Art/Histories in Transcultural Dynamics

Narratives, Concepts, and Practices at work, 20th and 21st Centuries

丛编：

Based on the papers presented at an international conference at the Freie Universität Berlin in 2013, the publication focuses on problems and challenges of art history’s epistemic frameworks. Following four guiding themes – narrations, venues, concepts and practice – the contributions address the aspect of mobility of aesthetic objects and their contextualisation from different analytical perspectives.
The essays examine complex processes of transcultural negotiations that are set in motion by »travelling« objects, artists, ideas and institutions in order to trace and analyse historical conditions that generated specific frameworks with their respective art historical narratives and artistic production.
Copyright Year:
2017
电子书 (PDF)
状态:
Publiziert
Publisher ISBN:
978-3-8467-5939-4
Publication date:
16 Sep 2019
平装本
状态:
Publiziert
Publisher ISBN:
978-3-7705-5939-8
Publication date:
11 Aug 2017
Cover Art/Histories in Transcultural Dynamics

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Preliminary Material
著者： Pauline Bachmann, Melanie Klein, Tomoko Mamine, and Georg Vasold
页码： 1–6
Acknowledgements
著者： Pauline Bachmann, Melanie Klein, Tomoko Mamine, and Georg Vasold
页码： 7–8
Introduction
著者： Pauline Bachmann, Melanie Klein, Tomoko Mamine, and Georg Vasold
页码： 9–28
Western Modern Masters Measured on the East-Asian Literati Template
Hashimoto Kansetsu and the Kyoto School of Sinology
著者： Shigemi Inaga
页码： 29–46
Rethinking Coevalness
Entangled History and the Objects of Ethnological Museums
著者： Paola Ivanov
页码： 47–69
Art, Nationalism, and Modernist Histories
Writing Art History in Nigeria and South Africa
著者： Sylvester Okwunodu Ogbechie
页码： 71–91
Evolution, Aesthetics, and World Art
著者： Matthew Rampley
页码： 93–117
The Revaluation of Art History
An Unfinished Project by Josef Strzygowski and His School
著者： Georg Vasold
页码： 119–138
Some Notes on the Contamination and Quarantine of Brazilian Art
著者： Michael Asbury
页码： 139–152
Modes of Creation
Art Teaching in South Africa and Uganda between Theory and Practice
著者： Melanie Klein
页码： 153–167
Fictions, Fakes, and Authenticities
A Survey of Artistic Practices from Africa and the Diaspora
著者： Tobias Wendl
页码： 169–193
Jamini Roy
Negotiating the Global from a Local Perspective
著者： Partha Mitter
页码： 195–205
Grasping Writing and Form
著者： Pauline Bachmann
页码： 207–227
Intervention Is the Answer, but What Are the Questions?
Developing Criteria for a Critical Examination of Qiu Zhijie’s Interventionist Project A Suicidology of the Nanjing Yangtze River Bridge
著者： Birgit Hopfener
页码： 229–246
Questioning Frames of Art History
Murakami Saburō’s Breakthrough in 6 Holes
著者： Tomoko Mamine
页码： 247–264
Comparing the Histories of Chinese and Western Landscape Painting in 1935
Historiography, Artistic Practice, and a Special Issue of Guohua Yuekan
著者： Juliane Noth
页码： 265–290
Transgressing National Borders and Artistic Styles
The November Group and the International Avant-Garde in Berlin during the Interwar Period
著者： Isabel Wünsche
页码： 291–307
Plates
著者： Pauline Bachmann, Melanie Klein, Tomoko Mamine, and Georg Vasold
页码： 308–324
List of Contributors
著者： Pauline Bachmann, Melanie Klein, Tomoko Mamine, and Georg Vasold
页码： 325–330
Index
著者： Pauline Bachmann, Melanie Klein, Tomoko Mamine, and Georg Vasold
页码： 331–337
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出版社:
Brill | Fink
Language:
英语
Extent:
337 Seiten, 92 s/w und 20 farb. Abb.
DOI:
https://doi.org/10.30965/9783846759394

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