1033
Motohide 833
Motoya 834
Ogasawara Tadashi 836
Kyōgen rikugi, Yamawaki lineage
Izumi Shikibu (poet) 952, 969
Japonisme 669, 675–78, 1022
jibun no hana (“temporary flower”) 529, 544
Jigoku no kusemai (dance) 409
Jika denshō (text) 518
Jikkanshō (treatise) 561, 562, 1023
Jikkinshō (text) 404
jikyoku nō (“current situation nō”) 120
jinji nō, also read shinji nō (sacred nō) 51, 58, 59, 88, 96–97, 105, 112, 373, 607, 608, 609, 1023, 1042
jinji sarugaku . see sarugaku
Jinkaishō (text) 223
jo ha kyū (scene progression) 537, 541–42, 545, 1023
Jōdokyō hihan (treatise) 548, 553
jōgami (old man’s wig) 261
jōju (consummation) 533, 541, 542, 547
jokotoba (preface phrases) 446, 448, 1023
Jōkyūki (narrative tale) 400
joyū mondai (“actress problem”) 336
jōza (beginning spot) 157, 159, 160, 161, 171, 227, 1024
Jūnijirō (performer) 500
Kabu zuinōki (text) 503, 548, 552, 1023
kabuki 4, 12, 76, 78, 95, 96, 106, 111, 112, 126, 127, 335, 336, 339, 349, 364, 451, 526, 563, 564, 568, 578, 616, 669, 670, 688, 702, 704, 765, 773, 774, 785, 787, 790, 795, 818, 826, 832, 833
kabuki-style nō 564
nōgaku and kabuki 714–17
Kaden dairoku kashu (text) 529, 850, 851
kagami no ma (mirror room) 149, 156, 250, 251, 348, 1015, 1020, 1024
kagami ita (mirror board) 156, 360, 1015, 1024
kagura (Shintō dance/song) 25, 193, 219, 234, 389, 529, 677, 905, 912, 931, 932, 938, 956, 968, 974, 978, 979, 1024, 1032
kai awase (shell-matching game) 655–56
kaichō nō (subscription performances) 97
Kairakusha (association) 115, 116
kakekotoba (pivot words) 421, 446, 448, 458, 673, 1024
kakeri (anguished/“mad” dance) 175, 194, 195, 235, 437, 716, 909, 1024
kakiage (reports) 99, 464, 592, 593–94, 1024
Kakinomoto no Hitomaro (poet) 462
Kakyō (treatise) 152, 418, 499, 527, 529, 530–35, 540, 541, 544, 545, 546, 548, 855, 1024
kamae (basic stance) 66, 181–82, 184, 196, 238, 327, 764, 1024–25
Kamenfu (text) 589, 592, 593–94
kami mai (deity dance) 218, 219, 234, 301, 407, 1032
kami-gakari (deity possession) 25, 1025
kamishimo (matched suit) 253, 271, 272, 746, 748
Kamo (no) Mabuchi (scholar) 101, 848
Kan’ami (Kiyotsugu) (playwright) 1, 7, 10, 37, 39, 40, 41, 46, 52, 231, 415, 486, 488–90, 491, 493, 498, 562, 589, 591, 779, 780, 781, 1018, 1025, 1035, 1050, 1051
Kanazawa 92, 95, 96, 321, 374, 792, 794
kanjin nō (subscription nō) 24, 38, 46, 48, 50, 51, 60, 62, 64, 74, 75, 84, 85, 87, 89–90, 94, 97, 105, 106, 107, 119, 334, 504, 605, 607, 608–10, 610, 614, 630, 635, 1022, 1025
kishin kanjin nō 89, 1025
kōgi kanjin nō 89, 1025
Kōka kanjin nō 90, 91, 605, 614, 630, 631, 632
kanjin sarugaku . see sarugaku
Kanjinchō 308, 716, 717
kankyoku 507
Kannon . see Buddhism: bodhisattvas
Kanō Naizen (artist) 635
kashiragane (“head metal”) 604
Kanze lineage
Hideo 132, 133, 690, 693, 698,702n97, 704, 707, 1025
Hisao 132, 297, 472, 569–70, 670, 692, 695, 697, 698–703, 703, 704
Kiyokado 119, 120, 121
Kiyotaka 109, 110, 114, 116, 647
Kojirō Nobumitsu 63, 487, 507–12, 522, 602, 642, 892, 895, 902, 924, 926, 929, 937, 945, 947, 948, 967, 975, 983, 984, 1018, 1026
Matasaburō 45–46, 51, 52, 508, 630
Motoakira 90, 97–103, 102, 294, 302, 305, 307, 469, 562, 613, 847, 976, 1026
Motohiro 516
(Jūrō) Motomasa 42, 43, 44, 498–502, 534, 695, 893, 937, 962, 972, 978, 983, 1025
Motoyoshi 491, 493, 497, 499, 534, 543, 549, 579, 1041
Saburō Motoshige, also On’ami 34, 42, 43, 44, 45, 46, 49, 50, 493, 499, 500, 503, 507, 562, 579, 630, 642, 1026, 1032, 1037
Saburō Yukishige 51, 52, 508
Sōsetsu 53, 55, 60, 62, 580, 591
Tetsunojō V 110
Tetsunojō VII 131, 1025
Tetsunojō VIII 132, 691, 695, 1025
(Yajirō) Nagatoshi 63, 487, 508, 512–15, 516, 847, 900, 922, 947, 959, 1026
Yoshimasa 329, 344, 370
Ochi Kanze lineage
karaori (kosode-style robe) 253, 255, 256, 257, 259, 269, 270, 581, 582, 583, 584, 585
Karatani Kōjin (critic) 708, 712
kariginu (nō costume) 264–66, 267, 268, 580, 1039
karuta (playing cards) 655–56
kata (pattern unit)
groups of
“design patterns” 186, 187, 189, 191, 192
“ground patterns” 186, 187, 192, 309, 1045
kata (conventions/protocols of performance)
of (Zeami) (fūtei)
Aged (rōtai) 183, 387, 535, 552, 554, 627, 1018, 1034, 1040
Woman (nyotai) 183, 387, 535, 552, 554, 627, 1018, 1034, 1036
Martial (guntai) 183, 387, 535, 554, 627, 1018, 1020, 1034
kataginu (vest) 253, 254, 272, 748–51, 750
katari (narration) 743, 767, 996, 1026–27
Katō Bansai (scholar) 847
Kawabata Yasunari (writer) 710
Kawamura Nō Butai (private stage) 363
kazoku
Kazoku Kaikan 114
kazoku nō (Peers’ Nō) 114, 115, 116, 1027
kazura (wig) 256
kazura nō/kazura mono . see nō: categories: 3rd
kazura oke (stool) 745, 1027
Keene, Donald (scholar) 861, 865
Kegon (C. Huayan) scholarly thought 550
keiko (training) 324, 332, 371, 1027
keiko nō (training nō) 105, 112
Keijo Shūrin (monk) 508
kemari (kickball) 515, 520, 996
kenkin nō (fundraising performance) 129
kikaku kōen (themed series) 358
Kiku (performer) 780, 781
Kim Hōn-uk (scholar) 846
Kimura Mohei (performer) 108
kinagashi (draping style) 255, 1026
Kindai yoza yakusha mokuroku (catalogue of performers) 790, 822
kirido (sliding door) 349, 360, 361, 1018
kirido guchi 1027
kiri nō . see nō: categories: 5th
Kita Furuyoshi (writer) 592, 593
Kita lineage
Minoru 470, 563, 1028
Roppeita XII 110
Roppeita XIV 120, 122
Kita Shichi-dayū Osayoshi (performer) 85, 1027
Kitagawa Utamaro (artist) 649
kitsuke (inner robes) 252, 259, 1015
kizahashi (stage steps) 155, 1028
koado . see ado
Kobatake Sakon’emon (performer) 87
Kōetsu utaibon (Kōetsu chant books), also Sagabon, Kanze-ryū utaibon 624, 626, 1028
kogaki (performance variations) 100, 151, 153, 284, 294–308, 346, 355, 1026, 1028, 1030
Koinu (performer) 47–48
Kojiki 402, 1028, 1034
kōjin (disruptive/dangerous deities) 406, 407, 553, 1028
kokata 5, 326
kokatsuji (old movable type) 561, 623, 624, 629
kōken (stage attendant) 156, 273, 289, 346, 348, 350, 1028, 1043
Kokin wakashū (poetry anthology) 397, 459, 462, 463, 908, 921
Kokin wakashū jo kikigaki: sanryūshō (commentary) 397, 463, 854, 1021, 1028–29
kokubungaku (national literature) 565
kokubungaku studies 711, 852
komagaku (Korean music/dances) 16n2, 1029, 1047. sangokugaku
komai (short dance) 765, 771n13, 1029
komi (marking of beats) 208, 209
Komiya Toyotaka (scholar) 566
Kongō lineage (nō)
Gonnokami 47
Hisanori 471
Ichijirō Ujishige 119
Kinnosuke 676
Saburō 75, 85
Tadachi 110, 112, 114, 116, 296
Tatsunori 306
Udaka Michishige (performer) 347
Ukyō 563, 599n22
Yaichi 75
