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于The Silent Peacemaker: Intellectual Property Rights and the Interwar International Legal Order, 1919–1939
编者:
P. Sean Morris
P. Sean Morris
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  • Cover illustration: Ferdinand von Wright, Stonecrop, 1840–1849. Available via the Finnish National Gallery.

  • Library of Congress Cataloging-in-Publication Data

    Names: Morris, P. Sean, editor.

    Title: The silent peacemaker : intellectual property rights and the interwar international legal order, 1919-1939 / P. Sean Morris.

    Description: Leiden ; Boston : Brill/Nijhoff, 2025. | Series: Studies in the history of international law ; volume 26 | Includes index.

    Identifiers: LCCN 2024039195 (print) | LCCN 2024039196 (ebook) | ISBN 9789004714656 (hardback) | ISBN 9789004714663 (ebook)

    Subjects: LCSH: Intellectual property (International law)–History. | Intellectual property–Japan–History. | International law–Japan–History. | International law–History.

    Classification: LCC K1401 .S523 2025 (print) | LCC K1401 (ebook) | DDC 346.04/809042–dc23/eng/20240826

    LC record available at https://lccn.loc.gov/2024039195

    LC ebook record available at https://lccn.loc.gov/2024039196

  • Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. See and download: brill.com/brill-typeface.

  • ISSN 1874-1793

  • ISBN 978-90-04-71465-6 (hardback)

  • ISBN 978-90-04-71466-3 (e-book)

  • DOI 10.1163/9789004714663

  • Copyright 2025 by P. Sean Morris. Published by Koninklijke Brill BV, Leiden, The Netherlands.

  • Koninklijke Brill BV incorporates the imprints Brill, Brill Nijhoff, Brill Schöningh, Brill Fink, Brill mentis, Brill Wageningen Academic, Vandenhoeck & Ruprecht, Böhlau and V&R unipress.

  • Koninklijke Brill BV reserves the right to protect this publication against unauthorized use. Requests for re-use and/or translations must be addressed to Koninklijke Brill BV via brill.com or copyright.com. For more information: info@brill.com

  • This book is printed on acid-free paper and produced in a sustainable manner.

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The Silent Peacemaker: Intellectual Property Rights and the Interwar International Legal Order, 1919–1939

丛编: Legal History Library, 卷: 72/26and Studies in the History of International Law, 卷: 72/26
Cover The Silent Peacemaker: Intellectual Property Rights and the Interwar International Legal Order, 1919–1939
ISBN:
9789004714663
出版社:
Brill | Nijhoff
印刷出版日期:
18 Nov 2024
  • Subjects
    • History
      • Modern History
      • Legal History
    • International Law
      • Intellectual Property Law
Front Matter
Preliminary Material
Copyright Page
Acknowledgements
Notes on Contributors
The Interwar Peacemaking Epoch of International Intellectual Property (1919–1939): Ambiguities and Markets
Part 1 Versailles and Interwar Intellectual Property Relations
Chapter 1 Expropriation of German Patents under the Treaty of Versailles
Chapter 2 Industrial Property as War Policy Tool during and after World War 1
Chapter 3 The Birth of Inventor’s Moral Rights: The 1934 London Conference on the Paris Convention for the Protection of Industrial Property
Chapter 4 A New Style of National Power: International IP Relations and Unfair Competition in the Interwar Years (1919–1939)
Part 2 Copyright Fascism, Plunder in Europe and American Trademark Markets
Chapter 5 Furthering Interests Abroad: Advancing Trademark Rights in the Americas in the First Decades of the Twentieth Century
Chapter 6 When Politics Met Intellectual Property Cooperation in the Pan-American Union
Chapter 7 Intellectual Property Rights in Fascist Italy: “Modernisation” and Continuity under Dictatorship
Chapter 8 Copyright Aryanization
Part 3 The Interwar Global World of Intellectual Property Internationalism
Chapter 9 Multinational Enterprises and the Protection of Trademarks in Colonial Nigeria during the Interwar Years
Chapter 10 Intellectual Property Rights in Belgium and in the Congo: Between Internationalism and Colonialism
Chapter 11 Accession to the Berne Convention in 1931 and the Development of Copyright Law in Thailand
Chapter 12 Internationalism to Nationalism: Interwar Japan Observed through the Lens of Copyright Enforcement
Chapter 13 IP as Public Property: Early Formation of IP Laws in the Soviet Union
Part 4 The Emergence of Performers’ Rights
Chapter 14 ‘The Pretension Is Nothing; the Performance Everything’: The Origin of Performers’ Rights and the Creation of the Performer as Artist
Back Matter
Index

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