The Paradox of Photography

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著者:
The Paradox of Photography analyzes the discourse on photography by four of the most important modern French poets and theorists (Baudelaire, Breton, Barthes and Valéry). It stresses in particular the importance of this visual language for the development of both new forms of narrative and original critical studies on issues of representation in art. It also reflects upon the integration of photography within the domain of technical modernity while emphasizing its aesthetic identity stemming from the Western tradition of figurative painting.

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Preliminary Material
页码: 1–4
Introduction
页码: 5–14
No Art’s Land
页码: 15–58
Reasonable Madness
页码: 59–96
The Fascinated Eye
页码: 143–181
Conclusion
页码: 183–190
Bibliography
页码: 191–197
Index
页码: 199–204
Table of Contents
页码: 205
Introduction
No Art’s Land
Reasonable Madness
The Image, One Image, Images
The Fascinated Eye
Conclusion
Bibliography
Index
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