Illustrations
1 Rembrandt, Self Portrait, 1640, oil/canvas, 91 Ã 75 cm. London, National Gallery XIV
2 Rembrandt, Self Portrait, 1639, etching with drypoint, 20.6 Ã 16.4 cm. Amsterdam, Rijksmuseum XIV
3 Raphael, Portrait of Baldassare Castiglione, c. 1515, oil/canvas, 82 à 67 cm. Paris, Musée du Louvre. Photo: Scala/Art Resource, NY XV
4 Titian, âAriostoâ: Portrait of Gerolamo (?) Barbarigo, c. 1515, oil/canvas, 81.2 Ã 66.3 cm. London, National Gallery XV
5 Rembrandt, Saskia as Glycera (Saskia with a Red Flower), 1641, oil/oak, 98.5 à 82.5 cm. Dresden, Gemäldegalerie Alte Meister. Photo: Erich Lessing/ Art Resource, NY XVI
6 Titian, Flora, c. 1515, oil/canvas, 79.7 Ã 63.5 cm. Florence, Uffizi. Photo: Erich Lessing/Art Resource, NY XVI
7 Rembrandt, Flora, 1654â55, oil/canvas. 100 Ã 91.8 cm. New York, Metropolitan Museum of Art. Creative Commons XVII
8 Cornelis van Haarlem, Massacre of the Innocents, 1590, oil/canvas, 245 Ã 348 cm. Amsterdam, Rijksmuseum 3
9 Marcantonio Raimondi after Raphael, Massacre of the Innocents, c. 1515, engraving, 27.7 Ã 42.2 cm. Amsterdam, Rijksmuseum 3
10 Pieter Lastman, Forum of Nerva, 1606, pen and brush drawing, 18.3 Ã 23.1 cm. Amsterdam, Rijksmuseum 6
11 Wallerant Vaillant after Guido Reni, Judith, c. 1672, mezzotint, 40.3 Ã 25 cm. Amsterdam, Rijksmuseum 18
12 Jacopo Bassano, Annunciation to the Shepherds, c. 1555â60, oil/canvas, 106.1 Ã 82.6 cm. Washington, National Gallery of Art 19
13 Palma Giovane, Feast of the Gods, c. 1590, drawing, 10.2 Ã 13.8 cm. Munich, Staatliche Graphische Sammlung 21
14 Raphael, Transfiguration, 1520, oil/panel, 410 Ã 279 cm. Vatican State, Pinacoteca Vaticana. Photo: Scala/Art Resource, NY 22
15 Raphael, Fire in the Borgo, 1514â17, fresco, Vatican State, Vatican, Stanze di Raffaello. Photo: Scala/Art Resource, NY 33
16 Giulio Romano, Fall of the Giants, 1527â34, fresco, Mantua, Palazzo del Tè. Photo: Scala/Art Resource, NY 33
17 Rembrandt, Night Watch, 1642, oil/canvas, 379.5 Ã 453.5 cm. Amsterdam, Rijksmuseum 42
18 After Leochares (attributed), Copy of the Apollo Belvedere, late 19th century, bronze, 153 cm. Christieâs South Kensington, 13 July 2016, Lot 21 43
19 Rembrandt, Stoning of St. Stephen, 1625, oil/panel, 89.5 à 123.6 cm. Lyons, Musée des Beaux-Arts 44
20 Marcantonio Raimondi after Raphael, David Beheading Goliath, c. 1515, engraving, 26.4 Ã 39.2 cm. Amsterdam, Rijksmuseum 44
21 Joachim von Sandrart, Company of Captain Cornelis Bicker, 1640, oil/canvas, 343 Ã 453.5 cm. Amsterdam, Rijksmuseum 47
22 Rembrandt, Bathsheba, 1643, oil/panel, 57.2 Ã 76.2 cm. New York, Metropolitan Museum of Art, Bequest of Benjamin Altman, 1913. Creative Commons 51
23 Jacopo Caraglio after Raphael, Alexander and Roxane, c. 1520, engraving, 22.5 Ã 31.3 cm. London, The British Museum (Trustees of the British Museum) 51
