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Index

In: Cross-Generic Perspectives on Traditional Chinese Literature
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Index

A Hundred Rivers to the Sea of Learning 32–33
A Solicited Collection of Poetry by Notable Women from Anhui (AHMY) 1, 17, 230–31, 233–34, 238, 246, 252, 254
“Account of the ‘Song of Eternal Sorrow’” 23–24, 43
adaptation 2, 8–9, 11, 13, 18, 40, 45, 98–99, 118–19, 171, 173, 175, 187
An Lushan 22, 41, 44–45, 105
“An Ugly Husband Fears a Pretty Wife but Marries a Beautiful One” 11, 159
anecdote collections 2, 5, 8, 10, 13–15, 22–29, 31–39, 41–43, 45–46
connoisseur approach to 29, 31–34
tourist approach to 29–31
Anhui mingyuan shici zhenglüe. see A Solicited Collection of Poetry by Notable Women from Anhui
Anhui tongzhi  234, 240, 248
Anhui 安徽 18, 230–31, 234–36, 238–40, 249, 254–56
anthologies 4–5, 29, 31, 51, 79, 151–52, 154, 156–57, 168
poetry 1–5, 12, 18, 49, 230–35, 254–56
author function 135, 200–1
Bai Juyi 23, 43
Baibao Youlan 52
Baichuan xuehai. see A Hundred Rivers to the Sea of Learning
Between Caps and Hairpins 16, 123, 125–28, 131, 135–39, 145–48
Bian er chai. see Between Caps and Hairpins
bianwen. see transformation texts
Bianyatang yiji (1894, 6 vols.) 153n3, 154–56, 168–69
biographies 2, 18, 26, 124–25, 215, 230–32, 234–37, 239–52, 254–55
Book of Songs 3–4, 49, 147, 158
caizi jiaren xiaoshuo. see scholar-beauty romance
Canjuxuan shicao. see Poem Manuscripts from the Studio of Tasting Chrysanthemums
Cao Cao 77, 80–83, 85–88
Cao Jianbing 56
Cao Pi 6
Cao Xueqin 8, 17, 171, 173–77, 187, 190–91, 195
and theater 175–77, 179–95 Hongloumeng
Cao Yin 175–76
Casual Expressions of Idle Feelings 154
Categorized Discourses 29–31, 33
Categorized Materia Medica from the Classics and Histories 38–39
Chang’an 37–38, 40, 119
Chang’an zhi. see Record of Chang’an
“Changhen ge”. see “Song of Eternal Sorrow”
“Changhen ge zhuan”. see “Account of the ‘Song of Eternal Sorrow’”
characterization 10, 76–77, 80, 95, 147, 175, 184, 204, 206, 210, 225
Chen Hong 24, 43
Chen Jing 56
Chen Shidao 40–42
“Chou langjun pa jiao pian de yan”. see “An Ugly Husband Fears a Pretty Wife but Marries a Beautiful One”
Chu Renhuo 10, 42–44
chuanqi (drama) 9–11, 17, 98–100, 151–52, 154, 156, 159, 171, 175–77, 179, 182, 190–91, 193, 195
role types 106, 112–16, 195
stage 110–12
chuanqi (tales) 8, 134, 182
Chuci. see Songs of Chu
ci. see song lyric
Ci Liushi jiuwen. see Jottings of Tales Heard from the Lius
collectanea 14, 31–34
Compendium for the Expert Physiognomist 76–80, 83–84, 87–89, 90–92, 95
Comprehensive Library in Four Treasuries 32, 55
Confucian classics 5, 15, 46, 63, 156–57, 161
congshu. see collectanea
connoisseurship 29, 31–34, 96, 101, 103, 108–9, 125–26
Correcting Mistakes in the New Tang History 27
cross-generic
analysis 1, 14
connections 7–8, 10–11, 13, 45
