0.1 August Augustinčić, Monument to Moša Pijade, 1954, bronze, 134 cm, Zagreb. Photo: Mirjam Rajner 2
1.1 Paško Vučetić, The Old Dorćol, beginning of the 20th c., oil on cardboard, 16 × 23 cm. City Museum Belgrade 17
1.2 Sara Pijade, b. Ruso, with her sisters (sitting on the left), n.d., photograph, K. Porodice-Beograd. Jewish Historical Museum, Belgrade 20
1.3 Bet Israel Sephardic synagogue, Belgrade, inaugurated 1907, photograph, K. Sinagoge-Srbija, Reg. No. 1771. Jewish Historical Museum, Belgrade 30
1.4 Moša Pijade, Self-portrait, 1910, oil on canvas, 77 × 55 cm, Inv. No. 032_116. National Museum in Belgrade 36
1.5 Vladimir Becić, Female Nude, 1906, oil on canvas, 76 × 52 cm, Inv. No. MLU-S-132. Museum of Fine Arts, Osijek 38
1.6 Moša Pijade, Self-portrait, 1911, oil on canvas, 58 × 48 cm, Inv. No. 032_2369. National Museum in Belgrade 40
1.7 Frédéric Bazille, Self-portrait, 1865–1866, oil on canvas, 108.9 × 71.1 cm, restricted gift of Mr. and Mrs. Frank H. Woods in memory of Mrs. Edward Harris Brewer, 1962.336. © The Art Institute of Chicago / Art Resource, NY 40
1.8 Moša Pijade, Self-portrait with Japanese Dolls, 1916, oil on cardboard, 66 × 75 cm, Inv. No. 032_258. National Museum in Belgrade 44
1.9 Moša Pijade in front of his two self-portraits, ca. 1920–1922, photograph, whereabouts unknown, reproduced in Slobodan Nešović, Moša Pijade i njegovo vreme (Belgrade: Prosveta, 1968), 116 46
1.10 M. S. Plavšić (aka Moša Pijade), Uroš i Mrnjavčevići (Belgrade: Napredak, 1920), frontispiece 48
1.11 The fresco of King Vukašin Mrnjavčević, Psača monastery, Macedonia, 14th c. © Photo archive Ivan Djordjević, University of Belgrade 50
1.12 M. S. Plavšić (aka Moša Pijade), Uroš i Mrnjavčevići (Belgrade: Napredak, 1920), n.p., detail 50
1.13 Moša Pijade, “Russian Mothers Ask: Aren’t there Mothers in other Parts of the World?” poster, 1921, whereabouts unknown, reproduced in Slobodan Nešović, Moša Pijade i njegovo vreme (Belgrade: Prosveta, 1968), 189 50
1.14 Käthe Kollwitz, Woman with a Dead Child, 1903, etching, 41.5 × 48 cm, Mus. No. 1949, 0411.3928. © The Trustees of the British Museum, London 51
1.15 Moša Pijade, Self-portrait, 1922, oil on canvas, 60 × 81 cm. Private collection 52
1.16 Moša Pijade, Self-portrait, Sremska Mitrovica Prison, 1926, oil on cardboard, 29 × 37 cm. Private collection 54
1.17 Bora Baruh, Moša Pijade, Bileća Prison, 1940, ink on paper, 21 × 17.6 cm, Inv. No. 1584.II.5/9. Museum of Yugoslavia, Belgrade 54
2.1 Kabiljo family, 1930 (Daniel sitting first on the left), photograph. Private collection 58
2.2 Daniel Kabiljo, From the Periphery, ca. 1921–1923, oil on canvas, 25 × 35.5 cm, Inv. No. 664. National Gallery of Bosnia and Herzegovina, Sarajevo 68
2.3 Roman Petrović, A Street, 1921, oil on canvas, 49.5 × 42 cm, Inv. No. 261. National Gallery of Bosnia and Herzegovina, Sarajevo 68
2.4 Maccabi sport club of Zagreb performing “allegorical exercise,” Yugoslav Zionist Youth sport rally, Novi Sad, 1924, photograph, Inv. No. 6252 II, K. 6-10-4/6. Jewish Historical Museum, Belgrade 73
2.5 A Sephardic family in Sarajevo, photograph reproduced in Moritz Levy, Die Sephardim in Bosnien (Sarajevo: Daniel A. Kajon, 1911), 37 75
2.6 Daniel Kabiljo, The Interior of the Great Synagogue in Sarajevo (Il Kal Grandi), lithograph, whereabouts unknown, reproduced in Stanislav Vinaver, ed., Spomenica (Belgrade: Vreme, 1924), 43 78
2.7 Roman Petrović, Motifs from Sarajevo, lithograph, whereabouts unknown, reproduced in Stanislav Vinaver, ed., Spomenica (Belgrade: Vreme, 1924), 37 79
2.8 Photograph of the interior of the Great Synagogue in Sarajevo (Il Kal Grandi), reproduced in Moritz Levy, Die Sephardim in Bosnien (Sarajevo: Daniel A. Kajon, 1911), 119 80
