Index
abstraction
49, 108, 110, 299, 457
abstract labour
36, 56n20, 70, 72–4, 80, 86, 88, 99, 239, 249, 464
and alter-realism
325
and anti-pathos
276–7, 280, 281
and photography
333–52
and Rancière’s constructivism
359
and temporality
465–6, 478
and the vessel tradition
96, 97, 99
Acconci, V.
118
Adami, V.
353
Adorno, T.W.
5, 10, 13, 15, 16, 132, 152, 193–5, 308–11, 325, 357–8, 363, 379
about astrology and irrationality
134–5
about autonomy
62
about emancipation
1–2
about poiesis
36
Aesthetic Theory
8, 62, 71n13, 147–9, 354
Hegel: Three Studies
193
Akselrod, L.
422, 423, 450
Alexander, C.
The War That Killed Achilles
79
alienation
5, 8, 18
labour
24, 27, 30–43, 68, 79, 81–2, 89, 92–3, 100, 207, 208, 209, 211, 212, 214, 264, 328
and realism
318
self-, of the amateur
103
Althusser, L.
1, 132, 133, 145, 353, 355, 361
and Spinoza’s subject-centred thinking
420–423
amateurism
126–7, 135, 136, 153, 225, 226
and cultural studies
110–111
and cognitive closure
119
and conceptualism
11–3
gentleman
105–6
nihilist
108–9
performative status
112–4
petit-bourgeois
104
as producer (nonartist artist)
107–8
professionalisation challenges
103–4
André, C.
280
Araeen, R.
283, 290–291
Art & Language
14, 143, 182, 183, 216
and anti-pathos
274, 278
and cognitive closure
118
conceptualism and amateurism
11–2
writerliness
188–99
Arvatov, B.
35, 107, 205–6, 208, 209, 210
audience see spectatorship
autonomy
166, 178, 259, 466, 481
Adorno on
62, 148–9
and art-as-the-commons
249–53
of dreams
306
racial
190, 193, 297–8
and value
71–3, 75
workers’
7, 23, 25, 27, 29, 36, 40, 55–8, 81, 212, 329
and writerliness
184, 192, 197
Bachelard, G.
115
Bacon, F.
353
Badiou, A.
269, 270, 396, 471
Being and Event
436–7, 479
Black: The Brilliance of a Non-Color
299–300
The Century
264
and Hegel’s dialectic
425, 426, 428, 432, 436–41, 443
Logic of Worlds
475, 479
and temporality
471, 475
‘The Communist Hypothesis’
260–264, 273
Banaji, J.
27, 475, 476
Barthes, R.
280, 334, 457
Baskova, S.
Za Marska (For Marx)
329–30
Battock, G.
Idea Art
138
Baudelaire, C.
48, 103
Beatty, P.
The Sell-Out
292
Beckett, S.
325
Beech, D.
13, 149, 153
Art and Value
9
belle-lettrism
189–90
Benjamin, W.
1, 8, 10, 34, 113, 255, 321, 414
anti-historicism
472–3, 477
‘The Author as Producer’
56–7, 240
‘Theses on the Philosophy of History’
409
Bensaïd, D.
475
Berardi, F.
212
Bergson, H.
409–10
Bespaloff, R.
86–7
Bhaskar, R.
12, 252
Dialectic: The Pulse of Freedom
150, 153, 155
and Hegel’s dialectic
427–30, 441–2
Philosophy and the Idea of Freedom
427
The Possibility of Naturalism
143
realism and cultural theory
12, 13, 15, 143–55
A Realist Theory of Science
143
Bildung
65, 66, 86, 168, 172, 174, 184–7, 241, 251, 254, 257, 266, 267, 308, 313, 314, 461, 462
black modernism
283
from primitivism to global modernity
296–9
race blindness
291–3
racecraft
288–90, 292
race equality
290–291
Schuyler’s critique of race
283–8
universalism
293–6, 299–301
Blanchot, M.
308
Bloch, E.
471, 473, 475
Boal, A.
The Theatre of the Oppressed
275
bodies
280–281
Boggs, J.
