Index
abbreviated storytelling
and codes
163, 169, 177, 192
and intertexts
164
and memory
162, 169
and the circulation of popular stories
163
and the essence of The Journey
131, 163
and the “knowing audience”
118, 163
and the story world’s core
128
as marker of popularity
118, 163
as real-world phenomenon
162
extremely
28–29, 156, 163, 164, 177
importance of
131
madeleine
162, 178, 192
often-ignored phenomenon of
8, 131
act of reading
8
adaptations
comical
108–113
creative
30, 46
definition of
31
didactic
63–94
entertaining
113–121
satirical
98–108
subsidiary
63
“After Imitating Mi Fu-style” 題臨米蘋風 帖後 (18th c., intertext)
137–138
animations of The Journey
see Fly Superboard
see Princess Sǒnhwa and Sun Wukong
see The Wars Between Sun Wukong and the Stars
Annotations on Muyŏm hwasang pimyŏng 無染和尙碑銘 (18th c., intertext)
149–150
An Ǔiun
47, 50, 53
appropriation
16
Ariwara no Narihira (825–880)
17
Asian financial crisis of 1997
99, 177
authenticity
branding of The Journey
“illusory unit of author and work”
original
and complexity
14
and creativity
10
and the “illusory unit of author and work”
53, 194
and “the original”
28, 46, 61
and the “tone” of The Journey
61
and translations
30–32, 46–62
claims
32, 46–62
fabricated
28, 46, 49
rhetoric of
61
Authentic Journey Seen Through Comics, The (Seoul, 2006, translation)
57–58
Authentic Journey to the West (Seoul, 1993, translation)
57–60
author
“illusory unit of work and author”
Wu Cheng’en
and library catalogues
13n
and the Romantic cult of originality
10
as actant of the story world
7
as bricoleur
9
attachment to the
10
a writer’s dual role as reader and
9n
compulsive longing to find an
12
‘critique of authorship’
10
death of the
10
father
14
genius
10
illusory
10
masterpieces and the role of the
11
owner
14
on copyright pages
10, 13
source of creation
10
transauthoriality
11, 195
Bakhtin, Mikhail
97, 191, 203
Barthes, Roland
10, 15, 53–54, 65
Bashō, Matsuo
130
Benjamin, Walter
17
Big Wild Goose Pagoda 大雁塔
167
Book for the Illumination of Dao by the Westward Journey, A (1663) 西遊證 道書
6, 49, 89
Book of Changes 易經
66
branding of The Journey
28, 30–62, 70, 112, 195
authenticity
Brief History of Chinese Fiction by Lu Xun 中國小說史略 (1923)
11, 52
canon
7
chapsang 雜像
see roof ornaments
Ch’a Sunbok (translator)
47, 49, 52, 54
Chen Shibin 陳士斌 (17th century)
5–6, 34–36, 58, 65, 140, 145
Ch’oe Ch’i-wŏn 崔致遠 (9th century)
149–150
Ch’oe Inhun (author)
113–114, 115, 182–192
Cho Ku (author)
99–101, 107
Cho Pongam (1899–1959)
184
Cinderella
7, 26
circulation of The Journey in Chosŏn
32–39, 42–46
Chungoe Ilbo (newspaper)
39–40, 42
Classified Glossary for The Journey (Sǒyugi ǒrok 西遊記語錄 )
33
comics of The Journey
see Authentic Journey Seen Through Comics
see Dragon Ball
see Ko Uyǒng’s Journey
see Magical Thousand Character Text
see Mr. Son
see Sŏyugi (Changchun, 1994)
see Yi Mallyǒn’s Journey
Comments on The Journey 西游錄跋 (by Hǒ Kyun, 1613, intertext)
140–141
“communal act of valuing the story”
63, 70–72, 82–83, 93–96, 105, 108, 113, 125, 150
Emmerich
Complete Account of Sanzang’s Origins 三藏出身全傳
5
Confucianism in Chosǒn
173–175
Critical Study on The Journey, A 西遊記考證 by Hu Shi
12
cultural literacy
26, 95
Damrosch, David
7n, 202
Deep Rooted Tree manuscript
see Syǒyugǔi (“Deep Rooted Tree manuscript”)
