Experimental Arts in Postwar Japan

Moments of Encounter, Engagement, and Imagined Return

著者：
Miryam Sas
Copyright Year:
2011
电子书 (PDF)
状态:
Publiziert
Publisher ISBN:
978-1-68417-502-4
Publication date:
17 Mar 2020
Cover Experimental Arts in Postwar Japan

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Preliminary Material
页码： i–xix
Death Acts (Survival Acts)
页码： 1–12
No Holds Barred: Betsuyaku Minoru and the Paradoxes of Total Commitment
页码： 13–35
Terayama Shūji: Gender, Power, and the Imperative Voice
页码： 36–55
Blindness and the Visuality of Desire
页码： 56–73
Intersubjective Spaces, Communal Dreams
页码： 74–93
Theories of Encounter: Breaking the Everyday
页码： 95–126
X Marks the Spot: Experimental Film Crossings
页码： 127–157
On Homecoming: Hijikata’s Writings and Butō
页码： 158–179
The Provoke Era: New Languages of Japanese Photography
页码： 180–200
Counterfeit Coins/Phantasms
页码： 201–215
Notes
页码： 217–255
Works Cited
页码： 257–266
Index
页码： 267–275
Harvard East Asian Monographs
页码： 277–289
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出版社:
Harvard University Asia Center
Language:
英语
Extent:
310 pp.
DOI:
https://doi.org/10.1163/9781684175024

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