Bibliography
Editions and Commentaries of Ancient Works
Amato, E., Ventrella, G. 2009. I progimnasmi di Severo da Alessandria. Berlin: De Gruyter.
Bowen, A.J. 2013. Aeschylus. Suppliant Women. Oxford: Phillips.
Brink, C.O. 1971. Horace on Poetry. The ‘Ars Poetica’. Cambridge: Cambridge University Press.
Broadhead, H.D. 1960. The Persae of Aeschylus. Cambridge: Cambridge University Press.
Cannatà Fera, M. 1990. Pindarus. Threnorum fragmenta. Roma: Edizioni dell’Ateneo.
Centanni, M., 2003. Eschilo. Le tragedie. Milano: Mondadori.
Diels, H., Kranz, W. 1951–1952. Die Fragmente der Vorsokratiker, 3 vols. Berlin: Weidmann.
Finglass, P.J. 2011. Sophocles. Ajax. Cambridge: Cambridge University Press.
Friis Johansen, H., Whittle, E.W. 1980. Aeschylus. The Suppliants, 3 vols. Copenhagen: Gyldendal.
Fuhrmann, M. 1982. Aristoteles. Poetik. Stuttgart: Reclam.
Garvie, A.F. 2006 [1969]. Aeschylus’ Supplices. Play and Trilogy. Bristol: Bristol Phoenix Press.
Garvie, A.F. 2009: Aeschylus. Persae. Oxford: Oxford University Press.
Griffith, M. 1983. Aeschylus. Prometheus Bound. Cambridge: Cambridge University Press.
Griffith, M. 2013. Aristophanes’ Frogs. Oxford: Oxford University Press.
Gudeman, A. 1934. Aristoteles. Peri Poietikes. Berlin / Leipzig: De Gruyter.
Hall, E. 1996. Aeschylus. Persians. Warminster: Aris & Phillips.
Halliwell, S. et al. 1995. Aristotle, Poetics. Longinus, On the Sublime. Demetrius, On Style. Cambridge, MA / London: Harvard University Press.
Hordern, J.H. 2002, The Fragments of Timotheus of Miletus. Oxford: Oxford University Press.
Hutchinson, G.O. 1985. Aeschylus. Septem contra Thebas. Oxford: Clarendon Press.
Janko, R. 2010. Philodemus, On Poems. Books Three and Four. With the Fragments of Aristotle, On Poets. Oxford / New York: Oxford University Press.
Jebb, R.C. 1905. Bacchylides. The Poems and Fragments. Cambridge: Cambridge University Press.
Kaibel, G. 1999 [1899]. Comicorum Graecorum Fragmenta. Vol. I. Fasciculus prior: Doriensium Comoedia Mimi phlyaces. Hildesheim: Weidmann.
Kassel, R., Austin, C. 1986. Poetae Comici Graeci. Vol. V: Damoxenus—Magnes. Berlin / New York: De Gruyter.
Lanata, G. 1963. Poetica pre-platonica. Testimonianze e frammenti. Firenze: La Nuova Italia.
Lanza, D. 1987. Aristotele. Poetica. Milano: Rizzoli.
Lucas, D.W. 1968. Aristotle. Poetics. Oxford: Clarendon Press.
Maehler, H. 1989. Pindarus, Parts II. Fragmenta-Indices. Leipzig: Teubner.
Maehler, H. 1997. Die Lieder des Bakchylides. Zweiter Teil II: Die Dithyramben und Fragmente. Leiden / New York / Köln: Brill.
Maehler, H. 2004. Bacchylides. A selection. Cambridge: Cambridge University Press.
Mastronarde, D.J. 1994. Euripides. Phoenissae. Cambridge: Cambridge University Press.
Müller, C.W. 2000. Euripides, Philoktet. Testimonien und Fragmente. Berlin / New York: De Gruyter.
Murray, G. 1937. Aeschyli septem quae supersunt tragoediae. Oxford: Oxford University Press.
Murray, P. 1996. Plato on Poetry. Ion, Republic 376 e–398 b, Republic 595–608 b. Cambridge: Cambridge University Press.
Norlin, G. 1928. Isocrates. Vol. I. Cambridge MA / London: Harvard University Press.
Page, D. 1972. Aeschyli septem quae supersunt tragoedias. Oxford: Oxford University Press.
Perusino, F. 1993. Anonimo (Michele Psello?). La tragedia Greca. Urbino: QuattroVenti.
Podlecki, A.J. 2005. Aeschylus. Prometheus Bound. Oxford: Oxford University Press.
Radt, S. 1985. Tragicorum Graecorum Fragmenta. Vol. III (Aeschylus). Göttingen: Vandenhoeck & Ruprecht.
Radt, S. 1999: Tragicorum Graecorum Fragmenta. Vol. IV (Sophocles). Göttingen: Vandenhoeck & Ruprecht.
Rutherford, I. 2001. Pindar’s Paeans. A Reading of the Fragments with a Survey of the Genre, Oxford: Oxford University Press.
Schmitt, A. 2008. Aristoteles. Poetik. Berlin: Akademie.
Shorey, P. 1969. Plato. The Republic, Books 1–5. Cambridge, MA / London: Harvard University Press.
Sommerstein, A.H. 2008. Aeschylus, 3 vols. Cambridge, MA / London: Harvard University Press.
Sommerstein, A.H., Talboy, T.H. 2012. Sophocles. Selected Fragmentary Plays. Vol. II. Oxford: Oxford University Press.
Spengel, L. 1856. Rhetores Graeci. Vol. III. Leipzig: Teubner.
Werner, O. 1969 [1959]. Aischylos. Tragödien und Fragmente. München: Heimeran.
West, M.L. 1990. Aeschylus. Tragoediae. Cum incerti poetae Prometheo. Stuttgart: Teubner.
West, M.L. 2003. Homeric Hymns, Homeric Apocrypha, Lives of Homer. Cambridge, MA: Harvard University Press.
Early Modern Works
Castelvetro, L. 1968 [1570]. Poetica d’Aristotele vulgarizzata et sposta. München: Fink.
Casella, G. 1866. Il Pastor Fido di Battista Guarini con il discorso critico dell’autore sopra di esso. Firenze: Barbera. https://archive.org/details/ilpastorfidotra00casegoog/page/n468/mode/2up (last accessed 3.11.2021).
López Pinciano, A. 1596. Philosophía antigua poética. Madrid: Thomas Iunti. https://www.digitale-sammlungen.de/de/view/bsb10163800?page=5 (last accessed 3.11.2021)
Minturno, A.S. 1725 [1564]. L’arte poetica del Signor Minturno. Napoli: Muzio.
Scaligero, G.C. 1561. Poetices libri septem. Genéve: Ioannis Crispinus. https://www.digitale-sammlungen.de/de/view/bsb10147390?page=5 (last accessed 3.11.2021)
Vettori, P. 1560. Commentarii in primum librum Aristotelis De arte poetarum. Firenze: Giunta. https://www.digitale-sammlungen.de/de/view/bsb10195434?q=%28Commentarii+in+primum+librum+Aristotelis+De+arte+poetarum%29&page=4,5 (last accessed 3.11.2021)
Weinberg, B. 1970. Trattati di Poetica e Retorica del Cinquecento. Vol. II. Bari: Laterza.
Literature
Classics
Aélion, R. 1984. ‘Songes et prophéties d’Eschyle. Une forme de mise en abyme.’ In Lalies, vol. 3, pp. 133–146.
Albini, U. 1972a. ‘Lettura dei Persiani di Eschilo.’ In Interpretazioni teatrali. Da Eschilo ad Aristofane, Vol. 1, edited by U. Albini. Firenze: Le Monnier, pp. 22–36.
Albini, U. 1972b. ‘Appunti sulle Supplici di Eschilo.’ In Interpretazioni teatrali. Da Eschilo ad Aristofane, Vol. 1. edited by U. Albini. Firenze: Le Monnier, pp. 37–54.
Albini, U. 1993. ‘La falsa convenzionalità degli Eraclidi.’ In SIFC, vol. 11, nos. I–II, pp. 106–111.
Alfani, M. 1997. ‘Note sulla Niobe di Eschilo.’ In RCCM, vol. 39, pp. 261–269.
Andrisano, A.M. 2003. ‘Lo spettacolo privato del Simposio senofonteo. Riflessioni a proposito dell’esegesi di IX 5–6.’ In Annali dell’Università di Ferrara, Sezione Lettere, vol. 4, pp. 13–30.
Andrisano, A.M., Tammaro V. (eds.). 2019. Benedetto Marzullo. Il grecista che fondò il DAMS. Padova: Libreria Universitaria.
Andrisano, A.M. 2019. ‘Il Maestro del Prometeo. La performance di Io, doppio psicopatologico del protagonista.’ In Benedetto Marzullo. Il grecista che fondò il DAMS, edited by A.M. Andrisano / V. Tammaro. Padova: Libreria Universitaria, pp. 71–108.
Andújar, R., Coward, T., Hadjimichael, T. (eds.). 2018. Paths of Song. The Lyric Dimension of Greek Tragedy. Berlin / Boston: De Gruyter.
Angeli Bernardini, P. 2007. ‘Le Danaidi tra epica e lirica corale.’ In L’epos minore, le tradizioni locali e la poesia arcaica, edited by P. Angeli Bernardini. Pisa / Roma: Fabrizio Serra, pp. 103–113.
Arendt, W. 1933. Die typischen Scenen bei Homer. Berlin: Weidmann.
Arrighetti, G. 2008. ‘Il Catalogo esiodeo. Un genere letterario?’ In Esiodo. Cent’anni di papiri, edited by G. Bastianini / A. Casanova. Firenze: Istituto Papirologico G. Vitelli, pp. 11–27.
Asper, M. 1998. ‘Katalog.’ In Historisches Wörterbuch der Rhetorik. Vol. 4, edited by G. Ueding. Tübingen: Niemeyer, pp. 915–922.
Assmann, J. 2011 [1992]. Cultural Memory and Early Civilization. Writing, Remembrance, and Political Imagination. Cambridge: Cambridge University Press.
Ast, D.F. 1835. Lexicon Platonicum. Vol. I. Leipzig: Weidmann (rist. Darmstadt: Wissenschaftliche Buchgesellschaft 1956).
Bacon, H.H. 1961. Barbarians in Greek Tragedy. New Haven: Yale University Press.
Bagordo, A. 1998. Die antiken Traktate über das Drama. Stuttgart / Leipzig: Teubner.
Bagordo, A. 2015. ‘Lyric Genre Interactions in the Choruses of Attic Tragedy.’ In Skene. Journal of Theatre and Drama Studies, vol. 1, no. 1, pp. 37–55.
Bakker, E.J. 2009. ‘Homer, Odysseus, and the Narratology of Performance.’ In Narratology and Interpretation. The Content of Narrative Form in Ancient Literature, edited by J. Grethlein / A. Rengakos. Berlin / New York: De Gruyter, pp. 117–136.
Barchiesi, A. 2001. ‘The Crossing.’ In Texts, Ideas, and the Classics. Scholarship, Theories, and Classical Literature, edited by S.J. Harrison. Oxford: Oxford University Press, pp. 142–163.
Barner, W. 1971. ‘Die Monodie.’ In Die Bauformen der griechischen Tragödie, edited by W. Jens. München: Fink, pp. 277–320.
Barrett, J. 2002. Staged Narrative. Poetics and the Messenger in Greek Tragedy, Berkeley: University of California Press.
Barrett, J. 2004. ‘Aeschylus.’ In Narrators, Narratees, and Narratives in Ancient Literature (Studies in Ancient Greek Narrative, Volume One), edited by I.J.F. de Jong / R. Nünlist / A. Bowie. Leiden / Boston: Brill, pp. 235–254.
Barrett, J. 2007a. ‘Aeschylus.’ In Time in Ancient Greek Literature (Studies in Ancient Greek Narrative, Volume Two), edited by I.J.F. de Jong / R. Nünlist. Leiden / Boston: Brill, pp. 255–273.
Barrett, W.S. 2007b. ‘Seven Against Thebes. The Final Scene.’ In W.S. Barrett: Greek Lyric, Tragedy, and Textual Criticism. Collected Papers, edited by M.L. West. Oxford: Oxford University Press, pp. 322–350.
Barrios-Lech, P. 2016. Linguistic Interaction in Roman Comedy. Cambridge: Cambridge University Press.
Barwick, K. 1928. ‘Die Gliederung der narratio in der rhetorischen Theorie und ihre Bedeutung für die Geschichte des antiken Romans’. In Hermes, vol. 63, pp. 261–287.
Battezzato, L. 2013. ‘Dithyramb and Greek Tragedy.’ In Dithyramb in Context, edited by B. Kowalzig / P. Wilson. Oxford: Oxford University Press, pp. 93–110.
Beck, D. 2012. Speech Presentation in Homeric Epic. Austin: University of Texas Press.
Bees, R. 1993. Zur Datierung des Prometheus Desmotes. Stuttgart: Teubner.
Belfiore, E. 1984. ‘A Theory of Imitation in Plato’s Republic.’ In TAPhA, vol. 114, pp. 121–146.
Berger, L. 2016. ‘Escenas de bienvenida en las comedias de Plauto.’ In Scripta Classica, vol. 13, pp. 65–84.
Bergson, L. 1959. ‘Episches in den ῥήσεις ἀγγελικαί.’ In RhM, vol. 102, pp. 9–39.
Berk, L. 1964. Epicharmus. Groningen: Wolters.
Berman, D.W. 2007. Myth and Culture in Aeschylus’ Seven Against Thebes. Roma: Edizioni dell’Ateneo.
Bertino, A. 1975. ‘Scene di soggetto teatrale sui vasi a figure rosse.’ In Archaeologica. Scritti in onore di Aldo Neppi Modona, edited by N. Caffarello. Firenze: Olschki, pp. 17–28.
Bierl, A. 2001. Der Chor in der Alten Komödie. Ritual und Performativität unter besonderer Berücksichtigung von Aristophanes’ Thesmophoriazusen und der Phalloslieder fr. 851 PMG, München / Leipzig: Saur.
Bierl, A. 2008. ‘Die Rezeption der Homerischen Dichtung in der griechischen Literatur.’ In Der Mythos von Troia in Dichtung und Kunst, edited by J. Latacz / T. Greub / P. Blome / A. Wieczorek. München: Hirmer, pp. 208–214.
Bierl, A. 2009. ‘Die griechische Tragödie aus der Perspektive von Prä- und Postdramatik. Die Perser des Aischylos und die Bearbeitung von Müller/Witzmann.’ In Heiner Müller sprechen, edited by N. Müller–Schöll / H. Goebbels. Berlin: Deutsche Nationalbibliothek, pp. 201–214.
Bierl, A. 2010. ‘Prädramatik auf der antiken Bühne. Das attische Drama als theatrales Spiel und ästhetischer Diskurs.’ In Lücken sehen … Beiträge zu Theater, Literatur und Performance. Festschrift für Hans-Thies Lehmann, edited by M. Gross / P. Primavesi. Heidelberg: Winter, pp. 69–82.
Bierl, A. 2013. ‘Maenadism as Self-Referential Chorality in Euripides’ Bacchae.’ In Choral Mediations in Greek Tragedy, edited by R. Gagné / M.G. Hopman. Cambridge: Cambridge University Press, pp. 211–226.
Bierl, A. 2019. ‘Narratology.’ In The Encyclopedia of Greek Comedy (Volume II), edited by A.H. Sommerstein. New York: Wiley, pp. 588–589.
Bocksberger, S.M. 2021. ‘Narrative Dance. Imitating ēthos and pathos through schēmata.’ In Choreonarratives. Dancing Stories in Greek & Roman Antiquity and beyond, edited by L. Gianvittorio-Ungar / K. Schlapbach. Leiden / Boston: Brill, pp. 57–81.
Boedeker, D. 1995. ‘Simonides on Plataea. Narrative Elegy, Mythodic History.’ In ZPE, vol. 107, pp. 217–229.
Bohrer, K.H. 2008. Das Tragische. Erscheinung, Pathos, Klage. München: Hanser.
Bollack, J. 2006. ‘Prometheus Bound. Drama and Enactment.’ In Dionysalexandros. Essays on Aeschylus and His Fellow Tragedians in Honour of Alexander F. Garvie, edited by D. Cairns / V. Liapis. Swansea: The Classical Press of Wales, pp. 79–89.
Bonanno, M.G. 2016. Aristotele ambiguo? Qualche riflessione sulla Poetica. Trieste: Edizioni Università di Trieste.
Bonifazi, A. 2001. Mescolare un cratere di canti. Pragmatica della poesia epinicia in Pindaro, Alessandria: Edizioni dell’Orso.
Bonifazi, A. 2012. Homer’s Versicolored Fabric. The Evocative Power of Ancient Greek Epic Word-making. Washington DC: Center for Hellenic Studies, trustees for Harvard University Press.
Bonifazi, A., Drummen A., de Kreij, M. 2016. Particles in Ancient Greek Discourse. Five Volumes Exploring Particle Use Across Genres, Washington DC: Center for Hellenic Studies, trustees for Harvard University Press.
Bosher, K. 2012. ‘Hieron’s Aeschylus.’ In Theater Outside Athens. Drama in Greek Sicily and South Italy, edited by K. Bosher. Cambridge: Cambridge University Press, pp. 97–111.