2.9 Daniel Kabiljo, The Lighting of Sabbath Light, lithograph, whereabouts unknown, reproduced in Stanislav Vinaver, ed., Spomenica (Belgrade: Vreme, 1924), 58 80
2.10 Daniel Kabiljo, The Kiddush, lithograph, whereabouts unknown, reproduced in Stanislav Vinaver, ed., Spomenica (Belgrade: Vreme, 1924), 93 81
2.11 Daniel Kabiljo, The Jewish Madonna, 1925, whereabouts unknown, reproduced in Narodna židovska svijest, nos. 76–77 (17 Sept. 1925): 2 83
2.12 Daniel Kabiljo, Jewish Women in Sarajevo, mid-1920s, oil on canvas, 29 × 19 cm, JHM Art Collection. Jewish Historical Museum, Belgrade 85
2.13 Sephardic women on a street in Sarajevo, photograph, reproduced in Moritz Levy, Die Sephardim in Bosnien (Sarajevo: Daniel A. Kajon, 1911), 70 85
2.14 Daniel Kabiljo, The Tinsmith, 1920s–1930s, oil on canvas, 55 × 38 cm. Photo © City Museum of Sarajevo 86
2.15 Daniel Kabiljo, Selling Fruit at the Market, late 1920s–early 1930s, oil on canvas, 60 × 46 cm. Photo © City Museum of Sarajevo 87
2.16 Daniel Kabiljo, The Conversation, 1930s, oil on canvas, 57.5 × 39 cm, Inv. No. 723. National Gallery of Bosnia and Herzegovina, Sarajevo 87
2.17 Daniel Kabiljo, A Boy in the Market, late 1920s–early 1930s, oil on canvas, 74 × 54 cm. Private collection 88
2.18 Daniel Kabiljo, A Street in Sarajevo, colored linocut, 18 × 11 cm, 1937. Private collection 89
3.1 Adolf Weiller, untitled, page from a sketchbook, 1941–1945, pencil on paper, 20.4 × 14 cm, Inv. No. HPM/MRNH-C-2319/8. Croatian History Museum, Zagreb 93
3.2 Adolf Weiller, untitled, page from a sketchbook, 1941–1945, pencil on paper, 20.4 × 14 cm, Inv. No. HPM/MRNH-C-2319/56. Croatian History Museum, Zagreb 93
3.3 Leonid Pasternak, He Will Wait, 1891, whereabouts unknown, reproduced in Ost und West 6 (June 1902): cols. 413–14 94
3.4 Adolf Weiller, A Refugee Child, 1944–1945, black and brown crayon on paper, 32.5 × 23 cm, Inv. No. HPM/MRNH-C-2281. Croatian History Museum, Zagreb 95
3.5 Abel Pann, Gone Mad, 1916, gouache on cardboard, 39.5 × 37.5, Inv. No. B04017. The Israel Museum, Jerusalem, Gift of Marcus Feichheimer, Cincinnati, in memory of his son. Photo © The Israel Museum, Jerusalem by Ofrit Rosenberg. Courtesy of © Talia Pann Wang 95
3.6 Adolf Weiller, untitled, 1944, pencil on paper, 30 × 21.5 cm, Inv. No. HPM/MRNH-C- 2252, verso. Croatian History Museum, Zagreb 96
3.7 Adolf Weiller, untitled, 1944, pencil on paper, 30 × 21.5 cm, Inv. No. HPM/MRNH-C- 2256/1, verso. Croatian History Museum, Zagreb 96
3.8 Samuel Hirszenberg, A Bit of Politics, 1893, whereabouts unknown, reproduced in Ost und West 10 (October 1902): cols. 677–78 96
3.9 Adolf Weiller, Sarajevo, August 1921, ink, ink wash, and colored crayons on paper, 20.4 × 14 cm. Private collection 100
3.10 Adolf Weiller, Self-portrait, 1923, oil on canvas, 39.4 × 34.3 cm. Private collection 101
3.11 Adolf Weiller, A Sephardic Jew, 1922–1924, whereabouts unknown, reproduced in Gideon 6 (1924–1925): n.p. 103
3.12 Daniel Kabiljo, At the Market in Sarajevo,1920s–1930s, ink and watercolor on paper, 30 × 42 cm. Private collection 103
3.13 Samuel Hirszenberg, Near the Wailing Wall, 1907–1908, whereabouts unknown, reproduced in Ost und West 2 (February 1912): cols. 131–32 103
3.14 Adolf Weiller, A Man with a Soup Bowl, 1922, charcoal on paper, 20.3 × 14 cm. Private collection 105
3.15 Adolf Weiller, Rabbi, 1922–1923, whereabouts unknown, reproduced in Gideon 6 (1924–1925): n.p. 111
3.16 Leopold Pilichowski, Studying the Talmud, before 1903, whereabouts unknown, reproduced in Ost und West 1 (January 1903): cols. 5–6 111
3.17 Adolf Weiller, A Beggar, 1923–1924, oil on canvas, 33 × 24 cm. Private collection 111
3.18 Leopold Pilichowski, Tired Ones, before 1903, whereabouts unknown. Reproduced in Ost und West 1 (January 1903): cols. 48–49 111