Konishi Jin’ichi (scholar) 567, 714
Konjaku monogatarishū (collection of tales) 814, 817
Konparu lineage
Gonnokami 47, 488, 502, 958, 1029
Shichirō Motouji, also Sōin 51, 503, 549
(Hachirō) Yasuteru 71, 89, 466, 562, 563, 580, 1029
(Hachirō) Yoshikatsu, also Gyūren) 63, 522, 559, 623, 624, 1042
Korea 69, 120n227, 336, 623, 1018. komagaku
Kōri Torahiko (playwright) 694–95
Kōsai Tsutomu (scholar) 857
koshi obi (sash) 254, 259, 270
koshimaki (outfit) 257, 259, 262, 1036
kosode (“small-sleeved” kimono) 49, 88, 252, 254, 255, 261, 266, 269, 274, 287, 413, 581, 749, 751, 838, 1015, 1026, 1029, 1038
kotsuzumi (shoulder drum) 5, 49, 54, 60, 68, 70, 80, 86, 87, 109, 115, 150, 156, 197, 200–3, 201, 217, 275, 318, 322, 331, 334, 335, 336, 346, 373, 558, 601–3, 603, 641, 642, 1021, 1029, 1042
kotsuzumi-kata 1021, 1030
kōwakamai (performance art) 32
Koyama Hiroshi (scholar) 2, 454, 782, 853, 854, 1037
Kumogata-bon (text) 791, 792
kumorasu (“cloud the mask”) 251, 1030
kurai (“gravitas” of a piece, rank) 152–53, 221, 276, 295, 353, 355, 372, 1030, 1034
Kurematsu Shinkurō (performer) 70
Kurokawa nō 96, 374–76, 376
Kuromonchō geiwa (memoirs) 563
Kurosawa Akira (filmmaker) 691
Kurumaya utaibon (chant book) 223, 623, 624, 625, 854, 1030
kuse (dance) 190, 191, 192, 194, 231–32, 426, 866, 916, 949, 1030–31, 1042, 1044
kusemai (narrative sung to drum playing) 29, 32, 47, 231, 425, 426, 430, 432, 488, 489, 1025, 1031
Kyakuraika (text) 503, 543, 548, 1031
kyōgen
categories
atsume mono 731, 739–41, 1015
daimyō mono 731, 732–33
shōmyō mono, also Tarō Kaja mono 357, 731, 733–34
muko mono 731, 734–35, 1034
oni mono 731, 736, 1038
onna mono 731, 734–35, 1038
shukke mono 731, 738, 1044
waki kyōgen 217, 332, 357, 373, 730, 731–32, 1035, 1041, 1049
fukujin mono 730, 731–32, 1018, 1049
kahō mono 731, 732
ohyakusho mono 731, 732
yamabushi mono 731, 736–37
zatō mono 731, 738–39
in English 834–35
lineages . see Izumi, Nomura, Ōkura, Sagi, Shigeyama
plays
Akubō 741
Asaina 736, 802
Awataguchi 801
Bikusada 769
Bishamon renga 988
Bonsan 740
Bō shibari 733, 734, 772
Buaku 734, 753
Bunzō 743
Busshi 739, 745, 751, 802
Busu 733, 734, 743, 744, 802, 805–7, 807, 808
Chasanbai 740
Chatsubo 739, 743
Chidori 734
Chigiriki 735
Daikoku renga 989
Daisho 785, 787
Dobu katchiri 739
Ebisu Bishamon 731
Enmei bukuro 735
Fuku no kami 731, 754, 801
Fukurō 737, 801
Fumi ninai 734
Funawatashi muko 991
Fune funa 744
Fuse nai kyō 738, 777
Futari-bakama 734, 801, 802
Futari daimyō 734
Fuzumō 733
Gan tsubute 991
Hachi tataki 802
Hagi daimyō 733, 801
Hanago 435, 770, 794, 807–8, 813
Hanatori zumō 992
Hansen 811–13
Hige yagura 765
Hikoichi-banashi 740, 774, 815
Iedōji 811, 813
Igui 740
Inu yamabushi 737, 756
Imoji 802
Iori no ume 769
Iroha 740, 766
Jishaku 802–4
Kagyū 733, 737
Kaki yamabushi 390, 737, 836
Kamabara 735, 741
Kaminari 355, 736, 756
Kanaoka 769
Kanazu Jizō 739
Kane no ne 355, 743
Kani yamabushi 756
Kazumō 733, 757
Keimyō 740
Kenbutsu zaemon 814
Kirokuda 733, 768, 802, 809, 810–11
Kitsunezuka 734
Kiyomizu zatō 802
Ko no mi arasoi 740, 757
Koshi inori 737
Kubihiki 638, 755
Kuchimane 837
Kusabira 737
Makura monogurui 692, 769, 786
Mari zatō 739
Matsuyani 731
Mi kazuki 735
Mimihiki 71, 786
Mizu kake muko 735, 736
Mizu kumi 738
Mizushi 784
Morai muko 735
Nabe yatsubachi 732
Naki ama 738, 824
Nariagari 733
Nasu no Yoichi no katari 330, 767, 768, 802
Nawa nai 733, 743, 768
Negi yamabushi 737
Ne ongyoku 734, 744, 809–10
Negawari 740, 772
Negoe 809
Niwatori muko 734
Oba ga sake 745
Oko sako 735
Ongyoku muko 390, 792
Oni no mamako 736
Onigayado 740, 814
Rakuami 802
Renga nusubito 739
Sanbon no hashira 732
Sannin katawa 739, 858, 860
Saru muko 740, 756
Semi 740
Setsubun 736, 755, 757
Shibiri 733, 742, 766
Shidōhōgaku 756, 1000
Shimizu 733
Shinigami 740
Shūron 738, 802
Sora ude 734, 743
Suehirogari 646, 732, 745, 777, 799, 800, 801
Su hajikami 732, 743
Suō otoshi 733
Susugigawa 740, 741, 815
Takara no tsuchi 800
Tako 740, 756
Tanuki no hara tsuzumi 740, 769, 784
Tōjin zumō 740, 745
Tsūen 740, 802
Tsukimi zatō 739, 814
Tsukushi no oku 1002
Tsuribari 735
Tsurigitsune 716, 757, 768–70, 802
Uri nusubito 739, 802
Utsubozaru 117, 646, 766, 801, 804–5, 808
Yasematsu 739
Yawata no mae 801
Yobi koe 734, 743, 744
Yokoza 756
Yoroi 800
Yūzen 758, 765, 786
kyōgen kigo (“wild words”/fancy phrases) 778
kyōgen-kata (kyōgen player) 322, 374, 1018, 1031, 1035
Kyōgen rikugi (text) 791, 801, 802, 805, 807, 808, 809, 811, 1031, 1046
Kyōgenki (text) 791, 792, 841, 1031. Zoku kyōgenki
Kyūi (treatise) 537, 539, 552, 848, 1023, 1031, 1039
laughter 22, 727, 732, 733, 776, 816, 818, 825
libretto 529, 532, 533, 537, 545, 554
Living National Treasure (ningen kokuhō) 356n39, 772, 827
Lotus Sutra 410, 505, 894, 904, 905, 910, 913, 924, 936, 976, 984
ma (space between) 152, 201, 209, 212, 218, 220, 228, 344
machi yakusha (town performer) 82–85
Mae mae katatsuburi (kyōgen prototype) 779, 796, 797
Maeda clan 81, 82, 579, 595, 787
Gen’i 786
Nariyasu 85, 114, 115, 116
Shigemichi 814
Toshiie 71, 786
Toshinaga 96
Toshiyasu 612
Tsunanori 81
mai (dance) 233–34
ō no mai 17, 1036
onna mai 335
shishi mai 17, 555, 785, 1043
uchi no mai 622
mai-bataraki (vigorous dance) 195, 407
mai-goto (instrumental dance) 190, 1031
chū no mai 193, 233, 234, 235, 389, 511, 516, 1016, 1046
jo no mai 193, 203, 204, 218, 219, 233, 234, 300, 305, 307, 389, 430, 442, 505, 512, 894, 1023
kyū no mai 234, 1031
otoko mai 120, 218, 219, 233, 301, 412, 930, 1031, 1050
tennyo mai, also tennyo no mai 233, 894
maibayashi 83, 124, 275, 342, 343, 359, 364, 371, 372, 373, 1032
Majima En’an (connoisseur) 561
maki-e (lacquer technique) 601, 602, 603, 604
makura kotoba (pillow words) 446, 448, 1032
Malé divadlo kjógenu (theatre) 837
Mansai (monk) 43, 56, 1032
Mansai jugō nikki (diary) 43, 44, 1032
Man’yōshū (poetry anthology) 397, 846, 961, 962, 965, 1021
Marega, Mario (scholar) 861
martial, also military, arts 182, 192, 525, 557, 703
masks
bearers (menbako mochi) 767
carvers 590
chūsaku 593
jissaku 592, 594, 595
kosaku 592, 594
rokusaku 592, 594, 595
Bunzō (mask carver) 590, 594
Chigusa 590
Echi 590
Ishiōbyōe 590, 591
Koushi 590, 591
Miroku 40, 590
Nikkō 590
Shakuzuru (mask carver) 246, 589, 590, 591, 591, 594
Tatsuemon 590, 761
Tokuwaka 590
Yasha 590
Deme lineage, Iseki lineage
genealogies 593–94. Kamenfu
kyōgen
Buaku 753, 754, 755, 756, 756, 1001
Daitoku 754
Ebisu 676, 755
Kentoku 756, 757, 759
Kitsune (fox) 757