Bossi, D. 1899. ‘Il nunzio nella tragedia greca.’ In RFIC, vol. 27, pp. 50–89.
Bremer, J.M. 1976. ‘Why Messenger Speeches?’ In Miscellanea tragica in honorem J.C. Kamerbeek, edited by J.M. Bremer / S.L. Radt / C.J. Ruijgh. Amsterdam: Hakkert, pp. 29–48.
Brook, A. 2018. Tragic Rites. Narrative and Ritual in Sophoclean Drama. Madison: University of Wisconsin Press.
Budelmann, F., Phillips, T. (eds.). 2018a. Textual Events. Performance and the Lyric in Early Greece. Oxford: Oxford University Press.
Budelmann, F., Phillips, T. 2018b. ‘Introduction.’ In Textual Events. Performance and the Lyric in Early Greece, edited by F. Budelmann / T. Phillips. Oxford: Oxford University Press, pp. 1–27.
Burges Watson, S. 2014. ‘Life of Aeschylus.’ In Living Poets (Durham, 2014): https://livingpoets.dur.ac.uk/w/index.php/Life_of_Aeschylus (last accessed 28.03.2024).
Burian, P. 1977. ‘Euripides’ Heraclidae. An Interpretation.’ In CPh, vol. 72 (1), pp. 1–21.
Burian, P. 1997. ‘Myth into Mythos. The Shaping of Tragic Plot.’ In The Cambridge Companion to Greek Tragedy, edited by P.E. Easterling. Cambridge: Cambridge University Press, pp. 178–208.
Burnett, A.P. 1985. The Art of Bacchylides. Cambridge, MA / London: Harvard University Press.
Büttner, S. 2001. ‘Psychologie und Poetik bei Platon.’ In A&A, vol. 47, pp. 41–65.
Büttner, S. 2004. ‘Literatur und Mimesis bei Platon.’ In Mimesis, Repräsentation, Imagination. Literaturtheoretische Positionen von Aristoteles bis zum Ende des 18. Jahrhunderts, edited by J. Schönert / U. Zeuch. Berlin / New York: De Gruyter, pp. 31–63.
Büttner, S. 2017. ‘Leid ohne Minne—das Tragische in Byzanz.’ In Tragik und Minne, edited by R. Toepfer. Heidelberg: Winter, pp. 27–55.
Calame, C. 1974. ‘Réflexions sur les genres littéraires en Grèce archaïque.’ In QUCC, vol. 17, pp. 113–128.
Calame, C. 1977. Les chœurs de jeunes filles en Grèce archaïque (I). Roma: Edizioni dell’Ateneo e Bizzarri.
Calame, C. 1995. ‘Dalla poesia corale allo stasimo tragico. Funzione programmatica di voci femminili.’ In Lo spettacolo delle voci, vol. 1, edited by F. De Martino / A.H. Sommerstein. Bari: Levante, pp. 79–101.
Calame, C. 1999. ‘Performative Aspects of the Choral Voice in Greek Tragedy. Civic Identity in Performance.’ In Performance Culture and Athenian Democracy, edited by S. Goldhill / R. Osborne. Cambridge: Cambridge University Press, pp. 125–153.
Calame, C. 2013. ‘The Dithyramb, a Dionysiac Poetic Form. Genre Rules and Cultic Contexts.’ In Dithyramb in Context, edited by B. Kowalzig. Oxford: Oxford University Press, pp. 332–352.
Canciani, F., Pellizer, E., Feaedo, L. 2005. ‘Hikesia.’ In Thesaurus Cultus et Rituum Antiquorum, Band 3, edited by V. Lambrinoudakis / J. Ch. Balty. Los Angeles: The J. Paul Getty Museum, pp. 193–216.
Canevaro, L.G. 2019. ‘Review Article Materiality and Classics. (Re)Turning to the Material.’ In JHS, vol. 139, pp. 222–232.
Cantilena, M. 2002. ‘Sul discorso diretto in Omero.’ In Omero tremila anni dopo, edited by F. Montanari. Roma: Edizioni di Storia e Letteratura, pp. 21–39.
Carey, C. 2009. ‘Genre, Occasion and Performance.’ In The Cambridge Companion to Greek Lyric, edited by F. Budelmann. Cambridge: Cambridge University Press, pp. 21–38.
Catoni, M.L. 2005. Schemata. Comunicazione non verbale nella Grecia antica. Pisa: Bollati Boringhieri.
Catenacci, C. 2004. ‘Realtà e immaginario negli scudi dei Sette contro Tebe di Eschilo.’ In La città di Argo. Mito, storia, tradizioni poetiche, edited by P. Angeli Bernardini. Roma: Edizioni dell’Ateneo, pp. 163–176.
Centanni, M. 2020. ‘The Queen on Stage. Female Figures of Regality in Aeschylus.’ In Skene, vol. 6 (1), pp. 21–43.
Cerri, G. 2013. ‘Omero narratore e drammaturgo.’ In L’epica. Tra evocazione mitica e tragedia, edited by G. Grilli. Roma: Aracne, pp. 13–20.
Cessi, V. 1985. ‘Praxis e mythos nella Poetica di Aristotele.’ In QUCC, vol. 19 (1), pp. 45–60.
Chronopoulos, S., Orth, C. (eds.). 2015. Fragmente einer Geschichte der Griechischen Komödie. Heidelberg: Verlag Antike.
Cingano, E. 2002. ‘I nomi dei Sette a Tebe e degli Epigoni nella tradizione epica, tragica e iconografica.’ In I Sette a Tebe. Dal mito alla letteratura, edited by A. Aloni. Bologna: Pàtron, pp. 27–62.
Cingano, E. 2003. ‘Entre skolion et enkomion. Réflexions sur le genre et la performance de la lyrique chorale grecque.’ In La poésie grecque antique, edited by J. Jouanna / J. Leclant. Paris: De Boccard, pp. 17–45.
Cingano, E. 2005. ‘A Catalogue within a Catalogue. Helen’s Suitors in the Hesiodic Catalogue of Women.’ In The Hesiodic ‘Catalogue of Women’. Constructions and Reconstructions, edited by R. Hunt. Cambridge: Cambridge University Press, pp. 118–152.
Cole, E. 2020. Postdramatic Tragedies. Oxford: Oxford University Press.
Collard, C. 2008. Aeschylus. Persians and Other Plays. Oxford: Oxford University Press.
Conacher, D.J. 1980. Aeschylus’ Prometheus Bound. A Literary Commentary. Toronto: University of Toronto Press.
Conacher, D.J. 1996. Aeschylus. The Earlier Plays and Related Studies. Toronto: University of Toronto Press.
Condello, F. 2013. ‘Opsis e testo. Contributi della messinscena odierna all’esegesi della tragedia greca: alcuni esempi.’ In Picturing Drama. Illustrazioni e riscritture dei grandi classici, dall’antichità ai nostri giorni, edited by S. Pietrini. Alessandria: Edizioni dell’Orso, pp. 17–30.
Conte, G.B. 1991. Generi e lettori. Lucrezio, l’elegia d’amore, l’enciclopedia di Plinio. Pisa: Edizioni della Normale.
Conte, G.B., Most, G.W. 1996. ‘Genre.’ In The Oxford Classical Dictionary. Third Edition, edited by S. Hornblower / A. Spawforth. Oxford: Oxford University Press, pp. 630–631.
Coppola, A., Barone, C., Salvadori, M. (eds.). 2016. Gli oggetti sulla scena teatrale ateniese. Padova: CLEUP.
Csapo, E. 1990. ‘Hikesia in the Telephus of Aeschylus.’ In QUCC, vol. 34 (1), pp. 41–52.
Csapo, E. 2000. ‘From Aristophanes to Menander? Genre Transformation in Greek Comedy.’ In Matrices of Genre. Authors, Canons, and Society, edited by M. Depew / D. Obbink. Cambridge, MA / London: Harvard University Press, pp. 115–133.
Csapo, E. 2002. ‘Kallippides on the Floor-Sweepings. The Limits of Realism in Classical Acting and Performance Styles.’ In Greek and Roman Actors. Aspects of an Ancient Profession, edited by P. Easterling / E. Hall. Cambridge: Cambridge University Press, pp. 127–147.
Csapo, E. 2010. Actors and Icons of the Ancient Theatre. Chichester / Malden: Wiley-Blackwell.
Csapo, E., Goette, H.R., Green, J.R., Wilson, P. 2014 (eds.). Greek Theatre in the Fourth Century BCE. Berlin / Boston: De Gruyter.
Csapo, E., Slater, W.J. 1994. The Context of Ancient Drama. Ann Arbor: The University of Michigan Press.
Csapo, E., Wilson, P. 2020. A Social and Economic History of the Theatre to 300BC. Volume II: Theatre beyond Athens. Cambridge: Cambridge University Press.
D’Alessio, G.B. 1997. ‘Pindar’s Prosodia and the Classification of Pindaric Papyrus Fragments.’ In ZPE, vol. 118, pp. 23–60.
D’Alessio, G.B. 2000. ‘Review of S. Schröder, Geschichte und Theorie der Gattung Paian. Stuttgart, Leipzig.’ In Bryn Mawr Classical Review 24. 01. 2000.
D’Alessio, G.B. 2013. ‘“The Name of Dithyramb”. Diachronic and Diatopic Variations.’ In Dithyramb in Context, edited by B. Kowalzig / P. Wilson. Oxford: Oxford University Press, pp. 113–132.
Dalfen, J. 1972. ‘Übertragener Gebrauch von ΤΡΑΓΙΚΟΣ und ΤΡΑΓΩΔΕΙΝ in Platon und anderen Autoren Des 5. und 4. Jahrhunderts.’ In Philologus, vol. 116, pp. 76–92.
D’Angour, A. 1997. ‘How the Dithyramb Got Its Shape.’ In CQ, vol. 47 (2), pp. 331–351.
Davidson, J. 1994. ‘Prometheus Vinctus on the Athenian Stage.’ In G&R, vol. 41 (1), pp. 33–40.
Del Grande, C. 1952. ΤΡΑΓΩΙΔΙΑ . Essenza e genesi della tragedia. Napoli: Ricciardi.
De Martino, F., Sommerstein, A.H. (eds.). Lo spettacolo delle voci. Bari: Levante.
Depew, M., Obbink, D. 2000. ‘Introduction.’ In Matrices of Genres. Authors, Canons, and Society, edited by M. Depew / D. Obbink. Cambridge, MA / London: Harvard University Press, pp. 1–14.
Destrée, P., Heath, M., Munteanu, D.L. (eds.). 2020. The Poetics in Its Aristotelian Context. London: Routledge.
Dickin, M. 2009. A Vehicle of Performance. Acting the Messenger in Greek Tragedy. Lanham: University Press of America.
Diederich, S. 1999. Der Horazkommentar des Porphyrio im Rahmen der keiserzeitlichen Schul- und Bildungstradition. Berlin: De Gruyter.
Diehl, E. 1921. ‘Κομμοί.’ In W. Kroll (ed.). Paulys Real-Encyclopädie der classischen Altertumswissenschaft, 21. Halbband, Stuttgart: Metzler, pp. 1195–1207.
Di Gregorio, L. 1967. Le scene d’annuncio nella tragedia greca. Milano: Vita e Pensiero.
Dué, C. 2006. The Captive Woman’s Lament in Greek Tragedy. Austin, TX: University of Texas Press.
Dunn, F. 2009. ‘Sophocles and the Narratology of Drama.’ In Narratology and Interpretation, edited by J. Grethlein / A. Rengakos. Berlin: De Gruyter, pp. 337–355.
Dyer, R.R. 1965. ‘Hamartia in the Poetics and Aristotle’s Model of Failure.’ In Arion, vol. 4 (4), pp. 658–664.
Easterling, P.E. 1993 [1988]. ‘Tragedy and Ritual. “Cry ‘Woe, Woe’ but May the Good Prevail!”.’ In Theater and Society in the Classical World, edited by R. Scodel. Ann Arbor: The University of Michigan Press, pp. 7–23.
Easterling, P. 2014. ‘Narrative on the Greek Tragic Stage.’ In Defining Greek Narrative, edited by D. Cairns, R. Scodel. Edinburgh: Edinburgh University Press, pp. 226–240.
Easterling, P., Hall, E. (eds.). 2002. Greek and Roman Actors. Aspects of an Ancient Profession. Cambridge: Cambridge University Press.
Edmunds, L. 2002. ‘Sounds off Stage and on Stage in Aeschylus, Seven against Thebes.’ In I Sette a Tebe. Dal mito alla letteratura, edited by A. Aloni. Bologna: Pàtron, pp. 105–115.
Elm, R. 2005. ‘Praxis.’ In Aristoteles-Lexikon, edited by O. Höffe. Stuttgart: Kröner, pp. 487–491.
Else, G.F. 1958. ‘“Imitation” in the 5th Century.’ In CP, vol. 53 (2), pp. 73–90.
Else, G.F. 1959. ‘ΗΥΠΟΚΡΙΤΗΣ.’ In WS, vol. 72, pp. 75–107.
van Emde Boas, E. 2017. ‘Aeschylus.’ In Characterization in Ancient Greek Literature, edited by K. de Temmerman / E. van Emde Boas. Leiden: Brill, pp. 317–336.
Erdmann, G. 1964. Der Botenbericht bei Euripides, Kiel: Erdmann.
Fantuzzi, M. 1980. ‘La contaminazione dei generi letterari nella letteratura greca ellenistica.’ In Lingua e stile, vol. 15, pp. 433–450.
Fantuzzi, M. 1993. ‘Il sistema letterario della poesia alessandrina.’ In Lo spazio letterario della Grecia antica. Vol. I. La produzione e la circolazione del testo; Vol. II. L’Ellenismo, edited by G. Cambiano / L. Canfora / D. Lanza. Roma: Salerno, pp. 31–73.
Faraone, C.A. 2005. ‘Catalogues, Priamels, and Stanzaic Structure in Early Greek Elegy.’ In TAPhA, vol. 135, no. 2, pp. 249–265.
Faraone, C.A. 2013. ‘The Poetics of the Catalogue in the Hesiodic Theogony.’ In TAPhA, vol. 143, no. 2, pp. 293–323.
Farmer, M.C. 2017. Tragedy on the Comic Stage. Oxford: Oxford University Press.
Fedriani, C. 2017. ‘Quaepropter, quaeso? ‘Why, for pity’s sake?’ Questions and the Pragmatic functions of quaeso, obsecro and amabo in Plautus.’ In Pragmatic approaches to Latin and ancient Greek, edited by C. Denizot / O. Spevac. Amsterdam / Philadelphia: Benjamins, pp. 83–109.
Finglass, P. 2019. Sophocles. Cambridge: Cambridge University Press.
Fischl, J. 1910. De nuntiis tragicis. Wien / Leipzig: Deuticke.
Fitton, J.W. 1973. ‘Greek Dance.’ In CQ, vol. 23, no. 2, pp. 254–274.
Flashar, H. 1976. ‘Die Handlungstheorie des Aristoteles.’ In Poetica, vol. 8, pp. 336–339.
Flashar, H. 1997. ‘Die Poetik des Aristoteles und die griechische Tragödie.’ in Tragödie. Idee und Transformation, edited by H. Flashar. Stuttgart: Teubner, pp. 50–64.
Foley, H.P. 1993. ‘The Politics of Tragic Lamentation.’ In Tragedy, Comedy and the Polis. Papers from the Greek Drama Conference, edited by A.H. Sommerstein / S. Halliwell / J. Henderson / B. Zimmermann. Bari: Levante, pp. 101–143.
Foley, H.P. 2008. ‘Generic Boundaries in Late Fifth-Century Athens.’ In Performance, Iconography, Reception. Studies in Honour of Oliver Taplin, edited by M. Revermann / P. Wilson. Oxford: Oxford University Press, pp. 15–36.
Ford, A. 2002. The Origins of Criticism. Literary Culture and Poetic Theory in Classical Greece. Princeton: Princeton University Press.
Ford, A. 2020. ‘Linus. The Rise and Fall of Lyric Genres.’ In Genre in Archaic and Classical Greek Poetry, edited by M. Foster / L. Kurke / N. Weiss. Leiden / Boston: Brill, pp. 57–81.
Foster, M., Kurke, L., Weiss, N. 2020. ‘Introduction.’ In Genre in Archaic and Classical Greek Poetry, edited by M. Foster / L. Kurke / N. Weiss. Leiden / Boston: Brill, pp. 1–28.
Fossheim, H.J. 2020. ‘To kalon and the Experience of Art.’ In The Poetics in its Aristotelian Context, edited by P. Destrée / M. Heath / D.L. Munteanu. London: Routledge, pp. 34–50.
Fowler, R.L. 1999. ‘Genealogical Thinking, Hesiod’s Catalogue, and the Creation of the Hellenes.’ In CCJ, vol. 44, pp. 1–19.
Frazier, F. 2013. ‘La spécificité du concept aristotélicien de muthos. Une relecture de la Poétique.’ In Atti della Accademia Pontaniana. Supplemento, vol. 61, pp. 103–124.
Fuhrer, T., Nelis, D. (ed.). 2010. Acting with Words. Communication, Rhetorical Performance and Performative Acts in Latin Literature. Heidelberg: Winter.
