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In: Narrative, Film, and Identity

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William C. Pamerleau

William C. Pamerleau
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Dar Hadith al Hassania

Index

12 Years a Slave

,

A Room with a View

,

Aaron, Michele

absurdity

agency

,

–

,

,

,

,

,

–

Althusser, Louis

American Beauty

–

,

Anderson, Nathan

,

Appiah, Kwame Anthony

,

,

,

Aristotle

,

,

,

,

,

Aumont, Jacques

,

,

,

,

Avatar

bad faith

,

,

,

,

,

Bálint, Katalin

,

Bartsch, Anne

,

Bazin, André

–

,

,

Beauvoir, Simone de

,

,

Benovsky, Jim

Bergman

,

,

,

,

Birth of a Nation

,

,

black cinema

,

Bloodsworth-Lugo, Mary K.

Bordwell, David

,

–

,

,

,

,

,

,

,

,

,

,

,

Breen, Andrea

,

Brock, Timothy

Burch, Noel

Camus, Albert

,

,

Čapek, Jakub

,

,

capitalism

,

Carr, David

,

,

,

,

,

,

,

Carroll, Noël

,

,

,

,

,

,

,

,

,

,

,

,

,

,

causation

,

,

,

cinema. See see film

Cléo from 5 to 7

Coates, Ta-Nehisi

,

,

,

cognitivism

–

,

–

,

,

collapse. See see film: immersion in

Croce, Michel

de Bres, Helena

,

,

,

Dead Poets Society

death

,

Deleuze, Gilles

,

Dennett, Daniel

Dewey, John

,

discrimination

–

,

,

Donald, Merlin

DuVernay, Ava

Eisenstein, Sergei

ethics

,

–

,

–

,

virtue theory

Ex Machina

Fay, Brian

,

film

aesthetics

,

,

,

as meaningful experience

,

,

–

,

,

–

,

,

emotional reaction to

–

,

,

–

,

,

immersion in

,

,

,

,

,

–

realism . See see realism

spectator activity

,

–

,

,

–

,

,

Fischer, Lucy

Gaut, Berys

,

,

,

,

Get Out

–

Goldie, Peter

,

,

Gombrich, E. H.

,

Good Will Hunting

,

–

,

,

Gordon, Lewis

,

,

,

,

,

,

Green, Melanie

Groundhog Day

Guess Who’s Coming to Dinner

Hammack, Phil

,

,

Harold and Maude

,

,

,

,

,

,

,

Haslanger, Sally

Heidegger, Martin

,

Hofer, Matthias

Hopkins, Robert

Husserl, Edmund

,

Hyvärinen, Matti

Indiana Jones and the Raiders of the Lost Ark

,

,

Indiana Jones and the Temple of Doom

,

,

,

,

intelligibility. See see meaning: as intelligibility

interpretation

,

,

,

,

,

,

,

Joske, W. D.