3.19 Adolf Weiller, Mountain Houses, 1925–1926, photograph. Samobor Museum, Samobor 113
3.20 Adolf Weiller, Mountain Houses, 1926, ink on paper, 20.5 × 27 cm. Samobor Museum, Samobor 113
3.21 Adolf Weiller, A Man with a Donkey and a Dog, ca. 1925–1926, oil on canvas, 86 × 116 cm. Private collection 114
3.22 Adolf Weiller, (on the left) in a hunt with forest engineers, Moslavina Region, photograph, 1932–1933. Private collection 114
3.23 Adolf Weiller, untitled and undated, ink on paper, 20.4 × 14 cm. Private collection 115
3.24 Adolf Weiller, Grape Harvest, 1930s?, colored pencils on paper, 14 × 20.4 cm. Private collection 115
4.1 Baruh family, photograph, 1925. Private collection 126
4.2 Bora Baruh, Four Mahane Portraits, 1931, whereabouts of the original unknown, reproduced in Hanoar 5, 1–2 (October 1931): 27 127
4.3 Bora Baruh, Still Life with a Sculpture, 1932, oil on cardboard, 36.3 × 51 cm. Private collection 131
4.4 Bora Baruh in his studio, photograph, 1933. Private collection 131
4.5 Bora Baruh, Parisian Homeless Man, 1935, oil on canvas, 45 × 54 cm, Inv. No. 032_1347. National Museum in Belgrade 136
4.6 Bora Baruh, The Soviet Pavilion, 1937, oil on canvas, 45 × 38 cm, JHM Art Collection. Jewish Historical Museum, Belgrade 139
4.7 Bora Baruh, Don Quixote, 1937, oil on cardboard, 46.5 × 38 cm, Inv. No. 032_697. National Museum in Belgrade 140
4.8 Bora Baruh, Refugees I, 1938, oil on cardboard, 46 × 55 cm. City Museum Belgrade 141
4.9 Honoré Daumier, The Fugitives, c. 1848–1852, oil on paper mounted on canvas, 39.5 × 68.5 cm, Inv. No. 1949.4. © Oskar Reinhart Collection ‘Am Römerholz̕, Winterthur 141
4.10 Bora Baruh, Refugees II, 1938, oil on canvas, 37.5 × 45.5 cm. The Elementary School “Braća Baruh,” Belgrade 142
4.11 Bora Baruh, Refugees III, sketch for the composition, 1938, oil on cardboard, 33.3 × 41.2 cm. The Elementary School “Braća Baruh,” Belgrade 143
4.12 Bora Baruh, View of Belgrade with the River Danube, 1939, oil on canvas, 72 × 100 cm. City Museum Belgrade 145
4.13 Bora Baruh, Prisoners, 1940, ink and tempera on paper, 20 × 14.8 cm, Inv. No. 1578.II.5/3. Museum of Yugoslavia, Belgrade 148
4.14 Bora Baruh, Prisoners Being Led by the Guards to the Bileća Prison, 1940, ink and tempera on paper, 17.2 × 20.1 cm, Inv. No. 1576.II.5/1. Museum of Yugoslavia, Belgrade 149
5.1 Ivan Rein, A Female Half-Nude with a Raised Arm, ca. 1932, oil on canvas, 73 × 54 cm, Inv. No. MG-4173. Moderna Galerija—National Museum of Modern Art, Zagreb. Photo Goran Vranić © Moderna Galerija, Zagreb 157
5.2 Ivan Rein, A Lover (On the Bed), n.d. (ca. 1935?), combined techniques, 33.5 × 25.5 cm, Inv. No. MLU-G-1601. Museum of Fine Arts, Osijek 158
5.3 Jules Pascin, Simone, 1928, pencil and sanguine, 64 × 49 cm. Private collection 158
5.4 Ivan Rein, Lovers, ca. 1935, combined techniques, 44 × 33 cm, Inv. No. MLU-S-1286. Museum of Fine Arts, Osijek 158
5.5 Ivan Rein, The Red Wall, ca. 1936, combined techniques, 66 × 51 cm, Inv. No. MLU-S-1105. Museum of Fine Arts, Osijek 160
5.6 Ivan Rein, The Outskirts of Paris, 1936, watercolor on paper, 32 × 23.5 cm. Museum of Fine Arts, Osijek 161
5.7 Ivan Rein, Laundress on the River Seine, ca. 1936, watercolor on paper, 32.3 × 50 cm, Inv. No. MLU-S-1339. Museum of Fine Arts, Osijek 161
5.8 Ivan Rein, Execution in Spain, 1936, ink wash on paper, 22 × 31.6 cm, Inv. No. MLU-G-1585. Museum of Fine Arts, Osijek 162
5.9 Ivan Rein, Refugees, 1936, ink wash on paper, 27.3 × 40.3 cm, Inv. No. MLU-G-1592. Museum of Fine Arts, Osijek 162
5.10 Photograph of Ivan Rein, ca. 1939–1940. Private collection 164