7
Boltanski, L.
212
Bosteels, B.
443
Bourriaud, N.
Postproduction: Culture as Screenplay: How Art Reprograms the World
272
Relational Aesthetics
235, 254–5, 258
Bower, D.
126
Braque, G.
49–50, 227, 229, 232
Brassier, R.
333, 339n26
Braverman, H.
5, 29
Labor and Monopoly Capitalism
7, 33, 57–8, 80
Brecht, B.
145, 274–5, 276, 277, 278, 315, 321, 322
Brener, A.
161
Brenner, R.
243
Breton, A.
137, 138, 276
Broady, R.
384–5
Bukharin, N.
422
Bürger, P.
4, 71, 310
Theory of the Avant-Garde
170, 319, 470
Burgin, V.
182, 280
Cahill, H.
91
Canguilhem, G.
The Normal and the Pathological
454
Carnap, R.
340, 447
ceramics
89, 90, 91
see also vessel tradition
Certeau, M. de
Practices of Everyday Life
378
Cézanne, P.
119, 178, 188
Chiapello, E.
23, 212
Chorley, D.
126
Chto Delat
249, 461, 481
Chukhrov, K.
220
Cixous, H.
294, 297
cognitive closure
118–9
Cohen, G.A.
247
Cohen, T.
414
collage
49–50, 170, 228, 229
Collective Actions
173, 215, 216, 219
commodity, art as
55, 64–76, 89, 154, 218, 311
commons, art as the
238, 241–53
communisation theory
2, 5–6, 7, 10
communist form
inaugural (literary)
268–9
invariant communism
260–264, 265
‘new communist’ thinking
269–74
and relational aesthetics
254–60
and singularisation
264–7, 269
Conceptual art
16, 65, 168–9, 241, 249, 310, 316
and amateurism
11–2, 127
American
173, 190
and art education
13
and artistic writerliness
169–87, 190
Art & Language
11–2, 182, 216
and avant-garde
169–75, 179–80, 184–7
British
173–5, 182–4, 216
craft-thinking
99–100
and deskilling
60–61
and the expanded field
229–35
and iconoclasm
161
photography and pathos
280
in South America
173, 215
in the Soviet Union
173, 215–24
Constructivism
1, 6, 8, 59, 84, 170, 456
and the avant-garde
169, 170, 189, 255
and mechanical production
59
and Productivism
204–8, 470
Rancière’s de-placed image
358–65
Soviet
222, 377
Courbet, G.
11, 46–7, 49, 103, 104, 106, 143n3
The Origin of The World
89
craft-skill, craft-integrity
artisanal process
8
and efficiency
34
in Homer’s Iliad
77–9, 86–8
and immaterial labour
23–43
medieval
30–34, 79
poiesis of labour
34–9
and technology
80–81, 85
and temporality
39–44, 85
worker’s identity
79–80
see also deskilling
Cremoni, L.
353
crop circles
125
and amateur art
126–7
and artist trickers
136–8
Cerealogists
125–6, 127, 139
culture of co-dependence
129–35
historical tradition
126
knowledge of the irrational
130–137, 139, 142
and situational aesthetics
139–41
spiritual beliefs
127–8
Cubism, post-Cubism
49, 51, 228, 369
cultural studies, cultural theory
13, 96, 118, 171, 184, 191, 232, 234
and amateurism
110–111
and communalism imaginary
263, 266
and critical realism
143–55
and Lefebvre’s ‘everyday’
377–83
and productivism
211, 213
and race-blindness
292
and Rancière’s constructivism
355–8
Dadaism
169–70, 278
Dali, S.
334
Dana, J.C.
‘Clay Products of New Jersey’
91
Dawkins, R.
346
De Angelis, M.
The Beginning of History: Value Struggles and Global Capital
252–3
Dearden, B.
Victim
399
Debord, G.
159, 160, 162n12, 378
Deborin, A.
419, 422
Delacroix, E.
178, 188
Deleuze, G.
247, 282, 353, 425, 426
‘Intellectuals and Power’
279
Spinoza
422, 424
Deller, J.
