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Notes on the Editors

In: The Figure of the Nymph in Early Modern Culture
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Notes on the Editors

Karl Enenkel

is Professor of Medieval Latin and Neo-Latin at the University of Münster (Germany). Previously he was Professor of Neo-Latin at Leiden University (Netherlands). He is a member of the Royal Netherlands Academy of Arts and Sciences. He has published widely on international Humanism, early modern culture, paratexts, literary genres 1300–1600, Neo-Latin emblems, word and image relationships, and the history of scholarship and science. Among his major book publications are Francesco Petrarca: De vita solitaria, Buch 1. (1991), Die Erfindung des Menschen. Die Autobiographik des frühneuzeitlichen Humanismus von Petrarca bis Lipsius (2008), and Die Stiftung von Autorschaft in der neulateinischen Literatur (ca. 1350–ca. 1650). Zur autorisierenden und wissensvermittelnden Funktion von Widmungen, Vorworttexten, Autorporträts und Dedikationsbildern (2014). He has (co-)edited and co-authored some 25 volumes, among others, Modelling the Individual. Biography and Portrait in the Renaissance (1998), Recreating Ancient History (2001), Mundus Emblematicus. Studies in Neo-Latin Emblem Books (2003), Cognition and the Book (2004), Petrarch and his Readers (2006), Early Modern Zoology (2007), The Sense of Suffering. Constructions of Physical Pain in Early Modern Culture (2009), The Neo-Latin Epigram (2009), Meditatio – Refashioning the Self. Theory and Practice in Late Medieval and Early Modern Intellectual Culture (2011), Portuguese Humanism (2011), The Authority of the Word (2011), Discourses of Power. Ideology and Politics in Neo-Latin Literature (2012), The Reception of Erasmus (2013), Transformation of the Classics (2013), Die Vita als Vermittlerin von Wissenschaft und Werk (2013), Neo-Latin Commentaries and the Management of Knowledge (2013), Discourses of Anger in the Early Modern Period (2015), Jesuit Image Theory (2016), and Emblems and the Natural World (2017). He has founded the international series Intersections (Brill); Proteus. Studies in Early Modern Identity Formation; Speculum Sanitatis: Studies in Medieval and Early Modern Medical Culture (500–1800) (both Brepols), and Scientia universalis. Studien und Texteditionen zur Wissensgeschichte der Vormoderne (LIT-Verlag).

Anita Traninger

is Professor of Romance Literatures at Freie Universität Berlin, where she is the director of two multi-annual research projects: one on Lope de Vega’s decisive role in the development of the Spanish Golden Age novel, which is part of a research group on “Discursivizations of the New”; and one in the framework of the Collaborative Research Centre “Episteme in Bewegung”, on the ‘question’ as an epistemic genre in the French learned societies of the seventeenth and eighteenth centuries. Her areas of research include the history and theory of rhetoric, logic and literature, transcultural networks in European literature and discourses of knowledge from the late Middle Ages to the nineteenth century, the history of gender and institutions, and historical shifts of the fact/fiction divide.

Among her book publications are Mühelose Wissenschaft. Rhetorik und Lullismus in den deutschsprachigen Ländern der Frühen Neuzeit (2001), Macht Wissen Wahrheit, ed. with K.W. Hempfer (2005), Dynamiken des Wissens, ed. with K.W. Hempfer (2007), Fiktionen des Faktischen in der Renaissance, ed. with U. Schneider (2010). Her most recent book publications are on practices of conflict and genres of debate shared by and jointly shaped by scholasticism and humanism (Disputation, Deklamation, Dialog. Medien und Gattungen europäischer Wissensverhandlungen zwischen Scholastik und Humanismus, 2012), on The Emergence of Impartiality (ed. with K. Murphy, 2014), and on Discourses of Anger in the Early Modern Period (ed. with Karl A.E. Enenkel, 2015).

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The Figure of the Nymph in Early Modern Culture

Series:  Intersections, Volume: 54
Cover The Figure of the Nymph in Early Modern Culture
E-Book ISBN:
9789004364356
Publisher:
Brill
Print Publication Date:
14 Mar 2018
  • Subjects
    • Art History
      • Art History
    • Classical Studies
      • Classical Tradition & Reception Studies
    • History
      • Early Modern History
      • Art History
    • Literature and Cultural Studies
      • Literature, Arts & Science
Front Matter
Copyright page
Acknowledgements
Notes on the Editors
Notes on the Contributors
List of Illustrations
Chapter 1 Introduction: The Figure of the Nymph in Early Modern Culture
Part 1 Nymphs between the Visual Arts and Literature
Chapter 2 Pleasures of the Imagination: Narrating the Nymph, from Boccaccio to Lope De Vega
Chapter 3 Salmacis, Hermaphrodite, and the Inversion of Gender: Allegorical Interpretations and Pictorial Representations of an Ovidian Myth, ca. 1300–1770
Chapter 4 The Sleeping Nymph Revisited: Ekphrasis, Genius Loci and Silence
Chapter 5 ‘Who, Then, is the “Nympha”?’ An Iconographic Analysis of the Figure of the Maid in the Tornabuoni Frescoes
Part 2 Literary Representations
Chapter 6 Lamenting, Dancing, Praising: The Multilayered Presence of Nymphs in Florentine Elegiac Poetry of the Quattrocento1
Chapter 7 An Epiphanic Figure with the Power to Bind: Lia’s Role in Boccaccio’s Comedia delle ninfe fiorentine
Chapter 8 Renaissance Nymphs as Intermediaries in Early Modern German Territorial Politics
Chapter 9 Discursive Sisters of the Arts, Raw Material of Inspiration: The Early Pegnitz Flower Society’s Nymphs
Part 3 Garden Architecture
Chapter 10 The Mediality of the Nymph in the Cultural Context of Pirro Visconti’s Villa at Lainate
Chapter 11 Nymphs Bathing in the King’s Garden: La Granja de San Ildefonso and Caserta
Part 4 Music
Chapter 12 Venez plorer ma desolation: Lamenting and Mourning Nymphs in Culture and Music around 1500
Chapter 13 The Nymph’s Voice as an Acoustic Reflection of the Self
Part 5 Aetiology and Antiquarianism
Chapter 14 Founding Sisters: Nymphs and Aetiology in Humanist Latin Poetry
Chapter 15 Our White Ladies on the Graves: Historicisations of Nymphs in Early Modern Antiquarianism
Back Matter
Index Nominum

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