24 Stefano della Bella, Young Man in Plumed Cap and Gorget, in Profile Facing Left, c. 1641, etching. 11.8 Ã 15.2 cm. I Principi del Disegno, plate 14, London, The British Museum (Trustees of the British Museum) 59
25 Stefano della Bella, Four Heads, c. 1647, etching, 8.2 à 7.6 cm. Recueil de Diverses Pièces servant à lâart de Portraiture, Plate 11, London, The British Museum (Trustees of the British Museum) 60
26 Rembrandt, Self Portrait, 1629, oil/panel, 44.4 Ã 34.3 cm. Indianapolis, Indianapolis Museum of Art, Courtesy of the Clowes Fund 63
27 Giorgione, Self Portrait as David, c. 1506, oil/canvas, 52 Ã 43 cm. Braunschweig, Herzog Anton Ulrich-Museum 63
28 Rembrandt, The Blinding of Samson, 1636, oil/canvas, 206 à 276 cm. Frankfurt, Städel Museum. Photo: Städel Museum/ARTOTHEK 64
29 Rembrandt, Oath of Civilis, 1662, oil/canvas, 196 Ã 309 cm. Stockholm, National Museum 65
30 Rembrandt after Mantegna, The Calumny of Apelles, c. 1650, drawing, 26.3 Ã 43.2 cm. London, The British Museum (Trustees of the British Museum) 74
31 Mantegna, The Calumny of Apelles, 1504â1506, Pen and brown ink, heightened with white, 20.6 Ã 37.9 cm. London, The British Museum (Trustees of the British Museum) 74
32 Rembrandt after Leonardo da Vinci, The Last Supper, 1635, red chalk, 36.2 Ã 47.5 cm. New York, Robert Lehman Collection, The Metropolitan Museum of Art. Creative Commons 76
33 Giovanni Pietro da Birago after Leonardo da Vinci, The Last Supper with a Spaniel, c. 1500, engraving, 21.3 Ã 44 cm. New York, The Metropolitan Museum of Art. Creative Commons 76
34 Rembrandt after Polidoro da Caravaggio, The Entombment, c. 1656, pen and chalk, 18.11 Ã 28.4 cm. Haarlem, Teylers Museum 78
35 Polidoro da Caravaggio, The Entombment, 16th century, brown ink and wash, white gouache, 11.7 à 18.3 cm. Cambridge, Harvard Art Museums/Fogg Museum, Bequest of Charles A. Loeser 1932.348. Photo: Imaging Department © President and Fellows of Harvard College 78
36 Rembrandt, The Entombment, c. 1654, etching, 21.1 Ã 16.1 cm. Amsterdam, Rijksmuseum 79
37 Rembrandt after Titian, Landscape with a Bear eating Goat (after Titian), c. 1650â56, pen and brown ink with some white heightening on brownish paper, 20.3 Ã 29.4 cm. Paris, Fondation Custodia, Frits Lugt Collection 80
38 Jean-Antoine Watteau after Titian, Landscape with a Bear eating Goat (after Titian), c. 1720, red chalk, 21 Ã 30 cm. Paris, Fondation Custodia, Frits Lugt Collection 80
39 Rembrandt workshop, Landscape with a Horse (after Titian), c. 1650â1656, pen and brown ink, 19.9 Ã 29.8 cm. Berlin, Kupferstichkabinett, Staatliche Museen. Photo: Bildagentur/Art Resource, NY 81
40 Titian, Landscape with a Horse, pen and brown ink, 19.1 à 29.8 cm. Chatsworth, Collection of the Duke of Devonshire, Chatsworth House UK © Devonshire Collection, Chatsworth/Reproduced by Permission of the Chatsworth Settlement Trust/Bridgeman Images 81
