Save

The Dancing Shiva: South Indian Processional Bronze, Museum Artwork, and Universal Icon

In: Journal of Religion in Europe
Author:
Johannes Beltz
Search for other papers by Johannes Beltz in
Current site
Google Scholar
PubMed
Close
Download Citation Get Permissions

Access options

Get access to the full article by using one of the access options below.

Institutional Login

Log in with Open Athens, Shibboleth, or your institutional credentials

Login via Institution

Purchase

Buy instant access (PDF download and unlimited online access):

€36.93

Abstract

Today, in addition to the Om sign or the image of Ganesha, the image of the dancing Shiva is one of the best known Hindu symbols in the world: the 'Nataraja' is not only omnipresent in museums; his image adorns holy cards, posters, holiday brochures, as well as countless websites and diverse esoteric and academic book covers. This article examines how this image could attain such great popularity. It focuses on processes of cultural appropriation and reinterpretation. Originally a southern Indian processional bronze, the dancing Shiva became transformed into a museum artwork and a universal icon. This paper traces the different actors, networks and interactions behind this career from southern Indian temples to the stages of the Western world.

Content Metrics

All Time Past 365 days Past 30 Days
Abstract Views 1611 277 29
Full Text Views 266 23 3
PDF Views & Downloads 373 42 6