5.11 Ivan Rein, At the Table, ca. 1938, oil on cardboard, 42 × 45 cm, Inv. No. MG-4175. Moderna Galerija—National Museum of Modern Art, Zagreb. Photo Goran Vranić © Moderna Galerija, Zagreb 169
5.12 Ivan Rein, A page from his letter, Paris, 26 October 1938, Inv. No. SANU, 14897/5. Serbian Academy of Sciences and Arts, Belgrade 170
5.13 Ivan Rein, Marina in Arcachon II (At the Beach), 1939, watercolor on paper, 25.6 × 36 cm, Inv. No. MLU-S-1311. Museum of Fine Arts, Osijek 175
5.14 Ivan Rein, Liberté, Égalité, Fraternité, 1939, watercolor on paper, 31.3 × 23 cm, Inv. No. MLU-S-1306. Museum of Fine Arts, Osijek 176
5.15 Ivan Rein, A page from his letter, Zagreb, 11 April 1940, Inv. No. SANU, 14897/18. Serbian Academy of Sciences and Arts, Belgrade 180
6.1 Daniel Ozmo in the Art School in Belgrade (standing in the middle), 1933–1934, photograph, K. Jewish Artists, JHM Archives—Jewish Artists in Yugoslavia section. Jewish Historical Museum, Belgrade 199
6.2 Daniel Ozmo, Hashomer Hatzair Camp, 1932, drawing, whereabouts unknown, reproduced in Hanoar 1 (October 1932): 23 202
6.3 Đorđe Andrejević Kun, Bloody Gold, 1936, woodcut, 23 × 15 cm, in Bloody Gold: Twenty Eight Original Woodcuts by Đ. Andrejević-Kun (Stari Bečej: Štamparija Jovan Luks, 1937) 209
6.4 Daniel Ozmo, Nightlife, 1934, linocut, reproduced in D. Ozmo, prepared and selected by Vojo Dimitrijević (Sarajevo: Svjetlost, 1951), 2 211
6.5 Daniel Ozmo, Maimonides, 1935, linocut, reproduced on the cover and inside Maimonides Rambam: spomenica … (Sarajevo: Jevrejsko kulturno -prosvjetno društvo “La Benevolencija,” 1935) 213
6.6 Daniel Ozmo, From Jewish Mahala in Bitola (Monastir), Macedonia, 1936, drawing, whereabouts unknown, reproduced in Omanut 1, 1 (September 1936): 121 214
6.7 Daniel Ozmo, Woodcutter, 1936, linocut, 21.5 × 16.5 cm, Art Collection-Inv. No. 1052. Historical Museum of Bosnia and Herzegovina, Sarajevo 215
6. 8 Daniel Ozmo, Self-portrait, 1937, linocut, 21 × 17 cm, Art Collection-Inv. No. 892. Historical Museum of Bosnia and Herzegovina, Sarajevo 216
6.9 Daniel Ozmo, Boats, 1938–1939, watercolor, 38 × 29 cm, Inv. No. 23. Photo © Ana Đikoli. National Gallery of Bosnia and Herzegovina, Sarajevo 220
6.10 Members of the Zionist maritime camp “Migdal Or” [Light Tower], Vela Luka 1940, photograph, reproduced in Afikim b’mahaẓit yovlah [Afikim at Half a Jubilee], ed. Arye Ofir (Afikim: Kibbuẓ Afikim, 1951), 205 220
6.11 Collegium Artisticum, “The Evening of Music, Movement and Folk Poetry,” Sarajevo, October 1939, photograph of the performance reproduced in the program (Sarajevo: Collegium artisticum, 1939) 222
6.12 Vojo Dimitrijević, Spain 1937, 1938, oil on canvas, 50 × 65 cm, Inv. No. 462. National Gallery of Bosnia and Herzegovina, Sarajevo 222
6.13 Daniel Ozmo, Pulling the Lumber Wood, 1939, linocut, 21 × 17 cm, in From Bosnian Woods: Twenty Original Linocuts by Daniel Ozmo, 1939, Art Collection-Inv. No. 595. Historical Museum of Bosnia and Herzegovina, Sarajevo 224
6.14 Daniel Ozmo, Old Sephardic Woman, 1939, ink on paper, 25 × 22 cm, Inv. No. 3036. Photo © Ana Đikoli. National Gallery of Bosnia and Herzegovina, Sarajevo 225
6.15 Daniel Ozmo, In the Slaughterhouse, 1940, watercolor, 51 × 36.5 cm, Art Collection-Inv. No. 852. Historical Museum of Bosnia and Herzegovina, Sarajevo 225
6.16 Collegium Artisticum, photograph of the performers, reproduced in the program (Sarajevo: Collegium artisticum, 1939), n.p. 226
6.17 Nora Fried, Why is Ema Crying? 5 Stories, (Sarajevo: Collegium artisticum, 1941), illustration by J. Rothe and V. Schlosser, n.p. 227
7.1 The ruins after German bombing, Belgrade, 6 April 1941, photograph, Inv. No. 869. Military Museum, Belgrade 240
