| 2.1 | Cover art | 17 |
| 2.2 | Nnanna and I enacting “our film” | 19 |
| 2.3 | The blind and the elephant | 21 |
| 2.4 | Two blind at elephant’s rear | 23 |
| 2.5 | Synonyms of “rope” | 24 |
| 2.6 | Artist’s world | 25 |
| 4.1 | The Ife Head. Head representing ruler (with elaborate head-dress) made of brass | 47 |
| 4.2 | “Gottheit”, Goddess Irhevbu or princess Edeleyo | 60 |
| 4.3 | Dancing putto with a tambourine | 60 |
| 4.4 | Museum für Völkerkunde, Berlin. Exhibition Afrika department; Benin. Before 1914 | 61 |
| 4.5 | Exhibition Afrika department; Benin. After 1926 | 62 |
| 10.1 | Mogadishu’s cathedral. Capture from Bonn’s photo book | 180 |
| 10.2 | “View from the Al-Aruba Hotel, now a military base for the African Union, Mogadishu, 2013.” From Bonn’s photo book | 181 |
| 10.3 | “Al-Aruba Hotel, now an African Union military base, Mogadishu, 2013”. From Bonn’s photo book | 182 |
| 10.4 | “An old telephone still in use, Nyali area, Mombasa, 2014”. From Bonn’s photo book | 188 |
| 11.1 | Krishna Luchoomun’s “Humanising Nature” (partial view) | 205 |
| 11.2 | Krishna Luchoomun’s “Humanising Nature” (detail) | 207 |
| 13.1 | Quaseilhas: the set at Forte de Barbalho. Photo by Shai Andrade | 240 |
| 13.2 | Quaseilhas: the plan of the set. Photo by Shai Andrade | 241 |
| 13.3 | Diego Araújo. Photo by Guto Muniz | 243 |
| 13.4 | The Camamu room. Photo by Guto Muniz | 246 |
| 13.5 | The bathtub. Photo by Tailla de Paula | 248 |
| 13.6 | The actor standing on the tub. Photo by Patrícia Almeida | 249 |
| 13.7 | Going under. Photo by Tailla de Paula | 250 |
| 13.8 | Reading the sand. Photo by Tailla de Paula | 251 |
| 13.9 | Projection of the grandmother. Photo by Guto Muniz | 251 |
| 13.10 | One female actor wearing “enlightened” goggles. Photo by Shai Andrade | 254 |
| 13.11 | Quaseilhas (taken from the https://plataformaaraka.wixsite.com/quaseilhas/fotos) | 255 |
| 13.12 | Quaseilhas (taken from https://plataformaaraka.wixsite.com/quaseilhas/fotos) | 256 |
List of Figures
In: Of Worlds and Artworks
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