Samuel Beckett’s Endgame

丛编：

Volume Editor:
Mark S. Byron
This collection of essays – the first volume in the Dialogue series – brings together new and experienced scholars to present innovative critical approaches to Samuel Beckett’s play Endgame. These essays broach a broad range of topics, many of which are inherently controversial and have generated significant levels of debate in the past. Critical readings of the play in relation to music, metaphysics, intertextuality, and time are counterpointed by essays that consider the nature of performance, the history of the theater and the music hall, Beckett’s attitudes to directing his play, and his responses to other directors. This collection will be of special interest to Beckett scholars, to students of literature and drama, and to drama theorists and practitioners.
Copyright Year:
2007
电子书 (PDF)
状态:
Publiziert
Publisher ISBN:
978-94-012-0504-7
Publication date:
01 Jan 2007
平装本
状态:
Out of print
Publisher ISBN:
978-90-420-2288-1
Publication date:
01 Jan 2007
Cover Samuel Beckett’s <i>Endgame</i>

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Preliminary Material
编者： Mark S. Byron
页码： i–xiii
‘Hard-to-hear Music in Endgame’
著者： Thomas Mansell
页码： 1–21
Re-Evaluating Endgame
著者： Colin Duckworth
页码： 23–48
Memory and Its Devices in Endgame
著者： Jane E. Gatewood
页码： 49–67
Paul Ricoeur and Watching Endgame
著者： Michael Guest
页码： 69–98
Endgame’s Remainders
著者： Russell Smith
页码： 99–120
Bare interiors, chicken wire cages and subway stations—re-thinking Beckett’s response to the ART Endgame in light of earlier productions
著者： Natka Bianchini
页码： 121–143
Trans-cultural Endgame/s
著者： Antonia Rodríguez-Gago
页码： 145–164
Masking and the Social Construct of the Body in Beckett’s Endgame
著者： Mary F. Catanzaro
页码： 165–188
Hamm Stammered: Beckett, Deleuze, and the Atmospheric Stuttering of Endgame
著者： Paul Shields
页码： 189–206
But Why Shakespeare? The Muted Role of Dickens in Endgame
著者： Paul Stewart
页码： 207–225
Hamming it up in Endgame: A Theatrical Reading
著者： Kate Dorney
页码： 227–252
Endgame and Performance
著者： Julie Campbell
页码： 253–274
Essay Abstracts
编者： Mark S. Byron
页码： 275–280
About the Authors
编者： Mark S. Byron
页码： 281–284
Index
编者： Mark S. Byron
页码： 285–289
MARK S. BYRON is an Australian Research Council Postdoctoral Fellow in the Department of English at the University of Sydney, Australia. He has taught at the University of Washington, Seattle, and at the University of Sydney. His principal publications include essays on Samuel Beckett, Ezra Pound and Gertrude Stein. He is currently co-editor of the Electronic Variorum Edition of Ezra Pound’s Cantos, with Professor Richard Taylor, and is also working on an electronic edition of Samuel Beckett’s novel Watt.
Mark S. BYRON: Introduction: Endgame––Very Nearly, But Not Quite
Thomas MANSELL: Hard-to-hear Music in Endgame
Colin DUCKWORTH: Re-Evaluating Endgame
Jane E. GATEWOOD: Memory and Its Devices in Endgame
Michael GUEST: Paul Ricoeur and Watching Endgame
Russell SMITH: Endgame’s Remainders
Natka BIANCHINI: Bare interiors, chicken wire cages and subway stations—re-thinking Beckett’s response to the ART Endgame in light of earlier productions
Antonia Rodríguez GAGO: Transcultural Endgame/s
Mary F. CATANZARO: Masking and the Social Construct of the Body in Beckett's Endgame
Paul SHIELDS: Hamm Stammered: Beckett, Deleuze, and the Atmospheric Stuttering of Endgame
Paul STEWART: But Why Shakespeare? The Muted Role of Dickens in Endgame
Kate DORNEY: Hamming it up in Endgame: A Theatrical Reading
Julie CAMPBELL: Endgame and Performance
Essay Abstracts
About the Authors
Index
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出版社:
Brill
Language:
英语
Extent:
xiii, 289 pp.
DOI:
https://doi.org/10.1163/9789401205047

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