| 1 | Members of Dairakudakan in Natsu no Inori (A Summer’s Prayer) (Hakuba: 2015). Photo: Simon Woods. Reproduction courtesy of Woods. | 3 |
| 2 | Director Suzuki Tadashi’s Chronicle of Macbeth (Playbox: 1992). Left to right: Oliver Sidore (Chorus / Witch #2), John Nobbs (Banquo’s Ghost) and Peter Curtin (Macbeth). Photo: Reimund Zunde. Reproduction courtesy of Zunde. | 12 |
| 3 | Frances Barbe’s Fine Bone China (Brisbane tour, programmed by Frank at the Woodward Theatre: 2008). Photo: Phil Hargreaves. Reproduction courtesy of Barbe and Hargreaves. | 38 |
| 4 | Direct engagement with the national landscape: Lynne Santos in Golden Circle installation by Keith Armstrong and Richard Manner, one in a series of performance installations as part of De Quincey Co’s Triple Alice 1 (Hamilton Downs, Arrernte Country, Central Desert, 1999). Archival video-still courtesy of Armstrong. | 47 |
| 5 | Tess de Quincey in IS (The Performance Space: 1994). Installation and projections Stuart Lynch. Photo: Robyn Murphy. Image courtesy of De Quincey Co. | 76 |
| 6 | De Quincey Co’s Dictionary of Atmospheres (Lhere Mparntwe/Todd Riverbed, Alice Springs Festival, Arrernte Country, Central Australia: 2005). Performers left to right: Linda Luke, Kristina Harrison, Victoria Hunt, Tom Davies, Peter Fraser. Photo: Mayu Kanamori. Courtesy of Kanamori. | 102 |
| 7 | De Quincey Co’s Run – A Performance Engine (The Performance Space: 2009). Performers: Tom Davies (left) and Victoria Hunt (right). Photo: Heidrun Löhr. Image courtesy of Löhr and De Quincey Co. | 112 |
| 8 | Tess de Quincey in Nerve 9 (The Performance Space: 2002). Projections and photo Russell Emerson. Courtesy of Theatre and Performance Studies, University of Sydney, and De Quincey Co. | 116 |
| 9 | Yumi Umiumare (left) and Tony Yap (right) in Sunrise at Midnight (writer/dir. Sean O’Brien: 2001). Archival video still courtesy of O’Brien. | 163 |
| 10 | Tony Yap (left) and Yumi Umiumare (right) in Zero Zero (2010), from Yap (2011). Courtesy Of Yap. | 167 |
| 11 | Tony Yap in Decay of the Angel (Chapel of Change: 1999). Photo: Rainsford (Paul Towner). Reproduction courtesy of Yap. | 173 |
| 12 | Trevor Jamieson (left) and Yumi Umiumare (right) in Ngapartji Ngapartji (Belvoir Street Theatre: 2008). Photo: Heidrun Löhr. Reproduction courtesy of Löhr. | 196 |
| 13 | Tony Yap in Animal/God: The Great Square (2021). Courtesy of Yap. | 208 |
| Frank Theatre’s Romance of Orpheus (Princess Theatre: 1994; dir. Jacqui Carroll). Image left shows John Nobbs (Orpheus, at the left) and Irena Haze (Euridice, right). Image right shows Nobbs (forward) with chorus of (left to right): Lisa O’Neill, Frances Barbe, Christina Koch, Sonia Davies. Images courtesy of Carroll and Nobbs. | 237 | |
| 15 | Frank Theatre’s Doll Seventeen, by Ray Lawler (Visy Theatre, Brisbane Powerhouse: 2002; dir. Jacqui Carroll). Left to right: Lisa O’Neill (The Doll), Conan Dunning (Barney), Leah Shelton (Pearl), Caroline Dunphy (Olive), John Nobbs (Roo). Image courtesy of Carroll and Nobbs. | 250 |
| 16 | Mark Hill (left) and Dale Thorburn (right) in Zen Zen Zo Physical Theatre’s Zeitgeist (dir. and choreog. Lynne Bradley; Old Museum: 2008). Photo: Simon Woods. Reproduction courtesy of Woods. | 273 |
| 17 | Zen Zen Zo Physical Theatre’s Cult of Dionysus (dir. Simon Woods; movement dir. Lynne Bradley; Princess Theatre: 1996). Image at left shows the Chorus of (left to right): Stacey Callaghan, Rebecca Murray, Lynne Bradley, Helen Cassidy. Image at right shows Christopher Beckey as Dionysus (left) and Peter Lamb as Pentheus (right). Stills from archival video by Woods. | 279 |
| 18 | The Dispossessed (Seoul Arts Centre: 2008), presented by Seoul Performing Arts Festival and co-produced by NYID with Wuturi Theatre; concept/direction David Pledger. Photos: Guiman Shin. Reproduction courtesy of NYID. | 289 |
| 19 | Victoria Hunt in Copper Promises: Hinemihi Haka (Sydney: The Performance Space, 2016). Photo: Heidrun Löhr. Reproduction courtesy of Victoria Hunt. | 290 |
In: Butoh and Suzuki Performance in Australia
Author:
Jonathan W. Marshall
Jonathan W. Marshall
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