111–2, 113
de Man, P.
308
Dennett, D.
108, 416–7
Dergot, E.
223
Derrida, J.
308, 353
Descartes, R.
216, 410, 421
about errancy
446–7, 454
deskilling
68
debates on
6–8, 10, 24, 29, 33, 41
deflationary logic
49–63
reskilling, and technology
80–85
Dialogue group
246, 248
Dickinson, R.
‘Crop Circles’
125–42
digital technology
6, 28, 37, 44, 249, 316
and communism
24
conceptualisation
61
and domestic labour
25
and the ‘everyday’
379–83
and Productivism
213–4
and the ‘second economy’ of art
225, 235, 239–40
Duchamp, M.
8, 50–51, 53, 54, 97–100, 137, 138, 179, 232
Fountain
16, 50, 89–91, 97, 227, 229
Duncan, A.
138, 277
Duncan, C.
91, 138
Eagleton, T.
146–7
Eco, U.
335
Eichenbaum, B.
369, 372, 374
Eisenstein, S.
368, 372
October
146, 367
Eliot, G.
Middlemarch
323
Eliot, T.S.
97, 198n21
Elizabeth II, Queen
156–8
emancipatory technique
1
and avant-garde
5, 9–10, 12–3, 17
and historical engagement
18–20
Endnotes
5–6, 19, 68–9, 81–3
Epstein, S.A.
26
errancy
13, 15, 115, 445–6
amateur’s
109, 113
and the failure of knowledge
123
and finitude
455
Hegel and Spinoza on
424, 448–55
inadmissibility of
446–7
non-culpability, de-possessive tradition
447–8, 452, 453, 455
productive, Shklovsky’s criticism
369–76
Evans, R.
113
expanded field, art in
13, 15, 86, 211, 227, 461, 465, 481
art-as-in-the-commons
248–50
Krauss ‘Sculpture in the Expanded Field’
229–35, 310
secondary productivism
211
and the second economy
237–40
and value
64–9, 72–3
failure
and amateurism
104, 105, 109, 112–4
Hegel and Spinoza on
448–55
of knowledge, and memory
116–24, 411–4
and truth-telling
195
and value
74–6
see also errancy
Fairbanks, D.
Robin Hood
366
Fanon, F.
Black Skin, White Masks
292–6, 298, 301
Farocki, H.
Workers Leaving the Factory
328–9
fiction
16–7, 373, 445
and black modernism
283–301
and cognitive closure
119
dream-images
305–8
realism, alter-realism
316, 318–23, 329
and the ‘utopian enclave’
257
see also Field, T. (Tár)
Field, T. (Tár)
384–403
awards and criticism
384–5
class consciousness
392–3
disregard for musical outcomes
393–4
metaphysics of time
400–401
queer paranoid reading
395–8
sexual politics and culture under neoliberalism
385–92
Fields, K.E. and Fields B.J.
288, 290, 292
films
51, 106, 280, 315, 458
devaluation of the ‘poor image’
382–3
Hollywood, influence on Soviet culture
366–70
and mnemotechnics
415
realism
145–7, 315–6, 320, 321–2, 326–32
and temporality
461
see also Field, T. (Tár)
Fleming, P.
83
Foster, H.
‘What is Neo About the Neo-Avant-Garde’
234, 235
Foster Wallace, D.
The Pale King
445
Foucault, M.
282
on errancy
454–5
‘Intellectuals and Power’
279
Frampton, K.
169
Fraser, N.
385
Freedman, K.
182
Freud, S.
129, 132, 134, 307, 308, 410, 449, 466
on errancy
453, 454
on memory
410, 412
Fried, M.
177, 185, 229, 280, 457, 458
Friedrich, E.
Krieg dem Kriege
321
Fuchs, C.
381
Futurism
146, 368–75
Gan, A.
35
Garcia, D.
The ABC of Tactical Media
213
Garvey, M.
283, 286, 299
Gastev, A.
203
Gauguin, P.
228, 229, 233
German Idealism
4, 16, 427
Godard, J.-L.
280, 329, 331, 382
Passion
328
Tout Va Bien
326–8
Goodman, N.
