Can I Play with Madness? Metal, Dissonance, Madness and Alienation

Bandherausgeber:innen
Colin McKinnon
,
Niall Scott
, und
Kristen Sollee
Copyright-Jahr:
2011
E-Book (PDF)
Status:
Publiziert
ISBN:
978-1-84888-057-3
Publikation:
25 Sep 2020
Cover Can I Play with Madness? Metal, Dissonance, Madness and Alienation

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Preliminary Material
Von: Colin A. McKinnon, Niall Scott, und Kristen Sollee
Seiten: i–xiv
Goethe vs. Rammstein: Who is Allowed to Play with Madness? The Influence of Musical Taste on Prejudice against Heavy Metal Lyrics
Von: Julia Kneer, Diana Rieger, Lena Frischlich, und Daniel Munko
Seiten: 1–14
Death and Life: The Role of Music and the Others
Von: Rute Rodrigues und Abílio Oliveira
Seiten: 15–24
Textual Analysis of Song Lyrics Adopting a Mental Health Diagnostic Standard as Method
Von: Richard E. Wilson und Mike Thomas
Seiten: 25–32
Two Steps past Insanity: The Expression of Aggression in Death Metal Music
Von: Daniel Frandsen
Seiten: 33–40
Can Progressive Metal’s Narrative Inform Social Stigma Theory? Pain of Salvation’s The Perfect Element Parts 1 and 2 as Examples
Von: Nelson Varas-Díaz
Seiten: 41–50
Hysteric Desire: Sexual Positions, Sonic Subjectivity and Gender Play in Glam Metal
Von: Kristen Sollee
Seiten: 51–59
No Method in the Madness? The Problem of the Cultural Reading in Robert Walser’s Running with the Devil: Power, Madness and Gender in Heavy Metal Music and Recent Metal Studies
Von: Andy R. Brown
Seiten: 61–72
Qualitative Research in Understanding the Metal Community
Von: Igor Gafarov
Seiten: 73–78
Heavy Metal, Identity Work and Social Transitions: Implications for Young People’s Well Being in the Australian Context
Von: Paula Rowe
Seiten: 79–89
Heavy Metal Rituals and the Civilising Process
Von: Gary Sinclair
Seiten: 91–100
Cycles of Metal and Cycles of Male Aggression: Ageing and the Changing Aggressive Impulse
Von: Samir Puri
Seiten: 101–109
Metal Disorder, Metal Disturbance
Von: Niall Scott
Seiten: 111–118
War inside My Head: Metal, Mental Illness and Psychic Energy
Von: Colin A. McKinnon
Seiten: 119–131
Suicide, Metal Music and Expectancy Theory
Von: Alick Kay
Seiten: 133–141
Emo Saved My Life: Challenging the Mainstream Discourse of Mental Illness around My Chemical Romance
Von: Rosemary Hill
Seiten: 143–153
Does Death and Suicide Sound Like the Music You Hear?
Von: Abílio Oliveira und Rute Rodrigues
Seiten: 155–166
Playing with Madness in the Forest of Shadows: Dissonance, Deviance and Non-Comformity in the Black Metal Scene
Von: Karl Spracklen
Seiten: 167–176
Lord Satan’s Secret Rites and Satanism as Self-Therapy: The Creation of a Masculinity Gender Identity within Black Metal
Von: Sanna Fridh
Seiten: 177–184
‘A Furore Normannorum, Libera Nos Domine!’ A Short History of Going Berserk in Scandinavian Literature and Heavy Metal
Von: Imke von Helden
Seiten: 185–192
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