41 Rembrandt, Homer Reciting Poetry, 1652, pen and ink, 26.5 Ã 19 cm. Amsterdam, Collectie Six 83
42 Marcantonio Raimondi after Raphael, Apollo and the Muses on Parnassus, c. 1517â20, engraving, 34.4 Ã 46.4 cm. Amsterdam, Rijksmuseum 83
43 Rembrandt, Isaac and Rebecca Spied upon by Abimelech, c. 1665, pen and ink, 14.5 Ã 18.5. Private Collection. Photo: Jonathan Bikker et al. The Late Rembrandt. London: National Gallery Company in association with the Rijksmuseum, Amsterdam, distributed by Yale University Press, 2014, 195 85
44 Sisto Badalocchio after Raphael, Isaac and Rebecca Spied upon by Abimelech, 1607, etching, 13.1 Ã 17.8 cm. Amsterdam, Rijksmuseum 85
45 Rembrandt, Three Crosses, 1653, etching with drypoint, State III. 38.7 Ã 45.3 cm. Amsterdam, Rijksmuseum 87
46 Master of the Die, Conversion of the Centurion, 1532, engraving, 21.2 Ã 14.4 cm. London, The British Museum (Trustees of the British Museum) 87
47 Rembrandt, Three Crosses, 1653, etching with drypoint, State IV, 38.7 Ã 45.3 cm. Amsterdam, Rijksmuseum 88
48 Rembrandt, Jupiter and Antiope, c. 1631, etching, 8.3 Ã 11.1 cm. Amsterdam, Rijksmuseum 89
49 Annibale Carracci, Sleeping Venus and Satyr, and Cupid, 1592, engraving, 15.4 Ã 22.5 cm. Amsterdam, Rijksmuseum 89
50 Rembrandt, Jupiter and Antiope, 1659, etching with drypoint, 13.9 Ã 20.1 cm. Amsterdam, Rijksmuseum 90
51 Rembrandt, Holy Family, c. 1631, etching, 9.5 Ã 7.2 cm. Amsterdam, Rijksmuseum 91
52 Annibale Carracci, Virgin, Child embracing John the Baptist, and Joseph Reading, 1590, etching and engraving, 16.3 Ã 22 cm. Amsterdam, Rijksmuseum 91
53 Rembrandt, St. Jerome in a Landscape, c. 1653, etching with drypoint, 26 Ã 20.9 cm. Amsterdam, Rijksmuseum 92
54 Rembrandt, St. Francis in an Italian Landscape, 1657, etching with drypoint, 18.1 Ã 24.6 cm. Amsterdam, Rijksmuseum 92
55 Cornelis Cort after Titian, 1565, St. Jerome in a Landscape, engraving, 30 Ã 26.5 cm. Amsterdam, Rijksmuseum 93
56 Rembrandt, Pancake Woman, 1635, etching, 10.9 Ã 7.8 cm. Amsterdam, Rijksmuseum 95
57 Marcantonio Raimondi after Raphael, Galatea, c. 1515, engraving, 40.3 Ã 28.6 cm. Amsterdam, Rijksmuseum 95
58 Rembrandt, Three Musicians: Allegory of Sound, c. 1624, oil/panel, 21.6 Ã 17.6 cm. New York, The Leiden Collection 97
59 Ancient Roman Sculptor after Hellenistic Statue, Old Woman (Sibyl), marble, Rome, Musei Capitolini. Photo: © Vanni Archive/Art Resource, NY 98
60 Michiel Sweerts, In the Studio, 1652, oil/canvas, 73.5 Ã 58.8 cm. Detroit Institute of Arts, City of Detroit Purchase, 30.297 98
61 Jacopo Sansovino, The Laocoon Group, 1550â1560, bronze, 30 cm. Berlin, Skulpturensammlung und Museum für Byzantinische Kunst, Staatliche Museen. Photo: Bildagentur/Art Resource, NY 100
62 Melchior Hondecoeter, The Crow Exposed, c. 1680, oil/canvas, 170.2 Ã 211.5 cm. Houston, Sarah Campbell Blaffer Foundation 103