143
Gopnik, A.
388
Gorz, A.
6, 212
Adieux au proletariat: Au delà du socialism
5, 36–7
Gough, M.
204–7, 256n8
Goya, F.
The Disaster of War
160
Graw, I.
‘Working Hard for What?’
73
Gray, C.
The Russian Experiment in Art: 1863–1922
169
Greenberg, C.
177, 185, 190, 229, 274, 275–6, 280, 456, 457, 458
Grimké, S. and Grimké A.
289
Grotowski, J.
215
Guattari, F.
212, 214, 254, 260, 273, 380
Communists Like Us
264–6
Haacke, H.
280, 281
Hacker, D.
118
Haha group
246
Hallward, P.
365
Haraway, D.
402
Hardt, M.
9, 273
Empire
28
Haries, T.
158, 159, 161
Heartfield, J.
323, 456
Deutschland, Deutschland, über alles
321
Hegel, G.W.F.
4, 148, 154, 166, 251, 260, 275, 295, 310, 346, 417, 426, 457, 475
on race
292
on truth
193, 369
anti-Hegelian positions
420
causa sui
434–6, 439, 444, 451
critical realism
427–8
Dialectic
427, 428
and errancy
369, 448–55
historicism
420, 433, 438–41, 452
negation
149, 195, 377, 428–38
The Phenomenology of Spirit
452
vs. Spinoza
419, 422–5, 434–5
and topology
442–4
Heidegger, M.
81, 353, 455
‘On the Essence of Truth’
454
and the vessel tradition
93, 95, 99
Heimans, R.
portrait of Queen Elizabeth II
156–8, 160, 161
Hellbeck, J.
Revolution on My Mind: Writing a Diary Under Stalin
218, 257
Herron, H.
138–9
Himes, C.
290–291, 292
Hirschhorn, T.
246
historicism, anti-historicism
181
and art in the expanded field
232–4
the becoming of necessity
472–4
Begriffsgeschichte (conceptual-history)
467–72
Brecht’s
275
and Capitalist Discourse
466
contemporaneous and non-contemporaneous
466–7
and dialectical critical realism
153–4
Hegel’s
420, 433, 438–41, 452
and memory
407–9, 413, 414, 416–8
stratification and struggle
475–8
the subject’s autonomy
466
and Sufficient Reason
343
and the theory of the everyday
378
Holland, E.
‘Spinoza and Marx’
425
Holloway, J.
252, 253
Homer
Iliad
77–9, 86–7
Hostettler, N.
442
Hountondji, P.J.
298
Huws, U.
57–8
iconoclasm
156
as an act of creativity
157, 159, 166–7
and the Isis
160–162
political / religious ideologies
160–166
portrait of Queen Elizabeth II
156, 158, 160–161
Russian
162–3
and Situationist détournement
157–9
image, political economy of
de-placed
358–65
dreams
305–8
and market socialisation
311–4
and the partisanship
309–11
INKhUK
205–7
internet
70
and art in the expanded field
225, 240
and the ‘everyday’
381–2
Ioganson, K.
204–9, 214
Jakobson, R.
144–5, 372, 374
Jameson, F.
233
Antinomies of Realism
315, 317, 328, 329
Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions
257, 270
and Hegelian dialectic
426, 430, 431–2, 435, 436, 440, 442, 443
A Singular Modernity: Essay on the Ontology of the Present
478
Jensen, R.
Marketing Modernism in Fin-de-Siècle Europe
228
Jones, T.
178, 188
Jorn, A.
159
Journal of Critical Realism
151
Joyce, J.
Ulysses
319
Kafka, F.
‘Josefine, the Singer or the Mouse-People’
401–2
Kandinsky, W.
106
The Blue Rider
226
Kant, I.
149, 295
on aesthetics
166
on ‘asociality’
62
on errancy
446–7, 454
Kargarlitsky, B.
223
Kay, E.
117–9
Worldview
120–123
Kelly, M.
Postpartum Document
61, 280, 281
Kepley Jr., V.
370
Kester, G.H.