Fuhrmann, M. 1992 [1973]. Die Dichtungstheorie der Antike. Aristoteles—Horaz—“Longin.” Eine Einführung. Darmstadt: Wissenschaftliche Buchgesellschaft.
Fusillo, M. 1985. Il tempo delle Argonautiche: un’analisi del racconto in Apollonio Rodio. Roma: Edizioni dell’Ateneo.
Fusillo, M. 1986. ‘Mythos aristotelico e récit narratologico.’ In Strumenti Critici, vol. 1, pp. 381–392.
Futo Kennedy, R. (ed.). 2018. Brill’s Companion to the Reception of Aeschylus. Leiden: Brill.
Gallavotti, C. 1928. ‘Sulle classificazioni dei generi letterari nell’estetica antica.’ In Athenaeum, vol. 6, pp. 356–366.
Garzya, A. 1998. ‘Μετάβασις ἐκ τοῦ ἐξηγητικοῦ ἐπὶ τὸ μιμητικόν.’ In Dramaturgia y puesta en escena en el teatro griego, edited by E. García Novo / I. Rodríguez Alfageme. Madrid: Ediciones Clásicas, pp. 13–25.
Garvie, A.F. 1978. ‘Aeschylus’ Simple Plots.’ In Dionysiaca. Nine Studies in Greek Poetry. Presented to Sir Denys Page on His Seventhieth Birthday, edited by R.D. Dawe / J. Diggle / P.E. Easterling. Cambridge: Classical Faculty Library, pp. 63–86.
Garvie, A.F. 2013. ‘P. Oxy. XX 2256, fr. 3. A Shocking Papyrus.’ In I Papiri di Eschilo e di Sofocle, edited by G. Bastianini / A. Casanova. Firenze: Firenze University Press, pp. 159–171.
Gazzano, F. 2017. ‘The King’s Speech. La retorica dei re persiani tra Eschilo, Erodoto e Tucidide.’ In Electrum, vol. 24, pp. 55–73.
Gelzer, T. 1982–1984. ‘Die Alexandriner und die griechischen Lyriker.’ In AAntHung, vol. 30, pp. 129–147.
Gentili, B. 1984. Poesia e Pubblico nella Grecia Antica. Da Omero al V secolo. Bari: Laterza.
Gentili, B. 1984–1985. ‘Il coro tragico nella teoria degli antichi.’ In Dioniso, vol. 55, pp. 17–35.
Gianvittorio, L. 2010. Il discorso di Eraclito. Un modello semantico e cosmologico nel passaggio dall’oralità alla scrittura. Hildesheim / Zürich / New York: Olms.
Gianvittorio, L. 2012a. ‘Erzählung als rhetorische Handlung. Klassische Antike und Poststrukturalismus.’ In Grazer Beiträge, vol. 28, pp. 60–84.
Gianvittorio, L. 2012b. ‘La narrazione melica nella tragedia. Modi del racconto ed etopea del narratore.’ In QUCC, vol. 101, no. 2, pp. 97–123.
Gianvittorio, L. 2013. ‘Epicarmo dialogico. Quattro livelli di analisi. Dalle forme al genere del dialogo letterario attraverso parodia filosofica ed intertestualità (Parte I).’ In Hermes, vol. 141 (4), pp. 435–449.
Gianvittorio, L. 2015. ‘One Deception, Many Lies. Frr. 301–302 Radt and Aeschylus’ Philoctetes.’ In WS, vol. 128, pp. 19–26.
Gianvittorio, L. 2016. ‘Erzählen durch Pantomime. Zu Nonnos, Dionysiaka 19, 136–299.’ In Trilogie. Epos-Drama-Epos, edited by G. Danek / E. Klecker / R. Merker. Wien: Wiener Humanistische Gesellschaft, pp. 347–370.
Gianvittorio, L. 2017a. ‘Introduction. Ancient Dance as a Research Topic.’ In Choreutika. Performing and Theorising Dance in Ancient Greece, edited by L. Gianvittorio. Pisa / Roma: Fabrizio Serra, pp. 25–36.
Gianvittorio, L. 2017b. ‘A Dance of Death.’ In Choreutika. Performing and Theorising Dance in Ancient Greece, edited by L. Gianvittorio. Pisa / Roma: Fabrizio Serra, pp. 90–118.
Gianvittorio, L. (ed.). 2017c. Choreutika. Performing and Theorising Dance in Ancient Greece. Pisa / Roma: Fabrizio Serra.
Gianvittorio, L. 2018. ‘New Music and Dancing Prostitutes.’ In GRMS, vol. 6, no. 2, pp. 265–289.
Gianvittorio-Ungar, L. 2020. ‘Dancing the War Report in Aeschylus’ Seven against Thebes.’ In Experience, Narrative, and Criticism in Ancient Greece. Under the Spell of Stories, edited by J. Grethlein / L. Huitink / A. Tagliabue. Oxford: Oxford University Press, pp. 235–251.
Gianvittorio-Ungar, L., Schlapbach, K. (eds.). 2021a. Choreonarratives. Dancing Stories in Greek and Roman Antiquity and beyond, Leiden / Boston: Brill.
Gianvittorio-Ungar, L., Schlapbach, K. 2021b. ‘Introduction. Narratives in Motion.’ In Choreonarratives. Dancing Stories in Greek and Roman Antiquity and Beyond, edited by L. Gianvittorio-Ungar, K. Schlapbach. Leiden/ Boston: Brill, pp. 1–36.
Gianvittorio-Ungar, L. 2021. ‘Dancing Io’s Life: Hurt Body, Tragic Suffering (Prometheus Bound 561–608).’ In Choreonarratives. Dancing Stories in Greek and Roman Antiquity and Beyond, edited by L. Gianvittorio-Ungar / K. Schlapbach. Leiden / Boston: Brill, pp. 129–155.
Gianvittorio-Ungar, L., 2022. ‘Envisioning and Reenacting the Chorus in Republican Tragedy. The cases of Naevius’ Lycurgus and Ennius’ Eumenides.’ In Aspects of Roman Dance Culture, edited by K. Schlapbach. Stuttgart: Steiner, pp. 137–158.
Gianvittorio-Ungar, L. 2024a. ‘Politics.’ In Imprints of Dance in Ancient Greece and Rome, edited by Z. Alonso-Fernández / S. Olsen. Madrid: Universidad Autónoma Ediciones, pp. 249–275.
Gianvittorio-Ungar, L. 2024b. ‘Static Actors, Silent Singers. Iconic Scenes and the Physical-Musical Repertoire in Ancient Greek Theatre.’ In GRMS, vol. 12, no. 2, pp. 183–211.
Gianvittorio-Ungar, L. [forthcoming]. ‘Theatricality in Aeschylus.’ In Brill’s Companion to Aeschylus, edited by A. Markantonatos / A.H. Sommerstein. Leiden / Boston: Brill.
Giuliani, L., 1996. ‘Rhesus between Dream and Death. On the Relation of Image to Literature in Apulian Vase-Painting.’ In BICS, vol. 41, no. 1, pp. 71–86.
Gödde, S. 2000. Das Drama der Hikesie. Münster: Aschendorff.
Goldhill, S. 1986. Reading Greek Tragedy. Cambridge: Cambridge University Press.
Goldhill, S. 2009. ‘The Audience on Stage. Rhetoric, Emotion, and Judgment in Sophoclean Theatre.’ In Sophocles and the Greek Tragic Tradition, edited by S. Goldhill / E. Hall. Cambridge / New York: Cambridge University Press, pp. 27–47.
Gordesiani, R. 1981. ‘Aischylos und das frühgriechische Epos. Zu einigen Aspekten ihrer Beziehung.’ In Aischylos und Pindar. Studien zu Werk und Nachwirkung, edited by E.G. Schmidt. Berlin: Akademie, pp. 128–134.
Gould, J. 1973. ‘HIKETEIA.’ In JHS, vol. 93, pp. 74–103.
Gould, J. 2003. ‘“… And Tell Sad Stories of the Deaths of Kings”: Greek Tragic Drama as Narrative.’ In Myth, Ritual Memory, and Exchange. Essays in Greek Literature and Culture, edited by J. Gould. Oxford: Oxford University Press, pp. 319–334.
Goward, B. 1999. Telling Tragedy. Narrative Technique in Aeschylus, Sophocles and Euripides. London: Bloomsbury.
Graham, L. 2007. Theatricality of Greek Tragedy: Playing Space and Chorus. Chicago: The University of Chicago Press.
Graverini, L. 2006. ‘La scena raccontata: teatro e narrativa antica.’ In La scena assente. Realtà e leggenda sul Teatro nel Medioevo, edited by F. Mosetti Casaretto. Alessandria: Edizioni dell’Orso, pp. 1–24.
Green, J.R. 1996. ‘Messengers from the Stage (The A.D. Trendall Memorial Lecture).’ In BICS, vol. 41, pp. 17–30.
Green, J.R. 1999. ‘Tragedy and the Spectacle of the Mind. Messenger Speeches, Actors, Narrative, and Audience Imagination in Fourth-Century BCE Vase-Painting.’ In The Art of Ancient Spectacle, edited by B. Bergmann / C. Kondoleon. Washington, DC: Yale University Press, pp. 37–64.
Grethlein, J. 2003. Asyl und Athen. Die Konstruktion kollektiver Identität in der griechischen Tragödie. Stuttgart: Springer.
Grethlein, J. 2007a. ‘The Hermeneutics and Poetics of Memory in Aeschylus’ Persae.’ In Arethusa, vol. 40, no. 3, pp. 363–396.
Grethlein, J. 2007b. ‘Variationen des “nächsten Fremden.” Die Perser des Aischylos im 20. Jahrhundert.’ In A&A, vol. 53, pp. 1–20.
Grethlein, J., Rengakos, A. (eds.). 2009. Narratology and Interpretation, Berlin: De Gruyter.
Grethlein, J. 2009. ‘Philosophical and Structuralist Narratologies—Worlds Apart?’ In Narratology and Interpretation, edited by J. Grethlein / A. Rengakos. Berlin: De Gruyter, pp. 153–174.
Grethlein, J., 2010. The Greeks and their Past. Poetry, Oratory and History in the Fifth Century BCE. Cambridge: Cambridge University Press.
Grethlein, J. 2013. ‘Choral Intertemporality in the Oresteia.’ In Choral Mediations in Greek Tragedy, edited by R. Gagné / M.G. Hopman. Cambridge: Cambridge University Press, pp. 78–99.
Grethlein, J., Huitink, L. and Tagliabue, A. 2020. ‘Introduction. Narrative and Aesthetic Experience in Ancient Greece.’ In Experience, Narrative, and Criticism in Ancient Greece. Under the Spell of Stories, edited by J. Grethlein / L. Huitink / A. Tagliabue. Oxford: Oxford University Press, pp. 1–12.
Griffith, M. 1977. The Authenticity of Prometheus Bound. Cambridge: Cambridge University Press.
Griffith, M. 2019. ‘Music and Dance in Tragedy after the Fifth Century.’ In Greek Tragedy after the Fifth Century. A Survey from ca. 400BC to ca. AD400, edited by V. Liapis / A.K. Petridis. Cambridge: Cambridge University press, pp. 204–242.
Gruber, M.A. 2009. Der Chor in den Tragödien des Aischylos. Tübingen: Narr.
Guidorizzi, G. ‘Uno scudo pieno di sangue.’ In I Sette a Tebe. Dal mito alla letteratura, edited by A. Aloni. Bologna: Pàtron, pp. 63–72.
Hagel, S. 2021. ‘Understanding Early Auloi: Instruments from Paestum, Pydna and Elsewhere.’ In La Tomba del Tuffatore: rito, arte e poesia a Paestum e nel mediterraneo di epoca tardo-arcaica, edited by G. Zuchtriegel / A. Meriani. Pisa: ETS, pp. 421–459.
Hall, E. 1989. Inventing the Barbarian. Greek Self-Definition through Tragedy. Oxford: Oxford University Press.
Hall, E. 2002. ‘The Singing Actors of Antiquity.’ In Greek and Roman Actors. Aspects of an Ancient Profession, edited by P. Easterling / E. Hall. Cambridge: Cambridge University Press, pp. 3–38.
Hall, E., Wyles, R. (eds.). 2008. New Directions in Ancient Pantomime. Oxford: Oxford University Press.
Hall, E. ‘Is the Barcelona Alcestis a Latin Pantomime Libretto?’ In New Directions in Ancient Pantomime, edited by E. Hall / R. Wyles. Oxford: Oxford University Press, pp. 258–282.
Halliwell, S. 1990. ‘Aristotelian Mimesis Reevaluated.’ In JHPh, vol. 28, no. 4, pp. 487–510.
Halliwell, S. 1992. ‘Plato and the Psychology of Drama.’ In Antike Dramentheorien und ihre Rezeption, edited by B. Zimmermann. Stuttgart: Springer, pp. 55–73.
Halliwell, S. 2002. The Aesthetics of Mimesis. Ancient Texts and Modern Problems. Princeton / Oxford: Princeton University Press.
Harris, E.M. 2010. ‘Is Oedipus Guilty? Sophocles and Athenian Homicide Law.’ In Law and Drama in Ancient Greece, edited by E.M. Harris / D.F. Leao / P.J. Rhodes. London: Bloomsbury, pp. 122–146.
Harrison, G.W.M., Liapis, V. (eds.). 2013. Performance in Greek and Roman Theatre. Leiden / Boston: Brill.
Harrison, G.W.M. 2018. ‘Aeschylus in the Roman Empire.’ in Brill’s Companion to the Reception of Aeschylus, edited by R. Futo Kennedy. Leiden: Brill, pp. 129–178.
Harrison, S.J. 2001. ‘Picturing the Future: The Proleptic Ekphrasis from Homer to Vergil.’ In Texts, Ideas, and the Classics. Scholarship, Theory, and Classical Literature, edited by S.J. Harrison. Oxford: Oxford University Press, pp. 70–92.
Harrison, S.J. 2007. Generic Enrichment in Vergil and Horace. Oxford: Oxford University Press.
Harrison, T. 2000. The Emptiness of Asia. Aeschylus’ Persians and the History of the Fifth Century. London: Duckworth.
Harvey, A.E. 1955. ‘The Classification of Greek Lyric Poetry.’ In CQ, vol. 5, pp. 157–175.
Haslam, M.W. 1972. ‘Plato, Sophron and the Dramatic Dialogue.’ In BICS, vol. 19, pp. 17–38.
Havelock, E.A. 1963. Preface to Plato. Cambdridge, MA / London: Harvard University Press.
Heath, M. 1987. The Poetics of Greek Tragedy, London: Duckworth.
Heath, M. 2012. Ancient Philosophical Poetics. Cambridge: Cambridge University Press.
Heldmann, G. 2006. ‘Herakliden.’ In Lustrum, vol. 47, pp. 131–151.
von Hellingrath, N. 1911. Pindarübertragungen von Hölderlin. Prolegomena zu einer Erstausgabe. Jena: Diederichs.
Henning, E. 1910. De tragicorum Atticorum narrationibus. Göttingen: Officina Academica Dieterichiana.
Herington, C.J. 1965. ‘Aeschylus. The Last Phase.’ In Arion, vol. 4, no. 3, pp. 387–403.
Herington, C.J. 1970. The Author of the Prometheus Bound, Austin, TX / London: The University of Texas Press.
Herington, C.J. 1985. Poetry into Drama. Early Tragedy and the Greek Poetic Tradition. Berkeley / Los Angeles / London: University of California Press.
Herington, C.J. 1986. Aeschylus, New Haven: Yale University Press.
Heuner, U. 2017. ‘Killing Words. Speech Acts and Non-Verbal Actions in Sophoclean Tragedies.’ In I.J.F. de Jong / A. Rijksbaron (eds.). Sophocles and the Greek Language. Leiden / Boston: Brill, pp. 201–212.
Holtsmark, E.B. 1970. ‘Ring Composition and the Persae of Aeschylus.’ In Symbolae Oslenses, vol. 45, pp. 5–23.
Hopman, M.G. 2009. ‘Layered Stories in Aeschylus’ Persians.’ In Narratology and Interpretation, edited by J. Grethlein / A. Rengakos. Berlin: De Gruyter, pp. 357–376.
Hopman, M.G. 2013. ‘Chorus, Conflict, and Closure in Aeschylus’ Persians.’ In Choral Mediations in Greek Tragedy, edited by R. Gagné / M.G. Hopman. Cambridge: Cambridge University Press, pp. 58–77.
Hornung, H. 1869. De nuntiorum in tragoediis graecis personis et narrationibus. Brandenburg: Müller.
Hughes, A. 2012. Performing Greek Comedy. Cambridge: Cambridge University Press.
Hunter, R., Uhlig A. 2017. ‘Introduction: What Is Reperformance?’ In Imagining Reperformance in Ancient Culture, edited by R. Hunter / A. Uhlig. Cambridge: Cambridge University Press: 1–17.
Hutchinson, G.O. 1984. ‘The Prometheus Bound—Mark Griffith: Aeschylus’ Prometheus Bound.’ In CR, vol. 34, no. 1, pp. 1–3.
