Overhauling: an Anatomy of Memorial Contestations

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Part 1 Overhauling: an Anatomy of Memorial Contestations

In: Toppling Things as Memorial Contestation

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Tomas Macsotay

Tomas Macsotay
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Nausikaä El-Mecky

Nausikaä El-Mecky
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Toppling Things as Memorial Contestation

Spectacle and Affect of Monument Removal

Series: Thamyris/Intersecting: Place, Sex and Race, Volume: 35

Cover Toppling Things as Memorial Contestation

E-Book ISBN:: 9789004712645

Publisher:: Brill

Print Publication Date:: 15 Dec 2024

Subjects

Front Matter

Preliminary Material

Acknowledgements

List of Figures

Notes on Contributors

Introduction

Part 1 Overhauling: an Anatomy of Memorial Contestations

Chapter 1 Local Origins of a Global Series: the 1990s Wave of Anti-colonial Iconoclasm

Chapter 2 Commemoration and (Re)Conciliation: Memorial Culture under Apologetic Settler Colonialism in Canada

Chapter 3 Contemporary Iconoclasm and Affect

Chapter 4 Traumatic Monuments: Decolonial Iconoclasms and “Southern” Memories

Chapter 5 To Remove, or Not To Remove, That Is the Question: the Troubled Legacy of Chiang Kai-shek Statues and Memorials in Democratized Taiwan

Part 2 Facing: Making a Difference in Memorial Activism

Chapter 6 A Space of Freedom: Richmond’s Robert E. Lee Memorial and the Future of America

Chapter 7 Conversations on Black Lives Matter

Chapter 8 Activist Statement: Down with J. P. Coen

Chapter 9 Colonial Reckoning: Reexamining the Slave Past in Catalonia

Part 3 Waking: Imaginings of a Post-Monument

Chapter 10 Dissolution of the Monuments

Chapter 11 The Agency of the Void: When a Monument Falls, Absence Transforms into Powerful Presence

Chapter 12 Toppling Things: Artistic Approaches and Media Strategies in Dealing with Monuments—Alexandra Pirici, Morehshin Allahyari, Julius von Bismarck & Julian Charrière

Chapter 13 Taking a Knee: Permanence, Ritual and the Respect Insurrection

Chapter 14 Artist/Activist Statement: In Search of an Aesthetic of Care: Recording BLM Protests and Documenting One’s Life in a Time of Reckoning

Part 4 Prolonged Engagements: Artistic Testimonies

Chapter 15 Flesh & Stone: Archives, Bodies and “Deep Time” in Ada Pinkston’s LandMarked

Chapter 16 Empty Pedestals or The Aesthetics of Truth

Chapter 17 Artist Statement: On Disgraced Monuments, their Resignification and the Recovery of Emptied Sites

Chapter 18 Epilogue: 2020 Revisited

Back Matter

Index

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