Temps, reprÃ©sentation, identitÃ©: lâimage de la guerre dans les Chroniques de Froissart (ms. fr. 2643 Ã  2646 de la B.N.F., Paris)

Olivier Ellena

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Temps, reprÃ©sentation, identitÃ©: lâimage de la guerre dans les Chroniques de Froissart (ms. fr. 2643 Ã 2646 de la B.N.F., Paris)

äºThe Medieval Chronicle II

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Olivier Ellena

Olivier Ellena
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Page Range:: 78â89

DOI:: https://doi.org/10.1163/9789004487659_009

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Abstract

The copy of the four books of Jean Froissartâs Chroniques made for Louis de Bruges, Lord of Gruuthuse, unfold a complex time through the text and the images. The historical importance of the contemporary events determines the choice of the illustrations, which makes us wonder if the manuscript gives a particular image of the Hundred Years War. The representation of the war is indeed nourished by the experiences of the past and by the perception of a decline in history. Thus the image. far from being a refusal of the reality, purports itself as the expression of the troubles of a great servant of the court of Philip the Good and Charles the Bold at the end of the Burgundian State. At the end of the Micidle Ages the illuminated chronicle cannot be considered as a sort of sanctuary favourable to the expression of nostalgia. It is a âlieu de mÃ©moireâ in which the plurality of the times and their causal links serve to define a historical conscience.

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The Medieval Chronicle II

Proceedings of the 2nd International Conference on the Medieval Chronicle. Driebergen/Utrecht 16-21 July 1999

ä¸ç¼ï¼ Costerus New Series Online, å·ï¼ 144and Costerus New Series, å·ï¼ 144

ISBN:: 9789004487659

åºçç¤¾:: Brill

å°å·åºçæ¥æ:: 01 Jan 2002

Subjects
- Literature and Cultural Studies

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Temps, reprÃ©sentation, identitÃ©: lâimage de la guerre dans les Chroniques de Froissart (ms. fr. 2643 Ã 2646 de la B.N.F., Paris)

Abstract

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