| Figures | ||
| 12.1 | Dong Wei: ‘Culture Culture’ (2002) | 165 |
| 12.2 | Dong Wei: ‘My Attendants’ (1998) | 167 |
| 12.3 | Dong Wei: ‘Dragon and Businessman’ (2000) | 168 |
| 13.1 | James Gillray, ‘The Reception of the diplomatique and his suite at the Court of Pekin’, 1792 | 174 |
| 13.2 | Paul Klee, ‘Two Men Meet, Each Believing the Other to Be of Higher Rank’ | 182 |
| 13.3 | A bowing person | 184 |
| 13.4 | Chen Hongshou, Mifu praising a rock (first half of the 17th century) | 186 |
| 13.5 | Jen Po-nien, The Poet Mifu (19th century) | 187 |
| 13.6 | Empire of Signs | 192 |
| 16.1 | Basic dimensions of the emotional structure of contemporary Chinese society | 221 |
| 19.1 | Herpes Virus doily by Laura Splan | 252 |
| 19.2 | Dress depicting visualizations of the first algorithm by Ada Lovelace | 254 |
| 19.3 | Embryonic stem cells | 257 |
| Tables | ||
| 11.1 | Statistics of the Setouchi International Art Festival in previous years | 139 |
| 11.2 | Statistics of Echigo-Tsumari Art Field in previous years | 141 |
| 11.3 | Statistics of the Koganecho Bazaar in previous years | 144 |
List of Figures and Tables
In: Controversy and Construction in Contemporary Aesthetics
Search for other papers by Jie Wang in
Current site
Google Scholar
PubMed
Search for other papers by Zheng Shen in
Current site
Google Scholar
PubMed
Search for other papers by Armida de la Garza in
Current site
Google Scholar
PubMed