1 Matteo de Pasti. Medallion of Leon Battista Alberti 24
2 Clemens Urbinas. Medallion of Federigo da Montefeltro 25
3 Hypnerotomachia Poliphili. The Elephant and the Obelisk 30
4 Hieroglyphs from the Hypnerotomachia Poliphili (Base of the Elephant) 31
5 Antique Frieze from the Temple of Neptune, now in the Capitoline Museum 33
6 Hieroglyphs from the Hypnerotomachia Poliphili (Bridge Balustrade) 35
7 Obelisk with hieroglyphs from the Hypnerotomachia Poliphili 36
8 Hieroglyph “Velocitatem sedendo” from the Hypnerotomachia Poliphili 38
9 Hieroglyph “Medium tenuere beati” from the Hypnerotomachia Poliphili 38
10 Hieroglyphs from the Hypnerotomachia Poliphili 39
11 Hieroglyphs on the Obelisk from the Hypnerotomachia Poliphili. First Circle 40
12 Hieroglyphs on the Obelisk from the Hypnerotomachia Poliphili. Second Circle 40
13 Hieroglyphs on the Obelisk from the Hypnerotomachia Poliphili. Third Circle 40
14 Hieroglyphs on the Obelisk from the Hypnerotomachia Poliphili. Fourth Circle 41
15 Hieroglyphs from the Hypnerotomachia Poliphili. (Entrance to the Burialground) 42
16 Hieroglyphs from the Hypnerotomachia Poliphili. (Sarcophagus of the Lovers) 43
17 Hypnerotomachia Poliphili. The Pennant of the Ship of Love 45
18 Francesco Mengardi. Print after the fresco in S. Giustina, Padua 48
19 Francesco Mengardi. Print after the fresco in S. Giustina, Padua 49
20 The Gran Chiostro, S. Giustina, Padua. The Editor on the right 81
21 A Fresco by Bernardo Parenzano from the Gran Chiostro 83
22 Andrea Mantegna. The Triumph of Caesar (detail) 52
23 Leonardo da Vinci. Emblematic Drawing—Windsor 62
24 Doric and Ionic column bases with Hieroglyphs 64
25 Pierio Valeriano Hieroglyphica, Book 5. Prince 71
26 Pierio Valeriano Hieroglyphica, Book 16. Egyptian Royal Scepter 71
27 Pierio Valeriano Hieroglyphica, Book 2. Piety 72
28 Pierio Valeriano Hieroglyphica, Book 2. Gentleness 72
29 Pierio Valeriano Hieroglyphica, Book 17. Watchfulness 73
30 Pierio Valeriano Hieroglyphica, Book 26. Music 73
31 Pierio Valeriano Hieroglyphica, Book 41. Invincible 74
32 Pierio Valeriano Hieroglyphica, Book 32. The Temple Inscriptions at Sais 77
33 Jörg Breu, Alciato. Emblemata. Augsburg 1531.The prince striving for the safety of his subjects 88
34 Jörg Breu, Alciato. Emblemata. Augsburg 1531. Poverty restricts the greatest minds 88
35 Alciato Emblemata. Paris 1534. The prince striving for the safety of his subjects 90
36 Alciato Emblemata. Paris 1534. Poverty restricts the greatest minds 90
37 Alciato Emblemata. Lyon 1550. Live soberly; do not believe easily 91
38 Alciato Emblemata. Lyon 1550. Show gratitude 91
39 Alciato Emblemata. Lyon 1550. Music is the delight of the gods 92
40 Alciato Emblemata. Lyon 1550. Reverence is needed in matrimony 93
41 Achille Bocchi. Symbolicae Quaestiones. Emblem 1 94
42 Johannes Sambucus. Emblemata (unnumbered) 96
43 Hadrianus Junius. Emblemata, no. 32 98
44 Paulo Giovio. Impresa of Cardinal Raffael Riario 105
45 Paulo Giovio. Impresa of Bartolomeo d’Alviano 105
46 Paulo Giovio. Impresa of the Marchese del Vasto 107
47 Gabriello Symeoni. Impresa of the Emperor Augustus 108
48 Gabriello Symeoni, Dialogo pio et speculativo 109
49 Girolamo Ruscelli. Impresa of the Duke of Savoy 114
50 Girolamo Ruscelli. Impresa of the Marchese del Vasto 115
51 Camillo Camilli. Impresa of Antonio Beffa de’Nigrini 116
52 Jacobus Typotius. Symbola. Vol. III Plate 33 120
53 Typotius. Symbola. Impresa of Cardinal Mathäus Lang 122
54 Typotius. Symbola. Impresa of Antonio Carracciollo 122
55 Typotius. Symbola. Impresa of Cosimo Medici 122
56 Typotius. Symbola. Impresa of Prince Felix of Salerno 122
57 Sign and Marginal Note of Jean Grolier in the Adages of Erasmus 133
58 Louise de Savoie, Mother of Francis I, as Prudence 135