Ieranò, G. 1997. Il ditirambo di Dioniso. Le testimonianze antiche. Pisa: Istituti Editoriali e Poligrafici Internazionali.
Iurescia, F. 2016. ‘Strategies of Persuasion in Provoked Quarrels in Plautus. A Pragmatic Perspective.’ In Emotion and Persuasion in Classical Antiquity, edited by E. Sanders / M. Johncock. Stuttgart: Steiner, pp. 281–294.
Jackson, L.C. 2020. The Chorus of Drama in the Fourth Century BCE. Oxford: Oxford University Press.
Janko, R. 1984. Aristotle on Comedy. Towards a Reconstruction of Poetics II. Berkeley / Los Angeles: University of California Press.
Jendza, C. 2020. Paracomedy. Appropriations of Comedy in Greek Tragedy. Oxford: Oxford University Press.
Jens, W. 1961. ‘Antikes und modernes Drama.’ In Eranion. Festschrift für H. Hommel, edited by J. Kroymann. Tübingen: Niemeyer, pp. 43–62.
Jens, W. (ed.). 1971. Die Bauformen der griechischen Tragödie. München: Fink.
Jens, W. 1974 [1955]. ‘Strukturgesetze der frühen griechischen Tragödie.’ In Wege zu Aischylos. Vol. 1: Zugang: Aspekte der Forschung Nachleben, edited by H. Hommel. Darmstadt: Wissenschaftliche Buchgesellschaft, pp. 86–103.
de Jong, I.J.F. 1991. Narrative in Drama. The Art of the Euripidean Messenger-Speech. Leiden / New York: Brill.
de Jong, I.J.F. 2001. A Narratological Commentary on the Odyssey. Cambridge: Cambridge University Press.
de Jong, I.J.F., Nünlist, R., Bowie, A.M. (eds.). 2004. Narrators, Narratees, and Narratives in Ancient Greek Literature. Leiden / Boston: Brill.
de Jong, I.J.F. 2004. ‘Narratological Theory of Narrators, Narratees, and Narrative.’ In Narrators, Narratees, and Narratives in Ancient Greek Literature, edited by I.J.F. de Jong. Leiden / Boston: Brill, pp. 1–10.
de Jong, I.J.F., Nünlist, R. (eds.). 2007. Time in Ancient Greek Literature. Leiden / Boston: Brill.
de Jong, I.J.F. 2008. ‘Ancient Theories of Narrative (Western).’ In Routledge Encyclopedia of Narrative Theory, edited by D. Herman / M. Jahn / M.-L. Ryan. New York: Routledge, pp. 19–22.
de Jong, I.J.F. 2013. ‘Diachronic Narratology. (The Example of Ancient Greek Narrative).’ In Handbook of Narratology, edited by P. Hühn / J.M. Meister / J. Pier / W. Schmid. Berlin / Boston, pp. 115–122. http://www.lhn.uni-hamburg.de/article/diachronic-narratology-example-ancient-greek-narrative (last accessed 3.4.2024).
De Jong, I.J.F. 2014 Narratology and Classics. A Practical Guide. Oxford: Oxford University Press.
Jouan, F. 1981. ‘L’évocation des morts dans la tragédie grecque.’ In RHR, vol. 198, no. 4, pp. 403–421.
Kannicht, R. 1976. ‘Handlung als Grundbegriff der aristotelischen Theorie des Dramas, in Dramentheorie-Handlungstheorie (Bochumer Diskussion).’ In Poetica, vol. 8, pp. 326–336.
Kannicht, R. 2004. ‘Scheiben von den großen Mahlzeiten Homers. Euripides und der Troischer Epenkreis.’ In Antike Literatur in neuer Deutung. Festschrift für J. Latacz anlässlich seines 70. Geburtstages, edited by A. Bierl / A. Schmitt / A. Willi. München / Leipzig: De Gruyter, pp. 188–202.
Käppel, L. 1992. Paian. Studien zur Geschichte einer Gattung. Berlin / New York: De Gruyter.
Käppel, L. 1998. Die Konstruktion der Handlung der Orestie des Aischylos. München: Beck.
Käppel, L. 2000. ‘Bakchylides und das System der chorlyrischen Gattungen im 5. Jh. v. Chr.’ In Bakchylides: 100 Jahre nach seiner Wiederentdeckung, edited by A. Bagordo / B. Zimmermann. München: Beck, pp. 11–27.
Kardaun, M. 1993. Der Mimesisbegriff in der griechischen Antike. Neubetrachtung eines umstrittenen Begriffes als Ansatz zu einer neuen Interpretation der platonischen Kunstauffassung. Amsterdam: North-Holland.
Kayser, J. 1906. De veterum arte poetica quaestiones selectae. Leipzig: Noske.
Keller, J. 1959. Struktur und dramatische Funktion des Botenberichtes bei Aischylos und Sophokles. (Diss. Tübingen).
Kirby, J.T. 1991. ‘Mimesis and Diegesis. Foundations of Aesthetic Theory in Plato and Aristotle.’ In Helios, vol. 18, no. 2, pp. 113–128.
Kircher, N. 2018. Tragik bei Homer und Vergil. Hermeneutische Untersuchungen zum Tragischen im Epos, Heidelberg: Winter.
Kirk, A. 2021. Ancient Greek Lists. Catalogue and Inventory across Genres. Cambridge: Cambridge University Press.
Kitto, H.D.F. 1961 [1939]. Greek Tragedy. A Literary Study. London: Methuen.
Knox, B.M.W. 1972. ‘Aeschylus and the Third Actor.’ In AJPh, vol. 93, no. 1, pp. 104–124.
Knox, B.M.W. 1979. Word and Action. Essays on the Ancient Theater. Baltimore / London: Johns Hopkins University Press.
Koller, H. 1954. Die Mimesis in der Antike. Bern: Francke.
Kopperschmidt, J. 1971. ‘Die Hikesie als dramatische Form.’ In Die Bauformen der griechischen Tragödie, edited by W. Jens. München: Fink, pp. 321–346.
Kotarcic, A. 2020. Aristotle on Language and Style. The Concept of lexis. Cambridge: Cambridge University Press.
Kowalzig, B. 2008. ‘Nothing to do with Demeter? Something to Do with Sicily! Theatre and Society in the Early Fifth-Century West.’ In Performance, Iconography, Reception: Studies in Honour of Oliver Taplin, edited by M. Revermann / P. Wilson. Oxford: Oxford University Press, pp. 128–157.
Kowalzig, B., Wilson, P. (eds.). 2013. Dithyramb in Context Oxford: Oxford University Press.
Kraias, G. 2011. Epische Szenen in tragischem Kontext. Frankfurt am Main: Lang.
Kranz, W. 1933. Stasimon. Untersuchungen zu Form und Gehalt der griechischen Tragödie. Berlin: Weidmann.
Kroll, W. 1924. Studien zum Verständnis der römischen Literatur. Stuttgart: Metzler.
de La Combe, P.J. 2009. ‘Les tragédies d’Eschyle sont-elles tragiques?’ In Eschyle à l’aube du théâtre occidental: neuf exposés suivis de discussions, edited by J. Jouanna / F. Montanari. Genève: Fondation Hardt, pp. 257–304.
LaCourse Munteanu, D. 2018. ‘Aristotle’s Reception of Aeschylus: Reserved without Malice.’ In Brill’s Companion to the Reception of Aeschylus, edited by R. Futo Kennedy. Leiden: Brill, pp. 88–108.
Lada-Richards, I. 2007. Silent Eloquence. Lucian and Pantomime Dancing. London: Duckworth.
Laird, A. (ed.). 2006. Ancient Literary Criticism. Oxford: Oxford University Press.
Lamari, A. 2014. ‘Early Reperformances of Drama in the Fifth Century.’ In CHS Research Bulletin, vol. 2, no. 2. http://nrs.harvard.edu/urn-3:hlnc.essay:LamariA.Early_reperformances_of_drama_in_the_fifth_century.2014 (last accessed 3.4.2024).
Lanza, D. 1983. ‘Aristotele e la poesia: un problema di classificazione.’ In QUCC, vol. 13, pp. 51–66.
Latacz, J. 1975. ‘Zur Forschungsarbeit an den direkten Reden bei Homer (1850–1970).’ In Grazer Beiträge, vol. 3, pp. 395–422.
Latacz, J. 1993. Einführung in die griechische Tragödie. Göttingen: Vandenhoeck & Ruprecht.
Lavagnini, B. 1927. ‘L’azione drammatica nei Persiani di Eschilo.’ In Athenaeum, vol. 15, no. 4, pp. 295–301.
Lazani, A. 2018. ‘Constructing Chorality in Prometheus Bound. The Poetic Background of Divine Choruses in Tragedy.’ In Paths of Song. The Lyric Dimension of Greek Tragedy, edited by R. Andújar / T. Coward / T.A. Hadjimichael. Belin / Boston: De Gruyter, pp. 163–185.
Lentini, G. 2018. ‘(Im)politeness in the Iliad: The Pragmatics of the Homeric Expression ἀγαθός περ ἐών.’ In Trends in Classics, vol. 10, no. 2, pp. 255–274.
Lesky, A. 1955. ‘Hypokrites.’ In Studi in onore di Ugo Enrico Paoli, edited by L. Banti. Firenze: Le Monnier, pp. 469–476.
Lesky, A. 1972 [1956]. Die tragische Dichtung der Hellenen. Göttingen: Vandenhoeck & Ruprecht.
Ley, G. 2007. The Theatricality of Greek Tragedy. Playing Space and Chorus. Chicago: The University of Chicago Press.
Ley, K.H. 1983. ‘Υποκρίνεσθαι in Homer and Herodotus, and the Function of the Athenian Actor.’ In Philologus, vol. 127, pp. 13–29.
Liapis, V. 2017. ‘Notes on the Text of Seven against Thebes.’ In Logeion, vol. 7, pp. 14–20.
Liapis, V., Panayotakis, C., Harrison, G. 2013. ‘Making Sense of Ancient Performance.’ In Performance in Greek and Roman Theatre, edited by G.W.M. Harrison / V. Liapis. Leiden / Boston: Brill, pp. 1–42.
Liapis, V., Petrides, A.K. (eds). 2019. Greek Tragedy After the Fifth Century. Cambridge: Cambridge University Press.
Liveley, G. 2019. Narratology. Oxford: Oxford University Press.
Lloyd-Jones, H. 1983 [1964]. ‘The Suppliants of Aeschylus.’ In Oxford Readings in Greek Tragedy, edited by E. Segal. Oxford: Oxford University Press, pp. 42–56.
Lloyd-Jones, H. 1998. ‘Ritual and Tragedy.’ In Ansichten griechischer Rituale, edited by F. Graf. Stuttgart / Leipzig: De Gruyter, pp. 271–295.
Lloyd, M.A. 2006. ‘Sophocles in the Light of Face-Threat Politeness Theory.’ In Sophocles and the Greek Language, edited by I.J.F. de Jong / A. Rijksbaron. Leiden / Boston: Brill, pp. 225–239.
Lloyd, M.A. 2017. ‘The Language of the Gods: Politeness in the Prologue of the Troades.’ In The Play of Texts and Fragments. Essays in Honour of Martin Cropp, edited by J.R.C. Cousland / J.R. Hume. Leiden / Boston: Brill, pp. 183–192.
Lomiento, L. 2015. ‘Eschilo, Supplici 825–910. Testo, colometria e osservazioni sulla struttura strofica.’ In Lexis, vol. 33, pp. 109–126.
Longo, O. 1978. ‘Tecniche della comunicazione e ideologie sociali nella Grecia antica.’ In QUCC, vol. 27, pp. 63–92.
Longo, O. 1985. ‘Silenzio verbale e silenzio gestuale nella Grecia antica: alla riscoperta di un codice culturale.’ In Orpheus, vol. 6, pp. 241–249.
Lonsdale, S.H. 1994–1995. ‘Homeric Hymn to Apollo. Prototype and Paradigm of Choral Performance.’ In Arion, vol. 3, no. 1, pp. 25–40.
Loraux, N., 2002. The Mourning Voice. An Essay on Greek Tragedy. Ithaca, NY: Cornell University Press.
Lowe, N.J. 2000. The Classical Plot and the Invention of Western Narrative. Cambridge: Cambridge University Press.
Lowe, N.J. 2007. ‘Epinikian Eidography.’ In Pindar’s Poetry, Patrons and Festivals. From Archaic Greece to the Roman Empire, edited by S. Hornblower / C. Morgan. Oxford: Oxford University Press, pp. 167–176.
Lulli, L. 2011. Narrare in distici. L’elegia greca arcaica e classica di argomento storico-mitico. Roma: Quasar.
Maehler, H. 2000. ‘Io auf der Bühne. Bemerkungen zum Aufführungsdatum des Gefesselten Prometheus.’ In Acta Hungarica Antiqua, vol. 40, pp. 321–329.
Mannsperger, B. 1971. ‘Die Rhesis.’ In Die Bauformen der griechischen Tragödie, edited by W. Jens. München: Fink, pp. 143–181.
Manousakis, N. 2020. Prometheus Bound. A Separate Authorial Trace in the Aeschylean Corpus. Berlin / Boston: De Gruyter.
Markantonatos, A. 2002. Tragic Narrative. A Narratological Study of Sophocles’ Oedipus at Colonus. Berlin / New York: De Gruyter.
Marshall, C.W. 2003. ‘Casting the Oresteia.’ In CJ, vol. 98, no. 3, pp. 257–274.
Marshall, C.W. 2007. The Stagecraft and Performance of Roman Comedy. Cambridge: Cambridge University Press.
Martin, G., Iurescia, F., Hof, S., Sorrentino, G. (eds.). 2021. Pragmatic Approaches to Drama. Studies on Communication on the Ancient Stage, Leiden / Boston: Brill.
Martin, R.P. 2005. ‘Epic as Genre.’ In A Companion to Ancient Epic, edited by J.M. Foley. Malden, MA: Wiley-Blackwell, pp. 9–19.
Martin, R., 2011. ‘Performance.’ In The Homer Encyclopedia. Vol. 2, edited by M. Finkelberg. Malden, MA: Wiley-Blackwell, pp. 642–644.
Marzullo, B. 1993. I sofismi di Prometeo. Firenze: La Nuova Italia.
Marzullo, B. 1995. ‘La “tragedia” di Prometeo.’ In QUCC, vol. 50, pp. 49–58.
Mastronarde, D.J. 1979. Contact and Discontinuity. Some Conventions of Speech and Action on the Greek Tragic Stage. Berkeley / Los Angeles / London: University of California Press.
Matthes, D. 1958. ‘Hermagoras von Temnos 1904–1955.’ In Lustrum, vol. 3, pp. 58–214.
Mattison, K. 2020. ‘Elegy and Sophocles’ Philoctetes. A Reflection on Generic Resonance.’ In Greek Drama V. Studies in the Theatre of the Fifth and Fourth Centuries BCE, edited by H. Marshall / C.W. Marshall. London: Bloomsbury, pp. 37–46.
McDonald, M., Walton, J.M. (eds.). 2007. Greek and Roman Theatre. Cambridge: Cambridge University Press.
Meineck, P. 2011. ‘The Neuroscience of the Tragic Mask.’ In Arion, vol. 19, no. 1, pp. 113–158.
Meineck, P. 2012. ‘The Embodied Space. Performance and Visual Cognition at the Fifth Century Athenian Theatre.’ In New England Classical Journal, vol. 39, no. 1, pp. 3–46.
Merker, A. 2016. Le principe de l’action humaine selon Démosthène et Aristote: hairesis—prohairesis. Paris: Les Belles Lettres.
Michel, C. 2014. Homer und Tragödie. Zu den Bezügen zwischen Odyssee und Orestie-Dramen (Aischylos: Orestie; Sophokles: Elektra; Euripides: Elektra). Tübingen: Narr.
Michelini, A.N. 1982. Tradition and Dramatic Form in the Persians of Aeschylus. Leiden: Brill.
Mills, S. 2014. ‘Euripides. Children of Heracles.’ In The Encyclopedia of Greek Tragedy. Vol. 1, edited by H.M. Roisman. Chichester: Wiley-Blackwell, pp. 363–370.
Minchin, E. 2011. ‘Speech-Act Theory.’ In The Homer Encyclopedia. Vol. 3, edited by M. Finkelberg. Malden, MA: Wiley-Blackwell, pp. 817–818.
Minton, W.W. 1962. ‘Invocation and Catalogue in Hesiod and Homer.’ In TAPhA, vol. 93, pp. 188–212.
Monaco, G. 1982. ‘La scena allargata.’ In Dioniso, vol. 53, pp. 5–18.
Montanari, F. 2009. ‘L’esegesi antica di Eschilo da Aristotele a Didimo.’ In Eschyle à l’aube du théâtre occidental: neuf exposés suivis de discussions, edited by J. Jouanna / F. Montanari. Genève: Fondation Hardt, pp. 379–422.
Montiglio, S. 2000. Silence in the Land of Logos. Princeton: Princeton University Press.
Most, G.W. 2000. ‘Generating Genres. The Idea of the Tragic.’ In Matrices of Genre. Authors, Canons, and Society, edited by M. Depew / D. Obbink. Cambridge, MA / London: Harvard University Press, pp. 15–35.
