Roman Epic

An Interpretative Introduction

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The author's approach to Roman epic is interpretative; the reader is invited to study a choice of typical texts, from the beginnings to the end of Antiquity. Famous poets are given the attention they deserve, but also some minor authors are discovered as precious 'missing links' between the ages. Special heed is paid to intertextual relationships between different epochs, cultures, literary genres, linguistic and literary patterns. The book is meant for students and teachers of classical and modern literatures, but also for all those interested in the history of literary genres and cultural ideas.

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Introduction
Intertextuality and Rhetoric Roman Epic Poets and Their Readers
Seiten: 1–32
Livius Andronicus
Inuentio. The Rediscovery of the Odyssey and the Invention of a Poetic Language
Seiten: 33–44
Naevius
Dispositio. The Clash of Myth and History
Seiten: 45–61
Ennius
Elocutio. A Horse Simile or A Clash of Two Cultures. A Hellenistic Poet in an Archaic Society
Seiten: 63–73
Virgil
Seiten: 75–141
Ovid
Seiten: 143–207
Albinovanus Pedo
Elocutio and Defamiliarization The Thrill of a First Experience
Seiten: 209–215
Cornelius Severus
Death and Poetic Survival of Oratory
Seiten: 217–225
Lucan
The Revival of Epic Through Science and Rhetoric
Seiten: 227–250
Valerius Flaccus
Elocutio. The Myth of Io or the Magic of the Present Participle
Seiten: 251–275
Statius
The Futility of Rhetoric. Achilles under the Spell of Beauty (Achilleid 1. 242-396)
Seiten: 277–290
Silius Italicus
Seiten: 291–316
Claudian
Poetic Rhetoric and Intertextuality Proserpina’s Tapestry (Rapt. 1. 246-275)
Seiten: 317–327
Corippus
Transformation of Epic Imagery
Seiten: 329–339
Bibliography
Seiten: 341–359
Index
Seiten: 365–371
Michael von Albrecht studied music, Latin, Greek and Sanskrit at Stuttgart, Tübingen, and Paris (Ph.D. 1959, venia legendi 1963). Full Professor of Classics at the University of Heidelberg 1964-98. Guest professorships in the Netherlands and in the United States. German-Russian Cultural Prize 1991 for the edition of his father's musical works. Member of several academies and professional associations. Honorary doctor's degree (University of Thessaloniki) 1998. Numerous works on comparative literature (e.g. Rom: Spiegel Europas 2nd ed. 1998). Music and classics (e.g. Masters of Roman Prose, English ed. 1988). His History of Latin Literature (Brill, 1997) was published in five languages. He is editor of several series of scholarly publications and co-editor of the International Journal of Musicology.
'[Albrecht] brings a broad background to his analyses...[he] stresses the clash of genres, cultural crossings, and interferences. A much more exhaustive discussion of the subject than Philip Hardie's interpretative essays in The Epic Successors of Virgil (1993).'
Choice.
All those interested in intellectual history, literary genres, intertextuality, students and teachers of literature, both classical and modern.
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