63 Antony van Dyck, Lucas van Uffel Rising from his Desk, c. 1622â1623, oil/ canvas, 124.5 Ã 100.6 cm. New York, Metropolitan Museum of Art. Creative Commons 106
64 Rembrandt, Portrait of a Young Woman, 1632, oil/canvas, 92.5 à 71 cm. Vienna, Akademie der Bildenden Künste. Photo: Erich Lessing/Art Resource, NY 107
65 Rembrandt, Staalmeesters, 1662, oil/canvas, 191.5 Ã 279 cm. Amsterdam, Rijksmuseum 107
66 Thomas Worlidge after Willem Drost, Young Man at his Desk, c. 1757â1758, etching, 19.3 Ã 14.3 cm. The British Museum (Trustees of the British Museum) 109
67 Rembrandt, The Supper at Emmaus, c. 1628, oil on paper stuck to panel, 39 à 42 cm. Paris, Musée Jacquemart-André. Photo: Erich Lessing/Art Resource, NY 111
68 Hendrick Goudt after Adam Elsheimer, Jupiter and Mercury in the House of Philemon and Baucis, 1612, engraving, 20.8 Ã 22.7 cm. Amsterdam, Rijksmuseum 112
69 Egidius Sadeler after Tintoretto, The Last Supper, c. 1600, engraving, 25.9 Ã 42.7 cm. Amsterdam, Rijksmuseum 113
70 Jan Sadeler after Bassano, Christ in the House of Mary and Martha, 1598, engraving, 22.5 Ã 28.9 cm. Amsterdam, Rijksmuseum 114
71 Jan Sadeler after Bassano, Lazarus and the Rich Man, c. 1600, engraving, 23.9 Ã 39.6 cm. Amsterdam, Rijksmuseum 115
72 Caravaggio, Madonna of the Rosary with Saint Dominic and Saint Peter Martyr, 1607, oil/canvas, 364 Ã 249 cm. Vienna, Kunsthistorisches Museum, KHM-Museumsverband 116
73 Rembrandt, The Presentation in the Temple, c. 1628, oil/panel, 55.5 Ã 44 cm. Hamburg, Kunsthalle. Photo: Elke Walford/Art Resource, NY 118
74 Rembrandt, Simeonâs Song of Praise, 1631, oil/panel, 60.9 Ã 47.9 cm. The Hague, Mauritshuis 118
75 Rembrandt, Judas Returning the 30 Pieces of Silver, 1629, oil/oak, 79 à 102.3 cm. © Private Collection 119
76 Rembrandt, Three Scribes, Study for Judas Returning the 30 Pieces of Silver, c. 1629, pen and wash, 22.6 Ã 17.6 cm. Amsterdam, Rijksmuseum 120
77 Rembrandt, Shipbuilder and his Wife: Jan Rijcksen and Griet Jans, 1633, oil/ canvas, 113.8 à 169.8 cm. London, Buckingham Palace; Royal Collection Trust © Her Majesty Queen Elizabeth II 2014 123
78 Thomas de Keyser, Constantijn Huygens and a Servant, 1627, oil/oak, 92.4 Ã 69.3 cm. London, National Gallery. Bequeathed by Richard Simmons 124
79 Sebastiano del Piombo, Ferry Carondolet with Two Assistants, c. 1515, oil/panel, 112.5 Ã 87 cm. Madrid, Thyssen-Bornemisza Museum 125
80 Guercino (Giovanni Francesco Barbieri), Semiramis Receiving Word of the Revolt of Babylon, 1624, oil/canvas. 112.4 Ã 154.6 cm. Boston, Museum of Fine Arts, Francis Welch Fund 126
81 Rembrandt, Aristotle and the Bust of Homer, 1653, oil/canvas, 143.5 Ã 136.5 cm. New York, The Metropolitan Museum of Art. Creative Commons 130
82 Bernard Vaillant after Jusepe de Ribera, Philosopher with Book and Compass, 1672, mezzotint, 38 Ã 29.2 cm. Amsterdam, Rijksmuseum 131
83 Rembrandt, Homer, 1663, oil/canvas, 104 Ã 82 cm. The Hague, Mauritshuis 133
