| 1 | Judith Beheading Holofernes by Artemisia Gentileschi, 1612. | 5 |
| 2 | Malleus Maleficarum by Heinrich Kramer, 1487. | 11 |
| 3 | Witches at Their Incantations by Salvator Rosa, 1646. | 14 |
| 4 | The Magic Circle by John William Waterhouse, 1886. | 19 |
| 5 | Perhaps No One Will Notice Them by Helen Adam, 1950–1964. | 20 |
| 6 | Pretty Teacher! by Francisco Goya, 1797–1798. | 41 |
| 7 | Depart pour le Sabat by Albert Penot, 1910. | 42 |
| 8 | The Wand by Pierre Dumonstier II, 1625, British Museum. | 43 |
| 9 | The Four Witches by Albrecht Dürer, 1497. | 45 |
| 10 | Three Witches by Hans Baldung Grien, 1510. | 47 |
| 11 | The Call by Remedios Varo, 1961, National Museum of Women in the Arts. | 52 |
| 12 | The House Opposite by Leonora Carrington, 1945, West Dean College [Source: © 2023 Estate of Leonora Carrington/Artists Rights Society (ARS), New York]. | 53 |
| 13 | Full Moon by Louise Nevelson, 1980 [Louise Nevelson (1899–1988), Full Moon, 1980 Polyester resin cast, 18 1/2″ × 18 1/2″ × 2″; Collection of the Farnsworth Art Museum, Rockland, Maine; Gift of Kurt Olden, 1988.1.5; © 2023 Estate of Louise Nevelson/Artists Rights Society (ARS), New York]. | 55 |
| 14 | Birth Tear/Tear by Judy Chicago, 1982 [Embroidery on silk, 20.5″ × 27.5″ (52.07 × 69.85 cm), Embroidery by Jane Gaddie Thompson; © Judy Chicago/Artists Rights Society (ARS), New York]. | 56 |
| 15 | Black Girl’s Window by Betye Saar, 1969 (Source: © Betye Saar, courtesy the artist and Roberts Projects, Los Angeles). | 57 |
| 16 | Your Blood on My Hands, John Barleycorn by Judith Noble, 1982. | 68 |
| 17 | Incubus by Simon Costin, 1987, MET Collection Permission by the Artist. | 69 |
| 18 | The Wand by Dominic Shepherd, 2015. | 72 |
| 19 | Witches’ Cradle by Aaron Gach, 2014. | 74 |
| 20 | Magic(k) Wands by Aaron Gach, 2008. | 75 |
| 21 | History of Magic Part I … The Hermitage: Hand of the Philosopher by Alison Blickle, 2013. | 78 |
| 22 | Devouring the Patriarchy by Amanda Yates Garcia, 2016. | 80 |
| 23 | Spirit Bingo by christy roberts berkowitz, 2009. | 82 |
| 24 | Self-Portrait by The Artist’s Mother, 1976 (2019–ongoing by veronique d’entremont. 50″ × 14″ × 14″; Materials: Beeswax, honeycomb, wood, steel, gold leaf, plaster; Description: Originally sculpted by the artist’s mother 23 years prior to her 1999 suicide, this bust was re-cast in beeswax and placed inside |
84 |
| 25 | Sweeper by Helen Lessick, 2019. | 85 |
| 26 | Witch Totem by Marnie Weber, 2016. | 87 |
| 27 | Witch House by Trulee Hall, 2020. | 87 |
| 28 | ECOtarot: Printscatter by Adriene Jenik, 2019 (The ECOtarot deck is screen printed on handmade paper made from agave plants and recycled cotton and linen. Source: Adriene Jenik). | 89 |
| 29 | Day at the Museum by Angela Deane, 2020. | 90 |
| 30 | Emerging themes. | 91 |
| 31 | Identifying as a witch. | 92 |
| 32 | Abstract Futures Tarot, installation view Hilma’s Ghost, 2021. Installation view of ABSTRACT FUTURES TAROT, a set of 78 drawings at The Armory Show 2021, Jacob Javits Center, New York, NY (Source: Hilma’s Ghost and Carrie Secrist Gallery, Chicago). | 103 |
| 33 | White by Hilma’s Ghost, 2022 (Hilma’s Ghost, “You got away with it, you really have it all now. Don’t hesitate, this is your happily ever after,” 2022, Gouache, watercolor, ink, and colored pencil on Fabriano Murillo paper, 39″ × 27″. From the Chromagick series. Source: Hilma’s Ghost and Carrie Secrist Gallery, Chicago). | 106 |
| 34 | Colorwheel by Hilma’s Ghost, 2022. | 107 |
| 35 | Automatic Theorem Painting #1 by Hilma’s Ghost, 2022 (Hilma’s Ghost, Automatic Theorem Painting #1, 2022, Oil stained on cotton velveteen on wooden panel, 60″× 48″. From the solo exhibition, “Radical Spirits: Tarot, Automatism, and Feminist Histories,” at Hill-Stead Museum, Farmington, CT, June 25–November 1, 2022. Source: Hilma’s Ghost and Hill-Stead Museum). | 109 |
| 36 | Levitation by Hilma’s Ghost, 2022. | 110 |
| 37 | Buckland Museum of Witchcraft and Magick, Cleveland Ohio, photo 2021. | 124 |
| 38 | Icelandic Museum of Witchcraft & Sorcery, Hólmavik, Iceland, photo 2022. | 126 |
| 39 | Necropants. | 127 |
| 40 | Il Giardino Dei Tarocchi by Niki de Saint Phalle, Capalbio, Italy, 2022. | 129 |
| 41 | The Museum of Witchcraft and Magic, Boscastle, Cornwall, England, 2022. | 131 |
| 42 | Witches Memorial, Salem, Massachusetts, 2022. | 134 |
| 43 | Steilneset Memorial, Vardø, Norway; Peter Zumthor, architect, photo 2022. | 135 |
| 44 | The Damned, the Possessed and the Beloved by Louise Bourgeois, Vardo, Norway, photo 2022. | 136 |
| 45 | Boleskine House, Loch Ness, Scotland, 2022. | 139 |
| The Witches Stone, Forres, Scotland, 2022. | 141 | |
| 47 | Maggie Wall, Dunning, Perth, Scotland, 2022. | 142 |
| 48 | The Witches Well, Edinburgh, Scotland, 2022. | 144 |
| 49 | Trump Binding Spell by Amanda Yates Garcia, 2017. | 154 |
| 50 | Majora Arcana: Portraits of Witches in America by Frances Denny [“Pam (Brooklyn, NY)” from Major Arcana: Portraits of Witches in America (2020). © Frances F. Denny courtesy of the artist and CLAMP (New York, NY)]. | 160 |
| 51 | Majora Arcana: Portraits of Witches in America by Frances Denny, 2020 [“Starhawk (San Francisco)” from Major Arcana: Portraits of Witches in America (2020). Source: © Frances F. Denny courtesy of the artist and CLAMP (New York, NY)]. | 161 |
| 52 | Vadsø, Norway Airport Witch, 2022. | 171 |
In: Art & Magic
Author:
Kathryn Turley-Sonne
Kathryn Turley-Sonne
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