Adult Education, Museums and Art Galleries

Animating Social, Cultural and Institutional Change

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This is a book about adult education in the sphere of public museums and art galleries. It aims to enrich and expand dialogue and understanding amongst adult and community educators, curators, artists, directors, and cultural activists who work within and beyond the walls of these institutions. The various chapters take up the complex and interconnected pedagogics of subjectivity, identity, meaning making and interpretation, knowledge, authority, prescription, innovation, and creativity. The contributors are a combination of scholars, professors, graduate students, heritage and cultural adult educators, artists, curators and researchers from Canada, United States, Iceland, England, Scotland, Denmark, Portugal, Italy and Malta. Collectively, they challenge us to think about the dialectics of passivity and engagement, didactics and learning, gender neutrality and radicality, and neutrality and risk-taking amongst a collage of artworks and artefacts, poetry and installations, collections and exhibits, illusion and reality, curatorial practice and learning, argument and narrative, and struggle and possibility that define and shape modern day art and culture institutions. The chapters, set amongst the discursive politics of neoliberalism and patriarchy, racism and religious intolerance, institutional neutrality and tradition, capitalism and neo-colonialism, ecological devastation and social injustice, take up the spirit and ideals of the radical and feminist traditions of adult education and their emphases on cultural participation and knowledge democracy, agency and empowerment, justice and equity, intellectual growth and transformation, critical social and self reflection, activism and risk-taking, and a fundamental belief in the power of art, dialogue, reflection, ideological and social critique and imaginative learning.

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Shut Up and Be Quiet!
Icelandic Museums’ Promotion of Critical Public Pedagogy and the 2008 Financial Crisis
Seiten: 1–14
St Mungo Museum of Religious Life and Art
A Space to Speak, Discuss and be Heard
Von: Clare Gray
Seiten: 15–25
Adult Education and Radical Museology
The Role of the Museum as an Archive of the Commons
Von: Jean Barr
Seiten: 27–37
Art and Commitment: Galleries without Walls
Propositions
Seiten: 39–51
The Victoria and Albert Museum
A Subversive, Playful Pedagogy in Action
Seiten: 53–63
Knowing Their Place
Feminist and Gendered Understandings of Women Museum Adult Educators
Seiten: 65–78
Daughters of Joy?
A Feminist Analysis of the Narratives of Miss Laura’s Social Club
Seiten: 79–89
Re-Educating the Educators
Re-Envisioning Digital Civics & Participative Learning Practice in Black Women’s Community-Led Heritage Projects
Seiten: 91–102
Contemporary Art as Pedagogical Challenge
Must Gender Remain an Obstacle in Portugal?
Seiten: 103–113
Performing and Activating
Case Studies in Feminising and Decolonising the Gallery
Seiten: 115–125
Decolonising Museum Pedagogies
“Righting History” and Settler Education in the City of Vancouver
Seiten: 127–140
Formally Informal
Confronting Race through Public Narratological Pedagogy in a Museum Space
Seiten: 141–152
Exhibiting Dark Heritage
Representations of Community Voice in the War Museum
Seiten: 153–163
From Narration to Poïesis
The Local Museum as a Shared Space for Life-Based and Art-Based Learning
Seiten: 165–176
Muża
Participative Museum Experiences and Adult Education
Seiten: 177–187
Casting Light and Shadow
Reflections on a Non-Formal Adult Learning Course
Seiten: 189–201
The Opportunities and Risks of Community Docent Training as Adult Learning
Love and Labor at the Jane Addams Hull-House Museum
Seiten: 203–214
Museum Hacking as Adult Education
Teachers Creating Disturbances and Embracing Dissonances
Seiten: 215–227
Adult Education in Art Galleries
Inhabiting Social Criticism and Change through Transformative Artistic Practices
Seiten: 229–241
QR Codes
The Canary in the Coal Mine
Seiten: 243–255
Educational Researchers and their students
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