59 The medal of Aldus. Collection of Scott Clemens 222
60 Miniature in Manuscript. Franç. 12.247 Paris, Bibl. Nationale 137
61 Printers Mark of Geoffroy Tory, Paris 140
62 Geoffroy Tory, Champfleury. Moralised Y 142
63 Ps.-Rabelais. Illustration from the Songes Drolatiques 151
64 Horapollo, Hieroglyphica, Paris 1543. Horoscopist 153
65 Horapollo, Hieroglyphica, Paris 1543. Impossible 154
66 Horapollo, Hieroglyphica, Paris 1551. Filial devotion of Storks 155
67 Horapollo, Hieroglyphica, Paris 1551. Viper and Eel 155
68 Horapollo, Hieroglyphica, Paris 1551. Bear licking her unformed cubs 156
69 Horapollo, Hieroglyphica, Paris 1551. Salamander in Flames 156
70 Horapollo, Hieroglyphica, Paris 1551. The Shades 157
71 Etienne Tabourot, Les Bigarrures du Seigneur des Accords. Rebus 157
72 Mark of Aldus Manutius, Venice 160
73 Mark of Johannes Froben, Basel 163
74 Alciato. Emblemata. 1577. Emblem 80. Essaeus Standing 228
75 Alciato. Emblemata. 1618. Emblem 80. Essaeus Sitting 228
76 Johannes Herold, Heyden-Weldt. Basel 1551, First Book of the Horapollo 174
77 Johannes Herold, Heyden-Weldt. Hours eater 176
78 Johannes Herold, Heyden-Weldt. Filial love for their parents 176
79 Johannes Herold, Heyden-Weldt. A formless newborn and a strong wealthy man 176
80 Albrecht Dürer, Drawing from the Horapollo. (Prince, Temple Guard, Horoscopist and Ignorance) 183
81 Horapollo manuscript in Vienna. Prince or Judge 184
82 Horapollo manuscript in Vienna. Temple guardian 185
83 Horapollo manuscript in Vienna. Horoscopist 186
84 Horapollo manuscript in Vienna. Impossible 187
85 Horapollo manuscript in Vienna. Heart (Ibis) 188
86 Horapollo manuscript in Vienna. The Secret Picture of the Emperor Maximilian 189
87 Albrecht Dürer in Vienna. The Secret Picture of the Emperor Maximilian 190
88 Willibald Pirckheimer. First design of the panegyric for the Emperor Maximilian 198
89 Albrecht Dürer. Hieroglyphs from the Triumphal Arch. Ibis or Crane and Lionheads 199
90 Albrecht Dürer. Hieroglyph from the Triumphal Arch. Running Dog 201
91 Albrecht Dürer. Triumphal Car of Maximilian 202
92 Jörg Breu. Emblematic marginal drawing from the Prayerbook of Maximilian 206
93 Walther Rivius. Woodcut from Architektur and Vitruvius Teutsch. Individuality 208
94 Walther Rivius. Vitruvius Teutsch. Hieroglyph. Fourth roundel on the obelisk in the Poliphili 211
95 Walther Rivius. Architektur and Vitruvius Teutsch. Column bases in the Vitruvius of Cesare Cesarino 211
96 Jost Amman. The Allegory of Trade 214
97 De la Feuille (Offelen). Devises et Emblemes. 1697 Plate 37 238
99 De la Feuille (Paravicini). Devises d’Amour. Plate 15. No. 4. Little by little 240
99 J. B. Boudard, Iconologie II, 123, Enmity 243
100 J. B. Boudard, Iconologie II, 52, Poverty is prejudicial to talent 243
101 J. B. Boudard, Iconologie III, 199, Vigilance 244
102 Lorenzo Pignorius. The Bembine Table 253
103 Athanasius Kircher, Oedipus Aegypticus, Vol. I Elogium 27 257
104 Mark of Heinrich (known as) Melchior von Neuss (after Alciato) 267
105 Mark of Pierre Regnault, Paris (after the Hypnerotomachia) 267
106 Alciato, Emblemata. The personal emblem of Alciato. Virtuti fortuna comes 269
107 Mark of Andreas Wechel Erben, Frankfurt and Johanne Bragaglia’s Gymnici, Cologne 271
108 Mark of Sebastien Nivelle, Paris 271
109 Alciato, Emblemata. On Opportunity 271
110 Mark of Nicolas Basse Erben, Frankfurt 272
111 Mark of Jean Foucher, Paris 273
112 Mark of Jacob Thielen, Strassburg 273
113 Mark of Balthazar Bellère, Douai 274
114 Mark of Nicolas du Chemin 274
115 Mark of Jehan Frellon, Lyon 274
116 Mark of Henri van Haesten, Lyon 275
117 Mark of Bernhard Christoph Breitkopf, Leipzig 276
118 Joachim Camerarius. Symbola no. XX. Major post otia virtus 273