Jingju Repertoire(s) and Types of Plays and Playscripts

David L. Rolston

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Chapter 1 Jingju Repertoire(s) and Types of Plays and Playscripts

In: Inscribing Jingju/Peking Opera

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David L. Rolston

David L. Rolston
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Type:: Chapter

Pages:: 95–209

DOI:: https://doi.org/10.1163/9789004463394_003

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Abstract

Chapter 1 introduces the repertoire(s) of Jingju and the categories that Jingju plays were divided into and discusses how traditional Chinese play texts in general, and Jingju playscripts in particular, were originally organized. It discusses how elements of plays, including non-verbal and performance elements, could and were textualized before the advent of media that could conveniently capture and integrate aural and visual elements into the “texts” that they produced.

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Inscribing Jingju/Peking Opera

Textualization and Performance, Authorship and Censorship of the “National Drama” of China from the Late Qing to the Present

Series: Studies in the History of Chinese Texts, Volume: 12

Cover Inscribing <i>Jingju</i>/Peking Opera

E-Book ISBN:: 9789004463394

Publisher:: Brill

Print Publication Date:: 02 Jul 2021

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Chapter 1 Jingju Repertoire(s) and Types of Plays and Playscripts

Abstract

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Share link with colleague or librarian

Inscribing Jingju/Peking Opera

Textualization and Performance, Authorship and Censorship of the “National Drama” of China from the Late Qing to the Present

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