connections, parallels, dialogic relationships 1, 3
perspectives 1–3, 13, 18
relationships 2–3, 13, 18
cultural memory 3, 13–14, 18, 22–24, 45–46, 254
Deng Yu 51
dictionaries 2, 14–15, 42, 102
dream 8, 15, 66–71, 98, 100, 110–17, 207, 219, 221–24
Dream of the Red Chamber 8, 17, 171–95, 199, 201, 211–14, 226
and chuanqi plays 171, 176–77, 179–95
and genera mixta 171–75
and theater 175–76, 180
beginnings 176–77
plays in 177–90
sequels, see Hou Hongloumeng, Honglou fumeng, Hongloumeng ying
titles of 174
Du Jun 151–69
“Du Kaiyuan Tianbao yishi san shou”. see “Three Poems on Reading Leftover Anecdotes from Kaiyuan and Tianbao”
duplicity in literature 80–88, 96
dynasties
Han 4, 25, 37
Liang 4
Ming 53, 75, 78, 101, 123–28, 154–55, 175, 241
Northern Wei 230
Qing 22, 64, 75, 125–27, 151–57, 175, 231, 234–35, 239–40
Song 8, 22, 25, 50, 119
Sui 43
Tang 2, 9, 14, 22, 25, 43, 119
Wei (Three Kingdoms) 6
Yuan 37, 104
Emperor Xuanzong (Tang) 8, 13, 22–24, 26–28, 31, 36–37, 39–40, 42–45, 105, 119
Emperor Yang (Sui) 42–43, 50, 145
encyclopedias 2, 14, 34–37, 101, 103n16, 113, 119
Ernü yingxiong zhuan 202
Extensive Records of the Taiping Reign 35–36
Fan Wei 57
fangzhi. see gazetteers
feminine 14, 129–31, 134–35, 143, 147, 201–2, 207, 218, 224, 240
space 58–61, 65, 71, 219
Feng Menglong 117, 157
Fengshuangfei 200, 203, 211, 213–14
fiction 1–2, 6–7, 11–13, 16–17, 42–43, 75–77, 80, 95–96, 103, 123–25, 128, 135–36, 138, 145, 147–48, 151–53, 155–69, 176, 198–202, 212, 214, 219, 225–26
fiction commentary 2, 11, 16, 77, 80, 123, 131, 135, 138, 151–54, 157–66
“Li Yu”’s 81–87
“Li Zhi”’s 81, 85, 87–88
“Zhong Xing”’s 81, 83, 87–88
Jin Shengtan’s 77, 88, 90–91
Mao Zonggang’s 84n2, 85–87
first reader 16, 152, 160, 162–69
Forgotten Tales of the Sui Dynasty 10
fu. see rhapsody
Gan Lirou 51
Gao Guoxu 53
Gao Lian 182 Jade Hairpin
gazetteers 2, 14, 37–38, 234–35, 237, 240, 249, 254–55
gender 3, 13, 15, 17–18, 64, 66, 69–71, 112, 127–28, 130–31, 146, 200, 202, 204–5, 219, 226, 230–31, 248
genres 1, 3–11, 13–15, 17–18, 24–45, 62–63, 63n71, 64, 75, 101, 147, 155, 157, 159–62, 171, 173–79, 187–91, 194–95, 198–99, 230–31, 241, 254–55
boundary crossing 1–2, 8, 13–18, 76, 96, 146, 254
canonical 13, 18
conventions 2–3, 11–13, 16–17, 113, 124, 130, 146, 156–57, 160, 162, 164, 171, 176, 182, 187, 194–95, 198, 202–3, 226, 239
hierarchy of 13, 162
literary 3, 8, 11, 13, 25, 45, 51, 125, 151, 159, 171, 231
Golden Vase in a Sea of Ink 32–33
Gong Dingzi 154, 163
gongti shi. see palace-style poetry
Gu Taiqing (Gu Chun) 198, 215–16, 224–25
Gu Yuanqing 32
Guang Tiefu 1, 2, 18, 230, 244
Guoguo furen. see Lady Guoguo
Gushi wenfang xiaoshuo. see Minor Discourses from the Literary Studio of Mr. Gu
Handan meng ji (1621 ed.). see Story of Handan
“He Xie gong Ding ‘Yuxing feng maihua’”. see “Matching Sir Xie Ding’s ‘Encountering Flower Sellers on a Rainy Outing’”
