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Illustrations

In: A Companion to Music at the Habsburg Courts in the Sixteenth and Seventeenth Centuries
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Illustrations

Figures

0.1 Habsburg family tree 11

2.1 Maximilian of Austria, manuscript illumination 60

2.2 The Hofkapelle as represented in the Triumphzug of Maximilian I (plate 26), woodcut by Hans Burgkmair, begun 1512, published 1526 69

2.3 Maximilian I Hearing Mass, woodcut by Hans Weiditz the Younger, c. 1515-18 71

2.4 Philip the Fair, manuscript illumination 73

2.5 Charles V as Archduke, manuscript illumination 81

3.1 Plan of the chapel of the Royal Alcázar palace, drawing on paper, c. 1650 101

3.2 Carlos Patiño, painted by his son Pedro Félix Patiño 123

3.3 Claudio Coello, La sagrada forma, oil on canvas, 1685-90 126

4.1 Title page of the cantus partbook of Petrus Joannellus (ed.), Novus atque catholicus thesaurus musicus, liber secundus (Venice, 1568) 147

4.2 Banquet at Maximilian II’s court in 1560, etching by Monogrammist FA, 1561 153

7.1 Scene from the carnival ballet in Prague, engraving, 1617 257

8.1 ‘Carro dell’America’, engraving from Andrea Cirino, Feste celebrate in Napoli per la nascità del Serenissimo Prencipe di Spagna (Naples, 1659) 280

8.2 Illustration of the loa (prologue) from Fortunas de Andrómeda y Perseo, drawing by Baccio del Bianco, 1653 285

8.3 Illustration from Fortunas de Andrómeda y Perseo, drawing by Baccio del Bianco, 1653 285

9.1 ‘Die suessen Melodey’, plate 24 of the Triumphzug of Maximilian I, woodcut by Hans Burgkmair, begun 1512, published 1526 310

9.2 Detail of The Fountain of Youth depicting a bathhouse, woodcut by Hans Sebald Beham, c. 1536 319

10.1 Vienna, Österreichische Nationalbibliothek, Sammlung von Handschriften und alten Drucken, Cod. 1783, fols. 1v-2r 351

10.2 Jena, Thüringer Universitäts- und Landesbibliothek, MS 4, fols. 29v-30r 365

10.3 Vienna, Österreichische Nationalbibliothek, Sammlung von Handschriften und alten Drucken, Cod. 11883, fol. 30v 367

10.4 Wolfenbüttel, Herzog August Bibliothek, MS Guelferbytanus A Augusteus 2o, fols. 28v-29r 378

10.5 Vienna, Österreichische Nationalbibliothek, Musiksammlung, Mus. Hs. 19248, fol. 2r 391

11.1 Scenes from Ferdinand III’s coronation as King of the Romans, engraving by Lucas Schnitzer, 1636-37 403

11.2 Triumphal arch for Rudolph II’s arrival into Wrocław (Breslau) on 24 May 1577, engraving by Johann Twenger, 1577 404

11.3 Title page of Johannes de Cleve, Cantiones sacrae ... liber primus (Augsburg, 1559) 423

11.4 Frontispiece of Andreas Rauch, Currus triumphalis musicus (Vienna, 1648), partbook 1, engraving by Michael Frommer 432

12.1 Allegory of Christian evangelization in the Americas, engraving from Diego Valadés, Rhetorica Christiana (Perugia, 1579) 440

13.1 Eleonora Gonzaga’s coronation as Empress in the Regensburg Cathedral, engraving, 1630 484

14.1 The first arch at the bridge of the Porta Romana for Charles V’s triumphal entry into Milan, woodcut, 1541 513

14.2 Arch at the entrance to the Piazza Duomo for Charles V’s triumphal entry into Milan, woodcut, 1541 514

16.1 Appearance of Religione in Act 3 of Stefano Landi’s opera Sant’Alessio, engraving, 1634 589

16.2 Procession of Johann Anton von Eggenberg and his retinue into Rome, November 1638, etching 602

Maps

0.1 Map of Europe in the sixteenth century 14

0.2 Map of Europe after the Peace of Westphalia (1648) 15

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A Companion to Music at the Habsburg Courts in the Sixteenth and Seventeenth Centuries

Series:  Brill's Companions to the Musical Culture of Medieval and Early Modern Europe, Volume: 4
Cover A Companion to Music at the Habsburg Courts in the Sixteenth and Seventeenth Centuries
E-Book ISBN:
9789004435032
Publisher:
Brill
Print Publication Date:
09 Sep 2020
  • Subjects
    • Art History
      • Performing Arts
      • Drama & Theatre Studies
      • Musicology
    • History
      • Early Modern History
Front Matter
Copyright Page
Acknowledgements
Illustrations
Tables
Music Examples
Manuscript Sigla and Other Abbreviations
Notes on Contributors
Introduction
Politics, Religion, and Music at the Early Modern Habsburg Courts
The Court Chapels of the Habsburg-Burgundian Line: From Emperor Maximilian I to Emperor Charles V
The Court Chapels of the Spanish Line: From King Philip II to King Charles II
The Court Chapels of the Austrian Line (I): From Emperor Ferdinand I to Emperor Matthias
The Court Chapels of the Austrian Line (II): From Archduke Charles II to Emperor Leopold I
The Court Chapels of the Tyrolean Line: From Archduke Ferdinand II to Archduke Ferdinand Charles
Italian Musical Dramatic Genres at the Courts of the Austrian Habsburgs
Festivity and Spectacle at the Spanish Royal Court
Contexts for and Functions of Instrumental Music in Central Europe
Manuscript Culture: The Habsburg-Burgundian Scriptorium and Some Successors
Print Culture: Printed Music and Other Media in the Service of the Habsburgs
Colonialism and Music in Habsburg New Spain
Die Teutsche Nation: Musical Links between the Habsburg Courts and the German States of the Empire
Milan: Imperial City and ‘Theatre of the World’
Musical Connections between the Austrian Habsburgs and Venice in the Late Sixteenth and Seventeenth Centuries
A Tale of Two entrate: Processions, Politics, and Patronage for the Habsburgs in Sixteenth- and Seventeenth-Century Rome
Back Matter
Index

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