Conversation Pieces
270–271, 272
Kiaer, C.
205
Kicillof, A.
58n26, 66
Koselleck, R.
Vergangene Zukunft: Zur Semantik geschichtlicher Zeiten (Futures Past: On the Semantics of Historical Time)
472–3, 479
Kosuth, J.
216
Krauss, R.
‘Sculpture in the Expanded Field’
229–35, 310
Kuleshov, L.
367, 368
labour
2, 5, 6–10
alienation
24, 27, 30–43, 68, 79, 82, 89, 92–3, 100, 138, 207–8, 209, 211–2, 214, 264
division of
11–2, 24, 26, 30, 34, 35, 38–9, 42–3, 51–60, 73, 79–81, 94–8, 104, 107, 109–11, 117, 123, 149–50, 168, 172–7, 179, 181, 184–91, 212, 216, 221, 247–8, 261, 318, 328, 379, 460, 464, 469
immaterial
7, 23–44, 54, 70, 99, 212–4
realism and class identity
326–32
and the ‘second economy’ of art
237–9
Lacan, J.
132, 133, 359n12, 435, 438, 454, 466
Laclau, E.
212
Lacy, S. (New Genre Public Art)
235
Larsen, N.
Passing
284
Laruelle, F.
The Concept of Non-Photography
333–43, 346–52
Photo-Fiction, a Non-Standard, Aesthetics
349
Lazzarato, M.
23–4, 72, 245
Experimental Politics
70–71, 402
Leach, B.
40, 95–100
Lefebvre, H.
39, 210, 334, 377, 378, 380
Lenin, V.
162, 203, 366, 367, 370, 374–6
Lewis, W.
Tarr
387–91, 396, 399, 402
Leyda, J.
169
Locke, J.
117, 410
Lovell, T.
Pictures of Reality: Aesthetics, Politics and Pleasure
145–6
Lovink, G.
The ABC of Tactical Media
213
Lukács, G.
147, 315, 317, 325, 329, 456–7
Lunarcharsky, A.
146, 366–8, 371, 375
Lyubimov, L.
55
Mach, D.
Polaris
156
Macherey, P.
Hegel or Spinoza
424, 425, 434, 449
MacLennan, G.
151
Magri, L.
257
Malevich, K.
171
Suprematism 1920–1927
161
Manet, É.
11, 46–7, 49, 104, 106, 112, 178, 206
Mantel, H.
329
Marker, C.
322, 415, 418
Sans Soleil (Sunless)
326
Marx, K.
1–2, 42, 143, 149, 155, 166, 237, 255, 347, 351, 478
and Bildung
265–8
Capital: A Critique of Political Economy
7, 26, 37–9, 56, 144, 421
and deskilling
27, 30, 54–5
‘Economic and Philosophical Manuscripts’
259, 377
and errancy
453
The German Ideology
30–33, 37, 80, 131
Grundrisse
26, 67, 80, 377, 421, 473, 476–7
The Poverty of Philosophy
40
and Spinoza
422–6
Theories of Surplus Value
73–5
theorisation of the senses
259–60
Mbembe, A.
Critique of Black Reason
296–301
McCarney, J.
432, 434, 443n86
McGettigan, A.
339
McKeever, I.
118–9
Meillassoux, Q.
After Finitude: An Essay on the Necessity of Contingency
340, 342, 346
memory
failure of knowledge
116–24, 410–413
integration of living with historical
407–9, 413, 414, 417–8
‘memory men’
115–8
mnemotechnics
414–8
and perception
410
truth-claims and testimony
413–4
Mezhrabpom
366, 367
Michelangelo Buonarroti
Pietà
157, 163
Michell, J.
The View Over Atlantis
128
mistakes see errancy
Moholy-Nagy, L.
52–4, 59, 60, 179, 189
Morris, W.
5, 9, 30, 36, 54–6, 79, 81, 256n7
Signs of Change
31–2
Moscow Conceptualism
173, 215–24
Mouffe, C.
212
Müller, H.
322, 324, 325
Nancy, J.-L.