7.2 Jews registering at the police station at Kalemegdan, Belgrade, 19 April 1941, photograph, Inv. No. 1174. K. Camps in Yugoslavia 1941–1945—the German Concentration and Death Camps, JHM Archives—the Holocaust and WWII Section. Jewish Historical Museum, Belgrade 242
7.3 Bora Baruh, Clearing Ruins in Belgrade, 1941, ink on paper, 18.5 × 14 cm, Inv. No. I 275/152 10301. Military Museum, Belgrade 242
7.4 Bora Baruh, In the Shelter, 1941, ink and ink wash on paper, 15.8 × 19.3 cm, Inv. No. 1590.III.5/43. Museum of Yugoslavia, Belgrade 243
7.5 Bora Baruh, In the Shelter of the “Elka” Factory, 1941, oil on plywood, 18 × 25 cm, detail. Private collection 243
7.6 Bora Baruh, Self-portrait with Wife and Son, 1941, oil on canvas, 92.5 × 72.5 cm, Inv. No. 032_716. National Museum in Belgrade 244
7.7 Bora Baruh, Portrait of Berta Baruh, 1941, oil on cardboard, 36 × 30 cm. Private collection 245
7.8 Bora Baruh, Refugees on Ruins, 1941, pencil on paper, 24.5 × 20.2 cm, Inv. No. 1594.III.5/47. Museum of Yugoslavia, Belgrade 246
7.9 Jakob Steinhardt, Homeless, 1918, woodcut, 22.3 × 20.9 cm, Inv. No. B37.04.0307. The Israel Museum, Jerusalem. Jakob Steinhardt © Bar-On Steinhardt Family. Photo © The Israel Museum, Jerusalem by Ofrit Rosenberg 247
7.10 Bora Baruh, Sketch for the Composition Refugees, 1941, oil on cardboard, 42 × 34 cm, Inv. No. 032_711. National Museum in Belgrade 249
7.11 Bora Baruh, Mother in Front of Her Dead Son, 1941, three sketches, ink wash on paper, 15.7 × 19.9 cm, Inv. No.1592.III.5/45. Museum of Yugoslavia, Belgrade 250
7.12 Bora Baruh, Refugees, 1941, ink on paper, 12.5 × 16.2 cm, Inv. No. 1591. III 5/44. Museum of Yugoslavia, Belgrade 250
7.13 Jovan Bijelić, The Bombing of Belgrade, 1941, oil on canvas, 55.5 × 74 cm, Inv. No. 10391. Military Museum, Belgrade 251
7.14 Bora Baruh, Refugees, 1941, ink, watercolor, and tempera on paper, 15 × 13.5 cm, Inv. No. 1593.III 5/46. Museum of Yugoslavia, Belgrade 251
8.1 Looting of Il Kal Grandi, Sarajevo’s central Sephardic synagogue, photograph, 16–18 April 1941. Ghetto Fighter’s House Museum, Israel, © Photo Archives 254
8.2 Prisoners forced to leave their possessions with Ustasha guards prior to entering the Jasenovac camp, photograph, 1942? Inv. No. 2249. K. Camps in Yugoslavia 1941–1945—the Ustasha concentration and death camps, JHM Archives—the Holocaust and WWII Section. Jewish Historical Museum, Belgrade 259
8.3 Map of the Jasenovac camp, 1942, reproduced in Nikola Nikolić, Jasenovački logor smrti (Zagreb: Nakladni zavod Hrvatske, 1948), n.p. 263
8.4 Unknown artist, Portrait of Ante Pavelić, terracotta, 26 × 14 cm (surviving parts), Inv. No. 745: JSV95P. Jasenovac Memorial Site—Memorial Museum 266
8.5 Walter Kraus, Madonna and Child, Jasenovac camp, 1944, terracotta, height 28 cm. The Jewish Community of Zagreb 266
8.6 Daniel Ozmo, Leading Cattle out to Pasture, ink on paper, 32 × 46.5 cm, Jasenovac camp, May 1942, Art Collection-Inv. No. 63. Historical Museum of Bosnia and Herzegovina, Sarajevo 267
8.7 Daniel Ozmo, Building the Dam, Jasenovac camp, May 1942, ink on paper, 31 × 45 cm, Art Collection-Inv. No. 56. Historical Museum of Bosnia and Herzegovina, Sarajevo 268
8. 8 Daniel Ozmo, In the Tannery Workshop, Jasenovac camp, May 1942, ink on paper, 32 × 45 cm, 1942, Art Collection-Inv. No. 61. Historical Museum of Bosnia and Herzegovina, Sarajevo 268
8.9 Unknown artist, Prisoners Returning from Building the Dam in Jasenovac, n.d., reproduced in Nikola Nikolić, Jasenovački logor (Zagreb: Nakladni zavod Hrvatske, 1948), 131 270
8.10 Edmund Stöger, Jasenovac camp, August–September 1942, photograph, Inv. No. HPM/MRNH-N-12738_ 15. Croatian History Museum, Zagreb 271
8.11 Edmund Stöger, Jasenovac camp, August–September 1942, photograph, Inv. No. 745:JSV-630/05 FR. Jasenovac Memorial Site—Memorial Museum 271