digital text adventures
202
Dragon Ball (comic)
as initializer of The Journey
176, 192
as marker of The Journey
112, 146–147, 166–168
as variation of The Journey
6n2, 54, 166
Dragon King
136, 148, 150
dream journey
184
Dream of the Nine Clouds (Kuunmong 九雲夢 by Ch’oe Inhun)
189
Dream of the Nine Clouds (Kuunmong 九雲夢 by Kim Manjung, intertext)
136, 137, 149, 157
Du Fu 杜甫 (712–770)
154
Dune
100
dynamic essence of The Journey
8, 27–29, 130–131, 156–161, 198–201
Emmerich, Michael
and abbreviated storytelling
8, 26, 63, 95
and reception as replacement
19, 20, 63
and the “communal act of valuing the story”
63, 70, 93–96, 105, 125
and the “(unknown and unknowable) original”
19, 30
emptiness
187–190, 192
episodes of The Journey
arbitrary order of
71
as integral elements of The Journey
24–25
“Black Rooster Country”
82, 103, 134–136
“Bottomless Cave”
85, 102, 119
“Cart Slow Country”
103, 133–134, 138
“Cobweb Cave”
118, 136–137, 149
“Dharma Destroying Kingdom”
85, 119
“Dragon King in Black River”
105
favorites
70, 198, 200
favorite episodes in adaptations
92–93, 106–107, 111, 121, 124–125, 158
favorite episodes in intertexts
157–158
fusion of
103–105, 110–112, 116, 119, 131, 142
“Grand Mass”
1, 76–78, 85–90, 92, 148, 199
“Havoc in Heaven”
78, 81, 90, 112, 116, 118, 121, 124, 127, 136, 140, 143–145, 151–156, 159–161, 180, 182, 184, 186, 199
“Heaven-Reaching River”
139–141, 159
“Kingdom of India”
84, 86
“Last Ordeal”
143
“Lion-Camel Mountain”
119
“Mountain of Flames”
104, 110–111, 118, 124, 139–140, 142–147, 159–160, 199
“Obtaining the Scriptures”
132, 134, 140, 152, 159–160, 199
“Phoenix-Immortal Prefecture”
85, 90–91
“Recruitment of Disciples”
124, 127, 131, 139–140, 159
“Red Boy”
75, 110, 139–140, 142–147, 160
reordering the
72
repetitive pattern of
2
“Return to the East”
76–78, 134, 140, 159–160, 199
“Scarlet-Purple Kingdom”
35, 110–111, 118
selection of
66–69, 76–79, 80, 101–102, 109–111
sequential order of
70, 77
“Silver Horn, Golden Horn”
110
“Taizong in the Underworld”
85, 102, 139, 147–150, 159
“Tripitaka’s childhood”
4–5, 21, 35, 48–49, 88–89
“Tuluo Village”
118
“Two Sun Wukongs”
138
variable order of the
79
“Widow and Three Daughters”
81, 104–105
“Women State”
104–105
“Yellow Robe”
40, 68, 115, 132–133, 138
Fantasy of the Western Region (adaptation)
99–102, 107–108
Flower Garland Sutra 華嚴經
187
Flowers in the Mirror 鏡花緣
33n1
Fly Superboard (animation, adaptation)
54, 79–83, 93, 127
and its portrayal of Sha Wujing
177
epitome of The Journey in South Korea
195
as marker of The Journey
107, 112, 166–168, 192
Frog King, The
81, 127
game jam
201–202
Gautama Buddha
89–90
Genette, Gérard
130–131, 164
graphic narratives
109
Grey Chair (by Ch’oe Inhun)
184
Grey Man, A (by Ch’oe Inhun)
184n, 188, 190–191
Guanyin (bodhisattva)
1, 22, 75–76, 112, 132
Guardian: The Lonely and Great God (K-drama, intertext)
155
Gu Bing 顧炳 (Ming)
169
haiku
130
Hallyu
182
Han Hŏnmyŏng (animation director)
131, 138, 140, 159
Han Ungbin (author of North Korean short story)
155
Han Yu 韓愈 (768–824)
171–172
Heart Sūtra
189–190
Hŏ Kyun 許筠 (1569–1618)
and his Comments on The Journey 西游錄跋
140–141, 145, 154, 156, 174
and Tale of Hong Kildong
140, 179
Hong Myŏngwŏn 洪命元 (1573–1623)
169–170
Hong Sanghun (translator)
48–49, 51, 53–55, 80–81
Hong Sŏbong 洪瑞鳳 (1572–1645)