History of the Sui 5
Hong Sheng 42, 176
Honglou fumeng 198–99
Hongloumeng. see Dream of the Red Chamber
Hongloumeng ying 198, 211, 213, 215–25
authorship 198, 215–16, 224–25
empowerment of older women 216–17, 220–22 women authors
“Horses for flower-viewing” 40
Hou Hongloumeng 199, 205–15
and Daoism 206–8
and filial piety 208–11
authorship of 206 women authors
Hu Shenrong 51
huaben xiaoshuo. see short vernacular fiction
Huizhou (in Anhui) 238, 240n21
illustrations 2, 12, 16, 18–19, 77, 92–95, 105, 109, 123–24, 128, 135–36, 138–40, 142, 145, 147–48, 158
Imperial Reader of the Taiping Reign 36–37
intertextuality 2, 8–9, 75, 163
Jade Hairpin 182–84, 187
Jiang Shiquan 171, 191 Orchid Tower
Jiang Zuoxian 52
Jiangxi Poetic School 10, 41
Jin Ping Mei 175
Jin Songcen 234
jing. see Confucian classics
Jinghua yuan 202
Jingshi zhenglei bencao. see Categorized Materia Medica from the Classics and Histories
Jiu Tang shu. see Old Tang History
Jottings of Tales Heard from the Lius 23, 26, 28, 31–32
jueming shi. see verse on ending life
Kai Tian chuanxin ji. see Record of Transmitted Facts from Kaiyuan and Tianbao
Kaiyuan 2, 13, 22–25, 29–32, 34–40, 42–45, 103, 105
Kaiyuan Tianbao yishi. see Leftover Anecdotes from Kaiyuan and Tianbao
“Kanhua ma”. see “Horses for flower-viewing”
Kong Luhua 54–55
Lady Guoguo 35–38
Lady Hou 50–51, 62, 71
Leftover Anecdotes from Kaiyuan and Tianbao 23, 26, 32, 35, 40–43, 103
Leishuo. see Categorized Discourses
Li Anzi 250–52
Li Deyu 23, 26, 28, 31–32, 35, 45
Li Fang 35–37
Li Gechi. see Li Taifen
Li Kui 15, 77, 88–95
Li Linfu 27
Li Qingzhao 50–51, 54
Li Taifen 234
Li Xu 176
Li Yin 53–54
Li Yu 10–11, 16, 81, 151–69
Liancheng bi. see Precious Jade
Literary Mind and the Carving of Dragons 6
literati readers 151–55, 158, 160, 169
Liu Bei 77, 83–87
Liushi shi 35 Jottings of Tales Heard from the Lius
Liu Xie 6
Liu Xu 25 Old Tang History
Liweng yijiayan quanji. see Liweng’s Complete Work of Independent Words
Liweng’s Complete Work of Independent Words 154, 167–68
Lü Dongbin 106–9
Lu Wenxian 240–42, 246
Lu Wuqing 136
Lu Xi 136–37
Lu Yuansu 56
“Lun wen” see “On Literature”
Luo Shuying 14–15, 62–71
male-male erotic relationships 123–31, 138–39, 146–48
Manchus, as authors 202n.11, 207–8
masculinity 16, 129–32, 134–35, 140, 143–44, 146–47, 201, 208, 218–19
“Matching Sir Xie Ding’s ‘Encountering Flower Sellers on a Rainy Outing’” 40–42
medical handbooks 2, 14, 37–39
meihua. see plum blossoms
Mengying yuan 199, 203–4, 202, 208
metafiction 16, 165, 205–6 fiction
Ming loyalists 16, 127, 152, 155–57, 163–64, 163n27
Minghuang zalu. see Miscellaneous Record of the Illustrious Emperor
mingyuan. see notable women
minor discourses 5, 27, 160 xiaoshuo
Minor Discourses from the Literary Studio of Mr. Gu  32
miscellaneous histories 26
Miscellaneous Record of the Illustrious Emperor 23, 26–27, 30, 32, 35–39, 44