Noborihige 675n19, 753
Oji 675n19
Oto 762
Saru (monkey) 756
Tsūen 758
Usofuki, also Usobuki 757, 760
Yūzen 758
listings of 592
mask pads (men ate) 349
nō 239
Akujō 239, 246, 247, 1015
Asakurajō 239, 261, 1023
Beshimi 239, 246, 246, 754, 1015, 1027, 1038
Chichinojō 239, 248, 249, 778, 1037, 1042
Chūjō 239, 242, 243, 270
Deigan 239, 244, 245, 245
Dōji 239, 242, 243, 1039
Enmei Kaja 239, 248, 1037
Hakushikijō 239, 248, 249, 249, 753
Hakuzōsu 757
Hannya 239, 245, 245, 307, 1037, 1038
Hashihime 239, 1038
Heita 239, 243, 244, 1039
Ishiōjō 239, 243, 266, 1023
Kagekiyo 239
Kantan otoko 239, 1039
Kojō 239, 243, 244, 249, 1023
Kokushikijō, also Sanbasō 239, 248, 249, 753–54, 754
Komachi 239
Ko-omote 239, 240, 241, 305, 687, 1038
Kobeshimi 589, 590
Kurohige 239, 245, 246
Magojirō 239
Maijō 239, 243, 266, 1023
Masukami 239
Mikazuki 247, 248
Noborihige 753
Ōbeshimi 589, 590
Ōji 759, 762
Okina 22, 23, 24, 25, 40, 248–50, 249, 405, 406–7, 604, 634, 676, 754, 779, 1032
Rōjo 28, 239
Sanbasō . see above, Kokushikijō
Sankōjō 239, 596, 596, 1023
Saru (monkey) 30
Semimaru 239
Shakumi 242, 242, 1038
Shishiguchi 239, 246
Shiwajō 239, 243, 266
Tenjin 239, 589, 590
Tobide 239, 245, 246, 266, 589, 590, 1027, 1037
Uba 239, 242, 242, 1038
Waka onna 239
Yakan 239
Yamanba 239
Yase onna 239, 246
Yase otoko 239, 248, 1038
Yoroboshi 239
Zō onna 239, 240, 241, 305, 306
texts on carvers 592
types
jō men (old men’s masks) 1023, 1032
onna men (women’s masks) 1032, 1038
otoko men (men’s masks) 1032, 1039
Matsudaira, Masuko (nō enthusiast) 859
matsu-bayashi (celebratory chants) 47, 48, 52, 784, 1032, 1044
Matsumoto Shinpachirō (scholar) 778n21, 795
Matsuno Sōfū (artist) 642, 645
matsuri
Gion 17, 491
at shrines 26, 36, 58, 96, 374, 375, 771, 1042
Ōgisai 375, 376
Uji rikyū matsuri 35, 51
Kasuga Wakamiya onmatsuri 35, 35, 36, 40, 41, 50, 58, 334, 460, 461, 579, 607, 634, 1026
Mei no Kai (society) 133, 702, 1025
Meiji Restoration 8, 316, 359, 581, 599, 615, 640, 647, 708, 793–94, 1048
Meishukushū (treatise) 405, 406
Meiwa-bon, also Meiwa kaisei utaibon 100, 101, 102, 103n195, 1032
menjō (licensing system) 100, 372, 1022
mimetic imitation (monomane) 38, 545, 798, 863, 1025, 1033
Mergé, Salvatore (scholar) 860
michiyuki (travel song/passage) 29, 149, 160, 175, 421, 423, 440, 607, 728, 742, 743, 1032, 1047
mihakarai (rhythmic technique) 205, 309, 1032
miko (female spirit priestess) 31, 234, 334, 798, 974, 1033
Minamoto clan 388, 401, 421, 997, 1016, 1019, 1046
Tametomo 755
Tomonaga 971
Yorimasa 640, 905, 941, 947, 981
Yorimitsu 943, 947, 973
Yoritomo 402, 510, 892, 894, 895, 903, 938, 940, 956, 963, 982, 986
Yoshinaka (Kiso) 918–919, 924, 971
Yoshitsune 5, 243, 262, 326, 394, 400, 402, 410, 439, 510, 518, 810, 892, 898, 902, 903, 913, 928, 941, 954–55, 959, 963, 980, 982, 983, 1019
plays about (Hōgan mono) 518
Umewaka(maru) (Yoshitsune as child) 154, 898, 899, 909, 927, 928
minimalism 152, 671, 704, 728
Miscellaneous plays . see nō: categories: 4th
Mishima Yukio (writer) 446, 472, 694–95
Mitford, Algernon Bertram (diplomat/writer) 672, 673, 675, 681
mitsuji (“three-beat” drum pattern) 202, 207, 1033
mitsuji utai 207, 208, 209
Miyake (Izumi) lineage (kyōgen) 792. Izumi lineage
Miyamasu (playwright) 487, 517–19, 1033
Miyamasu Yazaemon Chikakata (performer) 60, 61, 558, 641, 642, 898, 911
Miyoshi Nagayoshi (warrior) 54
mizugoromo (over garment) 253, 259, 261, 262, 263, 1039
Mnouchkine, Ariane (performer) 704, 835
modern dance 526
modular structure 150. see shōdan
mokuzen shingo (“eyes ahead, mind behind”) 555
mondō (dialogue) 161, 1024, 1033
monogurui nō (“crazed person” nō) 387, 395, 420, 434, 436, 438, 439, 1024, 1033
monozukushi (exhaustive list/poetry) 1033
Mōri Mitsuya (scholar) 471
mōshiawase (rehearsal session) 341, 342, 343, 346–48, 347, 1033
Mōtan shichinshō (treatise) 553, 554, 555–56, 1029, 1033
Muccioli, Marcello (scholar) 861
mugen nō (“dream” or “phantom” nō) 6–9, 164–71, 393–94
Murata Jukō (tea master) 557
Musashibō Benkei (warrior-monk) 909, 954, 955, 959
musical annotations 29, 101
Museki isshi (text) 543, 1034
Museum of Fine Arts, Boston 601, 679
mushin (“no-mind”) 540
Musō Soseki (monk) 540n16
Myōsa-bon shimaitsuke (text) 619, 1022
Nagoya Nōgaku Ikuseikai 331
Nagoya Noh Theater 363
Nakamura Sankinshi (editor) 640
Nakamura Tōemon (compiler)
Zenpō zōtan 515, 556, 1051
Nan’ami (poet/warrior) 520
Nankō Sōgen (monk) 503, 548, 550
nanori (naming passage) 220, 227, 237, 420, 435, 728, 732, 741, 743, 1029, 1034
nanori-bue 220, 237
nanori za 742, 1023
Nara ehon (Nara picture-books) 639
narai mono (“training”/“mastery” pieces) 100, 295, 1034
National Noh Theatre 155, 332–33, 333, 352, 357–58, 361, 363, 365, 637, 638, 762, 795, 836, 1041
Natsume Sōseki (writer) 565
negi (shrine priest) 31, 778, 784, 788, 798, 997, 1034
nanto negishū 784
negi yakusha 83, 84, 1034
nenbutsu (Buddhist chant) 294, 410, 781, 913, 924, 936, 951, 952, 962, 964, 1000, 1034
Neo-Confucianism 549, 550, 551
netsuke 649–50, 656, 657, 658, 659, 677
Nihon bunkaron (“discourses on Japanese culture”) 567
Nihon Nōgakukai (society) 324
Nihongi, also Nihon shoki 402, 1034
chūsei Nihongi (text) 402
Shoku Nihongi 15, 1044
Nijō Yoshimoto (poet/stateman) 491, 532
Nika ichirin (treatise) 548
Nikkei Noh 359
nikyoku santai (“two arts and three modes”) 535, 536
Nikyoku santai ningyō zu (Figure Drawings of the Two Arts and the Three Modes) 182, 183, 492, 535, 536, 536, 552, 580, 619, 627–28, 628, 847–48, 1034, 1039
ningyō (dolls)
ishō ningyō 659
Nara ningyō 658, 659, 660
nō ningyō 576, 649, 659–60
Nishida Kitarō (scholar) 566, 568
Nishino Haruo (scholar) 855, 860
Nishio Minoru (scholar) 566, 569
nō
as UNESCO Masterpiece of the Oral and Intangible Heritage of Humanity 1, 317, 325
categories 163
1st (shobanme mono/waki nō/waki mono) (diety plays) 163, 388, 684, 731, 801, 1019, 1027, 1043, 1049
2nd (nibanme mono/shura nō/shura mono) (warrior plays) 163, 388, 389, 401, 408, 426, 432, 1019, 1024, 1034, 1044
3rd (sanbanme mono/kazura nō/kazura mono) (woman plays) 163
4th (yobanme mono/zatsu nō/zatsu mono) (miscellaneous plays) 163, 388, 389, 1019, 1050, 1051
5th (gobanme mono/kiri nō/kiri mono) (finale plays) 163, 388, 389, 521, 1019, 1027
commentaries 847
costumes 253. individual robe types
guilds
kami za (upper) 375
shimo za (lower) 375
influence
on anime/manga 692, 712, 713
on film 4, 12, 690–94, 693
plays
Adachigahara 236, 280, 285, 286, 330, 410. Kurozuka
Akechi uchi 466