8.12 Slavko Bril sculpting in the ceramic workshop, Jasenovac camp, 1942, stills from Ustasha propaganda film on Jasenovac 1942, used by Gustav Gavrin and Kosta Hlavaty (JUG 1945), in the film Jasenovac, 1945, Inv. No. 3038. Yugoslav Film Archives, Belgrade 275
8.13 Daniel Ozmo, Slavko Bril, Jasenovac camp, May–June 1942, oil on cardboard, 43 × 36 cm, Art Collection-Inv. No. 51. Historical Museum of Bosnia and Herzegovina, Sarajevo 276
8.14 Slavko Bril, Sketch for a Composition, Jasenovac camp, 1942–1943, dry clay, 15.5 × 18 cm. Private collection 279
8.15 Ivan Meštrović, The Well of Life, 1905, bronze, height 125 cm, in front of Croatian National Theater in Zagreb. © Photo: Saša Kralj 279
8.16 Daniel Ozmo, Alfred Pordes, Jasenovac camp, 11 December 1941, pencil on paper, 31.5 × 23.5 cm. Private collection 280
8.17 Daniel Ozmo, View from Jasenovac, 1942, watercolor on paper, 38.8 × 38.5 cm, Art Collection-Inv. No. 49. Historical Museum of Bosnia and Herzegovina, Sarajevo 285
8.18 Flooding of the Sava River with a view of the Jasenovac camp, photograph, 1942, Inv. No. HPM/MRNH 8058. Croatian History Museum, Zagreb 285
8.19 Daniel Ozmo, Flooded Banks of the Sava River, Jasenovac camp, 1942, watercolor on paper, 43.5 × 20 cm, Art Collection-Inv. No. 50. Historical Museum of Bosnia and Herzegovina, Sarajevo 286
8.20 Daniel Ozmo, Maritime View, Jasenovac camp, 1942, watercolor on paper, 31.5 × 38 cm, Art Collection-Inv. No. 53. Historical Museum of Bosnia and Herzegovina, Sarajevo 287
8.21 Daniel Ozmo, Dalmatian View, Jasenovac camp, 1942, pencil on paper, 17.5 × 10.5 cm, Art Collection-Inv. No. 69. Historical Museum of Bosnia and Herzegovina, Sarajevo 288
9.1 Kraljevica, picture postcard, interwar period. Courtesy of National Library and Reading Room, Kraljevica 298
9.2 Ivan Rein, Vlado Gottlieb, 1942, oil on canvas, 46.5 × 31 cm. Private collection 302
9.3 Ivan Rein and Vlado Gottlieb, Interior I, 28 April 1942, watercolor on paper, 30 × 21 cm. Private collection 303
9.4 Ivan Rein, Interior III, 25 June 1942, watercolor on paper, 21 × 30 cm. Private collection 304
9.5 Ivan Rein, Still Life, before November 1942, watercolor on paper, 30 × 21 cm. Private collection 305
9.6 Ivan Rein, Toilette Corner, 10 April 1942, ink on paper, 30 × 20 cm, Obitelj Gottlieb, Inv. No. 48/23, HR HAD 1960. Croatian State Archives, Zagreb 305
9.7 Ivan Rein, Kitchen Stove, 30 April 1942, watercolor on paper, 40 × 30 cm, Obitelj Gottlieb, Inv. No. 43/15, HR HAD 1960. Croatian State Archives, Zagreb 306
9.8 Ivan Rein, Closed Window, before November 1942, watercolor on paper, 29 × 20 cm. Private collection 307
9.9 Ivan Rein, Window with Bars, 1942, pencil on paper, 30 × 21 cm, Obitelj Gottlieb, Inv. No. 40/10, HR HAD 1960. Croatian State Archives, Zagreb 308
9.10 Barred window, Zrinski’s Castle, Kraljevica. Photo: Mirjam Rajner, 2010 308
9.11 Ivan Rein, Kraljevica’s Graveyard, before November 1942, watercolor on paper, 21.5 × 30 cm. Private collection 308
9.12 Ivan Rein, A Door, 27 October 1942, watercolor on paper, 21 × 30 cm. Private collection 309
9.13 Ivan Rein, a drawing dedicated to Zdenka Munk, 6 May 1942, sepia wash, 21.5 × 30.3 cm. Private collection 310
9.14 Vladimir Gottlieb, Portrait of Hinko Gottlieb, 1942, pencil on paper, 31 × 22 cm, Obitelj Gottlieb, Inv. No. 56/33, HR HAD 1960. Croatian State Archives, Zagreb 311
9.15 Vladimir Gottlieb, Self-portrait (?), 1942, pencil on paper, 31 × 22 cm. Private collection 311
9.16 Map of Kraljevica—Porto Re Camp, 1942–1943. Courtesy of National Library and Reading Room, Kraljevica 314
9.17 Kraljevica Camp, barracks, Fall–Winter 1942, photograph, Inv. No. D-427. Eventov Archives, Jerusalem 315