Mohai jinhu. see Golden Vase in a Sea of Ink
Moon-Heart Master 123, 136
mosaic memory 13–14, 22–25, 29, 31, 34–39, 42, 45
fragments 34, 36–44
recycling 13–14, 22, 24, 28, 30–31, 34, 36, 43, 45–46
Mudan ting. see Peony Pavilion
Naihe tian. see What Can You Do
nan feng. see southern mode
New Songs from the Jade Terrace 5
New Tang History 5, 25–27, 29, 45
new woman 62, 65
notable women 246
novels 1–2, 10, 14–15, 17, 39, 42–45, 76, 80, 82–84, 89–92, 95–96, 102, 145, 159, 171, 173–79, 184, 187, 190–91, 194–95, 198–202, 204–17, 220–26
official histories 2, 5, 14–15, 25–29, 36, 38, 45–46, 124–25
Old Tang History 25, 28, 36
“On Literature” 6
Orchid Tower 171, 191–95
Ouyang Xiu 5 New Tang History
palace-style poetry 5
paratexts 2, 13, 15–16, 19, 33, 152–53, 157, 162
parody 11, 16, 109, 152, 157–69
Peiwen yunfu. see Rhyme Storehouse of Esteemed Phrases
Peony Pavilion 99–100, 180, 184–90
physiognomy
and character types 77–95
and print culture 78
in late imperial fiction 75–76
personality types in 77n3
physical features in 77, 79, 81, 83, 87–89, 91–92
popularity of 75–76, 78
tracts on 75, 79, 96 Compendium for the Expert Physiognomist
Piaoxiangshi wen shi yigao. see Remaining Manuscripts of Prose and Poetry from the Studio of Wafting Scent
pillow 15–16
as a prop 106–10
chongming zhen 103–4
Cizhou kiln 104
in earlier texts 101–3
materiality 101–10
tongxian zhen 117–18
youxian zhen 103
plum blossoms 14–15, 49–62, 65–71
Poem Manuscripts from the Studio of Tasting Chrysanthemums 58
poetry 2–6, 9–10, 12–18, 49–52, 55, 58–60, 63–65, 71, 117, 151, 157, 160, 162–64, 190, 226, 230–33, 235–39, 244, 246–56
Precious Consort Yang 23, 35, 42–45, 105
Precious Jade 152, 162
print culture 10, 12, 41, 78, 123, 145
professional writer 11, 16, 151–52, 156, 158
prose 2, 5–6, 8–9, 14–15, 24, 35, 51, 53, 62–71, 102, 120, 151, 162, 182, 187, 195
Qian Qianyi 154–55, 160, 232
Qian Shoupu 57
qing (love, sentiment, desire, etc.) 8, 124–25, 127–31, 133, 146, 160, 191–92
cult of 17, 147, 199, 202 women authors
“Qinglie ji”. see “Story of Sacrificial Love”
“Qingxia ji”. see “Story of Chivalrous Love”
Record of Chang’an 37–38
Record of Transmitted Facts from Kaiyuan and Tianbao 23, 26–28, 32–33, 35
Records of the Three States 83
Remaining Manuscripts of Prose and Poetry from the Studio of Wafting Scent 62
representations
textual 1, 2, 13, 16
visual 1, 2, 11, 13, 15–16, 19, 138, 147
rhapsody 4, 6, 8, 61, 84, 194
Rhyme Storehouse of Esteemed Phrases 42
Romance of the Sui and the Tang 10, 42–44
Romance of the Three Kingdoms 76, 80–88
Sai Jinhua 238
Sanguo yanyi. see Romance of the Three Kingdoms
Sanguo zhi. see Records of the Three States
scholar-beauty romance 17, 159, 165–66, 199–200, 202–3, 207, 213, 226
Selections of Fine Literature 4
sexuality 3, 18, 126, 138, 147
Shen Meilin 52
Shenxiang quanbian. see Compendium for the Expert Physiognomist
shi. see poetry