171–172
Hŏ Yŏngman (comic artist)
80
Hsia, C.T. (translator)
12, 15
Hu Shi 胡適 (1891–1962)
12, 15
hypertext
130
“illusory unit of work and author”
authenticity
manuscripts and their indifference to the
34
The Journey to the West and Wu Cheng’en
10–15
translations and their attachment to the
49–53, 194–195
Im Hongbin (translator)
48, 50–51, 53–54
Immortal Iron-Fan
111–112, 142–144
“Inscriptions on Mr. Gu’s Painting Manual” 題顧氏畵譜 (intertext)
169–173
In Search of an Inscription by Pok Kǒ-il (intertext)
155
integral elements of The Journey
Pool of integral elements of The Journey
actants
21
and the communal act of valuing The Journey
63
and the dynamic essence of the story world
195–201
basic elements
18
characters, places, motifs, episodes
4, 7
creative recombination of
3, 9, 11, 14, 20
dynamic group of
8
game jam based on the
201–202
key elements
18
overview of the
21–25
pool of potential elements
3, 8
repetition of certain
8
selection of
8, 20, 25–28
in adaptations
31, 63, 95, 125–128
in intertexts
31, 129, 156–159
in translations
31, 33, 45, 60–62
internal alchemy
140, 145, 154
“interplay of expectation and surprise”
126–127
Interpreter Pak 朴通事 (intertext)
5, 133–134, 138, 157
Interpreter Pak With Vernacular Renderings 朴通事諺解 (intertext)
133–134
intertexts of The Journey
26, 28, 129–193
and abbreviated storytelling
129
and snack culture
129
and their impact on the dynamic essence of the story world
156–161, 192–193, 200
as allusions
8, 26, 27, 131
as echoes
131
as references
8, 27
definition of
31, 130–131
intertextuality
and hypertextuality
130
as normal and accepted practice
10
as self-referential and self-preserving exercise
11
definition of
130–131
negated
11
usage of preexisting materials
11
Ise Stories
17
Jade Emperor
1, 21, 91, 103, 148, 155
Japanese colonial period
41–42
Jenkins, Henry (transmedia storytelling)
3
Jenner, W.J.F. (translator)
12, 13
Jiang Yin (painter)
169, 171–173, 175
Journey to the West for Adults, The (adaptation)
64, 66–67, 69, 80
Journey to the West for Recitation, The (adaptation)
64, 67, 69, 118, 128
Journey to the West Story, The (adaptation)
114
Journey to the West: The Eastern Fantasy We Really Need to Know, The (translation, Seoul, 2004)
57
jump out of Buddha’s palm
1, 50, 155–157
Kang Ho-dong (actor)
166
Kang Sehwang 姜世晃 (1713–1791, calligrapher)
137–138, 157
K-drama
see A Korean Odyssey
see Guardian: The Lonely and Great God
Keimyung manuscript
see Syǒyugǔi (“Keimyung manuscript”)
Kim Ch’ŏnt’aek 金天澤 (sijo compiler)
152, 176
Kim Manjung (author of Dream of the Nine Clouds)
136, 149
Kim Pyǒngjun (p’ansori creator)
182
Kim Sujang’s 金壽長 (sijo compiler)
175, 176
Kim Wansŏk (journalist)
99
King Arthur
81, 163
“knowing audience”
28, 94, 118, 128, 144
Korean diaspora in China
115
Korean Odyssey, A (K-drama, intertext)
3, 25, 143–145, 151, 156
Korean Wave
182
Ko Uyǒng (comic artist)
30
Ko Uyǒng’s Journey (Ko Uyǒng Sŏyugi, adaptation)
30, 108–113
Kyǒngch’ǒn Temple
see Relief images on the pagoda of the Kyǒngch’ǒn Temple
Lee Soo-geun (actor)
166
Lévi-Strauss, Claude
9
lion dance
135–136
Li Tongxuan 李通玄 (635–730)
187
Little Mermaid
163
Li Zhi
see Li Zhuowu
Li Zhuowu 李卓吾 (1527–1602)
5, 34–35, 48
Li Zhuowu Comments on The Journey 李卓吾先生批評西遊記
5, 48–49, 52, 83–85, 87–91
Luo Guanzhong 羅貫中 (14th c.)