84 Rembrandt, Homer and a Scribe, c. 1663, point of brush in brown ink, wash, corrections in white gouache, 14.8 Ã 17 cm. Stockholm, National Museum 134
85 Titian, The Cardinal Georges DâArmagnac, Ambassador to Venice, and his Secretary Guillaume Philandrier, oil/canvas, 102 à 116 cm. Paris, Musée du Louvre. Photo: Gérard Blot © RMN-Grand Palais/Art Resource, NY 135
86 Antony van Dyck, Thomas Wentworth, 1st Earl of Strafford (1593â1641) with Sir Philip Mainwaring (1589â1661), 1639â1640, oil/canvas, 132 Ã 152.4 cm. Private Collection. Peter Willi/ Bridgeman Images 136
87 Rembrandt, Christ Driving the Money Changers from the Temple, 1626, oil/panel, 43.1 Ã 32 cm. Moscow, Pushkin Museum 140
88 Rembrandt, Christ Driving the Money Changers from the Temple, 1635, etching, 13.6 Ã 16.9 cm. Amsterdam, Rijksmuseum 141
89 Philips Galle after Johannes Stradanus, Christ Driving the Moneychangers from the Temple, c. 1575, engraving, 44.1 Ã 31.9 cm. London, The British Museum (Trustees of the British Museum) 142
90 Titian, Self-portrait, 1562, oil/canvas, 96 à 75 cm. Berlin, Gemäldegalerie, Staatliche Museen. Photo: Erich Lessing/Art Resource, NY 143
91 Jacopo Bassano, The Purification of the Temple, c. 1580, oil/canvas, 160.5 Ã 267.5 cm. London, National Gallery 143
92 Albrecht Dürer, Christ Driving the Money Changers from the Temple, 1508â1509, woodcut, 12.9 à 9.7 cm. Amsterdam, Rijksmuseum 146
93 Rembrandt, Christ Driving the Money Changers from the Temple (detail), 1635, etching, Amsterdam, Rijksmuseum 147
94 Rembrandt, The Hundred Guilder Print, c. 1648, etching, 28 Ã 39.4 cm. Amsterdam, Rijksmuseum 149
95 Marcantonio Raimondi after Raphael, The Plague (Il Morbetto), c. 1515, engraving, 19.8 Ã 25.5 cm. Amsterdam, Rijksmuseum 151
96 Giorgio Ghisi after Raphael, The School of Athens, 1550, engraving, 51.3 Ã 81.5 cm. Amsterdam, Rijksmuseum 153
97 Cornelis Cort after Michelangelo, Medici Chapel: Lorenzo deâMedici Wall, 1570, engraving, 43.8 Ã 28.3 cm. Amsterdam, Rijksmuseum 154
98 Giovanni Pietro da Birago after Leonardo da Vinci, The Last Supper with a Spaniel (detail), c. 1500, engraving, New York, Metropolitan Museum of Art. Creative Commons 156
99 Rembrandt, The Hundred Guilder Print (detail), c. 1648, etching, 28 Ã 39.4 cm. Amsterdam, Rijksmuseum 156
100 Rembrandt, Diana and Actaeon with Callisto and Nymphs, 1634, oil/canvas, 73.5 Ã 93.5 cm. Anholt, Museum Wasserburg 159
101 Paul Bril, Diana and Actaeon, c. 1620, painting, Private Collection. Photo: Christieâs London, Sale 9 July 1993 (before restoration) 159
102 Cornelis Cort after Titian, Diana Discovers the Pregnancy of Callisto, 1566, engraving, 44 Ã 36.9 cm. Amsterdam, Rijksmuseum 161
103 Marcantonio Raimondi after Raphael, The Three Graces, c. 1517â20, engraving, 30.7 Ã 20.9 cm. Amsterdam, Rijksmuseum 161
104 Anonymous Pastiche after Titian, Diana and Actaeon, c. 1570, engraving, 36 à 28 cm. Paris, Bibliothèque Nationale 163