Shi Jianqiao 252–54
Shi’er lou. see Twelve Towers
Shijing. see Book of Songs
short vernacular fiction 151–52, 157–66
Shuihu zhuan. see Water Margin
Siku quanshu. see Comprehensive Library in Four Treasuries
Silent Operas 152, 157–58
Silent Operas, A Combined Collection 152, 158
Sima Guang 27–29
song lyric 4, 130, 151, 230–31, 250–51
Song Minqiu 37–38
“Song of Eternal Sorrow” 23–24, 43
Songs of Chu 8, 49
southern mode 123, 125 male-male erotic relationships
special-subject books 14, 34, 37–38
“Story of Chivalrous Love” 16, 123, 128–32, 138–39
Story of Handan 15, 98, 98n3, 111, 111n31, 112, 112n34, 112n35
“Story of Sacrificial Love” 16, 123, 132–36
Story of the Stone, see Dream of the Red Chamber
“Story of Yingying” 9, 18
Su Mei 238, 245
Su Shi 24, 41, 60
Su Ting 30
subgenres 7, 63n71, 66, 71, 173–74, 179, 190
Sui shu. see History of the Sui
Sui Tang yanyi. see Romance of the Sui and the Tang
Suishi yiwen. see Forgotten Tales of the Sui Dynasty
systems of knowledge 25, 44–45, 78
general 34–37, 39
specialized 34, 37–39
Taiping guangji. see Extensive Records of the Taiping Reign
Taiping yulan. see Imperial Reader of the Taiping Reign
Tanci novels 198–201, 203–4, 213–15. Fengshuangfei, Mengying yuan, Tianyuhua, Zaisheng yuan, Zai zaotian
Tang Shenwei 38–39
Tang Xianzu 8, 15, 82, 98–100, 117–20, 180
Taohua shan 184
Textual Variations of the Comprehensive Mirror in Aid of Governance 27–28
theatricality 3, 13, 80, 92
“Three Poems on Reading Leftover Anecdotes from Kaiyuan and Tianbao” 24
Tianbao 2, 13, 22–25, 29–32, 34–40, 42–45, 103
Tianyuhua 199, 203–4, 211
traditional Chinese literature 1, 3, 6, 7, 13, 18–19, 51
transformation texts 8
Twelve Towers 152, 157–62, 164–66
variety play. see zaju
vernacular fiction 12, 42, 75, 103, 198
vernacular novels. see novel
verse on ending life 247–49
visuality 3, 13, 18, 87
Wang Renyu 22–24, 26, 32, 35, 40–43, 45
Wang Zhenyi 230, 242–43, 246
Water Margin 76, 88–95
Wei Zheng 5
Wen xuan. see Selections of Fine Literature
Wen Yun 132–35, 143–45
Wenxin diaolong. see Literary Mind and the Carving of Dragons
Western Chamber 18, 136, 184, 189
What Can You Do 11, 159
Women authors 14, 17, 51, 53–56, 62, 64, 69, 71, 198–206, 225–26, 230
and concern for status 213–14, 217, 222
and Daoism 206–8, 223
and depictions of child, pregnancy, and childbirth 201–2, 211–14, 219–21
and depictions of household management 209–11, 217–18, 220, 226
and female virtue 202–3, 210–11
and filial piety 204, 208–21, 219–21, 223
and will (zhi) 204, 208, 215
rejection of cult of qing 203, 205, 208–9, 215, 218, 223–24
women writers. see women authors
women’s education 63–65, 68–69, 127
“World in a Pillow” 15, 98, 100, 100n8
Wu Baoshan 243–44, 246
Wu Danru 14–15, 58–62
Wu Weiye 154–55, 160
Wu Zhen 27
Wu Zhensheng and Cheng Qiong 185
Wusheng xi. see Silent Operas
Wusheng xi heji. see Silent Operas, A Combined Collection