Akogi 398, 861
Akoya no matsu 469
Ama 234, 245, 390, 402, 410, 705, 776, 810
Aoi no ue 80, 162, 236, 245, 287, 302, 389, 399, 409, 410, 690, 698, 706, 860, 867
Arashiyama 282, 404, 407, 516, 517
Aridōshi 387, 396
Asagao 463
Ashikari 234, 396, 441, 607
Ataka 299, 301, 307, 308, 336, 338, 394, 402, 508, 631, 636
Atsumori 233, 389, 396, 401, 427, 433, 443, 444, 445, 448, 475, 496, 860
Aya no tsuzumi 246, 860
Awadenomori 504
Bashō 203, 390, 392, 502, 504, 505, 507
Buō 466
Chikubushima 236, 264, 388, 407, 452, 455
Chōbuku Soga 518
Chōryō 404, 788
Chūrei 131, 471
Daie 236, 266
Dōjōji 68, 80, 94, 162, 234, 235, 281, 330, 334, 338, 353, 355, 375, 376, 402, 441, 632, 643, 715
Dōmyōji 403
Eboshi-ori 236, 264, 326, 394, 402
Eguchi 233, 289, 290, 404, 432, 489, 494, 495, 607
Ema 1, 388, 867
Enoshima 402, 512, 513, 514
Fujidaiko/Fujitaiko 234, 657
Fujisan 397, 463
Fujito 246, 261, 389, 867
Futari Shizuka 310, 402, 409, 706
Funa Benkei 236, 264, 265, 289, 290, 299, 326, 359, 402, 410, 510, 511, 690, 717
Funabashi 396, 861
Furu 402, 469, 470, 879
Gendayū 402
Genji kuyō 694
Genpuku Soga 518
Go 470
Hachinoki 672, 861
Hagoromo 80, 96, 162, 189, 192, 203, 206, 210, 215, 216, 220, 230, 232, 233, 240, 251, 257, 284, 287, 300, 302, 305, 306, 307, 310, 336, 607, 643, 645, 672, 694, 698, 858
Hajitomi 280, 399, 426, 698, 867
Hakozaki 403, 469, 470, 607
Haku Rakuten 119, 459, 463
Hanagatami 232, 434, 435, 438
Hanjo 389, 396, 435, 436, 437, 706, 729, 808
Hashi Benkei 153, 326, 402, 858
Hashitomi (Hajitomi) 280, 281, 399, 426, 698, 867
Hatsuyuki 516, 517
Higaki 387, 389
Hitachiobi 403
Hōjōgawa 403
Hōkazō 389, 414, 415, 417
Hyakuman 124, 236, 298, 326, 387, 389, 410, 438, 639, 640, 749, 781
Ikkaku Sennin 516
Ikuta Atsumori 516, 517, 914
Iwatesan 467
Izutsu 203, 233, 254, 256, 257, 259, 271, 281, 283, 284, 398, 420, 423, 425, 427, 430, 432, 433, 438, 448, 494, 504, 606, 654
Jinen koji 235, 287, 387, 389, 413, 414, 489, 500, 781
Kagetsu 235, 266, 326
Kakitsubata 203, 236, 299, 389, 398, 399, 443, 459, 463, 464, 692
Kamo 80, 233, 236, 266, 356, 388, 395, 504
Kamo monogururi 504
Kanameishi 467
Kanshōjō 403
Kantan 298, 300, 302, 303, 304, 441, 442, 639, 640, 686, 687, 694, 698
Kanawa 330, 389
Kappo 50
Kashii 403
Kashiwazaki 298, 434, 487, 488
Kasuga ryūjin 504
Kasui 514
Kawazu 397, 504
Kayoi Komachi (Shii no shōshō) 236, 299, 387, 389, 441, 488, 500
Kennyo 470
Kinsatsu 459, 463, 633
Kiku jidō 234, 264, 278, 282, 326
Kinuta 469, 474
Kiyotsune 295, 302, 387, 401, 433, 607, 924
Kochō 234, 511
Kogō 394, 504
Koi no omoni 387, 590
Kokaji 236, 282, 283, 301, 690, 867
Kono hana 466
Kōso 404, 508
Kosode Soga 234, 389, 394, 518, 519
Kōtei 510, 511
Kōya sankei 466
Kumasaka 402
Kurama tengu 236, 278, 326, 402, 518
Kurozuka 236, 280, 281, 286, 330. Adachigahara
Kuruma-zō 278
Kureha 390
Kusanagi 402
Kusenoto 402
Kuzu 130
Magusabune 814
Makiginu 125, 234, 408, 409
Matsukaze 196, 233, 234, 285, 287, 290, 310, 387, 472, 494, 657, 706, 716, 867
Matsumushi 234, 397,463, 504
Matsura, also Matsura Sayohime 396, 469, 470
Matsuyama tengu 139
Mekari 403, 504
Michimori 287, 401
Midare 330, 1021
Miidera 29, 171, 172, 173–79, 190, 285, 412, 438
Miikusabune 471
Mimosuso 402
Minase 861
Minazuki-barae 469
Miwa 82, 234, 279, 280, 288, 310, 389, 396, 408, 625
Mochizuki 235, 326, 330, 690
Momijigari 117, 236, 510, 716
Morihisa 411–12, 498, 500, 501
Motomezuka 389, 396, 441, 493, 494, 691, 781
Mumyō no I 471, 474
Nagasaki no seibo 471
Nakifudō 404
Naniwa 390, 391, 397, 407, 459, 463
Nishikido 402
Nishikigi 396, 441, 447, 684
Nomori 390
Nonomiya 189, 203, 234, 389, 399, 400, 430, 433, 438, 441, 504
Nue 130, 496, 497, 941
Nureginu 504
Obasute 153, 353, 367, 396
Ochiba 399
Ōeyama 264, 390
Ohara gokō 130, 394, 469, 504, 626
Oimatsu 233, 387, 388, 403, 459
Okinawa zangetsuki 471
Oku no hosomichi 470
Ominameshi 397, 463, 657
Omokage 471, 689
Onna to kage 471, 689, 690
Ōmu Komachi 337
Oni kirazu 814
Orochi 402
Oshio 389, 398, 460–61, 464, 504, 507
Ōyashiro 512, 513, 513
Raiden 403
Rashōmon 510
Rinzō 512, 513
Sagi 330, 698
Sagoromo no nō 520, 522
Saigyōzakura 203, 266, 280, 290, 291, 389, 396, 438
Sakahoko 80
Sakuragawa 236, 289, 290, 292, 434, 437
Sanemori 203, 389, 390, 391, 401, 408, 410, 495, 496
Sanshō 279, 389
Saoyama 504
Seiōbo 240, 517
Seiganji 402
Sekidera Komachi 94, 95, 261, 716
Senju/Senju Shigehira 506
Sesshōseki 130, 264, 281, 390, 404, 804
Settai 402
Shakkyō 282, 288, 330, 390, 698, 716
Shari 236
Shibata 466
Shigehira 469
Shikisanban 22n16, 51, 239, 248, 405, 732, 753, 767. Okina
Shinran 470
Shirahige 234, 284
Shōjō 220, 233, 259, 326, 330, 390, 659, 698
Shōki 504
Shōkun 404, 452, 455
Shōzon 236, 402, 513, 647
Shunkan 289, 290, 394, 674
Sotoba Komachi 236, 262, 337, 409, 415–17, 444, 445, 463, 489, 490, 702, 860
Suma Genji 399
Sumidagawa 293, 294, 389, 410, 438, 455, 456, 498, 500, 501, 502, 690, 697
Sumiyoshi mōde 80
Sūpā nō Zeami 472
Suriage 467
Susuki 470
Tachibana 466
Tadanobu 402
Tadanori 159, 164, 165, 166–71, 179, 185, 192, 227, 228, 230, 236, 261, 262, 266, 290, 292, 387, 389, 401, 421, 422, 423, 425, 428, 429, 432, 433, 447, 495
Tadatsu no Saemon 469
Taema 390, 402, 410–11, 691
Taishi 466
Taisanpukun 469, 470
Takasago 68, 80, 96, 203, 234, 247, 261, 285, 388, 397, 405, 407, 428, 433, 440, 453, 456, 459, 463, 606, 650, 651, 653, 658, 659
Tamakazura 399, 504, 507
Tamanoi 402
Tamura 278, 389, 504, 694, 696
Tanikō 442, 687
Tatsuta 234, 504, 507
Teika 280, 296, 443, 502, 504, 505, 506
Tenko 234, 389, 867
Tetsumon 470
Tōboku 432, 861
Tōbōsaku 516, 517
Tōgan Botō 504
Tokusa 300, 396
Tomoakira 502
Tomoe 389
Tomonaga 203, 302, 501, 502, 579
Torioibune 289
Tōru 234, 265, 285, 290, 298, 299, 387, 390
Tōsen 289
Tsuchigumo 122, 281, 282, 297, 390, 392, 717
Tsuchiguruma 488
Tsunemasa 236, 698
Tsurukame 234, 303
Ugetsu 233, 504, 507
Ukai 294, 299, 463, 487
Ukifune 387, 399, 520
Ukon 240, 459, 463
Umegae 234
Uneme 297, 304, 305, 397, 432
Unrin’in 265, 389, 463
Utaura 409, 498, 500
Utō 195, 235, 246, 261, 287, 298, 396
Yamanba 236, 239, 298, 310, 474, 861, 866
Yashima 236, 243, 262, 330, 401, 438, 740, 767
Yōkihi 404, 441, 504, 505
Yorimasa 401, 438, 640, 644, 852
Yōrō 684, 694
Yoroboshi 307, 498, 500, 502, 695
Yoshino mōde 466
Yoshino Shizuka 402
Yoshino tennin 241
Youchi Soga 394, 518
Yugyō yanagi 266, 280, 300, 389, 396, 441, 512, 861
Yumi Yawata, also Yumi Yahata 234, 403, 459
Yūgao 399, 657
Yuya 233, 285, 300, 389, 384, 504, 639, 861
