âAlmost afraid to know itselfâ: Macbeth and Cinematic Scotland

Willy Maley; Sarah Neely

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âAlmost afraid to know itselfâ: Macbeth and Cinematic Scotland

äºScotland in Theory

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Willy Maley

Willy Maley
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Sarah Neely

Sarah Neely
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Page Range:: 97â106

DOI:: https://doi.org/10.1163/9789004483385_010

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Abstract

The national context of Shakespeareâs so-called âScottish playâ has frequently been underplayed in stage versions. Cinematic adaptations show a similar inability to represent Scotland as a nation. It is either overlooked, or reduced to a series of kitsch signifiers. Even recent trends in Scottish cinema are unlikely to foster a Scottish Macbeth in a context of global cinematic production and distribution.

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Scotland in Theory

Reflections on Culture & Literature

ä¸ç¼ï¼ SCROLL: Scottish Cultural Review of Language and Literature, å·ï¼ 1

ISBN:: 9789004483385

åºçç¤¾:: Brill

å°å·åºçæ¥æ:: 01 Jan 2004

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æè¦æµè§æ¬¡æ°	464	104	13
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African Studies	Education	Media Studies
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âAlmost afraid to know itselfâ: Macbeth and Cinematic Scotland

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