Charts, Figures and Tables
Charts
1
Frequency of viewing classified by the number of situations in which respondents claim to have felt united with other Dutch people
2
Viewers who have watched The Passion at least once, according to birth cohort (percent)
3
Appreciation of The Passion among those who have watched one or more times, according to birth cohort (percent)
Figures
1
Viewing figures of The Passion for respective editions
2
The H.J. Van Heek Square in Enschede where the main stage for The Passion was erected in 2015. Photo: Michaël Terlouw. © EO. Reproduced with permission of EO’s Marketing & Communication Dpt.
3
Singer Do as Mary, the mother of Jesus. The Passion in Gouda, 2011. Photo: © Hijme Stoffels. Reproduced with permission
4
The words ‘Crucify him!!!!!’ over the face of Jesus on the projection screen at the Market Square in Gouda, 2011. Photo: © Hijme Stoffels. Reproduced with permission
5
The temporary dwelling of a passion performed on the Grote Markt in the city of Groningen in 2014. Photo: Willem-Jan de Bruin. © EO. Reproduced with permission of EO’s Marketing & Communication Dpt.
6
Overview of round numbers of participants in the virtual procession on the second screen
7
Firemen carrying the neon-lit cross. Photo: Rogier van den Berg. © RTV Oost. Reproduced with permission of RTV Oost
8
The procession with the cross passing the audience in the Market square in the city of Gouda while making its way to the main stage. Photo: © Hijme Stoffels. Reproduced with permission
9
Mental spaces that may influence the appropriation of The Passion
10
Pictures from the second photo shoot with Jesus, 2015. Photo: © Hans-Peter van Velthoven. Reproduced with permission
11
The Jesus character in an orange coverall with two soldiers after his conviction in The Passion, Enschede, 2015. Photo: Arianne Ramaker. © EO. Reproduced with permission of EO’s Marketing & Communication Dpt.
12
Christian victims of ISIS led to their execution on a Libyan beach. Screenshot from a YouTube-video posted by ISIS on February 16, 2015
13
Poster for the Pandora Foundation
14
Television director David Grifhorst in the mobile production unit in 2015. Screenshot from a Youtube-video. Image: EO/KRO-NRCV
15
Singer Syb van der Ploeg as the resurrected Jesus on the tower of the St Jan’s Church in Gouda. Photo: © ANP
16
The resurrected Jesus (by singer Jan Dulles) appearing amongst people in the square in the 2014 edition of The Passion. Screenshot from the online broadcast of The Passion. Image: EO/KRO-NRCV
17
The resurrected Jesus (by Edwin Jonker) appearing on top of the Dordrecht Minster above the square in the 2019 edition of The Passion. Screenshot from the online broadcast of The Passion. Image: EO/KRO-NRCV
18
The online time-shifted viewing screen for The Passion in 2018 presented a number of video clips and broadcasts. From left to right: the talk show ‘Passiontalk’ (featuring me), the 2018 edition of The Passion, and three brief digital interviews with performers which were launched via socials in the days prior to the performance. Screenshot from www.npostart.nl. Image: NPO
Tables
1
Number of times that people watched the TV-broadcast of The Passion or attended the event
2
Assessment of organisation and depiction of The Passion
3
Frequency of viewing and rating classified by viewers’ characteristics
4
Assessment classified by social-structural characteristics (for viewers who have watched at least once)
5
Frequency of viewing and assessment classified by church background/ affiliation
6
Frequency of viewing and assessment classified by the number of situations in which people consider religion to have an important role
7
Frequency of viewing and assessment classified by the number of situations in which people consider religion to have an important role, in detail
8
Number of times that people watched the TV-broadcast of The Passion or attended the event in relation to their religious/spiritual self-identification
9
Assessment of organisation and depiction of The Passion in relation to people’s religious/spiritual self-identification
10
Frequency of viewing and assessment classified by spiritual interest and practices
11
Frequency of viewing and assessment classified by situations in which respondents feel united with other Dutch people