Kant, Immanuel

,

,

Kauppinen, Antti

Kovács, András Bálint

,

L’Eclisse

,

,

,

Lamarque, Peter

,

,

,

,

,

Landau, Iddo

,

Lincoln

,

Lost Highway

MacIntyre, Alasdair

,

,

,

,

,

,

,

,

,

,

,

,

,

,

,

Maeve, Saffron

Marx, Karl

Mathies, Susan

,

Mayo, Bernard

,

McAdams, Dan

,

,

,

McLean, Kate

,

meaning

as intelligibility

,

–

,

,

,

,

,

,

,

,

,

as significance

,

–

,

,

,

,

,

,

,

,

,

,

in life

,

–

,

–

,

,

,

,

,

,

,

,

–

,

,

in narratives

–

,

–

meaning of life as sub specie aeternitatis

–

,

meaningful films . See see film: as meaningful experience

meaningful life . See see meaning: meaning in life

objectivity and

–

subjectivity and

–

,

,

Memento

Metz, Thaddeus

,

,

,

,

,

Morgan, David

Mulvey, Laura

,

,

,

Münsterberg, Hugo

,

,

Murguía, Salvador Jiménez

,

,

,

,

narrative

film narratives

,

,

–

,

,

–

identity . See see narrative identity

intersection of film and life narratives

,

,

,

,

–

,

,

,

,

–

,

,

,

,

–

,

,

,

,

,

,

,

,

,

,

life narratives

,

,

–

,

,

,

,

,

,

,

–

,

,

,

,

,

,

,

,

open

,

–

selection

–

,

,

,

,

,

,

,

,

–

,

,

social dimension

,

,

,

,

,

–

,

,

temporal aspects of

,

,

,

,

narrative identity

,

–

,

,

,

criticisms of

–

,

,

,

No Country for Old Men

Nozick, Robert

,

,

Nussbaum, Martha

,

,

Oliver, Mary Beth

,

oppression

,

,

,

,

,

,

,

,

–

Ordinary People

Peele, Jordan

Persson, Per

,

,

Plantinga, Carl

,

,

,

,

,

,

,

Plato

prejudice

,

,

–

,

Pretty in Pink

Pretty Woman

Prince, Stephen

,

,

psychology

and film

,

and meaning

–

and narrative

,

,

–

,

queer theory

,

,

racism

,

,

,

,

–

,

–

,

,

Raggat, Peter

realism

,

,

,

as experience

–

as plausibility

,

,

–

,

,

–

,

–

,

,

as visual representation

–

,

,

,

in life narratives

–

narrative realism

,

–

,

,

,

,

,

,

,

,

,

,

religion

,

,

–

Richardson, Michael

Ricoeur, Paul

,

,

,

,

,

Rimmon-Kenan, Shlomith

Ringwald, Molly

Rocky

,

Romancing the Stone

Rorty, Amélie

Rudd, Anthoony

,

,

,

Rushton, Richard

,

,

,

,

Sartre, Jean-Paul

,

,

,

Schechtman, Marya

,

schemas

in film

–

,

,

,

,

–

in life narratives

,

,

,

Schindler’s List

,

,

Schmidtz, David

,

Seachris, Joshua

,

,

,

,

,

selfhood

–

,

,

,

,

sexism

,

,

–

,

,

,

Shenhav, Shaul

,

,

,

,

Sinnerbrink, Robert

,

,

,

Sisyphus

,

Sixteen Candles

Smith, Murray

Song of the South

Stadler, Jane

Star Wars

,

Starkey, Charles

,

,

,

,

stereotypes

,

,

,

,

,

Stokes, Patrick

,

,

story. See see narrative

Strawson, Galen

,

–

,

,

,

Tan, Ed

,

,

,

,

,

Taylor, Charles

,

,

,

Taylor, Richard

,

Tengelyi, László

,

,

,

,

,

,

The Banshees of Inisherin

,

,

The Breakfast Club

The Lord of the Rings

The Philadelphia Story

–

,

,

The Pirates of the Caribbean

The Seventh Seal

,

,

,

,

The Wizard of Oz

Thrasher, Steven

Toy Story

Triumph of the Will

Vaccarezza, Maria Silvia

Varda, Agnès

,

Vice, Samantha

,

,

,

,

,

,

,

,

,

Wartenberg, Thomas

,

,

Whiplash

Winter Light

–

Witherell, Carol

Wolf of Wallstreet

Wolf, Susan

–

,

,

,

,

,

,

,

Zagzebski, Linda

,

,

,

,

,

Zahavi, Dan

,

,

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Narrative, Film, and Identity

How Cinema Impacts the Meaning of Life

Series: Value Inquiry Book Series, Volume: 398 and Philosophy of Film, Volume: 398

Cover Narrative, Film, and Identity

E-Book ISBN:: 9789004711082

Publisher:: Brill

Print Publication Date:: 11 Oct 2024

Subjects
- Literature and Cultural Studies
  - Literary Theory
- Philosophy
  - Aesthetics & Cultural Theory

Front Matter

Back Matter

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