In Joshuaâs opening military salvo at Jericho (6:8â21), he institutes a strange, oft-overlooked act of communal speechlessness. This absence of speech can be understood as itself a kind of ritual speech. As this paper will argue, Joshua can kill things with and without words. When seen against a backdrop of Near Eastern magic and divine warfare, Joshua emerges as a powerful ritualist, someone who weaponizes speech and speechlessness in service of military victory. As with Joshuaâs adjuration in the Aijalon battle (10:12â14) and his curse over Jericho (6:26), his wordless march around the city can be understood as a ritual act with the performative force of cessation. The silencing of the land is both his ritual objective and the ultimate goal of conquest (11:23).
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| å ¨é¨æé´ | è¿å»ä¸å¹´ | è¿å»30天 | |
|---|---|---|---|
| æè¦æµè§æ¬¡æ° | 737 | 197 | 16 |
| å ¨ææµè§æ¬¡æ° | 180 | 14 | 0 |
| PDFä¸è½½æ¬¡æ° | 425 | 39 | 0 |
In Joshuaâs opening military salvo at Jericho (6:8â21), he institutes a strange, oft-overlooked act of communal speechlessness. This absence of speech can be understood as itself a kind of ritual speech. As this paper will argue, Joshua can kill things with and without words. When seen against a backdrop of Near Eastern magic and divine warfare, Joshua emerges as a powerful ritualist, someone who weaponizes speech and speechlessness in service of military victory. As with Joshuaâs adjuration in the Aijalon battle (10:12â14) and his curse over Jericho (6:26), his wordless march around the city can be understood as a ritual act with the performative force of cessation. The silencing of the land is both his ritual objective and the ultimate goal of conquest (11:23).
| å ¨é¨æé´ | è¿å»ä¸å¹´ | è¿å»30天 | |
|---|---|---|---|
| æè¦æµè§æ¬¡æ° | 737 | 197 | 16 |
| å ¨ææµè§æ¬¡æ° | 180 | 14 | 0 |
| PDFä¸è½½æ¬¡æ° | 425 | 39 | 0 |