Mueller, M. 2016. Objects as Actors. Props and the Poetics of Performance in Greek Tragedy. Chicago / London: The University of Chicago Press.
Müller, R. 2012. Antike Dichtungslehre. Themen und Theorien. Tübingen: Francke.
Murray, G. 1940. Aeschylus. The Creator of Tragedy. Oxford: Oxford University Press.
Musti, D. 2000. ‘Musica greca tra aristocrazia e democrazia.’ In Synaulia. Cultura musicale in Grecia e contatti mediterranei, edited by A.C. Cassio / D. Musti / L.E. Rossi. Napoli: Istituto Universitario Orientale, pp. 7–55.
Naerebout, F.G. 1997: Attractive Performances. Ancient Greek Dance. Three Preliminary Studies. Amsterdam: Gieben.
Nagy, G. 1994. ‘Genre and Occasion.’ In Mètis, vol. 9/10, pp. 11–25.
Nagy, G. 1994–1995. ‘Transformations of Choral Lyric Traditions in the Context of Athenian State Theater.’ In Arion, vol. 3, no. 1, pp. 41–55.
Nagy, G. 2020. ‘Genre, Occasion, and Choral Mimesis Revisited, with Special Reference to the “Newest Sappho”.’ In Genre in Archaic and Classical Greek Poetry, edited by M. Foster / L. Kurke / N. Weiss. Leiden / Boston: Brill, pp. 31–54.
Nelson, S. 2016. Aristophanes and His Tragic Muse. Leiden / Boston: Brill.
Nervegna, S. 2007. ‘Staging Scenes or Plays? Theatrical Revivals of “Old” Greek Drama in Antiquity.’ In ZPE vol. 162, pp. 14–42.
Nervegna, S. 2014. ‘Performing Classics. The Tragic Canon in the Fourth Century and Beyond.’ In Greek Theatre in the Fourth Century B.C., edited by E. Csapo / H.R. Goette / J.R. Green / P. Wilson. Berlin / Boston: De Gruyter, pp. 157–187.
Nervegna, S. 2018. ‘Aeschylus in the Hellenistic Period.’ In Brill’s Companion to the Reception of Aeschylus, edited by R. Futo Kennedy. Leiden: Brill, pp. 109–128.
Neumann, G. 1965. Gesten und Gebärden in der griechischen Kunst. Berlin: De Gruyter.
Nicolai, R. 1992. La storiografia nell’educazione antica, Pisa: Giardini.
Nicolai, R. 2011. ‘La crisi del paradigma: funzioni degli exempla mitici nei cori di Sofocle.’ In “… Un enorme individuo, dotato di polmoni soprannaturali.” Funzioni, interpretazioni e rinascite del coro drammatico greco, edited by A. Rodighiero / P. Scattolin. Verona: Fiorini, pp. 1–36.
Nietzsche, F. 1872. Die Geburt der Tragödie aus dem Geiste der Musik. Leipzig: Fritzsch.
Olsen, S. 2020. ‘Pindar, Paean 6. Genre as Embodied Cultural Knowledge.’ In The Genres of Archaic and Classical Greek Poetry. Theories and Models, edited by M. Foster / L. Kurke / N. Weiss. Boston: Brill pp. 325–346.
Paduano, G. 1978. Sui Persiani di Eschilo. Problemi di focalizzazione drammatica. Roma: Edizioni dell’Ateneo e Bizzarri.
Palumbo, L. 2008. Μίμησις . Rappresentazione, teatro e mondo nei dialoghi di Platone e nella Poetica di Aristotele. Napoli: Loffredo.
Palumbo, L. 2013. ‘La nozione di mimesis tragica in Platone.’ In Atti della Accademia Pontaniana. Supplemento, vol. 61, pp. 55–68.
Panagl, O. 1971. Die “dithyrambischen Stasima” des Euripides, Wien: Notring.
Papadopoulou, T. 2011. Aeschylus. Suppliants. Companions to Greek and Roman Tragedy. London: Bristol Classical Press.
Pattoni, M.P. 1987. L’autenticità del Prometeo Incatenato di Eschilo, Pisa: Scuola Normale Superiore.
Pattoni, M.P. 1988. ‘L’exemplum mitico consolatorio: variazioni di un topos nella tragedia greca.’ In Studi Classici e Orientali, vol. 38, pp. 229–262.
Pattoni, M.P. 2015. ‘Tracce eschilee nelle Supplici di Euripide, tra riprese e distanziazioni.’ In Mythologeîn: mito e forme di discorso nel mondo antico. Studi in Onore di Giovanni Cerri, edited by A. Gostoli / R. Velardi. Pisa / Roma: Fabrizio Serra, pp. 278–287.
Pelling, C. 1997. ‘Aeschylus’ Persae and History.’ In Greek Tragedy and the Historian, edited by C. Pelling. Oxford: Clarendon Press, pp. 1–19.
Peponi, A.-E. 2009. ‘Choreia and Aesthetics in the Homeric Hymn to Apollo. The Performance of the Delian Maidens (Lines 156–164).’ In CA, vol. 28, no. 1, pp. 39–70.
Peponi, A.-E. 2013 (ed.). Performance and Culture in Plato’s Laws. Cambridge: Cambridge University Press.
Peponi, A.-E. 2017. ‘Aristotle’s Definition of Dance.’ In Choreutika. Performing and Theorising Dance in Ancient Greece, edited by L. Gianvittorio. Pisa / Roma: Fabrizio Serra, pp. 215–243.
Peponi, A.-E. 2018. ‘Lyric Atmospheres. Plato and Mimetic Evanescence.’ In Music, Text, and Culture in Ancient Greece, edited by T. Phillips / A. D’Angour. Oxford: Oxford University Press, pp. 163–181.
Perceau, S. 2013. ‘Aristote et la praxis poétique: Homère, un modèle pour la tragédie?’ In Atti della Accademia Pontaniana. Supplemento, vol. 61, pp. 124–144.
Peretti, A. 1939. Epirrema e tragedia. Studio sul dramma attico arcaico. Firenze: Le Monnier.
Perris, S.R. 2011. ‘What Maketh the Messenger? Reportage in Greek Tragedy.’ In ASCS 32 Selected Proceedings, edited by A. Mackay (ascs.org.au/news/ascs32/Perris.pdf, last accessed 30.03.2024).
Perris, S. 2010. ‘Performance Reception and the “Textual Twist”. Towards a Theory of Literary Reception.’ In Theorising Performance. Greek Drama, Cultural History, and Critical Practice, edited by E. Hall / S. Harrop. London: Bloomsbury, pp. 181–191.
Perusino, F. 1992. ‘La tragedia greca come spettacolo in un anonimo trattato bizantino.’ In Antike Dramentheorien und ihre Rezeption, edited by B. Zimmermann. Stuttgart: Springer, pp. 131–139.
Perusino, F., Colantonio, M. (eds.). 2007. Dalla lirica corale alla poesia drammatica, Pisa: ETS.
Petersmann, H. 1983. ‘Die pragmatische Dimension in der Sprache des Chores bei den griechischen Tragikern.’ In A&A, vol. 29, pp. 95–106.
Pickard-Cambridge, A. 1962 [1927]. Dithyramb, Tragedy and Comedy. Second Edition, Revised by T.B.L. Webster. Oxford: Clarendon Press.
Pickard-Cambridge, A. 1968 [1953]. The Dramatic Festivals of Athens. Second Edition, Revised by J. Gould and D.M. Levis. Oxford: Clarendon Press.
Podlecki, A.J. 1969. ‘The Peripatetics as Literary Critics.’ In Phoenix, vol. 23, no. 1, pp. 114–137.
Podlecki, A.J. 2013. ‘Aeschylean Opsis.’ In Performance in Greek and Roman Theatre, edited by G.W.M. Harrison / V. Liapis. Leiden / Boston: Brill, pp. 131–148.
Poe, J.P. 1989. ‘The Altar in the Fifth-Century Theatre.’ In CIAnt, vol. 8, no. 1, pp. 116–139.
Primavesi, O. 2008. ‘Aere perennius? Die antike Transformation der Lyrik und die neuzeitliche Gattungstrinität.’ In Sprachen der Lyrik. Von der Antike bis zur digitalen Poesie, edited by K.W. Hempfer. Stuttgart: Steiner, pp. 15–32.
Prins, Y. 1991. ‘The Power of the Speech Act. Aeschylus’ Furies and Their Binding Song.’ In Arethusa, vol. 24, no. 2, pp. 177–195.
Privitera, G.A. 1991. ‘Origini della tragedia e ruolo del ditirambo.’ In SIFC, vol. 3, no. 9, pp. 184–195.
Radke, G. 2003. Tragik und Metatragik. Euripides’ Bakchen und die moderne Literaturwissenschaft. Berlin / New York: De Gruyter.
Rassow, J. 1883. Quaestiones selectae de Euripideorum nuntiorum narrationibus. Greifswald: Kunike.
Rehm, R. 1988. ‘The Staging of Suppliant Plays.’ In GRBS, vol. 29, no. 3, pp. 263–307.
Reitz, C. 2006. ‘Katalog.’ In Der Neue Pauly—Brill Online, edited by H. Cancik / H. Schneider / M. Landfester, http://dx.doi.org/10.1163/1574-9347_dnp_e610560 (last accessed 10.1.2018).
Revermann, M. 2006. ‘The Competence of Theatre Audiences in Fifth- and Fourth-Century Athens.’ In JHS, vol. 126, pp. 99–124.
Revermann, M., Wilson, P. (eds.). 2008. Performance, Iconography, Reception: Studies in Honour of Oliver Taplin. Oxford: Oxford University Press.
Rocconi, E. 2014. ‘Effetti speciali sonori e mimetismo musicale nelle fonti greche.’ In ASNP, series 5, vol. 6, no. 2, pp. 703–719.
Rocconi, E. 2017. ‘Moving the Soul through the Immovable: Dance and Mimesis in Fourth-Century Greece.’ In Choreutika. Performing and Theorising Dance in Ancient Greece, edited by L. Gianvittorio. Pisa / Roma: Fabrizio Serra, pp. 178–197.
Rodighiero, A. 2012. Generi lirico-corali nella produzione drammatica di Sofocle. Tübingen: Narr.
Rodighiero, A. 2017. ‘L’attore tragico: suoni, voci e parole.’ In AevAnt, vol. 17, pp. 49–77.
Rosenbloom, D. 2013. ‘Atossa.’ In The Encyclopedia of Greek Tragedy. Vol. 1, edited by H.M. Roisman. Chichester / Malden, MA: Wiley-Blackwell, pp. 170–171.
Rosenmeyer, T.G. 1982. The Art of Aeschylus, Berkeley, CA / Los Angeles / London: The University of California Press.
Rösler, W. 1983. ‘Der Chor als Mitspieler. Beobachtungen zur Antigone.’ In A&A, vol. 29, pp. 107–124.
Rösler, W. 1993. ‘Der Schluss der Hiketiden und die Danaiden-Trilogie des Aischylos.’ In RhM, vol. 136, pp. 1–22.
Rossi, L.E. 1971. ‘I generi letterari e le loro leggi scritte e non scritte nelle letterature classiche.’ In BICS, vol. 18, pp. 69–94.
Rotstein, A. 2010. The Idea of Iambos, Oxford: Oxford University Press.
Rotstein, A. 2012. ‘Μουσικοὶ ἀγῶνες and the Conceptualization of Genre in Ancient Greece.’ In CIAnt, vol. 31, no. 1, pp. 92–127.
Rousseau, G.S. 1963. ‘Dream and Vision in Aeschylus’ Oresteia.’ In Arion, vol. 2, no. 3, pp. 101–136.
Ruffell, I. 2011. Aeschylus. Prometheus Bound. Companions to Greek and Roman Tragedy. London: Bristol Classical Press.
Rüpke, J. 2000. ‘Räume literarischer Kommunikation in der Formierungsphase römischer Literatur.’ In Moribus antiquis res stat romana. Römische Werte und römische Literatur im 3. und 2. Jh. V. Chr., edited by M. Braun / A. Haltenhoff / F.-H. Mutschler. München / Leipzig: De Gruyter, pp. 31–52.
Russell, D.A., Winterbottom, M. 1973. Ancient Literary Criticism. Oxford: Oxford University Press.
Rutherford, I. 1994–1995. ‘Apollo in Ivy. The Tragic Paean.’ In Arion, vol. 3, no. 1, pp. 112–135.
Rutherford, I. 2000. ‘Formulas, Voice, and Death in Ehoie-Poetry, the Hesiodic Gynaikon Katalogos, and the Odysseian Nekuia.’ In Matrices of Genre. Authors, Canons, and Society, edited by M. Depew / D. Obbink. Cambridge, MA: Harvard University Press, pp. 81–96.
Rutherford, R.B. 2007. ‘‘Why Should I Mention Io?’ Aspects of Choral Narration in Greek Tragedy.’ In CCJ, vol. 53, pp. 1–39.
Rutherford, R.B. 2012. Greek Tragic Style. Form, Language and Interpretation. Cambridge: Cambridge University Press.
Saïd, S. 2007. ‘Tragedy and Reversal in Persians.’ In Oxford Reading in Aeschylus, edited by M. Lloyd. Oxford: Oxford University Press, pp. 71–92.
Schadewaldt, W. 1968. ‘Carl Orff und die griechische Tragödie.’ In Prometheus. Mythos, Drama, Musik, edited by F. Willnauer. Tübingen: Wunderlich, pp. 27–42.
Schadewaldt, W. 1974. ‘Ursprung und frühe Entwicklung der attischen Tragödie. Eine morphologische Struktur-Betrachtung des Aischylos.’ In Wege zu Aischylos. Vol. 1: Aspekte der Forschung Nachleben, edited by H. Hommel. Darmstadt: Wissenschaftliche Buchgesellschaft, pp. 104–147.
Schironi. F. 2018. The Best of the Grammarians. Aristarchus of Samothrace on the Iliad. Ann Arbor: University of Michigan Press.
Schirren, T.C. 2008–2009. ‘Textaufbau und Redeteilschema (partes orationis).’ In Handbücher der Sprach- und Kommunikationswissenschaft, Vol. 31.1–31.2, Rhetoric and Theory of Style, edited by U. Fix / A. Gardt / J. Knape. Berlin / New York: De Gruyter, pp. 1515–1528.
Schirren, T.C. 2009. ‘Quam efficax est animi sermonisque gravitas. Dicta als Marker symbolischer Interaktion.’ In Acting with words. Communication, Rhetorical Performance and Performative Acts in Latin Literature, edited by T. Fuhrer / D. Nelis. Heidelberg: Winter, pp. 79–100.
Schlapbach, K. 2018. The Anatomy of Dance Discourse. Literary and Philosophical Approaches to Dance in the Later Graeco-Roman World. Oxford: Oxford University Press.
Schmidt, H.W. 1971. ‘Die Struktur des Eingangs.’ In Die Bauformen der griechischen Tragödie, edited by W. Jens. München: Fink, pp. 1–46.
Schrekenberg, H. 1960. Δρᾶμα. Vom Werden der griechischen Tragödie aus dem Tanz. Eine philologische Untersuchung, Würzburg: Triltsch.
Schröder, S. 1999. Geschichte und Theorie der Gattung Paian. Eine kritische Untersuchung mit einem Ausblick auf Behandlung und Auffassung der lyrischen Gattungen bei den alexandrinischen Philologen. Stuttgart / Leipzig: Teubner.
Schuren, L. 2014. Shared Storytelling in Euripidean Stichomythia. Leiden: Brill.
Schwindt, J.P. 2000. Prolegomena zu einer ‘Phänomenologie’der römischen Literaturgeschichtsschreibung. Von den Anfängen bis Quintilian, Göttingen: Vandenhoeck & Ruprecht.
Schwinge, E.R. 1968. Die Verwendung der Stichomythie in den Dramen des Euripides. Heidelberg: Winter.
Schwinge, E.R. 1981 ‘Griechische Poesie und die Lehre der Gattungstrinität in der Moderne, Zur gattungstheoretischen Problematik antiker Literatur.’ In A&A, vol. 27, pp. 130–162.
Scott, G. 1999. ‘The Poetics of Performance. The Necessity of Spectacle, Music, and Dance in Aristotelian Tragedy.’ In Performance and Authenticity in the Arts, edited by S. Kemal / I. Gaskell. Cambridge: Cambridge University Press, pp. 15–48.
Scullion, S. 2002. ‘Tragic Dates.’ In CQ, vol. 52, no. 1, pp. 81–101.
Seaford, R. 2012. Cosmology and the Polis. The Social Construction of Space and Time in the Tragedies of Aeschylus. Cambridge: Cambridge University Press.
Seeck, G.A. 1976. ‘Aristotelische Poetik und Brechtsche Theatertheorie.’ Gymnasium, vol. 83, pp. 389–404.
Seeck, G.A. 1984. Dramatische Strukturen der griechischen Tragödie: Untersuchungen zu Aischylos. München: Beck.
Seeck, G.A. 1985. Unaristotelische Untersuchungen zu Euripides. Ein motivanalytischer Kommentar zur Alkestis. Heidelberg: Winter.