Zegai 266, 278, 390, 404, 410, 521
Zenji Soga 414
plays, in English
Blue Moon over Memphis 472, 704
Crazy Jane 472, 705
Emily 704
Gettysburg 704
Pagoda 704
stage (butai)
honbutai (main nō stage) 155, 154–58, 157, 604, 1016, 1021, 1024
jōbutai (permanent stage) 106, 608
oku butai (inner stage) 103, 104, 612, 613, 1037
omote butai (front/public stage) 103, 109, 612, 1037
temporary stage 94, 121, 126, 127, 363, 607, 612, 630
Nō no tomechō (nō program) 295, 296
Nōhon sakusha chūmon (index of playwrights) 512, 513, 518, 521, 847, 1026, 1035
nō-gakari, also mai kyōgen (parodies of nō) 739, 740, 758, 802, 808, 1035
nō-like nō 563, 568
nodo (bamboo tube for fue) 198, 199, 1017
Nōgaku gahō (journal) 125, 564
Nōgaku geiwa (memoirs) 563
nōgaku hōkoku (patriotism nō) 130
Nōgaku Kyōkai (society) 317, 321, 338, 761, 769, 775, 829, 833, 1035
Nōgaku Runessansu no Kai (society) 133
Nōgaku Yōseikai (training program) 331
nōgakudō (nō halls) 126, 128, 132, 348, 351, 352, 359–63, 367, 378, 607, 613, 615–17, 1035
Cerulean Tower 363
Hōshō 118, 128, 129, 340, 362, 616
Kanze 118, 131, 352, 362
Kita 118, 352, 362, 616
Kongō 329, 352, 362, 616
Kyoto Kanze Kaikan 362
Nagoya 363
Ōshima 363
Ōtsuki 362
Shiba 112, 116, 117, 118, 119, 120, 615, 616
Toyota City Concert Hall-Nohgakudō 363
Yarai 329, 702
National Noh Theatre
Nōgakusha (society) 112, 116, 118, 123, 615. Kairakusha
nōgakushi (nō/kyōgen performers) 12, 323, 324, 1035
joryū nōgakushi/josei nōgakushi (female nō performer) 339
Nogami Sōichi (scholar) 861
Nogami Toyoichirō (scholar) 569, 670, 709, 714, 827, 849, 850–51, 853, 861, 1035
Noguchi Kanesuke (performer) 563
Noguchi Yonejirō “Yone” 682
Noho Theater Group 834, 835
Nōhon sakusha chūmon (text) 512, 518, 521, 847, 1026, 1036
Nōhon sanjūgo-ban mokuroku (list of playscripts) 503, 1035
nōkan . see fue
Nō Mask Template Diagrams (Nōmen kirigata zu) 590–91, 591, 592, 596, 1035–36
Nomura (Izumi) lineage (kyōgen)
Kōsuke (Manzō) 690, 792, 814, 835, 836
Mannojō IV (Nomura Man) 696, 757
Mansai 691, 693, 704, 705, 707, 795
Mansaku 695, 697, 700, 701, 703, 770, 772, 815
Izumi lineage
noncanonical plays (bangai kyoku) 98, 385, 386, 464–75, 1016
Nose Asaji (scholar) 543, 567, 569, 709, 851–52
noshime (robe) 253, 261, 262, 307, 1029
nuihaku (robe) 253, 257, 259, 260, 269, 270, 581, 751, 753, 831, 1029, 1036
nyōbō kyōgen (women’s kyōgen) 832
Ochi Kanze lineage (nō)
Jūrō 560
Oda clan
Nobukatsu 68–70
Nobunaga 68, 69, 785, 786, 789, 1036
Nobutada 68
Ogata Kenzan (artist) 88
Ogata Kōrin (artist) 88n177
Ogawa Shichirō (performer) 834
okakae yakusha, also ote yakusha (hired performer) 60, 83, 84, 790, 1036
okashi (alternate name for kyōgen player) 49, 799, 780, 798, 1037
Okina 7, 20–29, 24, 31, 32, 37, 38, 59, 90, 239, 249, 250, 330, 334, 390, 405–6, 580, 647, 658, 732, 785, 798, 848, 1025, 1036, 1042, 1049
Ōkōchi Toshiteru (scholar) 568
ōkuchi (pleated trousers) 259, 261, 264, 266, 268, 269, 270, 271, 273, 294, 717, 748, 751, 1020
Ōkura lineage (kyōgen)
Hachiemon Kiyotora 816
Yaemon Toraakira, also Toraaki 749, 789, 790, 802, 817–23
Yaemon Torahiro 789
Yaemon Torakiyo 785, 786, 787, 788, 789, 790, 811, 816, 820, 822, 1037
Yaemon Torazumi 789
Ōkura goke kyōgen
Ōkura goke kyōgen (kyōgen of five Ōkura families) 352
Ōkura Kurō (instrumentalist) 558
Old Illustrations of Nō and Kyōgen (Ko nō kyōgen zu) 749
omonarai (demanding plays) 334, 353, 355
Omote Akira (scholar) 2, 40, 154, 159, 504, 530, 567, 569, 651, 853, 854, 855, 856, 857, 1037, 1050
omote o kiru (“cut with the mask”) 251, 1037
omote o tsukau (“using the mask”) 251, 1037
Ongyoku go-on (treatise) 554, 1037
Ongyoku kowadashi kuden (treatise) 850
Ongyoku kuden (treatise) 221, 534, 560
Ōnin Disturbances (Ōnin bunmei no ran) 50, 51, 52, 53, 55, 56, 59, 384, 461, 487, 514, 581, 783, 1026, 1038
o-nari nō (visit nō) 81
onna shibai (women’s theatre) 335
Ono no Komachi (poet) 261, 415, 445, 921, 944, 953, 960, 961
Ōno nō theatre 615
onomatopoeia 728
ōraimono (educational books) 651
oral imitation (kuchimane) 771, 847
oral instruction/“traditions” (kuden) 221, 325, 529, 535, 546, 548, 559, 560, 563, 768, 850, 851, 1017, 1030.
den/densho
Orikuchi Shinobu (scholar) 568
oshirabe (tuning sequence) 149, 349, 1024, 1038
ōsode (“broad sleeve” robe) 252, 254, 274, 1038
Ōta Shōgo (playwright/director) 702, 711
Ōtani Tokuzō (scholar) 855
Otozuru (performer) 498
ōtsuzumi (hip drum) 5, 49, 54, 70, 150, 156, 197, 200–3, 201, 207, 208, 217, 225, 275, 318, 331, 348, 355, 507, 558, 601–2, 603, 621, 1021, 1029, 1030, 1033, 1039, 1040, 1042
ōtsuzumi-kata 322, 1021, 1039
Ōuchi Norihiro (daimyō) 549, 1019
Oyudono no ue (no) nikki (diary) 784
patrons/patronage 14, 39, 41, 44, 45, 50, 60, 61, 62, 71–73, 75, 76, 77–78, 80, 82–85, 97–103, 112, 119, 316, 368, 458, 465, 515, 559, 581, 640, 676, 775, 781, 782, 783, 793, 813, 1027
Pavolini, Corrado (playwright/director) 860
pentatonic scale 212, 221, 222
performance venues 359–63. nōgakudō
Péri, Noël (scholar) 645, 673, 686, 858
Perzyński, Friedrich (scholar) 677n28, 862
pillars
nō stage
fue-bashira 155, 1017
metsuke-bashira 155, 157, 1032, 1045
shite-bashira 155, 157, 349, 1043
waki-bashira 155, 1049
Pinnington, Noel John (scholar) 866
Pitt Rivers Museum 601, 676
playscripts 8, 9, 10, 486, 487, 503, 525, 847, 850, 856. Nōhon sanjūgo-ban mokuroku
playwriting . see Hogoura no sho, Sandō
plot 386
poetry . see renga, waka
Pound, Ezra (poet) 680, 682–85, 695, 697, 709, 864
practical knowledge (embodied) 342
princes
Fushimi no Miya Sadafusa 45, 334, 782, 1025
Kanmon nikki 45, 47, 48, 49, 334, 782, 1025
Shōtoku 553, 982
princess
Shokushi 443, 505, 968
professional actors 64, 120, 328, 342, 379, 526
theories by 563–64
progression 179–80
properties . see tsukurimono
puns 448, 489, 601, 743, 765. kakekotoba
Qian Daosu (scholar) 845
ranbyōshi (dance type) 235, 334, 562, 798, 897
rangyoku (singing style) 387, 388, 507, 542, 1039
rank . see kurai
renbo (singing style) 387, 388, 542, 1039
renga (linked verse) 12, 384, 399, 425, 446, 447, 448, 461, 467, 487, 491, 508, 515, 520, 532, 735, 739, 847, 988, 989, 996, 999, 1039
Renondeau, Gaston (scholar) 858
Revon, Michel (scholar) 858
rhythm
“congruent”/“matched” rhythm (hyōshi ai ) 205, 206–7, 215, 227
noncongruent or unmatched rhythm (hyōshi awazu) 205–6, 224, 227
riken no ken (“vantage from vision apart”) 555
rinjisai (special festival) 778, 798
Rodriguez, João (missionary) 63, 64, 65, 612
rōkaban (hallway attendants) 77, 78, 79, 80, 98, 1039
