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Part 3 Wide Networks

in Between Point Zero and the Iron Curtain

Herausgeber:in:

Éva Forgács

Éva Forgács
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Art:: Kapitel

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Between Point Zero and the Iron Curtain

International Cooperation in Art at the Postwar Moment, 1945-1948

Reihe: Avant-Garde Critical Studies, Band: 45 und Avant-Garde Critical Studies, Band: 45

Cover Between Point Zero and the Iron Curtain

ISBN:: 9789004711280

Verleger:: Brill

Print-Publikationsdatum:: 21 Oct 2024

Fachgebiete
- Kunstgeschichte
  - Kunstgeschichte
- Literatur- und Kulturwissenschaften
  - Literatur, Kunst & Wissenschaft
  - Kulturgeschichte

Front Matter

Preliminary Material

Acknowledgments

List of Figures

Notes on Contributors

Introduction

Part 1 Local Developments

Chapter 1 A New Beginning: The Dresden Artists’ Group Der Ruf, 1945–1948

Chapter 2 The Struggle for Dominating the Discourse: the Conflict between Traditionalists and Modernists in Hungary, 1945–1948

Chapter 3 Art in Poland Immediately after the War in Search of Social Context

Chapter 4 In the Realm of Contradictions: Outlines of Czech Cultural Policy, 1945–1948

Part 2 Reaching Out

Chapter 5 The Bucharest Surrealist Group and the Networks of Post-war Surrealism

Chapter 6 ‘Democratic Art par excellence’? The 1947 Polish–Czechoslovak Exchange of Modern Graphic Art Exhibitions

Chapter 7 The European School in Budapest, 1945–1948

Chapter 8 Cobra: Vital Manifestation

Part 3 Wide Networks

Chapter 9 New Realities in Paris: Abstract Art and Internationalism, 1946–1950

Chapter 10 Resilient Modernism: the 1946 Visit of Polish Architects to the United States

Chapter 11 Materiality and Migration in Latin American Modernism: Caracas to Buenos Aires, 1944–1950

Chapter 12 The Chicago Art That Wasn’t, 1945–1948

Chapter 13 Turnabout Is Fair Play: Institution Building and the Idea of International Art in São Paulo after World War II

Chapter 14 American Surrealism, Late Style: Horizontal Circulations in the 1940s

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