141
Lu Xun 鲁迅 (1881–1936)
11, 15, 52
Magical Thousand Character Text (comic, intertext)
152
Maitreya Hall
see Wall paintings in the Maitreya Hall of T’ongdo Temple
Man in a yellow shirt (song)
100
Mañjuśrī
82, 136
Mañjuśrī’s lion
82, 136
manuscripts
and lexicon
36
motivation for writing
42–43
of The Journey
32–46
markers of The Journey
actants and episodes
28, 108, 124
and the “interplay of expectation and surprise”
127, 198
hold the story world together
96
means to participate in the story world
94, 113
“Sǒyugi” and “Wu Cheng’en” as
70, 195
strength of
71, 93, 108, 125–127, 198
variations as
108, 147
Matrix, The
100, 103–104, 127
Medusa
81
“Mending a garment” 補衲圖 (painting)
169
Merlin
81
Mi Fu 米芾 (calligrapher, 1051–1107)
137–138
military rule in South Korea
98–100
mind-monkey
185–186, 192
“Minifesto for a New Age”
130
Min T’aewǒn 閔泰瑗 (author, journalist during colonial period)
40
mnemonic images
162n
mnemonic power
178, 192
movable type printing
114
Mr. Gu’s Painting Manual
see Inscriptions on Mr. Gu’s Painting Manual
Mr. Ogong’s Account of Escape from Financial Depression (p’ansori piece, intertext)
182–183
Mr. Son (comic)
80
Mulan
18
musical of The Journey
146–147, 157
MySQL database
3, 19
national literary masterpieces
45
national literature
45
New Journey to the West (blog novel, adaptation)
65, 68, 69, 142
New Journey to the West (reality show, intertext)
165–168, 176, 192
newspaper variations of The Journey
see New Translation of the Journey to the West (1929–1930)
see New Translation of the Journey to the West (1934)
see New Translation of the Journey to the West (1961–1963)
see Sǒyugi (Yi Inhwa, 2002)
New Translation of the Journey to the West (1929–1930, newspaper novel)
40, 41, 98
New Translation of the Journey to the West (1934, newspaper novel)
40
New Translation of the Journey to the West (1961–1963, newspaper novel, adaptation)
98–102, 107–108
Non’gae
184
North Korean translation
47, 50, 53
Nuclear Power Story Together with the Famous Detective Sun Wukong, A (musical, intertext)
145
Odyssey
32
original
Romantic creator
Shidetang variation
and complexity
14
and its role as masterpiece
11, 15, 63
and the search for the Romantic creator
11
as “versionless version”
7
basic text
21
created by the copies
14
essential tale
18
illusory idea of the
19
indifference to the
18
longing for the
17
prototype
18
questioning the idea of
28
Romantic cult of originality
10–11
Romantic idea of an
61
stable classic text
19
stable work
18
standard
18
undefinable
18
ungraspable
26, 30
unknown and unknowable
19, 30
“ur-text”
17
value of the
45n
original of The Journey
absence of
6n2, 19, 45, 52
alleged
28, 31, 45
and authenticity claims
32, 46, 49
and Korean translations
28, 30–62
and Li Zhuowu’s commentary variation
48, 51
and the Shidetang variation
4–7, 15, 16, 50, 74, 88–89
and the “Tripitaka’s childhood” episode
5, 35
and Wu Cheng’en as original author
48, 50
attachment to an
46–47
belief in a stable
31
constructing the
32
debate on the
30–32
earliest extant version
60
futility of the idea of an
43
indifference to the
32, 39, 46
questioning the existence of one
65–66, 165, 201
Pak Kŏnhoe (publisher)
114
Pak Sangch’ǒl (trot singer)
109
Pak t’ongsa see Interpreter Pak
Pak Yǒngil (animation director)
139, 141
Palimpsests: Literature in the Second Degree
130
palimpsestuous reading
182–183
Palm Leaf Fan 芭蕉扇
143–144, 146
p’ansori
179, 182
Park Chung Hee
98, 99, 100
PIET see Pool of integral elements of The Journey
Pillow Book, The 枕草子
17, 31
Poetic Tale of the Procurement of Scriptures by Tripitaka of the Great Tang 大唐三藏取經詩話 (13th c.)
