2.1 Engraving of the Bembine Tablet (with reverse orientation) copied from: Bernard de Montfaucon, L’Antiquité expliquée et représentée en figures, 5 vols (Paris, 1719), 2:332–333. Folded and pasted at the end of: William Stukeley, “Palaeographia Sacra or Discourses on Monuments of Antiquity that relate to Sacred History. Number II. A Dissertation on the Mysterys of the Antients, being an explanation of the Table of Isis, or Bembine Table” [1744], MS.4725, Wellcome Collection, London 68
2.2 William Stukeley’s Neo-Platonic interpretation of the plan of the Bembine Tablet. William Stukeley, “Palaeographia Sacra or Discourses on Monuments of Antiquity that relate to Sacred History. Number II. A Dissertation on the Mysterys of the Antients, being an explanation of the Table of Isis, or Bembine Table” [1744], MS.4725, fol. 2r, Wellcome Collection, London 70
2.3 William Stukeley’s design of the porch of the temple of the ‘Mysterys’, representing the material world. William Stukeley, “Palaeographica Sacra, or Discourses on Monuments of Antiquity that relate to Sacred History. Number II. A Dissertation on the Mysterys of the Antients in an explication of that famous piece of antiquity, the table of Isis” [ca. 1735–1740], MS.4722, fol. 29r, Wellcome Collection, London 75
2.4 An engraving of William Stukeley’s sketch of ‘An Egyptian Sistrum in Possession of Sr. Hans Sloan 21. Jan. 1741–2.’ William Stukeley, “Palaeographia Sacra or Discourses on Monuments of Antiquity that relate to Sacred History. Number II. A Dissertation on the Mysterys of the Antients, being an explanation of the Table of Isis, or Bembine Table” [1744], MS.4725, fol. 0v, Wellcome Collection, London 82