Rokurin Ichiro (treatise) 547, 549–51, 562, 1029, 1039–40
Rokurin ichiro gaishō 548
Rokurin ichiro hichū 504, 548, 550
Rokurin ichiro kyokumi 548
Rokurin ichiro no ki 503, 548, 550, 1040
Rokurin ichiro no ki chū 548
Rokurin kanjō hiki 548
Rokurin Ichiro, Shigyoku chū 547, 1039
roles of passage 765–71
Rupert, Bonaventura (scholar) 861
Ryokusenkai (nō troupe) 337
ryūgi, also ryūha (stylistic school) 9, 74, 76, 97, 182, 183, 217, 293, 318, 319, 320, 322, 332, 346, 350, 352–55, 359, 377, 587, 785, 787, 789, 792, 800, 812, 1016, 1022, 1024, 1028, 1040, 1043, 1049
ryūjin mono (“dragon-god plays”) 504
ryūteki (“dragon flute”) 604
Sado Island 44, 60, 493, 503, 543, 794, 896
Sado Sagi-ryū Kyōgen Kenkyūkai (society) 830
Sagi lineage (kyōgen) 829–31
Banō 829
Den’emon Yasunori 788, 816, 817–21, 823, 1040
Gonnojō 793
Niemon Sōgen 787, 788–89, 811, 812, 1016, 1040
Sado 830, 831, 856, 1019, 1040
Yamaguchi 829, 830, 831
Sagi-ryū kyōgen densho Kyōho Yasunori-bon, also Saga Yasunori-bon, Yasunori-bon 788, 812, 813, 816, 824, 1019, 1040, 1050
saidōfū (“intricate movement”) 387, 1040, 1050
Saigyō (monk/poet) 31, 291, 358, 396, 899, 933, 949, 951, 974, 984
Sajiki kuzure no dengaku (event) 29–31
Sakabe Megumi (philosopher) 570, 711
Sakamoto Setchō (critic) 564, 568, 645
Sakurai, Joji (translator) 644, 673
Sakurama Banma (performer) 115, 116, 563, 645, 647
Sakurama Kyūsen (actor) 563, 690, 692
Sanbasō (role) 24, 24, 753, 767, 778, 779, 781, 822, 944, 1040, 1042
Sanbasō (dance) 716, 732, 794
san’yaku (three supporting roles) 794
san’yaku kenshū (study of the three arts) 332, 333, 1041, 1050
Sanari Kentarō (scholar) 159, 454, 849, 852
Sandō (treatise) 152, 158, 159, 387, 426, 446, 535, 537, 549, 863, 1040
sangaku
origins
sanyue/sanle 7, 16, 1040
tōsangaku 16, 1040–41, 1047
sangokugaku (“Entertainments from the Three Kingdoms”) 16, 16n2, 1041. komagaku
Sangoku denki (narrative tale) 31
Sanjōnishi Sanetaka (courtier) 57, 508, 521, 522
Sanetaka kōki 521, 522
sarugaku 19–29
jinji sarugaku 43, 51, 1023
Ōmi sarugaku 36, 38, 39, 41, 42, 59, 1046
onna sarugaku, also nyōbō sarugaku 48, 56, 334, 335, 833, 1037
sarugaku nō 30, 31, 38, 40, 42, 46, 47, 49, 56, 123, 460, 780, 781, 785, 798, 1041
Tanba sarugaku, also Settsu or Kawachi 68, 793
Sarugaku dangi . see Zeshi rokujū igo sarugaku dangi
Sarugaku engi (treatise) 548, 1041
Sasano Ken (scholar) 856
sashi (recitative passage) 224, 227, 232, 425, 1041, 1044
sashinori (rhythmic system) 206, 229, 230, 1041
Satow, Ernest (diplomat/scholar) 110, 672, 673, 675
Savarese, Nicola 774, 836, 838
sayū (“left-right” pointing sequence) 187, 188, 191, 620
Scenes In and Around the Capital (Rakuchū rakugai zu) 609, 610, 635
sengoku daimyō (daimyō of the Warring Provinces) 50, 52, 59, 60, 62, 70
Senjūshō (tale collection) 404
senu hima (“gaps between”) 546
Senzai (character) 23, 24, 24, 250, 330, 944, 1042
setsubun 22, 899, 1042, 1044
shaman 302, 408, 409, 736
Shibuya-dayū 57, 60, 87
Shudōsho (treatise) 100, 542, 780, 781, 782, 804, 815, 817, 848, 1044
shidai (formal opening song) 166, 220, 226, 227, 228, 230, 236, 607, 1031, 1042, 1044
Shidō yōshō (treatise) 507, 548, 552, 1042
Shigeyama (Ōkura) lineage (kyōgen) 646, 740, 761, 774, 794, 814, 815, 838, 857
Akira 834
Chūzaburō 355
Chūzaburō III 692
Ippei 835
Sengorō XI, also Sensaku III 692, 795
Sensaku I 646
Sensaku IV 692, 693, 695, 759, 772, 815, 824
Shigeru 737
Shime, also Sengorō XII, Sensaku IV 692, 695, 835, 836
Shigyoku (monk) 503, 547, 550, 1039
Shikadō (treatise) 531, 535, 540, 545, 552, 559, 847
shiki nō (ceremonial nō) 129, 789, 793
Shiki shūgen (treatise) 549
shikigaku (official ceremonial art) 74, 79, 334, 526, 594, 800, 817, 1042
of warriors (buke no shikigaku) 76
shimai (nō dance) 103, 124, 132, 189, 190–92, 193, 275, 326, 335, 342, 343, 350, 351, 359, 363, 371, 372, 373, 1017, 1023, 1027, 1042
Shimin Kyōgen Kai (society) 795
Shimoi Harukichi (scholar) 860
Shimotsuma Shōshin, also Shimotsuma Nakataka (monk-performer) 70, 288, 289, 522, 559, 589, 591–93, 619, 1027, 1029, 1042, 1044, 1045
shinden (living quarters) 611
shingeki (“new theatre”) 670, 859, 1042
shinsaku kyōgen (“newly written kyōgen”) 739, 740, 795, 1042
shinsaku nō (“newly written nō”) 10, 120, 131, 337, 355, 356, 386, 465, 470–74, 860, 1042, 1048
Shin sarugakuki (text) 15, 18, 19, 776–77, 1043
shinshi nō (gentlemen’s nō) 122, 123, 124
Shintō-Buddhist syncretism 551
Shintō
priests 58, 149, 264, 440, 736, 737, 997. negi
shrines
Hachimangū 96, 924
Imagumano (Imakumano) Jinja 37, 41, 489
Kamigamo Jinja 36, 105, 1025
Kasuga Jinja 96, 374, 375, 579
Kasuga Taisha 23, 25, 26, 31, 35, 50, 58, 83, 110, 298, 633, 634, 634n62, 778, 784, 790, 895, 920, 976, 1026, 1028, 1049
Kasuga Wakamiya Jinja 29, 798
Katte 409, 903, 983
Kitano Tenmangū 94
Kōfukuji-Kasuga Taisha 633–34, 778, 779, 787
Kumano 408
Itsukushima Jinja 579
Matsuo Taisha 105
Mizuya Jinja 83, 633
Shimogamo Jinja 1025
Sumiyoshi Taisha 36
Tennokawa (Tenkawa) 500
Toyokuni Jinja 608
Wakamiya Jinja 31
Yasaka Jinja 17
Yasukuni Jinja 118, 646
shinza (new troupe) 30, 35, 36, 42, 780, 1017, 1030
shirabyōshi (performer) 336, 402, 430, 562, 603, 798, 898, 906, 911, 947, 1022, 1043
shirasu (white pebbles) 155, 360, 612, 1043
shirotare (off-white hair) 266
shirōto . see amateurs
shite (nō role)
shite-kata 1018, 1022, 1035, 1043
shite ichinin shugi (shite-centered performance) 851
Shizuka Gozen 287n60, 402, 510, 902
shōdan 226–38
types
hayashi-goto 227–28, 232–38, 1044
shijima-goto 227–28, 238
utai-goto 227–28, 229–32
shōgun senge nō (inauguration nō) 85, 612, 1044
shoin (study quarters) 611
Shōki 511, 926, 958
shōmoji (chanters/outcast performers) 47, 48, 56, 95, 1044
Shōtetsu (poet/writer) 462
shūgen nō (congratulatory/celebratory nō) 300, 390, 1044
Shūgyoku tokuka (treatise) 499, 527, 538–42, 545, 548, 549, 550, 567, 851, 1044
“the wondrous” (myō) 538–40
“the flower” (hana) 520, 538–40, 543–46
“the interesting” (omoshiroki/menbaku) 538–40, 539
Shūi gusō (poetry collection) 505, 552
shunie (New Year ceremony) 20, 21, 22, 25, 26, 1038, 1044
shushi (incantation masters) 21, 22, 23, 1045
shushi-bashiri 23, 24, 1044–45
shushōe (New Year ceremony) 20, 21, 22, 25, 27, 36, 405, 406, 407, 1038, 1044
shuto (Buddhist monks) 26
Sieffert, René (scholar) 699, 702, 859
sode o kazuku (draping style) 274
sode o maku (draping style) 274
sodenashi (sleeveless robe) 252, 253, 254
Sōdenshō (treatise) 559, 589, 591, 592, 1045