4
Pok Kǒ-il (author)
155
polyphony
28, 188, 190–191, 202–203
Pongsan Mask Dance
134–136, 151, 157, 161
Pool of integral elements of The Journey (PIET)
20–26
Precious Mirror for Illumination of the Mind 明心寶鑑
148
Princess Sǒnhwa and Sun Wukong (animation, intertext)
139–140
prologue of The Journey to the West
1, 4, 183–186
propaganda
100
psycho-narration
185–186
QR code to the Pool of Integral Elements
25
reception
17
of The Journey in Korea
5, 15–16, 72, 180
passivity of
15–16
reception studies
15–19, 180, 201
“replacement” instead of
19
theory
17
recitation
64–65
Red Boy
75–76, 111–112, 142–147
Red Clouds 赤霄行 by Du Fu (8th c.)
154
Red Monkey 赤猴行 by Yi Saek (14th c.)
16, 154–155
Relief images on the pagoda of the Kyǒngch’ǒn Temple (adaptation)
16, 27, 72–79, 82–86, 90, 96, 116
Remarkable Reunion of Jade Mandarin Ducks, The 玉鴛再合奇緣
32n
rental library book (sech’aek 貰冊 )
43
repetition as structural device
186–188
Robin Hood
179
Romantic creator
11, 201
roof ornaments 雜像
173–175
Royal Protocol of Repair Works of the Ch’angdŏk Palace 昌德宮修理圖監儀軌 (1647)
174–175
“sa o chŏng” (“retirement at 45” 四五停 , neologism, intertext)
177
satire
96–97
school curriculum
65
sci-fi
132
“Second Meeting” (North Korean short story, intertext)
155
Sei Shōnagon
17
Seoul Lantern Festival (intertext)
27, 168
Seventeen (boy group)
195–196
Shidetang variation
absence of “Tripitaka’s Childhood” episode in the
5, 21, 35, 88–89
alleged original
4–7, 15–16, 21, 74, 89
antecedents of the
4–5, 12, 14, 16
arrangement of episodes in the
79
belief in the
74
complete body
15
definite version
15
end-product
15
images in the
83
immature variation
49
length of the
4, 6
“not without flaw”
48
one out of many variations of The Journey
15
“originals” of The Journey beyond the
5–6
“perfect” (wanbyŏkhan) Journey
51
representative Chinese variation of the Ming period
34–36, 88
source text of translations
21, 47, 49
static work
13, 16, 72
summary of
1–2
“true” version of The Journey
14–15
“Wu Cheng’en’s Journey”
49–50
sijo (poetic form)
152, 160, 175–176
snack culture
28, 129–130, 156–157, 161
Songs of Green Hills 靑丘永言 (intertext)
152, 176
Songs of Korea 海東歌謠 (intertext)
175–176
Son Ogong (1922, adaptation)
115–116
“Son Ogong” (short story, 1976, intertext)
180–182
“son o kong”-bride (North Korean neologism, intertext)
177
Sonokong (toy company, intertext)
168, 176–177
Sǒyugi (Beijing, trans. An Ǔiun, 1984–1987)
47–55
Sŏyugi (Changchun, comic, 1994, adaptation)
114–115
Sŏyugi (Ch’oe Inhun, chapter, 1976, adaptation)
115, 183
Sŏyugi (Ch’oe Inhun, novel, 1960s, intertext)
115, 183–192
Sŏyugi (for elementary school kids, 2015, adaptation)
65, 67, 80
Sǒyugi (P’yǒngyang, trans. Pak Kyǒngman, 1991)
47–55
Sǒyugi (Seoul, trans. Im Hongbin, 2003)
47–55