105 Rembrandt, Flute Player and Flower Girl, 1642, etching, 11.7 Ã 14.3 cm. Amsterdam, Rijksmuseum 166
106 Titian, Allegory of the Three Ages of Man, c. 1512â14, oil/canvas, 90 à 150.7 cm. Edinburgh, National Galleries of Scotland. Photo: © DeA Picture Library/ Art Resource, NY 168
107 Jan de Bisschop after Titian, Lovers by a Fountain, 1667, pen and brush drawing, 18.1 Ã 13 cm. Amsterdam, Rijksmuseum 168
108 Giovanni Francesco Grimaldi (attributed) after 16th century woodcut, Shepherd playing the Flute, c. 1620, etching, 31 Ã 43.9 cm. London, The British Museum (Trustees of the British Museum) 169
109 Crispijn de Passe, Nude Male Seated, 1643, engraving from ât Licht der Teken en Schilderkunst. Amsterdam, Rijksmuseum. Photo: Judith Noorman and David DeWitt, Rembrandtâs Naked Truth. Drawing Nude Models in the Golden Age. Amsterdam: The Rembrandt House Museum/ Zwolle: WBooks, 2016, 34 170
110 Rembrandt, Seated Male Nude with Leg Extended, 1646, etching, 9.8 Ã 16.8 cm. Amsterdam, Rijksmuseum 171
111 Samuel van Hoogstraten (attributed), Seated Male Nude with Flute, c. 1646, drawing, 14.2 Ã 16.2 cm. London, The British Museum (Trustees of the British Museum) 172
112 Rembrandt, Woman Seated on a Mound (Courtesan Seated on an Earthen Throne), c. 1631, etching, 17.7 Ã 16 cm. Amsterdam, Rijksmuseum 174
113 Annibale Carracci, Susanna, 1590, engraving, 31.7 Ã 31.1 cm. Amsterdam, Rijksmuseum 174
114 Anonymous after Giorgione (attributed), Ceres with Children, c. 1627, pen and brush, in the De Picturis manuscript catalogue of Andrea Vendramin. London, British Library, Sloane 4004, fol. 23. Photo: Friso Lammertse and Jaap van der Veen. Uylenburgh & Son: Art and commerce from Rembrandt to De Lairesse 1625â1675. London: Dulwich Picture Gallery/ Amsterdam: Museum Het Rembrandthuis, in association with Wanders Publishing, Zwolle, 2006, 98 175
115 Guido Reni, Susanna, c. 1620, oil/canvas, 116.6 Ã 150.5 cm. London, National Gallery 178
116 Rembrandt, Danae, 1636 +, oil/canvas, 185 Ã 203 cm. St. Petersburg, The Hermitage. Photo: before 1985 179
117 Titian, Danae, c. 1560, oil/canvas, 47.2 Ã 73.6 cm. St. Petersburg, The Hermitage. Photo: Scala/Art Resource, NY 180
118 Melchior Meier after Titian, Danae, 1572â1582, engraving, 30.8 Ã 25.2 cm. London, The British Museum (Trustees of the British Museum) 181
119 Rembrandt, Bathsheba Holding Davidâs Letter, 1654, oil/canvas, 142 à 142 cm. Paris, Musée du Louvre. Photo: Jean Schormans © RMN-Grand Palais/Art Resource, NY 183
120 François Perrier, Psyche Preparing for Her Wedding, 1645, etching, 16.4 à 22.8 cm. Amsterdam, Rijksmuseum 184
121 Rembrandt, A Woman Bathing in a Stream (Callisto), 1654, oil/oak, 61.8 Ã 47 cm. London, National Gallery, Holwell Carr Bequest 186
122 Giovanni Benedetto Castiglione, Self Portrait with Beret, c. 1645â50, etching, 18.8 Ã 13.7 cm. Amsterdam, Rijksmuseum 190
