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In: Art Museums and the Legacies of the Dutch Atlantic Slave Trade
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This volume is generously supported by a grant from the Samuel H. Kress Foundation.

Transcript of Jamaica Kincaid’s remarks from the April 23, 2021, conversation “History, Memory, and Legacy: Jamaica Kincaid, Rosana Paulino, and Cheryl Finley in Conversation” by Jamaica Kincaid. Copyright © 2021 by Jamaica Kincaid, used by permission of the Wylie Agency LLC.

Library of Congress Cataloging-in-Publication Data

Names: Mallory, Sarah W., editor. | Seidenstein, Joanna Sheers, editor.

Title: Art museums and the legacies of the Dutch Atlantic slave trade : curating histories, envisioning futures / edited by Sarah W. Mallory, Joanna Sheers Seidenstein, Rachel Burke, Kéla Jackson.

Description: Leiden ; Boston : Brill, [2025] | Series: Brill’s studies on art, art history and intellectual history, 1878-9048 ; volume 77 | Includes bibliographical references and index.

Identifiers: LCCN 2024046897 (print) | LCCN 2024046898 (ebook) | ISBN 9789004714090 (hardback) | ISBN 9789004714106 (ebook)

Subjects: LCSH: Art museums—Social aspects. | Transatlantic slave trade. | Slave trade in art. | Arts and society.

Classification: LCC N430 .A78 2025 (print) | LCC N430 (ebook) | DDC 708—dc23/ENG/20241016

LC record available at https://lccn.loc.gov/2024046897

LC ebook record available at https://lccn.loc.gov/2024046898

Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. See and download: brill.com/brill-typeface.

ISSN 1878-9048

ISBN 978-90-04-71409-0 (hardback)

ISBN 978-90-04-71410-6 (e-book)

DOI 10.1163/9789004714106

Copyright 2025 by Koninklijke Brill BV, Leiden, The Netherlands.

Koninklijke Brill BV incorporates the imprints Brill, Brill Nijhoff, Brill Schöningh, Brill Fink, Brill mentis, Brill Wageningen Academic, Vandenhoeck & Ruprecht, Böhlau and V&R unipress.

All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Requests for re-use and/or translations must be addressed to Koninklijke Brill BV via brill.com or copyright.com.

info@brill.com for more information.

This book is printed on acid-free paper and produced in a sustainable manner.

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Art Museums and the Legacies of the Dutch Atlantic Slave Trade

Curating Histories, Envisioning Futures

Series:  Brill’s Studies on Art, Art History, and Intellectual History, Volume: 77
Cover Art Museums and the Legacies of the Dutch Atlantic Slave Trade
E-Book ISBN:
9789004714106
Publisher:
Brill
Print Publication Date:
27 Nov 2024
  • Subjects
    • Art History
      • Art History
      • Museum Studies
    • History
      • Art History
Front Matter
Preliminary Material
Copyright Page
Illustrations and Tables
Notes on Contributors
Introduction: Art Museums and the Legacies of the Dutch Atlantic Slave Trade
Part 1 In and beyond the Museum: Recent and Ongoing Undertakings in the Netherlands, South Africa, and the United States
Chapter 1 New Curatorial Practices? Representation, Continuation, and Change in Slavery Exhibitions
Chapter 2 Here: Black in Rembrandt’s Time and Slavery: Two Exhibitions about Invisible Histories
Chapter 3 Widening Circles: Collective Processing of Colonial Inheritances in Under Cover of Darkness
Chapter 4 A Litany for Homegoing
Chapter 5 New Narratives at the Amsterdam Museum: Curating Natasja Kensmil among Dutch Masters
Chapter 6 The Elephant in the Room: Some Afterthoughts on the Golden Coach Exhibition at the Amsterdam Museum
Chapter 7 Implicating the Dutch Metropole: Visualizing the History of Slavery in the Netherlands
Chapter 8 Debates about the Future National Museum of Slavery in the Netherlands: Attending to the Dutch Transatlantic and Indian Ocean Slave Trades
Chapter 9 Past Made Present: Dutch Shadows in the Black Atlantic—the Making of an Exhibition at the RISD Museum
Chapter 10 Slavery at Home and Overseas: Lessons from New England and the Netherlands
Chapter 11 Recovering Identity, Crowdsourcing Knowledge: Julien Hudson’s Portrait of a Young Woman in White
Chapter 12 Breaking Silence: Inclusivity in Dutch and Flemish Art
Chapter 13 Imagining Otherwise, an Ongoing Proposal
Touchstones
Show Items
Part 2 New Research in the Visual and Material Legacies of the Dutch Slave Trade
Chapter 19 Slavery and Still Life: the Historical and Ongoing Capitalist Legacies of Pronk Still Life Historiography
Chapter 20 Creating the Visual Memory of Slavery in Dutch Brazil: Frans Post and Albert Eckhout Exhibited
Chapter 21 The Plantation Worldscape of Colonial Dutch Brazil
Chapter 22 Spaces of Enslavement: Indigenous Resistance and Colonial Cartography
Chapter 23 Textiles and Trade in the Dutch Atlantic World: Albert Eckhout’s African Man and African Woman and Child
Chapter 24 From Cartography to Marine Art: Ships, Seafaring, and Depictions of the Seventeenth-Century Dutch Atlantic Slave Trade
Chapter 25 Ebony & Old Masters: Blackness and Representation in the Dutch Republic
Touchstones
Show Items
Part 3 Contemporary Practitioners
Chapter 34 Monuments Made Flesh: Sojourner Truth and Nona Faustine on Performance and Place
Chapter 35 Crossing the Water: An Artist’s View
Chapter 36 History, Memory, and Legacy: Jamaica Kincaid, Rosana Paulino, and Cheryl Finley in Conversation
Chapter 37 Selected Poems
Chapter 38 Slavepool
Chapter 39 What Is a Legacy?
Back Matter
Bibliography
Index

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