Sǒyugi (Seoul, trans. SNU/Hong Sanghun, 2004)
47–55
Sǒyugi (Yi Inhwa, 2002, newspaper novel, adaptation)
100–109, 119
Sǒyugi (Yŏnbyŏn, trans. Ch’a Sunbok, 2015)
47–55
Sǒyugi (Yŏnbyŏn, trans. Cho Hǔich’an, 1983–1984)
56–60
story world
integral elements of The Journey
as creative space
16, 60
as ship of Theseus
196
as spacetime worm
196
basic story of a
7, 8
bottomless
3
Cinderella
26
comprised of variations
8, 13, 17, 19, 31
core of a
8, 31
definition of a
26
essence of a
8, 131
dynamic
6, 8, 11, 13, 26–27
dynamics of a
3, 8–9, 45
intertwinement of the variations in a
43
Ise Stories
17
limitless
95
Pillow Book, The
17
plural text
14
success of a
7–8, 195, 202
Tale of Genji, The
19
Tale of Hong Kildong, The
32
Three Kingdoms
16–17
transauthorial
11
transnational
11
transtemporal
11
visualizations of the
3, 9, 194–200
White Snake
18
story universe
see story world
stream of consciousness
185
structure of Journey to the West
4, 178–193
success of The Journey
7, 8, 29, 202–203
Supreme Ultimate 太極
65–66
Syǒyugǔi (“Deep Rooted Tree manuscript”, 1930, translation)
33, 39–40, 42–43, 45
Syǒyugǔi (“Keimyung manuscript”, 19th– 20th c., translation)
33–35, 45
Syŏyugŭi (Pak Kŏnhoe, movable type, 1913–1914, adaptation)
115
Syǒyugǔi (woodblock print, 1856, adaptation)
116–120
Syǒyugǔi (“Yeungnam manuscript”, 1919–1922, translation)
33–35, 42–43, 45, 116, 120
Syǒyugǔi (“Yonsei manuscript”, 1835, translation)
33–36, 45
Taegu Ilbo
98–99
T’aegǔk 太極
see Supreme Ultimate
Taizong (emperor of Tang China)
1, 22, 77–78, 90, 147–150
Tale of Emperor Taizong, The 唐太宗傳 (intertext)
147–149, 151, 157
Tale of Genji, The
8, 19, 32, 95
Tale of Hong Kildong (intertext)
32, 140, 179–180
Tangherlini, Tim
and abbreviated storytelling
8, 26, 130–131, 162–163,
and the “mutually constitutive feedback loop” of storytelling
8, 27, 61, 71, 124, 128, 159, 198
Tang Sanzang’s Victory over Evil on His Journey to the West 唐三藏西遊釋 厄傳
5
Tan’gun
42, 66, 68
Tao Qian 陶潛 (365–427)
99
T’apkol Park (“Pagoda Park”)
74
technophobic public discourse
129
Ten Kings of the Underworld
148
terrorism
100
Thousand Character Text 千字文
153
Three Kingdoms 三國演義
16–17, 140, 174
tones of The Journey
53–55, 58–61, 63, 95–96, 98
and the choice of integral elements
121, 122–123
anti-feudalistic
50, 53, 59
Buddhist
53, 55, 59, 63
child-friendly
55
comical
96, 108–113
Confucian
53, 55, 59, 63, 148, 202
Daoist
53, 55, 59, 63, 65–66, 68
didactic
63–95, 96
entertaining
96, 113–121
fantasy
53
fight against
63
fun
54, 59
humorous
53
philosophical
66
political
55
polyphonic
59, 96
profound nonsense
59
religious
59
satirical
59, 63, 96
T’ongdo Temple
see Wall paintings in the Maitreya Hall of T’ongdo Temple
Toriyama Akira
112, 146
translation
and authenticity
28
and faithfulness
30, 33