Xiang Nanzhou 136
Xiangzu lou. see Orchid Tower
Xianqing ouji. see Casual Expressions of Idle Feelings
Xiao Tong 4
xiaoshuo 5, 6, 27, 160–62
xiaoshuo pingdian. see fiction commentary
Xin Tang shu. see New Tang History
Xin Tang shu jiumiu. see Correcting Mistakes in the New Tang History
Xixiang ji. see Western Chamber
Xu Ling 5
Yan Zhongzhen 56
Yao Chong 26
Ye Bihua 53
Yingying (Oriole) 9, 19
“Yingying zhuan”. see “Story of Yingying”
You Tong 112, 156
Yuan Yuling 10
Yun Han 132–35, 145
Yutai xinyong. see New Songs from the Jade Terrace
Yuzan ji. see Jade Hairpin
Zai zaotian 199, 203
Zaisheng yuan 199, 211–12, 222
zaju 9, 106, 109
zashi. see miscellaneous histories
Zeng Zao 29–31, 33
Zhan Ruizhi 56
Zhang Haipeng 32–33
Zhang Ji 128–30, 138–42
Zhang Jiuling 27
Zhang Yushu 42
Zhao Bangqing 117
Zhaoshi gu’er 211
zhen. see pillow
Zheng Chuhui 23, 26–27, 30, 32, 35–39, 44–45
Zheng Qi 23, 26–28, 32–33, 35, 45
zhengshi. see official histories
“Zhenzhong ji”. see “World in a Pillow”
zhiji (bosom friend, soulmate) 130, 151–52, 155, 164, 204, 210, 226
Zhiyanzhai 190
Zhong Tunan 129–31, 139, 142
Zhou Lianggong 154–56
zhuan. see biographies
Zizhi tongjian kaoyi. see Textual Variations of the Comprehensive Mirror in Aid of Governance
Zuo Gui 32–33

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Cross-Generic Perspectives on Traditional Chinese Literature

Series:  Sinica Leidensia, Volume: 168
Cover Cross-Generic Perspectives on Traditional Chinese Literature
E-Book ISBN:
9789004714069
Publisher:
Brill
Print Publication Date:
18 Dec 2024
  • Subjects
    • Asian Studies
      • China
      • Literature & Culture
    • Literature and Cultural Studies
      • Literary Relations
Front Matter
Preliminary Material
Copyright Page
Dedication
Acknowledgements
Illustrations
Notes on Contributors
Introduction: Cross-Generic Perspectives on Traditional Chinese Literature
Chapter 1 Recycling Mosaic Memory: The Afterlife of Anecdotes about the Kaiyuan-Tianbao Era
Chapter 2 Harbinger of Spring: The Plum Blossom and Late Imperial Women Writers
Chapter 3 Narrow Eyes, Long Earlobes, and Rough Skin: Physiognomy and Delighting in Personality in Romance of the Three Kingdoms and Water Margin
Chapter 4 How to Stage a Prop: the Ceramic Pillow in The Story of Handan
Chapter 5 Negotiating Masculinity and Imaging Male-Male Erotic Relationships
Chapter 6 A Seventeenth-Century Parodist and His First Reader: Fiction, Fiction Commentary, and Their Readers in Late Imperial China
Chapter 7 The Novelistic and the Dramatic: Generic Tension and Complementarity in Dream of the Red Chamber
Chapter 8 From Sentiment to Domestic Order: Women Rewriting Dream of the Red Chamber
Chapter 9 Gender, Genre, and Locality: A Solicited Collection of Poetry by Notable Women from Anhui, 1936
Back Matter
Index

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