Seeck, G.A. 2000. ‘Die Entstehung der Tragödie—von Dionysos abgesehen.’ In Dramatische Wäldchen. Festschrift für Eckard Lefèvre zum 65. Geburtstag, edited by E. Stärk. Hildesheim / Zürich / New York: Olms, pp. 1–19.
Seidensticker, B. 1971. ‘Die Stichomythie.’ In Die Bauformen der griechischen Tragödie, edited by W. Jens. München: Fink, pp. 183–220.
Sells, D. 2020. ‘Genres. Drama and Its Many Unhappy Returns.’ In A Cultural History of Theatre in Antiquity, edited by M. Revermann. London: Bloomsbury, pp. 143–161.
Sicherl, M. 1986. ‘Die Tragik der Danaiden.’ In MH, vol. 43, pp. 81–110.
Sifakis, G.M. 1995. ‘The One-Actor Rule in Greek Tragedy.’ BICS Supplement, vol. 66, pp. 13–24.
Sifakis, G.M. 2013. ‘The Misunderstanding of opsis in Aristotle’s Poetics.’ In Performance in Greek and Roman Theatre, edited by V. Liapis / G.W.M. Harrison. Leiden / Boston: Brill, pp. 45–61.
Silk, M.S. 2000. Aristophanes and the Definition of Comedy. Oxford: Oxford University Press.
Silk, M. 2013. ‘The Greek Dramatic Genres. Theoretical Perspectives.’ In Greek Comedy and the Discourse of Genres, edited by E. Bakola / L. Prauscello / M. Telò. Cambridge: Cambridge University Press, pp. 15–39.
Simelidis, C. 2018. ‘Aeschylus in Byzantium.’ In Brill’s Companion to the Reception of Aeschylus, edited by R. Futo Kennedy. Leiden: Brill, pp. 179–202.
Sluiter, I. 2000. ‘The Dialectics of Genre. Some Aspects of Secondary Literature and Genre in Antiquity.’ In Matrices of Genre. Authors, Canons, and Society, edited by M. Depew / D. Obbink. Cambridge, MA / London: Harvard University Press, pp. 183–203.
Smethurst, M.J. 1989. The Artistry of Aeschylus and Zeami: A Comparative Study of Greek Tragedy and Nō. Princeton, NJ: Princeton University Press.
Sommerstein, A.H. 1997. ‘Audience, Demos, and Aeschylus’ Suppliants.’ In Greek Tragedy and the Historian, edited by C. Pelling. Oxford: Oxford University Press, pp. 63–79.
Sommerstein, A.H. 1998. ‘Review of E.M. Hall, Aeschylus: Persians.’ In JHS, vol. 118, pp. 211–212.
Sommerstein, A.H. 2004. ‘Violence in Greek Drama.’ In Ordia Prima vol. 3, pp. 41–56.
Sommerstein, A.H. 2010 [1996]. Aeschylean Tragedy. London: Duckworth.
Sommerstein, A.H. 2010a. ‘La tetralogia di Eschilo sulla guerra persiana.’ In Dionysus ex machina, vol. 1, pp. 4–20.
Sommerstein, A.H. 2010b. The Tangled Ways of Zeus, and Other Studies in and around Greek Tragedy. Oxford: Oxford University Press.
Sommerstein, A.H. 2011. ‘Sophocles and the Guilt of Oedipus.’ In CFC(g), vol. 21, pp. 93–107.
Sommerstein, A.H., Torrance, I.C. (eds.). 2014. Oaths and Swearing in Ancient Greece. Berlin / Boston: De Gruyter.
Sörbom, G. 1966. Mimesis and Art. Studies in the Origin and Early Development of an Aesthetic Vocabulary. Stockholm: Svenska Bokförlaget.
Snell, B. 1928. Aischylos und das Handeln im Drama. Leipzig: Dieterich.
Spring, E. 1917. ‘A Study of Exposition in Greek Tragedy.’ In HSPh, vol. 28, pp. 135–224.
Steiner, D. 2020. ‘Chorus Lines. Catalogues and Choruses in Archaic and Early Classical Hexameter Poetry and Choral Lyric.’ In The Genres of Archaic and Classical Greek Poetry. Theories and Models, edited by M. Foster / L. Kurke / N. Weiss. Leiden / Boston: Brill, pp. 136–166.
Steiner, D. 2021. Choral Constructions in Greek Culture. The Idea of the Chorus in the Poetry, Art and Social Practices of the Archaic and Early Classical Period. Cambridge: Cambridge University Press.
Stenzel, J. 2012. ‘Begriffe des Aristoteles.’ In Handbuch Drama. Theorie, Analyse, Geschichte, edited by P.W. Marx. Stuttgart: Springer, pp. 12–31.
Steward, E. 2017. Greek Tragedy on the Move. The Birth of a Panhellenic Art Form c. 500–300BCE, Oxford: Oxford University Press.
Stillers, R. 1992. ‘Drama und Dramentheorien der Antike in der Poetik des italienischen Humanismus.’ In Antike Dramentheorien und ihre Rezeption, edited by B. Zimmermann. Stuttgart: Springer, pp. 140–158.
Stoessl, F. 1987. Die Vorgeschichte des griechischen Theaters. Darmstadt: Wissenschaftliche Buchgesellschaft.
Swift, L.A. 2010. The Hidden Chorus. Echoes of Genre in Tragic Lyric. Oxford: Oxford University Press.
Taplin, O., 1972. ‘Aeschylean Silences and Silence in Aeschylus.’ In HSCPh, vol. 76, pp. 57–97.
Taplin, O., 1977. The Stagecraft of Aeschylus. Oxford: Oxford University Press.
Taplin, O. 1978. Greek Tragedy in Action. Cambridge: Cambridge University Press.
Taplin, O. 2006. ‘Aeschylus’ Persai. The Entry of Tragedy into the Celebration Culture of the 470s?’ In Dionysalexandros. Essays on Aeschylus and His Fellow Tragedians in Honour of Alexander F. Garvie, edited by D. Cairns / V. Liapis. Swansea: Classical Press of Wales, pp. 1–10.
Taplin, O. 2007. Pots & Plays. Interactions between Tragedy and Greek Vase-painting of the Fourth Century B.C.Los Angeles: The J. Paul Getty Museum.
Taplin, O. 2012. ‘How was Athenian Tragedy Played in the Greek West?’ In Theatre outside Athens. Drama in Greek Sicily and South Italy, edited by K. Bosher. Cambridge: Cambridge University Press, pp. 226–250.
Telò, M., Mueller, M. (eds.). 2018. The Materialities of Greek Tragedy. Objects and Affects in Aeschylus, Sophocles, and Euripides. London: Bloomsbury.
Thiel, R. 1993. Chor und tragische Handlung im Agamemnon des Aischylos. Stuttgart: Teubner.
Tsantsanoglou, K. 2010. ‘The Lament of Seven against Thebes and the Role of Telestes.’ In Παραχορήγημα. Μελετήματα για το αρχαίο θέατρο προς τιμήν του Καθηγητή Γρηγόρη Μ. Σηφάκη, edited by S. Tsitsiridis. Heraklion: Πανεπιστημιακές Εκδόσεις Κρήτης, pp. 31–56.
Tsitsiridis, S. 2005. ‘Mimesis and Understanding: An Interpretation of Aristotle’s Poetics 4.1448b4–19.’ In CQ, vol. 55, pp. 435–446.
Unceta Gómez, L. 2016. ‘Congratulations in Latin Comedy. Types and Functions.’ In Journal of Politeness Research, vol. 12, no. 2, pp. 267–290.
Valakas, K. 2009. ‘Theoretical Views of Athenian Tragedy in the Fifth Century BC.’ In Sophocles and the Greek Tragic Tradition, edited by S. Goldhill / E. Hall. Cambridge / New York: Cambridge University Press, pp. 179–207.
Velardi, R. 1989. Enthousiasmos. Possessione rituale e teoria della comunicazione poetica in Platone. Roma: Edizioni dell’Ateneo.
Vetta, M. 1993. ‘La voce degli attori nel teatro attico.’ In Tradizione e innovazione nella cultura greca da Omero all’età ellenistica. Vol. 2, edited by R. Pretagostini. Roma: Gruppo Editoriale Internazionale, pp. 703–718.
Vicaire, P. 1963. ‘Préssentiments, présages, prophéties dans le théatre d’Eschyle.’ In REG, vol. 76, pp. 337–357.
Viccei, R. 2019. L’immagine fuggente. Riflessioni teatrali sulla “Alcesti di Barcellona”. Bari: Edizioni di Pagina.
Vidal-Naquet, P. 1988 [1972]. ‘The Shields of Heroes. Essay on the Central Scene of the Seven Against Thebes.’ In Myth and Tragedy in Ancient Greece, edited by J.P. Vernant / P. Vidal-Naquet. Princeton: Princeton University Press, pp. 273–300. English translation by J. Lloyd.
Vox, O. 1982. ‘Il ditirambo XVIII di Bacchilide: dialogo ed enigma.’ In Maia, vol. 34, pp. 131–137.
Walton, J.M. 1980. Greek Theatre Practice. Westport, CT / London: Greenwood.
Webb, R. 2008. Demons and Dancers. Performance in Late Antiquity. Cambridge, MA: Harvard University Press.
Weiss, N. 2020. ‘Generic Hybridity in Athenian Tragedy.’ In The Genres of Archaic and Classical Greek Poetry. Theories and Models, edited by M. Foster / L. Kurke / N. Weiss. Leiden / Boston: Brill, pp. 167–190.
Weiss, N. 2020. ‘Opening Spaces. Prologic Phenomenologies of Greek Tragedy and Comedy.’ In ClAnt, vol. 39, no. 2, pp. 330–367.
West, M.L. 1979. ‘The Prometheus Trilogy.’ In JHS, vol. 99, pp. 130–148.
West, M.L. 1989. ‘The Early Chronology of Attic Tragedy.’ In CQ, vol. 39, no. 1, pp. 251–254.
West, M.L. 1990. Studies in Aeschylus. Stuttgart: Teubner.
West, M.L. 2000. ‘Iliad and Aethiopis on the Stage. Aeschylus and Son.’ In CQ, vol. 50, pp. 338–352.
West, M.L. 2007. ‘The Prometheus Trilogy.’ In Oxford Reading in Aeschylus, edited by M. Lloyd. Oxford: Oxford University Press, pp. 359–396.
West, M.L. 2013. The Epic Cycle. A Commentary on the Lost Troy Epics. Oxford: Oxford University Press.
West, S. 2000. ‘Lycophron’s Alexandra. ‘Hindsight as Foresight Makes no Sense’?’ In Matrices of Genre. Authors, Canons, and Society, edited by M. Depew / D. Obbink. Cambridge, MA / London: Harvard University Press, pp. 153–166.
von Wilamowitz-Moellendorff, U. 1914. Aischylos. Interpretationen. Berlin: Weidmann.
von Wilamowitz-Moellendorff, U. 1926. Euripides, Ion. Berlin: Weidmann.
Wiles, D. 2007. ‘Aristotle’s Poetics and Ancient Dramatic Theory.’ In The Cambridge Companion to Greek and Roman Theatre, edited by M. McDonald / J.M. Walton. Cambridge: Cambridge University Press, pp. 92–107.
Wiles, D. 2007. Mask and Performance in Greek Tragedy. Cambridge: Cambridge University Press.
Wind, R. 1972. ‘Myth and History in Bacchylides Ode 18.’ In Hermes, vol. 100, no. 4, pp. 511–523.
Winkler, J.J. 1985. Auctor and Actor. A Narratological Reading of Apuleius’ The Golden Ass. Berkeley / Los Angeles / London: University of California Press.
Winnington-Ingram, R.P. 1983. Studies in Aeschylus. Cambridge: Cambridge University Press.
Wohl, V. 2004. ‘Dirty Dancing. Xenophon’s Symposium.’ In Music and the Muses. The Culture of Mousike in the Classical Athenian City, edited by P. Murray / P. Wilson. Oxford: Oxford University Press, pp. 337–363.
Wyles, R. 2011. Costume in Greek Tragedy. Bristol: Bristol Classical Press.
Yoon, F. 2012. The Use of Anonymous Characters in Greek Tragedy. The Shaping of Heroes. Leiden / Boston: Brill.
Yoon, F. 2020. Euripides. Children of Heracles, London / New York: Bloomsbury.
Zarifi-Sistovari, Y. 2009. ‘For Whom Do the Chorus Weep? A Response to the Greek-Barbarian Polarity in Aeschylus’ Persians.’ http://www.thiasos.co.uk/news-events-new3.html (last accessed 30.3.2024).
Zeitlin, F.I. 1982. Under the Sign of the Shield. Semiotics and Aeschylus’ Seven Against Thebes. Roma: Edizioni dell’Ateneo.
Zeppezauer, D. 2011. Bühnenmord und Botenbericht. Zur Darstellung des Schrecklichen in der griechischen Tragödie. Berlin / Boston: De Gruyter.
Zimbrich, U. 1984. Mimesis bei Platon. Untersuchungen zu Wortgebrauch, Theorie der dichterischen Darstellung und zur dialogischen Gestaltung bis zur Politeia. Frankfurt am Main: Lang.
Zimmermann, B. 1992. Dithyrambos. Geschichte einer Gattung. Göttingen: Antike.
Zimmermann, B. 1993. ‘Das Lied der Polis: Zur Geschichte des Dithyrambos.’ In Tragedy, Comedy and the Polis. Papers from the Greek Drama Conference, edited by A.H. Sommerstein / S. Halliwell / J. Henderson / B. Zimmermann. Bari: Laterza, pp. 39–54.
Zimmermann, B. 2002. ‘Coro e azione drammatica nei Sette contro Tebe di Eschilo.’ In I Sette a Tebe. Dal mito alla letteratura, edited by A. Aloni. Bologna: Pàtron, pp. 117–124.
Zimmermann, B., 2003. ‘Überlegungen zum Chor in den Sieben gegen Theben des Aischylos und der Antigone des Sophokles.’ In Spurensuche, edited by R. Kussl. München: Oldenbourg, pp. 7–20.
Zimmermann, B. 2004. ‘Aischylos und Homer.’ In Lexis, vol. 22, pp. 191–199.
Zimmermann, B. 2006. ‘Botenszenen.’ In Der Neue Pauly—Brill Online, edited by H. Cancik / H. Schneider / M. Landfester, http://referenceworks.brillonline.com/entries/der-neue-pauly/botenszenen-e219600 (last accessed 2.12.2020).
Zimmermann, B. 2015. ‘Periodisierungszwänge als Problem und Herausforderung der Literaturgeschichtsschreibung.’ In Fragmente einer Geschichte der griechischen Komödie, edited by S. Chronopoulos / C. Orth. Heidelberg: Vandenhoeck & Ruprecht, pp. 9–15.
Zoran, G. 1998. ‘History and Fiction in the Aristotelian Theory of Mimesis.’ In Mimesis. Studien zur literarischen Repräsentation, edited by B.F. Scholz. Tübingen / Basel: Francke, pp. 133–147.
Zucchelli, B. 1963.
ΗΥΠΟΚΡΙΤΗΣ . Origine e storia di un termine, Genova: Paideia.
Other Disciplines
Adam, J.M. 1992. Les textes. Types et prototypes. Paris: Armand Colin.
Andronikashvili, Z. 2009. Die Erzeugung des dramatischen Textes. Ein Beitrag zur Theorie des Sujets. Berlin: Schmidt.
Asmuth, B. 2009 [1980]. Einführung in die Dramenanalyse. Stuttgart / Weimar: Metzler.
Asmuth, B. 2000. ‘Handlung.’ In Reallexikon der deutschen Literaturwissenschaft. Vol. 2, edited by H. Fricke. Berlin / Boston: De Gruyter, pp. 6–9.
Austin, J.L. 1962. How to Do Things with Words. Cambridge, MA: Harvard University Press.
Bachmann, M. 2012. ‘Dramatik-Lyrik-Epik: Das Drama im System der literarischen Gattungen.’ In Handbuch Drama. Theorie, Analyse, Geschichte, edited by P.M. Marx. Stuttgart: Metzler, pp. 52–72.
Backe, H.-J. 2010. ‘Medialität und Gattung.’ In Handbuch Gattungstheorie, edited by R. Zymner. Stuttgart: Springer, pp. 105–107.
Baroni, R., Macé, M. 2007. ‘Avant-propos.’ In Le savoir des genres, edited by R. Baroni / M. Macé. Rennes: Presses Universitaires de Rennes, pp. 7–17.
Beckerman, B. 1979 [1970]. Dynamics of Drama. Theory and Methods of Analysis. New York: Drama Book Specialists.
Berghahn, K.L. 1970. Formen der Dialogführung in Schillers klassischen Dramen. Münster, Aschendorff.
Bergmann, J.R. 1987. Klatsch. Zur Sozialform der diskreten Indiskretion. Berlin: De Gruyter.
Berns, U. 2014. ‘Performativity.’ In Handbook of Narratology. Vol. 2, edited by P. Hühn / J.C. Meister / J. Pier / W. Schmid. Berlin / München / Boston: De Gruyter, pp. 677–691.
Boenisch, P.M. 2012. ‘Grundelemente (2): Formprinzipien der dramaturgischen Komposition.’ In Handbuch Drama. Theorie, Analyse, Geschichte, edited by P.W. Marx. Stuttgart: Springer, pp. 122–144.
