Möchten Sie über diese Zeitschrift informiert bleiben? Klicken Sie bitte auf die Buttons, um unsere Alerts zu abonnieren.
Möchten Sie über diese Zeitschrift informiert bleiben? Klicken Sie bitte auf die Buttons, um unsere Alerts zu abonnieren.
In this article, Palestinian national cinema is interpreted through the lens of a âstructure of feelingâ in order to address the theme of Palestinians reconstituting themselves in relation to changing geographies. Palestinians must constantly negotiate the tensions between mobility and immobility, whether in exile or diaspora, inside Israel, or within the Territories. Connecting these lived geographies to film, the article argues that analytic frameworks mistaking the national for a territorially-defined and stable order are ill-suited for a treatment of Palestinian national cinema. Touching on film production, narrative tropes and filmic locations in various films, the paper argues that cinema serves as a space to transgress Palestineâs territorial trap. Cinema as a structure of feeling allows for a more elastic, transgressive and encompassing understanding of Palestine and Palestinians.
Kauf
Sofortzugang erwerben (PDF-Download und unbegrenzter Online-Zugang):
Institutszugang
Melden Sie sich mit Open Athens, Shibboleth oder Ihren institutionellen Anmeldedaten an.
Persönliche Anmeldung
Melden Sie sich mit Ihrem brill.com-Konto an
| Insgesamt | Letzte 365 Tage | In den letzten 30 Tagen | |
|---|---|---|---|
| Aufrufe von Kurzbeschreibungen | 1719 | 254 | 21 |
| Gesamttextansichten | 456 | 31 | 1 |
| PDF-Downloads | 656 | 67 | 3 |
In this article, Palestinian national cinema is interpreted through the lens of a âstructure of feelingâ in order to address the theme of Palestinians reconstituting themselves in relation to changing geographies. Palestinians must constantly negotiate the tensions between mobility and immobility, whether in exile or diaspora, inside Israel, or within the Territories. Connecting these lived geographies to film, the article argues that analytic frameworks mistaking the national for a territorially-defined and stable order are ill-suited for a treatment of Palestinian national cinema. Touching on film production, narrative tropes and filmic locations in various films, the paper argues that cinema serves as a space to transgress Palestineâs territorial trap. Cinema as a structure of feeling allows for a more elastic, transgressive and encompassing understanding of Palestine and Palestinians.
| Insgesamt | Letzte 365 Tage | In den letzten 30 Tagen | |
|---|---|---|---|
| Aufrufe von Kurzbeschreibungen | 1719 | 254 | 21 |
| Gesamttextansichten | 456 | 31 | 1 |
| PDF-Downloads | 656 | 67 | 3 |