The Inoperative Community
264, 266–9
Kester’s criticism of
270–271
naturalism
49, 143, 145, 259, 456
photographic
335, 351
and realism
315, 316, 318–9, 323n10
negation
119, 215, 217, 250, 377, 396
Adorno’s aesthetic theory
62–3, 147–9, 195, 311, 440
Bhaskar’s dialectical
149–50, 153, 155, 441
and iconoclasm
163, 166
modernist painting
49–50
and realism
324, 327
self-relating, Hegelian
428–37, 443
and temporality
459–61, 481
and writerliness
195–6, 199
Negri, A.
1, 9–10, 23–6, 37, 42–3, 85, 211, 213, 214, 254, 273, 383, 424–5
Communists Like Us
264–6
and deskilling
27–9
Nemes, L.
399–400
neoliberalism
6, 8–9, 164
and art-as-the-commons
241–53
and the crisis of work
82–4
the ‘everyday’ and image production
379, 381–3
progressive
19, 385, 388, 391–2, 400, 402
and the ‘second economy’ of art
237–40
New Economic Policy (NEP)
58n26, 203–9, 366, 367
New Left Review
13, 146, 150
Newman, B.
156
The New Yorker
384, 388
New York Society of Independent Artists
89
Ngai, S.
Theory of the Gimmick
6
Nietzsche, F.
95, 387, 389, 454–5
Untimely Meditations
48–9, 416
Norrie, A.
Dialectic and Difference
428–31
Norton, L.
‘Buddha of the Bathroom’
97
Novalis
310, 314, 419, 433
Henry von Ofterdingen
305–8
Novyi Lef
368, 369, 371, 375
OPOYAZ (Society for the Study of Poetic Language)
371, 372, 374
painting
362, 376, 377, 456, 469, 471
and amateurism
11, 104–6, 110, 119
and cognitive closure
118–9
deflationary process
45–54, 59–60, 103–4
and the ‘expanded field’
227–36
and iconoclasm
156–61
and pathos/anti-pathos
274, 276, 280–282
and realism
144, 146, 316, 332
and writerliness
169–72, 178–83, 188–90, 197–9
participatory art
2, 91, 153, 313, 363, 402, 480, 482
and anti-pathos
278, 282
and capitalism
9
and the ‘expanded field’
235–6, 240
and the question of value
65–6, 70
and the ‘second economy’
225–6
and social engagement
241, 245–55
and writerly artists
181, 185–7
Partisan Review
373–4
Pater, W.
362–3
pathos, anti-pathos
274–82
Perec, G.
321, 324
La Disparation
119
Perloff, M.
Radical Artifice
196
philistinism
13, 15, 148–53, 359n12
photography
4, 146, 157, 171, 210, 216, 240, 358, 364, 379, 382
and abstraction
333–52
and amateurism
104n5, 107, 109, 113n12
and antipathos
280–281
and blankness
336–7
contingency and Sufficient Reason
343–5
and deskilling
45–6, 52, 61
documentary
250n14, 309
and memory
115, 415, 417
nature, contingency, object
339–43
and realism
319–24, 334–7, 348–9
scientism
345–8
totality and anti-decisionism
337–8
and tricksters
135–7, 139, 140
Picasso, P.
49–50, 232
and deflationary logic
49–50, 227, 228, 229
Guernica
156
The Old Guitarist
226
poetry
post-conceptual, and anti-pathos
274, 277–8
post-expressionist
196–8
Pop art
174, 182
Pound, E.
97, 196, 198n21
Productivism
6, 8, 9, 35, 59, 67, 85, 169–70, 256n8, 470
the factory as a research centre
205–9
factory-free
209–10
secondary
211–4
short history of
203–5
Pudovkin, V.
146, 367
The End of St. Petersburg
368–70, 372
Pyrnne, J.H.
274
Quine, W.V.O
143
race, racism see black modernism
Rancière, J.
