Key Concepts in Theatre/Drama Education

Bandherausgeber:in:
Key Concepts in Theatre/Drama Education provides the first comprehensive survey of contemporary research trends in theatre/drama education. It is an intriguing rainbow of thought, celebrating a journey across three fields of scholarship: theatre, education and modes of knowing. Hitherto no other collection of key concepts has been published in theatre /drama education. Fifty seven entries, written by sixty scholars from across the world aim to convey the zeitgeist of the field. The book’s key innovation lies in its method of writing, through collaborative networking, an open peer-review process, and meaning-making involving all contributors. Within the framework of key-concept entries, readers will find valuable judgments and the viewpoints of researchers from North and South America, Europe, Asia, Africa, New Zealand and Australia. The volume clearly shows that drama/theatre educators and researchers have created a language, with its own grammar and lucid syntax. The concepts outlined convey the current knowledge of scholars, highlighting what they consider significant. Entries cover interdependent topics on teaching and learning, aesthetics and ethics, curricula and history, culture and community, various populations and their needs, theatre for young people, digital technology, narrative and pedagogy, research methods, Shakespeare and Brecht, other various modes of theatre and the education of theatre teachers.

Unsere Preise:

48,53 €46,00 € excl. VAT
Add to Cart
An Identity Card in the Making
Key Concepts in Theatre/Drama Education
Seiten: 1–9
Emma’s Dilemma
The Challenge for Teacher Education in Drama
Seiten: 11–17
Transformation
Seiten: 59–63
Distancing
Seiten: 65–71
Agency, Intersubjectivity and Drama Education
The Power to Be and Do More
Seiten: 111–115
Relationships in Educational Drama
A Pedagogical Model
Seiten: 125–130
Devising as Pedagogy
Seiten: 131–134
Story Drama Structures
‘Recipes’ for Success
Seiten: 147–151
Looking for Shakespeare
Transformation through Double Framing in the Adolescent Journey
Seiten: 189–195
“Creativity Really Comes by What’s Inside of You”
Drama/Theatre Teaching and Learning and Creative Achievement
Seiten: 215–220
Creative Play
The Importance of Incorporating Play, Liminality and Ritual in Teaching K-12
Seiten: 221–225
Forum Play
A Swedish Mixture for Consciousness and Change
Seiten: 247–251
Framing Children’s Theatre
Historiography, Material Context, and Cultural Perception
Seiten: 275–281
Theatre for Babies
A New Kind of Theatre?
Seiten: 295–299
It aims to serve as the standard reference book for theatre/drama education researchers, policymakers, practitioners and students around the world. A basic companion for researchers, students, and teachers, this sourcebook outlines the key concepts that make the field prominent in the sphere of Arts Education.
  • Reduzieren
  • Erweitern

Herstellerinformationen:
Koninklijke Brill B.V.
Plantijnstraat 2
2321 JC
Leiden / The Netherlands
productsafety@degruyterbrill.com