Montages of Modernity: Correlations between the Aesthetics of Magazines, Literature, and Cinematography

Marcus Krause

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Chapter 4 Montages of Modernity: Correlations between the Aesthetics of Magazines, Literature, and Cinematography

于Modernity and the Periodical Press

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Marcus Krause

Marcus Krause
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类型:: 章节

Page Range:: 55–79

DOI:: https://doi.org/10.1163/9789004468269_005

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Abstract

This chapter considers the montage aesthetics found in the literary magazines of German Expressionism. Focusing on the avant-garde’s responses to then-recent revolutions in modern media culture, the chapter connects readings of poems by Max Brod, Jakob van Hoddis, and Gottfried Benn to a discussion of contemporaneous essays on the new medium of film and a consideration of the material affordances of the magazines in which these texts appeared. Ultimately, it suggests that the technique of montage is at work on multiple levels of Expressionist artistic practice, appearing as a subject matter, as a compositional strategy, and as a formal and medial property of the avant-gardist literary magazine itself.

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Modernity and the Periodical Press

Trans-Atlantic Mass Culture and the Avant-Gardes, 1880-1920

丛编： Studies in Periodical Cultures, 卷： 2

Cover Modernity and the Periodical Press

ISBN:: 9789004468269

出版社:: Brill

印刷出版日期:: 18 Oct 2022

Subjects
- Jewish Studies
  - Sephardic & Mizrahi
- Literature and Cultural Studies
  - General
  - Modernist Studies

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Chapter 4 Montages of Modernity: Correlations between the Aesthetics of Magazines, Literature, and Cinematography

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Modernity and the Periodical Press

Trans-Atlantic Mass Culture and the Avant-Gardes, 1880-1920

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