9.18 Kraljevica Camp, the builders of the barracks, Fall–Winter 1942, photograph, Inv. No. D-368/4. Eventov Archives, Jerusalem 315
9.19 The Kraljevica camp synagogue, Winter 1942–Spring 1943, photograph, Inv. No. D-368/ 3. Eventov Archives, Jerusalem 317
9.20 The Kraljevica camp orchestra, Spring 1943, photograph reproduced in Branko Polić, Imao sam sreće: autobiografski zapisi (1.11.1942–22.12.1945) (Zagreb: Durieux, 2006), 423; original in a private collection 321
9.21 Vladimir Gottlieb (and Ivan Rein?), Barrack in the Kraljevica Camp in the Evening, 1942, watercolor on paper, 21 × 30 cm, Obitelj Gottlieb, Inv. No. 46/21, HR HAD 1960. Croatian State Archives, Zagreb 323
9.22 Ivan Rein, Paranoid Cow’s Udder Mourns the Past, 28 May 1943, ink on paper, 32 × 21.5 cm. Private collection 324
9.23 A page from Johanna Lutzer’s diary, Kraljevica, January 1943, Inv. No. 0.33-2660. Yad Vashem Archives, Jerusalem 326
9.24 Portrait of Johanna Lutzer (née Scherman), ca. 1917, artistic photograph taken at the “Graphische” school in Vienna. Private collection 327
9.25 Johanna Lutzer, fashion designs, late 1920s–early 1930s, pencil and watercolor on paper. Private collection 328
9.26 Johanna and Paul Lutzer in Kladovo, February 1940, photograph. Private collection 330
9.27 Jewish refugees in the Kraljevica camp, Lutzer is standing on the right, 1943, photograph, Inv. No. 4766, K. Camps in Yugoslavia 1941–1945—the Italian Camps, JHM Archives—The Holocaust and WWII Section. Jewish Historical Museum, Belgrade 332
10.1 Elvira Kohn, camp dwellings, the Rab Island camp, June—September 1943, photograph, Inv. No. HPM/MRNH-F-11277. Croatian History Museum, Zagreb 336
10.2 Ivan Rein at the Rab Island camp (standing first from right), 1943, photograph, Inv. No. 1674, K. Camps in Yugoslavia 1941–1945—the Italian Camps, JHM Archives—The Holocaust and WWII Section. Jewish Historical Museum, Belgrade 337
10.3 Liberation of the Rab Island camp, 8 September 1943, photograph, Inv. No. 1685, K. Camps in Yugoslavia 1941–1945—the Italian Camps, JHM Archives—The Holocaust and WWII Section. Jewish Historical Museum, Belgrade 338
11.1 Unknown artist, Partisan Fighter, newspaper vignette, September–November 1941. National Museum Užice 350
11.2 Printing office of the newspaper Borba in Užice, photograph, September–November 1941, Inv. No. 10680. Museum of Yugoslavia, Belgrade 350
11.3 Unknown artists, Vignette from the newspaper Borba, Užice, 7 November 1941, celebrating the 24th anniversary of the Soviet Revolution. National Museum Užice 351
11.4 Bora Baruh and Prvoslav Pivo Karamatijević, Be Aware Collaborator Lurks, November 1941, linocut poster, 85 × 66 cm, Inv. No. 279. National Museum Užice 352
11.5 Poster for anti-Masonic exhibition, Belgrade, 22 October 1941–19 January 1942, 100 × 70 cm, Inv. No. 6096, JHM Archives—Anti-Jewish Posters and Orders Collection. Jewish Historical Museum, Belgrade 354
11.6 Bora Baruh and Vladeta Piperski with the partisans, photograph, 1942, Inv. No. 5874, K. Jewish Artists, JHM Archives—Jewish Artists in Yugoslavia section. Jewish Historical Museum, Belgrade 355
11.7 Boško Novaković (?), Portrait of Bora Baruh, 1942, pencil on paper, 10 × 16 cm, Inv. No. I2/2_142. City Museum Belgrade 356
11.8 Bora Baruh, Refugees, 1942, pencil on paper, 10 × 16 cm, Inv. No. I2/2_151. City Museum Belgrade 357
12.1 Petar Šimaga, The Painter Rein, 1943, ink on paper, 33 × 23.7 cm, Inv. No. HPM/MRNH-C-162. Croatian History Museum, Zagreb 364
12.2 Elvira Kohn with the Partisan Propaganda Section of the ZAVNOH, Gospić, 23 April 1945, photograph, Inv. No. HPM/MRNH-F-11497. Croatian History Museum, Zagreb 365
12.3 Alfred Pal, Partisan Spelling Book, 1944. Private collection 365