3, 123, 308
and art’s political effect
457–8
Béla Tarr, The Time After
400
critique of regime-thinking
354–5
de-placed image
358–65
The Emancipated Spectator
358
The Future of the Image
358
politics and art
363–5
reconstruction of the sensible
360–361
and spectatorship
356–8
readymades
6, 90, 138, 170
and conceptualisation
100
Duchamp’s, and artistic deflation
50–51, 53, 59, 91, 227
realism, alter-realism
3, 18
and abstraction
325
capitalist
324
and cinema
326–32
and class narrativity
321–32
critical, Bhaskar’s and cultural theory
143–55
critical, Hegel’s dialectic
427–8, 432
debates
315–6
erosion of affect
324
the male hero
316–7
and modernism
317–9
and photography
319–24, 334–7, 348–9
and presentism
318–20, 323–4, 326
representation and agency
331–2
Reed, I.
MultiAmerica: Essays on Cultural Wars and Cultural Peace
291
relational aesthetics
60, 153, 211, 235, 282
and communist form
254, 257–9, 270–272
and participatory art
313
Rembrandt
Nightwatch
156, 158
Rescher, N.
Error: (On Our Predicament When Things Go Wrong)
455
Reynolds, J.
178
Richter, G.
60, 160
Ricoeur, P.
Memory, History, Forgetting
412–5
Riff, D.
213
Riviera, D.
276
Roberts, J.
2–6
Intangibilities of Form: Skill and Deskilling in Art after the Readymade
6, 8, 13
The Necessity of Errors
13, 15, 445, 447, 451–2
The Reasoning of Unreason
15
Revolutionary Time and the Avant-Garde
13, 17
Thoughts on an Index not Freely Given
16–7
Robespierre, M.
453
Romanticism
69, 433
and Bildung
308, 314
craft-skill critique
29–32, 42, 81
and the writerly artist
191–2
Rosler, M.
324, 336
Rothko, M.
Black on Maroon
156, 157, 158
Rousseau, J.J.
149, 166
Rubin, I.I.
55, 58n26
Ruda, F.
343–4
Ruscha, E.
109, 110, 113, 334
Ruskin, J.
32, 79, 81, 160n9
The Stones of Venice
31
Russian Revolution
56, 59, 162, 179, 225, 227, 262
and amateurism
107
impact on photography’s realism
230
influence of Hollywood movies
366–70
Sabet, Amr G.E.
478
Salon
47, 48, 53, 103–4, 226–7
Schuyler, G.S.
291, 292
Black No More
283–8, 296
‘second economy’ of art
225–6
and neoliberalism
236–40
Sedgwick, E.K.
‘Paranoid Reading and Reparative Reading’
395–8
Sekula, A.
280, 324
Sennett, R.
41–2
Serge, V.
The Case of Comrade Tulayev
373
Conquered City
329
‘Marxism in Our Time’
373–4
sexuality
and conceptualisation of art
60–61
and deskilling
57–8
queerness, in Field’s Tár
385–90, 395–403
and realism in film-making
328
Shanin, T.
473, 474, 475
Shaw, J.
110–113
Sherashevsky, S.
115
Shklovsky, V.
368
Mayakovsky and His Circle
374–5
‘Monument to Scientific Error’
372–3
on productive mistakes
369–75
Sholette, G.
15, 225, 257–8
Showalter, E.
130, 134
Simberg, H.
227, 228, 229, 233
The Wounded Angel
226
situational aesthetics
139–41
Situationism
10, 139, 355, 358, 379
détournement and iconoclasm
157–9
Sloterdijk, P.
134, 337
socially engaged art
6, 9
and communal form
254–73
the image, and mediated consumption
311–4
and neoliberalism
241–53
the ‘second economy’ of art
221, 236, 239
Sorge, P.
324
Sovkino
366, 367
spectatorship
and the art-as-the-commons
241, 248
and artistic judgement
49, 64–6
bourgeois, and amateurism
103, 107, 119
and iconoclasm
163
and memory acts
115–6
participatory
278, 399–400, 402, 408
and the political economy of the image
309–10, 312
Rancière’s thinking
355–65, 457
and realism
321, 328, 329
and the ‘second economy’
226, 236
Soviet film industry
366–7, 370, 371
and temporal spaces
461
and the theatre of ideas
274
and tricksters
137, 139, 141
and the writerly artist
185–6, 188–9, 197–8
Spinoza, B.