closest to the original
30
cultural
31
definition
31
theory
31
transcoding
31
translations of The Journey
26, 28, 30–62
and their source texts
34–42, 45–46, 47–49
Tripitaka (historical monk)
4, 167
True Explanation of the Westward Journey, The 西遊眞詮 (1696)
5, 140
Ulysses (1922)
11
“Unconditionally” (trot song)
109
Unofficial Stories by Ǒu 於于野譚
171, 173, 175
variability of story worlds
202–203
variations of stories
adaptations
8, 19
allusions
8
creative recombinations of integral elements
20
derivative from the “original” work
15
equal, multi-faceted versions
14, 63
fairy tales
30
mutual influence among
9
new images of texts
19
orally transmitted
5
playings
14
references
8
replacements
8, 16, 19, 63
translations
8, 19
variations of The Journey
by the People’s Press Beijing (Beijing renmin chubanshe 北京人民出 版社 )
47–48
categorized as Korean literature
45
Chinese variations of the Ming period
34
Chinese variations of the Qing period
34
database of
25
first Korean
79
heuristic subset of Korean variations
3
in China
2n
in Japan
2n
in Korea
2, 25
interdependence of
55, 61
intertwinement of
42
oldest Korean
72
readings of The Journey
8, 9
selection of
27
visualizations of The Journey
19, 20, 25, 197–200
Waley, Arthur (1889–1966)
12, 15
Wall paintings in the Maitreya Hall of T’ongdo Temple (adaptation)
83–93, 94, 116
Wars Between Sun Wukong and the Stars, The (animation, intertext)
131–133
Waste Land, The (1922)
11
Water Margin 水滸傳
140–141
Way of Immortality (sǒndo 仙道 )
66
webtoon
109
Wei Zheng (prime minister in The Journey)
148–149
White Snake
18, 202
“Whole Story of the Grey Club, The” (1958)
190
woodblock print
116
Wolf, Mark
3
Wŏngak Temple
74
“Work of Art in the Age of Mechanical Reproduction, The”
17
world classics
30, 65
Wu Cheng’en
as actant in the story world of The Journey
34
as alleged author of The Journey
10, 11, 51–53
as “copyright holder”
51
as genius writer
50–51, 74, 114
as integral element of The Journey
24
as trademark of The Journey
53, 55, 60, 70, 195
doubts of Wu Cheng’en’s authorship
12, 13
indifference to
34
on copyright pages
13n
original author of The Journey
48, 49
personification of Sun Wukong
50
Xi’an
166
Yanbian People’s Press
56–60
Yang Zhihe 杨致和
5
Ye Zhou 葉晝 (fl. 1595–1624)
52
Yeungnam manuscript
see Syǒyugǔi (“Yeungnam manuscript”)
Yi Inhwa (author)
100–108, 127
Yi Kwangsu
184
Yi Mallyǒn’s Journey (webtoon, adaptation)
108–113, 119, 142
Yi Saek 李穡 (1328–1396)
154–155, 160, 196
Yi Sangu (journalist, author)
99–100, 105, 108
Yi Sunsin
184
Yi Tongha (short story author)
180–181
Yi Tŏngmu’s 李德懋 (1741–1793)
174
Yongle Encyclopedia 永樂大典 (1403–1408)
5, 150
Yonsei manuscript
see Syǒyugǔi (“Yonsei manuscript”)
Yu Mongin 柳夢寅 (1559–1623)
171–175
Yu Suk 柳潚 (1564–1636)
171–172
Zhu Dingchen 朱鼎臣
5, 48–49