12.4 A family in front of their house, 1944 (?), photograph, Inv. No. HPM/ MRNH-A-2601_f127_3a. Croatian History Museum, Zagreb 369
12.5 The interior of a house in Glina, 1944 (?), photograph, Inv. No. HPM/ MRNH-A-2601_f76_2. Croatian History Museum, Zagreb 369
12.6 Agitprop office in Otočac, 1943, photograph, Inv. No. HPM/MRNH-A-2602_f71_34a. Croatian History Museum, Zagreb 372
12.7 Zlatko Prica painting a mural at the Congress Hall in Topusko, 1944, photograph, Inv. No. HPM/MRNH-F-1231. Croatian History Museum, Zagreb 373
12.8 A partisan school in Glina, 1944 (?), photograph, Inv. No. HPM/ MRNH-F-2601_f76_14. Croatian History Museum, Zagreb 374
12.9 Johanna Lutzer, Our Greatest Joy—The Red Army Has Arrived, 1944, pencil on paper, 9.4 × 13.4 cm, Inv. No. 2911/01. Collection of the Yad Vashem Art Museum, Jerusalem. Gift of Moshe and Pnina Cohen, Haifa. Photo © Yad Vashem Art Museum, Jerusalem 375
12.10 Johanna Lutzer, Cleanliness is Half of Health, 1944–1945, pencil on paper, 33.8 × 21cm, Inv. No. 2911/20. Collection of the Yad Vashem Art Museum, Jerusalem. Gift of Moshe and Pnina Cohen, Haifa. Photo © Yad Vashem Art Museum, Jerusalem 375
12.11 Johanna Lutzer, Education that Serves the People is the Deadliest Weapon in the World against Blackness, Darkness, and Ignorance, against the Servitude of Man to Man, 1944–1945, pencil on paper, 21.5 × 33.9 cm, Inv. No. 2911/19 Collection of the Yad Vashem Art Museum, Jerusalem. Gift of Moshe and Pnina Cohen, Haifa. Photo © Yad Vashem Art Museum, Jerusalem 376
12.12 Johanna Lutzer, We Create a Better Future for Our People, 1944–1945, pencil on paper, 23.8 × 18 cm, Inv. No. 2911/29. Collection of the Yad Vashem Art Museum, Jerusalem. Gift of Moshe and Pnina Cohen, Haifa. Photo © Yad Vashem Art Museum, Jerusalem 376
12.13 Johanna Lutzer, Picture without Words, 1944–1945, pencil on paper, 21 × 17 cm, Inv. No. 2911/22. Collection of the Yad Vashem Art Museum, Jerusalem. Gift of Moshe and Pnina Cohen, Haifa. Photo © Yad Vashem Art Museum, Jerusalem 377
12.14 Johanna Lutzer, Young Teacher, 1944–1945, pencil on paper, 15.6 × 23.3 cm, Inv. No. 2911/14. Collection of the Yad Vashem Art Museum, Jerusalem. Gift of Moshe and Pnina Cohen, Haifa. Photo © Yad Vashem Art Museum, Jerusalem 378
12.15 Johanna Lutzer, Paul, Bubi and Karl May, 1920, etching. Private collection 378
13.1 Memorial Plaque: Artists of Serbia—Victims of Fascist Terror, 1941–1944, Art Pavilion “Cvijeta Zuzorić,” Kalemegdan, Belgrade, reproduced in Mirjana Belić-Koročkin-Davidović and Radivoje Davidović, Bora Baruh (Belgrade: Interprint, 2001), 62 385
13.2 President Tito with Vladimir Bakarić and Antun Augustinčić in a visit to Moša Pijade’s studio, Belgrade, 1952, photograph, whereabouts unknown, reproduced in Slobodan Nešović, Moša Pijade i njegovo vreme (Belgrade: Prosveta, 1968), 812 386
13.3 Moša Pijade, Self-portrait, 1955, oil on canvas, 46 × 38 cm, Inv. No. 032_1205. National Museum in Belgrade 387
13.4 Adolf Weiller, Resting on the Way from Moslavina to Mt. Bilogora, 1944/1965, canvas pasted on paper, brown ink and wash, 32.8 × 20.5 cm, Inv. No. HPM/MRNH-C-2283. Croatian History Museum, Zagreb 390
13.5 Adolf Weiller, The Last Stop III, ca. 1950, oil on canvas, 120 × 82 cm. Private collection 391
13.6 Adolf Weiller, From the Transport to the Jasenovac Camp, ca. 1945, brown and black chalk on paper, 41.3 × 29.2 cm, Inv. No. HPM/MRNH-C-2219. Croatian History Museum, Zagreb 392
13.7 Adolf Weiller, Jewish Woman, ca. 1945/1950, brown and black chalk on paper. Private collection 393
13.8 Adolf Weiller, Typhus Patient, before 1959, ink and watercolor on paper, 34.5 × 27 cm, Inv. No. HPM/MRNH-C-152. Croatian History Museum, Zagreb 395
13.9 Adolf Weiller, Camp Inmate, ca. 1950, oil on canvas, 93 × 62 cm. Private collection 396