123 Giovanni Benedetto Castiglione, Jesus Drives the Merchants from the Temple, c. 1650, oil/canvas, 100 à 124 cm. Paris, Musée du Louvre. Photo: Erich Lessing/Art Resource, NY 191
124 Johann Ulrich Mayr, Seated Man Beside a Bust of Pallas Athena and a Sketch of Her, probably c. 1648, pen and brown ink, 13.7 Ã 15 cm. Paris, Fondation Custodia, Frits Lugt Collection 195
125 Abraham Brueghel (with another artist, Andrea Vaccaro?), A Woman Taking Fruit, 1669, oil/canvas, 128 à 149 cm. Paris, Musée du Louvre. Photo: Creative Commons 197
126 Guercino (Giovanni Francesco Barbieri), Cosmographer, c. 1660, black chalk on cream laid paper, 26 Ã 19.3 cm. Princeton University Art Museum, Bequest of Dan Fellows Platt, Class of 1895 202
127 Guercino (Giovanni Francesco Barbieri), Astronomer, c. 1660, oil/canvas, 65 Ã 52 cm. Sassari, Sardinia, Museo Sassari Arte. Creative Commons 203
128 Guercino (Giovanni Francesco Barbieri), Cumaean Sibyl with a Putto, 1651, oil/canvas, 222 Ã 168.5 cm. London, National Gallery 205
129 Salvator Rosa, Archytas of Tarentum, 1668, oil/canvas, 134 Ã 97 cm. Madrid, Museo Nacional del Prado. Photo: Helen Langdon et al. Salvator Rosa (1615â1673): bandits, wilderness and magic. London: Dulwich Picture Gallery/Fort Worth: Kimbell Art Museum, 2010, 125 209
130 Salvator Rosa (workshop), Raising of Lazarus, c. 1660, oil/canvas, 124.7 Ã 97.2 cm. London, Matthiesen Gallery 210
131 Jan Lievens, Raising of Lazarus, 1630, etching, 35.6 Ã 31.2 cm. Amsterdam, Rijksmuseum 210
132 Rembrandt, Raising of Lazarus, c. 1630â34, etching, 36.1 Ã 25.4 cm. Amsterdam, Rijksmuseum 211
133 Giacinto Brandi, Hermit Saint (St. Paul the Hermit?), 1670â1680, oil/canvas, 111 à 89 cm. Frankfurt, Städel Museum. Photo: Städel Museum/ARTOTHEK 214
134 Jacopo Tintoretto, Study of a Cast of Michelangeloâs âDayâ, c. 1550â55, charcoal, gouache highlights on grey paper, Paris, Musée du Louvre. Photo: Michel Bellot © RMN-Grand Palais/Art Resource, NY 218
135 Jacopo Tintoretto, Jonah Leaving the Whale, 1577â1578, oil/canvas, 265 Ã 370 cm. Venice, Scuola Grande di San Rocco. Photo: Cameraphoto Arte, Venice/Art Resource, NY 219
136 Guercino (Giovanni Francesco Barbieri), God the Father, 1644â45, oil/canvas, 98 Ã 180 cm. Barbieri Chapel, SS. Rosario, Cento. Photo: Berenice Giovannucci Vigi, ed. Guercino a Cento. La Chiesa del Rosario. Bologna: Nuova Alfa Editoriale, 1991, 38 221
137 Guercino (Giovanni Francesco Barbieri), St. Francis, 1644â45, oil/canvas, 147 Ã 99 cm. Barbieri Chapel, SS. Rosario, Cento. Photo: Berenice Giovannucci Vigi, ed. Guercino a Cento. La Chiesa del Rosario. Bologna: Nuova Alfa Editoriale, 1991, 38 222
138 Baciccio (Giovan Battista Gaulli), Self Portrait, c. 1667, oil/canvas, 67 Ã 51 cm. Florence, Uffizi. Photo: Scala/ Ministero per i Beni e le Attivita culturali/Art Resource, NY 225