Bohle, U., König, E. 2001. ‘Zum Begriff des Performativen in der Sprachwissenschaft.’ In Theorien des Performativen (Paragrana, vol. 10), edited by E. Fischer-Lichte / C. Wulf. Berlin: Akademie, pp. 13–34.
Bowles, H. 2010. Storytelling and Drama. Exploring Narrative Episodes in Plays. Amsterdam: Benjamins.
Brecht, B. 1967. ‘Anmerkungen zur Oper Aufstieg und Fall der Stadt Mahagonny.’ Quoted after Bertolt Brecht. Gesammelte Werke. Vol. 17, Frankfurt am Main: Suhrkamp.
Brecht, B. 1973 [1948]: Kleines Organon des Theaters. Quoted after Bertolt Brecht. Über Politik auf dem Theater, edited by W. Hecht. Frankfurt am Main: Suhrkamp, pp. 50–82.
von Brincken, J., Englhart, A. 2008. Einführung in die moderne Theaterwissenschaft. Darmstadt: Wissenschaftliche Buchgesellschaft.
Caracciolo, M. 2014a. ‘Experientiality.’ In Handbook of Narratology. Vol. 1, edited by P. Hühn / J.M. Meister / J. Pier / W. Schmid. Berlin / Boston: De Gruyter, pp. 149–158.
Caracciolo, M. 2014b. The Experientiality of Narrative. An Enactivist Approach. Berlin / Boston: De Gruyter.
Carlson, M. 1984. Theories of the Theatre. A Historical and Critical Survey, from the Greeks to the Present. Ithaca, NY / London: Cornell University Press.
Casati, R., Varzi, A. 2010. ‘Events.’ In The Stanford Encyclopedia of Philosophy (Spring 2010 Edition), edited by E.N. Zalta. http://plato.stanford.edu/archives/spr2010/entries/events/ (last accessed 29.03.2024).
Chatman, S. 1980. ‘What Novels Can Do that Films Can’t (and Vice Versa).’ In Inquiry, vol. 7, no. 1, pp. 121–140.
Chatman, S. 1990. Coming to Terms. The Rhetoric of Narrative in Fiction and Film. Ithaca, NY / London: Cornell University Press.
Claycomb, R. 2013. ‘Here’s How to Produce This Play. Towards a Narratology of Dramatic Texts.’ In Narrative, vol. 21, no. 21, pp. 159–179.
Coffey, J., 2015. Innocence and Loss. Images of Childhood, https://ncartmuseum.org/blog/view/innocence_and_loss_images_of_childhood (last accessed 10.1.2021).
Connerton, P., 1989. How Societies Remember. Cambridge: Cambridge University Press.
von Contzen, E., Tilg, S. (eds.). 2019. Handbuch Historische Narratologie. Stuttgart: Springer.
Croce, B. 1990 [1902]. Estetica come scienza dell’espressione e linguistica generale. Milano: Adelphi.
Dannenberg, H.P. 2004. ‘Die Entwicklung von Theorien der Erzählstruktur und des Plot-Begriffs.’ In Literaturwissenschaftliche Theorien, Modelle und Methoden. Eine Einführung, edited by A. Nünning. Trier: Wissenschaftlicher Verlag, pp. 51–68.
Dannenberg, H.P. 2008. ‘Plot.’ In Routledge Encyclopedia of Narrative Theory, edited by D. Herman / M. Jahn / M.-L. Ryan. New York: Routledge, pp. 435–439.
Das, S.K. 1995. ‘Narrative in the Drama.’ In Literature East and West. Essays Presented to R.K. Dasgupta, edited by G.R. Taneja / V. Sena. New Delhi / Bombay / Calcutta / Madras / Nagpur/ Ahmedabad / Bangalore / Hyderabad / Lucknow: Allied Publishers Limited, pp. 249–256.
van Dijk, A.T. 1975. ‘Action, Action Description, and Narrative.’ In New Literary History, vol. 6, no. 2, pp. 273–294.
Duff, D. 2000. ‘Key Concepts.’ In Modern Genre Theory, edited by D. Duff. London / New York: Routledge, pp. x–xvi.
Dunker, A. 2010. ‘Gattungssystematiken.’ In Handbuch Gattungstheorie, edited by R. Zymner. Stuttgart: Springer, pp. 12–15.
Eco, U., 1979. Lector in fabula. Milano: Bompiani.
Ehlich, K. (ed.). 1980. Erzählen im Alltag. Frankfurt am Main: Suhrkamp.
Ehlich, K. 2007. Sprache und sprachliches Handeln, Vol. 3. Berlin: De Gruyter.
Elam, K., 1984. Shakespeare’s Universe of Discourse. Language-Games in the Comedies, Cambridge: Cambridge University Press.
Eliot, T.S. 1921. ‘Tradition and the Individual Talent.’ In The Sacred Wood. Essays on Poetry and Criticism, edited by T.S. Eliot. London: Methuen, pp. 42–52.
Erzgräber, W., Goetsch P. (eds.). 1987. Mündliches Erzählen im Alltag, fingiertes mündliches Erzählen in der Literatur, Tübingen: Narr.
Eusterschulte, A. 2001. ‘Mimesis.’ In Historisches Wörterbuch der Rhetorik. Vol. 5, edited by G. Ueding. Tübingen: Niemeyer, pp. 1232–1294.
Fischer-Lichte, E. 2004. Ästhetik des Performativen. Berlin: Suhrkamp.
Fischer-Lichte, E., Wulf, C. (eds.). 2001. Theorien des Performativen (Paragrana, vol. 10). Berlin: Akademie.
Fischer-Lichte, E., Roselt, J. 2001 ‘Attraktion des Augenblicks—Aufführung, Performance, performativ und Performativität als theaterwissenschaftliche Begriffe.’ In Theorien des Performativen (Paragrana, vol. 10), edited by E. Fischer-Lichte / C. Wulf. Berlin: Akademie, pp. 237–253.
Fludernik, M. 1996. Towards a ‘Natural’ Narratology. London: Routledge.
Fludernik, M. 2003. ‘Natural Narratology and Cognitive Parameters.’ In Narrative Theory and the Cognitive Sciences, edited by D. Herman. Chicago: The University of Chicago Press, pp. 243–267.
Fludernik, M. 2008. ‘Narrative and Drama.’ In Theorizing Narrativity, edited by J. Pier / J.A. García Landa. Berlin / New York: De Gruyter, pp. 355–381.
Fowler, A. 1979. ‘Genre and the Literary Canon.’ In New Literary History, vol. 11, no. 1, pp. 97–119.
Fowler, A. 2000. ‘Transformation of Genre.’ In Modern Genre Theory, edited by D. Duff. London / New York: Routledge, pp. 232–249.
Foster, S.L. 1996. Choreography and Narrative. Ballet’s Staging of Story and Desire. Bloomington, IN: Indiana University Press.
Franke, W. 1983. ‘Erzählen. Skizze zur Beschreibung einer monologischen Kommunikationsform.’ In Deutsche Sprache, vol. 3, pp. 235–249.
Franko, M. (ed.). 2018. The Oxford Handbook of Dance and Re-enactment. Oxford: Oxford University Press.
Fricke, H. 2010. ‘Definieren von Gattungen.’ In Handbuch Gattungstheorie, edited by R. Zymner. Stuttgart: Springer, pp. 10–12.
Garuba, H. 2008. ‘African Narrative.’ In Routledge Encyclopedia of Narrative Theory, edited by D. Herman / M. Jahn / M.-L. Ryan. New York: Routledge, pp. 8–9.
Genette, G. 1988 [1983]. Narrative Discourse Revisited. Ithaca, NY: Cornell University Press. English translation by J.E. Lewin.
Genette, G. 1992 [1979]. The Architext. An Introduction. Berkeley / Los Angeles / Oxford: University of California Press. English translation by J.E. Lewin.
Genette, G. 1994 [1972–1983]. Die Erzählung. München: Fink. German translation by A. Knop.
Goethe, J.W. 1961 [1819]. ‘Noten und Abhandlungen. Zum besseren Verständnis des West-Östlichen Divans.’ Quoted after Johan Wolfgang Goethe Dtv-Gesamtausgabe. Vol. 5. München: Deutscher Taschenbuch Verlag.
Greenfield, P.M. 1984. Mind and Media. The Effects of Television, Video-Games, and Computers. Cambridge, MA: Harvard University Press.
Gülich, E., Hausendorf, H. 2000. ‘Vertextungsmuster Narration.’ In Handbücher zur Sprach- und Kommunikationswissenschaft—Handbooks of Linguistics and Communication Science (HSK), Vol. 16/1: Text- und Gesprächslinguistik—Linguistics of Text and Conversation, edited by K. Brinker / G. Antos / W. Heinemann / S.F. Sager, Berlin / New York: De Gruyter, pp. 369–385.
Gymnich, M., Neumann, B., 2007. ‘Vorschläge für eine Relationierung verschiedener Aspekte und Dimensionen des Gattungskonzepts. Der Kompaktbegriff Gattung.’ In Gattungstheorie und Gattungsgeschichte, edited by M. Gymnich / B. Neumann / A. Nünning. Trier: Wissenschaftlicher Verlag, pp. 31–52.
Hamburger, K. 1957. Die Logik der Dichtung. Stuttgart: Klett.
Handke, P. 1966. Publikumsbeschimpfung und andere Sprechstücke. Frankfurt am Main: Suhrkamp.
Hardy, B. 1997. Shakespeare’s Storytellers. Dramatic Narration. London / Chester Springs, PA: Owen.
Hartmann, K.-H. 1979. Wiederholungen im Erzählen. Zur Literarität narrativer Texte. Stuttgart: Metzler.
Häsner, B., Hufnagel, H.S., Maassen, I., Traninger, A., 2011. ‘Text und Performativität.’ In Theorien des Performativen: Sprache, Wissen, Praxis. Eine kritische Bestandaufnahme, edited by K.W. Hempfer / J. Volbers. Bielefeld: Transcript, pp. 69–96.
Hempfer, K.W. 1973. Gattungstheorie. Information und Synthese. München: Fink.
Hempfer, K.W. 1977. ‘Zur pragmatischen Fundierung der Texttypologie.’ In Textsortenlehre-Gattungsgeschichte, edited by W. Hinck. Heidelberg: Quelle & Meyer, pp. 1–26.
Hempfer, K.W. 2008. ‘Überlegungen zur historischen Begründung einer systematischen Lyriktheorie.’ In Sprachen der Lyrik. Von der Antike bis zur digitalen Poesie, edited by K.W. Hempfer. Stuttgart: Steiner, pp. 33–60.
Hempfer, K.W. 2011. ‘Performance, Performanz, Performativität. Einige Unterscheidungen zur Ausdifferenzierung eines Theoriefeldes.’ In Theorien des Performativen: Sprache, Wissen, Praxis. Eine kritische Bestandaufnahme, edited by K.W. Hempfer / J. Volbers. Bielefeld: Transcript, pp. 13–41.
Hempfer, K.W., Volbers, J. (eds.). Theorien des Performativen. Sprache, Wissen, Praxis. Eine kritische Bestandaufnahme. Bielefeld: Transcript.
Herman, D. 2008. ‘Events and Event-Types.’ In Routledge Encyclopedia of Narrative Theory, edited by D. Herman / M. Jahn / M.-L. Ryan. New York: Routledge, pp. 151–152.
Hofmann, M. 2013. Drama. Grundlagen, Gattungsgeschichte, Perspektiven. Paderborn: UTB.
Horn, A. 1998. Theorie der literarischen Gattungen. Würzburg: Königshausen & Neumann.
Hübler, A. 1973. Drama in der Vermittlung von Handlung, Sprache und Szene. Bonn: Bouvier.
Hühn, P., Sommer, R. 2014. ‘Narration in Poetry and Drama.’ In Handbook of Narratology. Vol. 1, edited by P. Hühn / J.M. Meister / J. Pier / W. Schmid. Berlin / Boston, pp. 419–434.
Jahn, M. 2001. ‘Narrative Voice and Agency in Drama: Aspects of a Narratology of Drama.’ In New Literary History, vol. 32, no. 3, pp. 659–679.
Jahn, W. 1931. Wesen und Formen des Berichts im Drama, veranschaulicht an Beispielen aus Schillers Dramen. Berlin: Nedeln.
Jauß, H.-R. 1977. Alterität und Modernität der mittelalterlichen Literatur. Gesammelte Aufsätze 1956–1976. München: Fink.
Jeschke, L. 1997. Prometeo. Geschichtskonzeptionen in Luigi Nonos Hörtragödie. Stuttgart: Steiner.
Kappl, B. 2006. Die Poetik des Aristoteles in der Dichtungstheorie des Cinquecento. Berlin: De Gruyter.
Kiel, E. 1992. Dialog und Handlung im Drama. Untersuchungen zu Theorie und Praxis einer sprachwissenschaftlichen Analyse literarischer Texte. Frankfurt am Main: Lang.
Klauk, T., Köppe, T. 2014. ‘Telling vs. Showing.’ In Handbook of Narratology. Vol. 2, edited by P. Hühn / J.C. Meister / J. Pier / W. Schmid. Berlin / München / Boston: De Gruyter, pp. 846–853.
Klotz, V. 1960. Geschlossene und offene Form im Drama. München: Hanser.
Komfort-Hein, S. 1996. ‘Gattungslehre.’ In Historisches Wörterbuch der Rhetorik. Vol. 3, edited by G. Ueding. Tübingen: Niemeyer, pp. 528–557.
König, E. 2011. ‘Bausteine einer allgemeinen Theorie des Performativen aus linguistischer Perspektive.’ In Theorien des Performativen. Sprache, Wissen, Praxis. Eine kritische Bestandaufnahme, edited by K.W. Hempfer, J. Volbers. Bielefeld: Transcript, pp. 43–67.
Korthals, H. 2003. Zwischen Drama und Erzählung. Ein Beitrag zur Theorie geschehensdarstellender Literatur. Berlin: Schmidt.
Kretz, N. 2012. ‘Grundelemente (1): Bausteine des Dramas (Figur, Handlung, Dialog).’ In Handbuch Drama. Theorie, Analyse, Geschichte, edited by P.W. Marx. Stuttgart: Springer, pp. 105–121.
Krieger, G. 2004. ‘Dramentheorie und Methoden der Dramenanalyse.’ In Literaturwissenschaftliche Theorien, Modelle und Methoden. Eine Einführung, edited by A. Nünning. Trier: Wissenschaftlicher Verlag, pp. 69–92.
Kukkonen, K. 2017. A Prehistory of Cognitive Poetics: Neoclassicism and the Novel. Oxford: Oxford University Press.
Kukkonen, K. 2019. ‘Handlung und Handlungslogik: Frühe Neuzeit.’ In Handbuch Historische Narratologie, edited by E. von Contzen / S. Tilg. Berlin: Metzler, pp. 262–270.
Lämmert, E. 1968 [1955]. Bauformen des Erzählens, Stuttgart: Metzler.
Lehmann, H.-Th., 1991. Theater und Mythos. Die Konstitution des Subjekts im Diskurs der antiken Tragödie. Stuttgart: Springer.
Lehmann, H.-T. 1999. Postdramatisches Theater. Frankfurt am Main: Verlag der Autoren.
Lehmann, H.-T. 2013. Tragödie und dramatisches Theater. Berlin: Alexander Verlag.
Leist, A. 2007. ‘Introduction. Through Contexts to Actions.’ In Action in Context, edited by A. Leist. Berlin: De Gruyter, pp. 1–51.
Lippmann, W. 1998 [1922]. Public Opinion. London / New York: Routledge.
Lockemann, W. 1973. Lyrik, Epik, Dramatik oder die totgesagte Trinität. Meisenheim am Glan: Hain.
Loxley, J. 2007. Performativity. London / New York: Routledge.
Lukács, G. 1970 [1936]. ‘Narrate or Describe?’ In Writer and Critic and Other Essays, edited and translated by A. Kahn. New York: Grosset and Dunlap, pp. 110–148.
Malm, M. 2012. The Soul of Poetry Redefined. Vacillations of Mimesis from Aristotle to Romanticism. Copenhagen: Museum Tusculanum Press, University of Copenhagen.
Margolin, U. 2014. ‘Narrator.’ In Handbook of Narratology. Vol. 2, edited by P. Hühn / J.M. Meister / J. Pier / W. Schmid. Berlin / Boston: De Gruyter, pp. 351–369.
Martinez, M., Scheffel, M. 2007 [1999]. Einführung in die Erzähltheorie. München: Beck.
Marx, P.W. 2012. ‘Dramentheorie.’ In Handbuch Drama. Theorie, Analyse, Geschichte, edited by P.W. Marx. Stuttgart: Springer, pp. 1–11.
Miller, J.H. 2001. Speech Acts in Literature. Stanford, CA: Stanford University Press.
Neumann, B., Nünning, A. 2007. ‘Einleitung: Probleme, Aufgaben und Perspektiven der Gattungstheorie und Gattungsgeschichte.’ In Gattungstheorie und Gattungsgeschichte, edited by M. Gymnich / B. Neumann / A. Nünning. Trier: Wissenschaftlicher Verlag, pp. 1–28.