Sōgi (poet) 462
sōka, also sōga (fast songs) 28, 29, 225, 1017, 1045
solfège (shōga) 218, 346
Sōmyō Tadasuke (performer) 329
Sōtekishō (treatise) 620
stencilled designs (on textiles) 253, 255, 257, 257, 260, 271, 581, 747, 749, 831
Stopes, Marie C. (Carmichael) (scholar) 644, 674, 675, 681
su-bayashi (instrumental pieces) 357
su-utai (“singing nō chants”) 92, 335, 359, 373, 465, 468, 1045
subjectivity 544, 546
Sugawara (no) Michizane, also Tenman Tenjin 119, 403, 863, 898, 944, 946, 947
sugoroku 649
ban-sugoroku 652n84
e-sugoroku 652–55, 654, 655, 656
utai sugoroku 653n85
sumai no sechie (wrestling ceremonies) 19
sumi (corner) 157, 1045
Suminokura Soan (artist/merchant) 624
suō (matched suit) 253, 271–74, 294, 580, 746, 747, 748, 1039
suriashi (sliding steps) 181, 183, 196, 327, 764, 1020, 1045
surihaku (“imprint gold leaf”) 253, 255, 257, 259, 260, 1029
sutra 20, 36, 410, 412, 416, 417, 447, 493, 505, 539, 540, 587, 892, 894, 898, 899, 904, 905, 910, 911, 913, 921, 923, 929, 933, 934, 935, 936, 937, 939, 940, 942, 947, 963, 969, 984
systematization 63
of troupes 73–76
of performance styles 76, 577, 617, 618, 792, 1035
tachiai (“facing each other”) 30, 32, 35, 47, 49, 89, 635, 1045
Tachibana Morikuni (artist) 640
tachi-geiko (practice form) 344, 771, 1045
Tada Tomio (immunologist/playwright) 471
Tadasugawara kanjin sarugaku 630, 783, 784, 802, 805
Tadasugawa kanjin sarugaku nikki (text) 579
Taiheiki (historical narrative) 30, 400, 401, 404, 804, 805, 1045
taiko (stick drum) 5, 54, 70, 109, 150, 156, 202, 203–4, 204, 209, 217, 229, 233, 234, 236, 237, 275, 318, 331, 336, 507, 601–3, 1020, 1021, 1031, 1038, 1039, 1040, 1045
taiko-kata 1021, 1045
Taira clan 164, 387, 388, 401, 421, 444, 447, 997, 1046
Atsumori 444, 475, 496, 892, 893, 914
Kenreimon’in [Tokushi] 943
Kiyotsune 924
Kiyomori 906, 925, 943, 959
Michimori 934
Munemori 985
Noritsune 913
Shigehira 506, 954, 956, 957
Tadanori 164, 168, 169, 170, 185, 192, 266, 269, 270, 271, 496, 905, 906, 960, 963, 964
Tomomori 289, 410, 510, 902, 913, 970
Tsunemasa 697, 973
Taishō Democracy 8, 123
Takechi Tetsuji (director/critic) 472, 693, 695, 717, 774, 795, 815
Takeda Gonbei Hirosada (performer) 848
Takeda Hōin Jōsei (doctor) 487, 521
Takemoto Mikio (scholar) 530, 855
takigi nō (“torchlight”/“firelight” nō) 26, 35, 36, 40, 41, 51, 68, 76, 77, 108, 375, 633–34, 1026, 1041, 1045
Tale of Genji, The (Genji monogatari) 3, 389, 396, 399–400, 401, 426, 433, 447, 448, 487, 491, 505, 520, 680, 708, 846, 897, 906, 910, 942, 961, 966, 975, 984, 999, 1019, 1021, 1046
Tale of the Heike, The (Heike monogatari) 31, 163, 292, 388, 394, 396, 400, 401, 402, 426, 432, 433, 447, 475, 491, 495, 859, 893, 902, 905, 906, 913, 914, 916, 919, 922, 924, 925, 929, 934, 936, 938, 942, 943, 948, 951, 954, 955, 956, 959, 960, 964, 971, 973, 974, 980, 981, 985, 996, 1016, 1021, 1046
Tale of Sagoromo, The (Sagoromo monogatari) 520
Tale of Saigyō, The (Saigyō monogatari) 31
Tale of the Soga Brothers, The (Soga monogatari) 400, 518, 519, 895, 904, 926, 983, 984, 986
Tales of Ise, The (Ise monogatari) 4, 389, 396, 398–99, 409, 423, 426, 443, 447, 459, 462, 463, 494, 854, 915, 917, 945, 972, 976, 977, 978, 1021, 1023, 1046
Tamba Akira (musicologist) 859
Tanaka Makoto (scholar) 854, 855
Tayasu Munetake (literatus) 98, 99, 101, 848
tayū, also -dayū (troupe leader) 34n38, 38, 40, 43, 55, 56, 74, 75, 77, 79, 100, 109n209, 512, 557, 1046, 1050. individual names
tea ceremony (chanoyu) 70, 82, 86, 369, 508, 515, 578, 651, 717
Ten Ox-herding Pictures 550
tengu 4, 236, 246, 266, 268, 278, 301, 386, 390, 518, 521, 562, 736, 815, 896, 917, 922, 927,,928, 929, 933, 986, 1015
tenka ichi (“best under heaven”) 597, 598n20
Tenri-bon . see Kyōgen rikugi
Tenshō kyōgenbon, also Tenshō-bon (text) 775, 786, 799–800, 803, 804, 805, 806, 807, 808, 811, 856, 1046
terakoya (temple school) 649, 651
terasu (“lighten the mask”) 251, 1046
Teriha Nō (teriha nō) (group) 335, 564
teriha kyōgen (group) 833, 840
tesarugaku (amateur sarugaku troupes) 55–59, 60, 64, 70, 86, 87, 106, 123, 619, 629, 783, 784, 785, 787, 791, 809, 1031, 1046
Tessenkai (nō group) 69, 701
Theatre of Yugen 704, 834, 835
tōgaku (Chinese performances) 16, 1029
Toida Michizō (critic) 567
Toki Zenmaro (poet/songwriter) 470
Tokuemon (Chōmei Jinroku) (performer) 785, 787, 790, 811, 1016
Tokugawa clan: shogunate (bakufu) 34n38, 60, 62, 71, 73, 75, 77, 82, 89, 90, 95, 108, 109, 110, 294, 464, 526, 576, 579, 580, 592, 594, 599, 604, 612, 613, 647, 669, 787, 866, 1042, 1049
Ieharu 97, 99, 101, 103
Iemitsu 76, 637, 823
Ienobu 76, 82, 83, 469, 637, 813
Ieshige 97, 98, 99, 103, 390
Ietsuna 77, 83, 89
Ieyasu 60, 66, 68, 70, 71, 73, 74, 99, 560, 785, 786, 787, 788, 811, 1036, 1040, 1047
Nariaki 467, 814, 918
Tsunayoshi 78–81, 469, 613
Yoshimune 97–103
Yoshinao 790, 1049
Yoshinobu 104, 109
Tōkurō shinsaku kyōgenshū (text) 814
Tokyo University of the Arts (Tōkyō Geijutsu Daigaku) 331, 337, 706
Toppa (performer) 784, 785
Toraakira-bon 749, 789, 790, 801, 805, 806, 807, 808, 809, 811, 813, 820, 1037, 1047
Torahiro-bon 789, 792
Torakiyo-bon 789, 820, 1037
Torikai Dōsetsu (nō amateur/calligrapher) 62, 223, 623, 624, 625, 625, 1030
tōryō (troupe heads) 526
Toyohara Chikanobu (Yōshū) (artist) 104, 115, 642, 647–48
Toyohime Tokushi 656
Toyotomi clan 82, 561
Hidetada 75, 76, 89, 788, 790, 1027
Hidetsugu 62, 560, 619, 847
Hideyori 74
Hideyoshi 36, 62, 65, 68–71, 72, 74, 75, 368, 465–66, 560, 594, 597, 604, 619, 623, 634, 635, 785, 786–87, 1020, 1029, 1039, 1042, 1046, 1047
hōkō nō
tozama daimyō (“outside daimyō”) 82
training
in childhood/puberty 326–30
treatises
for overview . see 525–74 (ch. 6)
individual titles
trickster 751, 800, 904, 945
troupes . see za
Tschudin, Jean-Jacques (scholar) 860
tsuboori (draping style) 259, 261, 1026
Tsuchi-dayū, also Ōtsuchi (performer) 780, 782, 783, 817
tsuina (ritual) 20, 21, 22, 23, 25, 26, 27, 407, 1038, 1042, 1044, 1047
tsuji nō, also tsuji utai (“nō at the crossroads”) 94, 1047
tsuke 62, 77, 559, 577, 617–18, 621, 622, 1047
hayashitsuke 618, 620, 1021
katatsuke (choreography notations), also shimaitsuke 342, 522, 577, 618–20, 1027
tsukurimonotsuke 618, 1048
Tsukioka Gyokusei (artist) 642, 646
Tsukioka Kōgyo (artist) 304, 640, 643–45, 648, 644
Tsukioka Yoshitoshi (artist) 643
tsukizerifu (arrival statement) 423, 1047
tsukuri nō (nō without known source) 395, 1047
tsukurimono (stage property) 278, 329, 1047