216
dialectic, vs. Hegel
419–21, 424, 425, 434–5
and errancy
446, 448–55
Marx’s relation to
373, 421–3, 425, 426
subject-centred thinking
420–423
Starosta, G.
58n26, 66
Steyerl, H.
8
The Wretched of the Screen
250n14, 382–3
Stieglitz, A.
90
Stimson, B.
309
Streeck, W.
311–2, 380
studio and writerliness
178, 179–80, 188–92, 199
Stuhr, P.
182
Sturges, P.
Unfaithfully Yours
394–5
Superflex
235, 246
Surrealism
169–70, 377, 470
surrogacy
52, 59–60, 112, 138
Tarr, B.
387
The Turin Horse
398–400
Tatlin, V.
‘Monument to the Third International’
444
technology
4, 6, 8, 10, 23, 34, 170, 232, 243, 313, 355, 470–471
and amateurism
107, 113
labour and skill critique
23, 25–9, 43, 51, 67, 69, 80–81, 87–8
and memory
116, 415n23
and Productivism
207, 213
and tricksters
136
and the writerly artist
169, 179, 189
see also digital technology
‘telephone pictures’
52, 53, 59
temporality
87, 220, 221, 230, 448
and art in the expanded field
235
of the avant-garde, and historicism
17, 465–82
and the communist imaginary
258, 270
and contingency
340
craft-skill, and labour
39–44
and crop circles
126
metaphysics of time in Tár
400–402
in post-Hegelian dialectic
430, 431, 438, 440, 442
and realism
316, 319
in Soviet films
366, 367, 368
time as-substance, art and politics
456–64
and the vessel tradition
93–9
theatre
and conceptual art
215
and the de-placed image
361–2
and pathos/anti-pathos
274–6
and realism
325
Tieck, L.
433
Tomba, M.
473, 475, 476
Toomer, J.
Cane
283–4, 318
Toscano, A.
260
Toth, L.
157, 163
Trotsky, L.
368, 371
‘Manifesto Towards a Free Revolutionary Art’
276
Trotter, D.
277
Tucholsky, E.
Deutschland, Deutschland, über alles
321
Tucumán Arde (Tucuman is Burning)
210
Tyson, K.
153–4
Umaniec, W.
157
utopian communalism
255–7, 260, 263, 266, 269, 270, 272–3
value, value theory
1, 5, 6, 8–9, 20, 44, 99, 106, 216, 383
and amateurism
108
art as a commodity
73–6
art-as-the-commons
246–53
and autonomy
62, 71–3, 75
dissolution of
45, 46, 48, 49, 53, 54–9, 63
‘judgement at a glance’
64–6
politics of
66–70
and Productivism
209–10, 211, 214
skills and labour
26, 28, 29, 34, 35, 38–44, 81, 83, 85–6
and temporality
459–60, 463, 465, 476, 481–2
truth-value
308, 453n21, 454
Van Gogh, V.
188, 353
vessel tradition
90, 100
archaeological records
92
and the object’s ‘thingness’
93–9
timely logic of
93–9
Virno, P.
72, 383, 478
Il Ricordo Del Presente (Déjá Vu and the End of History)
477
von Donnersmarck, F.H.
Das Leben der Anderen (The Lives of Others)
326, 330–331
Warhol, A.
109, 110, 113, 461
Waterhouse, J.W.
227
Echo and Narcissus
226
Watkins, A.
The Old Straight Track
128
Williams, R.
145, 146
Williams, W.C.
278
Wochenklausur
246
Wood, B.
97
WPA-FAP muralists
323
writerliness, writerly artists
169
and art education
181–7
and art history
175–8
Art & Language
188–99
and conceptual art
169–87
legacy
178–81
studio-writing
188–92
Žižek, S.
133, 475
on correlationalism
347
In Defence of Lost Causes
256, 261, 273
and the Hegelian dialectic
426, 427, 428, 431–5, 439, 443–4
Less Than Nothing
433, 473–4
Zupančič, A.
345