Niederhoff, B. 2014. ‘Focalization.’ In Handbook of Narratology. Vol. 1, edited by P. Hühn / J.M. Meister / J. Pier / W. Schmid. Berlin / Boston, pp. 115–123.
Nietzsche, F., 1980 [1888]. Der Fall Wagner. In Friedrich Nietzsche: Sämtliche Werke. Kritische Gesamtausgabe. Vol. 6, edited by G. Colli / M. Montinari. Berlin / New York: Deutscher Taschenbuch Verlag / De Gruyter.
Nünning, A., Nünning, V. (eds.). 2002a. Erzähltheorie transgenerisch, intermedial, interdisziplinär. Trier: Wissenschaftlicher Verlag.
Nünning A., Nünning, V. (eds.). 2002b. Neue Ansätze in der Erzähltheorie. Trier: Wissenschaftlicher Verlag.
Nünning, A., Sommer, R., 2002. ‘Drama und Narratologie. Die Entwicklung erzähltheoretischer Modelle und Kategorien für die Dramenanalyse.’ In Erzähltheorie transgenerisch, intermedial, interdisziplinär, edited by A. Nünning / V. Nünning. Trier: Wissenschaftlicher Verlag, pp. 105–128.
Nünning, A., Sommer, R. 2006. ‘Die performative Kraft des Erzählens. Formen und Funktionen des Erzählens in Shakespeares Dramen.’ In Shakespeare Jahrbuch 142, edited by I. Schabert / S. Schülting. Bochum: Kamp, pp. 124–141.
Nünning, A., Sommer, R., 2008. ‘Diegetic and Mimetic Narrativity. Some Further Steps towards a Narratology of Drama.’ In Theorizing Narrativity, edited by J. Pier / J.A. García Landa. Berlin / New York: De Gruyter, pp. 331–354.
Nünning, A., Sommer, R., 2011. ‘The Performative Power of Narrative in Drama: On the Forms and Functions of Dramatic Storytelling in Shakespeare’s Plays.’ In Current Trends in Narratology, edited by G. Olson. Berlin / New York: De Gruyter, pp. 200–231.
Nünning, A. 2013. ‘Wie Erzählungen Kulturen erzeugen: Prämissen, Konzepte und Perspektiven für eine kulturwissenschaftliche Narratologie.’ In Kultur, Wissen, Narration. Perspektiven transdisziplinärer Erzählforschung für die Kulturwissenschaften, edited by A. Strohmaier, Bielefeld: Transcript, pp. 15–53.
Ong, W. 2012 [1982]. Orality and Literacy. 30th Anniversary Edition. London / New York: Routledge.
Pankau, J.G. 1994. ‘Erzählung.’ In Historisches Wörterbuch der Rhetorik. Vol. 2, edited by G. Ueding. Tübingen: Niemeyer, pp. 1432–1438.
Pappalardo, F. 2009. Teorie dei generi letterari. Milano: B.A. Graphis.
Pasolini, P.P., 1968: ‘Manifesto per un nuovo teatro.’ In Nuovi argomenti, vol. 9 (Gennaio–Marzo), pp. 6–22.
Pavel, T.G. 1985. The Poetics of the Plot. The Case of English Renaissance Drama. Minneapolis, MS: University of Minnesota Press.
Petersen, J. 1925. ‘Zur Lehre von den Dichtungsgattungen.’ In Festschrift für August Sauer zum 70. Geburstag des Gelehrten am 12. Oktober 1925, edited by R. Backmann. Stuttgart: Metzler, pp. 72–116.
Petrey, S. 1990. Speech Acts and Literary Theory. London / New York: Routledge.
Pfister, M. 2001 [1977]. Das Drama. Theorie und Analyse. München: Fink.
Pfister, M. 2001. ‘Appendix. Skalierung von Performativität.’ In Theorien des Performativen (Paragrana, vol. 10), edited by E. Fischer-Lichte / C. Wulf. Berlin: Akademie, p. 302.
Pirandello, L. 1899. ‘L’azione parlata.’ In Il Marzocco, vol. 4, no. 14, p. 2.
Porter, J.A. 1986. ‘Pragmatics for Criticism. Two Generations of Speech Act Theory.’ In Poetics, vol. 15, no. 3, pp. 243–257.
Pratt, M.L. 1977. Toward a Speech Act Theory of Literary Discourse. Bloomington, IN: Indiana University Press.
Puchner, M. 2002. Stage Fright. Modernism, Anti-Theatricality, and Drama. Baltimore, MD: John Hopkins University Press.
Pütz, P. 1970. Die Zeit im Drama. Zur Technik dramatischer Spannung. Göttingen: Vandenhoeck & Ruprecht.
Quasthoff, U.M. 1980. Erzählen in Gesprächen. Tübingen: Narr.
Quasthoff, U.M. 2001. ‘Erzählen als interaktive Gesprächsstruktur.’ In Handbücher zur Sprach- und Kommunikationswissenschaft—Handbooks of Linguistics and Communication Science (HSK), Vol. 16/2: Text- und Gesprächslinguistik—Linguistics of Text and Conversation, edited by K. Brinker / G. Antos / W. Heinemann / S.F. Sager, Berlin / New York: De Gruyter, pp. 1293–1309.
Rajewsky, I.O. 2007. ‘Von Erzählern, die (nichts) vermitteln. Überlegungen zu grundlegenden Annahmen der Dramentheorie im Kontext einer transmedialen Narratologie.’ In Zeitschrift für französischen Sprache und Literatur, vol. 117, no. 1, pp. 25–68.
Rangacharya, A. 1984. The Nāṭyaśāstra. English Translation with Critical Notes. New Delhi: Munshirm Manoharlal.
Reboul, A. 1990. ‘The Logical Status of Fictional Discourse: What Searle’s Speaker Can’t Say to His Hearer.’ In Speech Acts, Meaning, an Intentions. Critical Approaches to the Philosophy of John R. Searle, edited by A. Burkhardt. Berlin / New York: De Gruyter, pp. 336–366.
Rehbein, J. 1984. ‘Beschreiben, Berichten und Erzählen.’ In Erzählen in der Schule, edited by K. Ehlich. Tübingen: Narr, pp. 67–124.
Richardson, B. 1987. ‘“Time is Out of Joint.” Narrative Models and the Temporality in the Drama.’ In Poetics Today, vol. 8, no. 2, pp. 299–309.
Richardson, B. 1988. ‘Point of View in Drama. Diegetic Monologue, Unreliable Narration, and the Author’s Voice on Stage.’ In Comparative Drama, vol. 22, no. 3, pp. 193–214.
Richardson, B. 2000. ‘Narrative Poetics and Postmodern Transgression. Theorizing the Collapse of Time, Voice, and Frame.’ In Narrative, vol. 8, no. 1, pp. 23–42.
Richardson, B. 2001. ‘Voice and Narration in Postmodern Drama.’ In New Literary History, vol. 32, no. 3, pp. 681–694.
Richardson, B., 2007. ‘Drama and Narrative.’ In The Cambridge Companion to Narrative, edited by D. Herman. Cambridge: Cambridge University Press, pp. 142–155.
Richardson, B. 2017. ‘Unnatural Narrative Theory: A Paradoxical Paradigm.’ In Emerging Vectors of Narratology, edited by P.K. Hansen / J. Pier / Ph. Roussin / W. Schmid. Berlin / Boston: De Gruyter, pp. 193–205.
Roumois-Hasler, U. 1982. Dramatischer Dialog und Alltagsdialog im wissenschaftlichen Vergleich. Frankfurt am Main: Lang.
Rudrum, D. 2005. ‘From Narrative Representation to Narrative Use. Towards the Limits of Definition.’ In Narrative, vol. 13, no. 2, pp. 195–204.
Ruffinatto, A. 2004. ‘Racconto.’ In Dizionario di linguistica e di filologia, metrica, retorica, edited by G.L. Beccaria. Torino: Einaudi, pp. 631–632.
Ryan, M.L. (ed.). 2004. Narrative across Media. The Language of Storytelling, Lincoln, NE / London: University of Nebraska Press.
Ryan, M.-L. 2007. ‘Toward a Definition of Narrative.’ In The Cambridge Companion to Narrative, edited by D. Herman. Cambridge: Cambridge University Press, pp. 22–35.
Ryan, M.L. 2008. ‘Media and Narrative.’ In Routledge Encyclopedia of Narrative Theory, edited by D. Herman / M. Jahn / M.-L. Ryan. London / New York: Routledge, pp. 288–292.
de Saussure, F. 1916. Cours de linguistique générale, Lausanne: Payot.
Scheffel, M., Weixler, A., Werner, L. 2014. ‘Time.’ In Handbook of Narratology. Vol. 2, edited by P. Hühn / J.M. Meister / J. Pier / W. Schmid. Berlin / Boston: De Gruyter, pp. 868–886.
Scheinpflug, P. 2014. Genre Theorie. Eine Einführung. Münster: Lit Verlag.
Scherer, S. 2010. Einführung in die Dramen-Analyse. Darmstadt: Wissenschaftliche Buchgesellschaft.
Schlegel, A.W. 1966 [1809]. ‘Vorlesungen über dramatische Kunst und Literatur.’ Quoted after Kritische Schriften und Briefe. Vol. 5, edited by E. Lohner, Stuttgart: Kohlhammer.
Schmachtenberg, R. 1982. Sprechakttheorie und dramatischer Dialog. Tübingen: Niemeyer.
Schmeling, M., Walstra, K., 2000. ‘Erzählung 1.’ In Reallexikon der deutschen Literaturwissenschaft. Vol. 2, edited by H. Fricke. Berlin / New York: De Gruyter, pp. 6–9.
Schmid, H. 1976. ‘Ist die Handlung die Konstruktionsdominante des Dramas?’ In Poetica, vol. 8, pp. 177–207.
Schmid, W. 2017. ‘Eventfulness and Repetitiveness: Two Aesthetics of Storytelling.’ In Emerging Vectors of Narratology, edited by P.K. Hansen / J. Pier / Ph. Roussin / W. Schmid. Berlin / Boston: De Gruyter, pp. 229–245.
Schmitz, T. 2002. Moderne Literaturtheorie und antike Texte. Eine Einführung. Darmstadt: Wissenschaftliche Buchgesellschaft.
Schmitz, T. 2014. ‘Warum brauchen wir Theorie?’ In Eisodos vol. 1, pp. 7–10.
Schneider, R. 2011. Performing Remains. Art and War in Times of Theatrical Reenactment. London / New York: Routledge.
Scholes, R., Kellog, R. 1966. The Nature of Narrative. Oxford / New York: Oxford University Press.
Schößler, F. 2012. Einführung in die Dramenanalyse, Stuttgart: Springer.
Schulze, J. 1976. ‘Was macht das Drama dramatisch?’ In Poetica, vol. 8, pp. 346–355.
Schwanecke, C. 2022. A Narratology of Drama. Dramatic Storytelling in Theory, History, and Culture from the Renaissance to the Twenty-First Century. Berlin / Boston: De Gruyter.
Searle, J.R. 1975. ‘The Logical Status of Fictional Discourse.’ In New Literary History, vol. 6, no. 2, pp. 319–332.
Segal, E. 2011. ‘The “Tel Aviv School”: A Rhetorical-Functional Approach to Narrative.’ In Current Trends in Narratology, edited by G. Olson. Berlin / New York: De Gruyter, pp. 297–311.
Segre, C. 1981. ‘Narratologia e teatro.’ In La semiotica e il doppio teatrale, edited by G. Ferroni. Napoli: Liguori, pp. 15–26.
Shen, D. 2008. ‘Story-Discourse Distinction.’ In Routledge Encyclopedia of Narrative Theory, edited by D. Herman / M. Jahn / M.-L. Ryan. London / New York: Routledge, pp. 566–568.
Sinn, D. 1972. ‘Ereignis.’ In Historisches Wörterbuch der Philosophie. Vol. 2, edited by J. Ritter. Darmstadt: Schwabe, pp. 608–609.
Sommer, R. 2008. ‘Drama and Narrative.’ In Routledge Encyclopedia of Narrative Theory, edited by D. Herman / M. Jahn / M.-L. Ryan. London / New York: Routledge, pp. 119–124.
Stanzel, F.K. 1979. Theorie des Erzählens. Göttingen: Vandenhoeck & Ruprecht.
Steiger, E. 1968 [1946]. Grundbegriffe der Poetik. Zürich: Atlantis.
Stempel, W.-D. 1980. ‘Alltagsfiktion.’ In Erzählen im Alltag, edited by K. Ehlich. Frankfurt am Main: Suhrkamp, pp. 385–402.
Stenzel, G. 1950. Schillers Werke in zwei Bänden. Vol. 1. Salzburg: Das Bergland-Buch.
Stierle, K. 1975. Text als Handlung, München: Fink.
Stierle, K. 1976. ‘Über den Zusammenhang von Handlungstheorie und Handlungspoetik.’ In Poetica vol. 8, pp. 321–326.
Strasen, S. 2002. ‘Wie Erzählungen bedeuten: Pragmatische Narratologie.’ In Neue Ansätze in der Erzähltheorie, edited by A. Nünning / V. Nünning. Trier: Wissenschaftlicher Verlag, pp. 185–218.
Swearingen, C.J. 1990. ‘The Narration of Dialogue and Narration within Dialogue. The Transition from Story to Logic.’ in Narrative Thought and Narrative Language, edited by B.K. Britton / A.D. Pellegrini. London / New York: Routledge, pp. 173–197.
Szondi, P. 1968 [1956]. Theorie des modernen Dramas. Frankfurt am Main: Suhrkamp.
Taylor, D. 2003. The Archive and the Repertoire. Performing Cultural Memory in the Americas. Durham / London: Duke University Press.
Todorov, T. 1969. Grammaire du Décaméron. The Hague / Paris: Mouton.
Todorov, T. 2000 [1978]. ‘The Origin of Genres.’ In Modern Genre Theory, edited by D. Duff. London / New York: Routledge, pp. 193–209.
Tomashevsky, B. 1965 [1925]. ‘Thematics.’ In Russian Formalist Criticism. Four Essays, edited by L.T. Lemon / M.J. Reis. Lincoln / London: University of Nebraska Press, pp. 61–95.
Tönnies, M., Flotmann, C. 2011. ‘Introducing Narrative in Drama.’ In Narrative in Drama, edited by M. Tönnies / C. Flotmann. Trier: Wissenschaftlicher Verlag, pp. 9–17.
Trappen, S. 2001. Studien zur Poetik des 16. bis 19. Jahrhunderts und zur Geschichte der triadischen Gattungslehre. Heidelberg: Winter.
Trinkaus, C. 1966. ‘The Unknown Quattrocento Poetics of Bartolommeo della Fonte.’ In Studies in the Renaissance, vol. 13, pp. 40–122.
Tynyanov, Y. 2000 [1929]. ‘The Literary Fact.’ In Modern Genre Theory, edited by D. Duff. London / New York: Routledge, pp. 29–49.
Vos, M. 1991. ‘The Speech-Criterion in Seventeenth-Century German Narration Theory.’ In Neophilologus, vol. 75, pp. 112–118.
Voßkamp, W. 1977. ‘Gattungen als literarisch-soziale Institutionen.’ In Textsortenlehre-Gattungsgeschichte, edited by W. Hinck. Heidelberg: Quelle & Mayer, pp. 27–44.
Voßkamp, W. 1997. ‘Gattungsgeschichte.’ In Reallexikon der deutschen Literaturwissenschaf. Vol. 1, edited by K. Weimer. Berlin / New York: De Gruyter, pp. 655–658.
Werling, S. 1989. Handlung im Drama. Versuch einer Neubestimmung des Handlungsbegriffs als Beitrag zur Dramenanalyse. Frankfurt am Main: Lang.
Wilson, G., Shpall, S. 2012. ‘Action.’ In E.N. Zalta (ed.), The Stanford Encyclopedia of Philosophy (Summer 2012 Edition). http://plato.stanford.edu/archives/sum2012/entries/action/ (last accessed 30.03.2024).
Wirth, U. (ed.). 2002. Performanz. Zwischen Sprachphilosophie und Kulturwissenschaften. Frankfurt am Main: Suhrkamp.
Wittgenstein, L. 2001 [1953]. Philosophische Untersuchungen. Kritisch-genetische Edition, Herausgegeben von J. Schulte, Frankfurt am Main: Suhrkamp.
Zipfel, F. 1998. ‘Nachahmung – Darstellung – Fiktion? Überlegungen zu Interpretationen von Mimesis in der Literatur- und Erzähltheorie Gérard Genettes.’ In Mimesis. Studien zur literarischen Repräsentation, edited by B.F. Scholz. Tübingen / Basel: Franke, pp. 165–186.
Zipfel, P. 2010. ‘Theorien des Tragischen.’ In Handbuch Gattungstheorie, edited by R. Zymner. Stuttgart: Springer, pp. 338–341.
Zymner, R. 2007. ‘Gattungsvervielfältigung. Zu einem Aspekt der Gattungsdynamik.’ In Gattungstheorie und Gattungsgeschichte, edited by M. Gymnich / B. Neumann / A. Nünning. Trier: Wissenschaftlicher Verlag, pp. 101–116.
Zymner, R. (ed.). 2010. Handbuch Gattungstheorie, Stuttgart: Springer.