tsukurimono shi 629
Tsuruya Shichirōemon (merchant) 87
tsuyogin (dynamic mode) 212–14, 215, 222, 224, 225, 231
tones
chū on 212, 213, 231
ge no chū on 212, 213
ge on 212, 213
jō on 212, 214, 230, 231
tsuzuke (“continuous beat”) 202, 203, 207, 1033, 1048
tsuzuke utai 207, 208, 1033, 1048
uchideshi (apprentice) 320, 328, 327–30, 329, 331, 377, 1048
uchi no mai 622
Uji Gen’emon (performer) 790
ukiyo-e 78, 649, 653, 655
Umewaka lineage
Minoru I (performer), also Rokurō 110, 112, 113, 114, 115, 116, 118, 119, 123, 297, 615, 643, 647, 648, 674, 679, 1048
Minoru II 694
Minoru IV 297, 354, 472
Usagi-dayū (performer) 52, 783, 784
utai (nō chant) 54, 63, 87, 91–93, 109, 111, 121, 124, 132, 197, 198, 205–14, 217, 221, 223, 302, 335, 556, 558, 560, 565, 604, 622, 623, 643, 650, 651, 784, 810, 824, 1027, 1030, 1032, 1048
utaibon (chant books) 11, 54, 55, 62, 63, 65, 66, 77, 92, 100, 214, 217, 221, 224, 225, 227, 252, 327, 341, 342, 343, 368, 371, 375, 467, 578, 618, 619, 622–26, 645, 1021, 1026, 1028, 1030, 1049
koutaibon 578, 640, 651–52, 653, 655, 656, 1030
See also Genna uzukibon, Kōetsu utaibon, Kurumaya utaibon, Meiwa-bon
utaikō (chant groups/assemblies) 54, 86, 90–93, 1048
utaizome (first nō chants of the year) 87, 96, 109, 1048
utsushi (a copy) 576, 1021
Uzawa Hisa (performer) 340
waka 12, 230, 396, 397, 399, 409, 420, 421, 424, 430, 437, 448, 459, 462, 463, 487, 498, 505, 520, 529, 532, 542, 545, 552, 828, 912, 921, 944, 949, 953, 956, 1023, 1029, 1032, 1039, 1046, 1048–49
waki (nō role) 1049
waki-kata 322, 526, 557, 558, 1018, 1022, 1035, 1049
waki tsure 4, 351, 166, 351, 1023, 1047, 1049
Waley, Arthur (scholar) 680, 681, 686, 687, 709
Waranbegusa (text) 592, 790, 811, 815, 816, 818, 820, 821, 822, 823, 1037
Warrior plays . see nō: categories: 2nd
Wars
Asia-Pacific 120
nō during 129–32
First Sino-Japanese, nō during 119–21
Genpei, nō about 164n8, 387, 408, 426, 764, 895, 898, 928, 980, 1016, 1046
Imjin 69
Russo-Japanese War, nō during 119, 120
World War II, nō during 297, 368, 376, 378, 469, 471, 564, 564–67, 645, 695, 705, 708, 740, 771, 773, 775, 795, 824, 825, 849–53, 855, 856, 861
Waseda Shōgekijō, later SCOT Company 774
Watanabe Moriaki (theatre specialist) 570, 701, 703, 703, 704, 711, 724
Weber-Schäfer, Peter (scholar) 863
wigs (kashira) 238, 243, 256, 261, 266, 268, 274, 301, 308, 349
Wig plays . see nō: categories: 3rd
Woman plays . see nō: categories: 3rd
yagai nō (outdoors nō) 127, 128
yamabushi (mountain ascetic) 261, 266, 733, 737, 737, 741, 751, 764, 801, 892, 922, 929, 943, 954, 990, 993, 994, 995, 997, 998, 1049
Yamaguchi Masayoshi (Ryōshū) (artist) 642, 646–47
Yamaguchi Sagi-ryū Hozon Kyōkai (society) 830
Yamamoto lineage (kyōgen) 761, 857, 1049
Norihide 807
Norishige 807
Tōjirō I 115, 794, 1040
Tōjirō III 827
Tōjirō IV 795, 824, 827–29, 1049
Yamamoto Chōbei (bookseller) 625
Yamashina family (nō) 36, 37
Tokujirō 336
Tokitsugu 784
Tokitsune 784n42
female performers: Yamashina Akiko, Yamashina Yaji
Yamato 16, 21, 27, 40, 460, 488, 528, 556
Yamato sarugaku/troupes 27, 36, 38, 39, 40, 42, 44, 45, 46, 47, 49, 52, 57, 60, 71, 406, 489, 608, 784, 789, 857
Yamato sarugaku yoza (troupes) 34n38, 36, 37, 40, 74, 75, 76, 77, 488, 595, 787, 1046, 1049, 1050
Yamawaki lineage (kyōgen) 791, 792
Gorōzaemon Gensuke, also Izumi Motoyoshi 790, 1049
(Izumi) Motonaga 791
(Izumi) Motonari 791
(Izumi) Mototomo 791
Izumi lineage
Yamazaki Gakudō (critic) 564, 568, 645
Yamazaki Masakazu (scholar) 866
Yanagita Kunio (scholar) 567–68
Yasuda Zennosuke (collector) 849
Yeats, W. B. (William Butler) 11, 133, 456, 472, 677, 680, 681, 682–86, 689, 694, 701, 865
At the Hawk’s Well 686
yin and yang 200, 399, 459, 460, 464, 547
Yokomichi Mario (scholar) 2, 154, 159, 186, 227, 315, 471, 568, 569, 694, 702, 714, 853, 854, 857, 1037, 1044, 1050
yōkyoku (nō play texts/librettos) 565, 567, 1031, 1050
Yōkyoku kuden (text) 563
Yōkyoku shūyōshō (text) 464
Yōkyokukai (journal) 128
Yoshida Kanemasa (Kenshō) (aristocrat) 512, 847
Yoshida Tōgo (scholar) 526, 527, 564, 849–51
yowagin (melodic scale) 212, 214, 215, 222, 223, 231
tones
jō on (high) 212, 214, 230, 231
chū on (middle) 212, 213, 231
ge on (low) 212, 213, 231
Yoza yakusha mokuroku (biographical catalogue) 61, 223, 334, 560, 1050
yubimen (finger masks) 577, 649–50, 656–59, 661, 658, 1050
yūgen 8, 487, 492, 496, 504, 551, 555, 817, 818, 863, 1024, 1036, 1050
Yuima hakkōe (ceremony) 36
yūjo nō (courtesan’s nō) 334
Yuriko Doi (performer/director) 834
Theatre of Yūgen 704, 834, 835
Yūzaki Gennyū (performer/physician) 848
za (performing troupes/groups) 34, 36, 779, 1050
Chōmei 785
dengaku 35, 37, 1017
Enman’i 36, 40, 553, 1049, 1050
Hie 36, 44, 45, 46
Hōjō 36
Hōshō 36, 40
Kanze 37, 40, 41, 43, 44, 45, 46, 57, 71, 780, 1050
Kita 75, 76
Konparu 780, 1029
Sakado 36, 40, 1049, 1050
sarugaku 34, 37, 1041, 1050
Tobi 36, 40, 1049, 1050
Yata 36
Yūzaki 36, 40, 1049, 1050
honza, shinza
Zeami (playwright/composer) 490–98, 1051
treatises 527–43
as philosopher 543–47, 1051
classification of nō plays 387–88
individual titles for treatises
Zeshi rokujū igo sarugaku dangi, also Sarugaku dangi (discourse) 31, 37, 38, 39, 40, 41, 42, 293, 307, 403, 487, 488, 491, 502, 520, 543, 554, 566, 579, 589, 590, 591, 592, 593, 594, 599, 609, 619, 780, 783, 789, 815, 816, 820, 849, 851, 859, 1029, 1041, 1051
Zenchiku (playwright/composer) 502–7, 1029
treatises 547–53. individual titles for treatises
Zenpō (playwright/composer), also Konparu Zenpō 515–17, 1029
treatises 553–57. individual titles for treatises
Zhuo Zuoren (scholar) 845
Zōami (performer) 38–42, 245, 492, 642
Zobel, Günter (scholar) 863
Zoku kyōgenki 809, 814, 1031. Kyōgenki

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A Companion to Nō and Kyōgen Theatre (Vol. 2)

Reihe:  Handbook of Oriental Studies. Section 5 Japan, Band: 19/2
Cover A Companion to Nō and Kyōgen Theatre (Vol. 2)
ISBN:
9789004722781
Verleger:
Brill
Print-Publikationsdatum:
20 Dec 2024
  • Fachgebiete
    • Kunstgeschichte
      • Drama & Theaterwissenschaft
      • Japanische Kunst
    • Asien-Studien
      • Japan
      • Geschichte
      • Literatur & Kultur
Front Matter
Preliminary Material
Copyright Page
Preface
Illustrations
Notes on Contributors
6 Treatises and Criticism
7 Material Culture of Nō and Kyōgen
8 Reception
9 Kyōgen
10 Research Overview
11 Appendices
Back Matter
Glossary
Index

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