Möchten Sie über diese Zeitschrift informiert bleiben? Klicken Sie bitte auf die Buttons, um unsere Alerts zu abonnieren.
Möchten Sie über diese Zeitschrift informiert bleiben? Klicken Sie bitte auf die Buttons, um unsere Alerts zu abonnieren.
Transcending the Boundary of Death: Ecclesiastes Through a Nabokovian Lens
in Biblical InterpretationSearch for other papers by Michael Carasik in
Current site
Google Scholar
Abstract
Ch. 12 of Ecclesiastes depicts a scene that combines elements of the death of a person with others that describe the death of an entire world. Vladimir Nabokov's novel Invitation to a Beheading ends with a similar scene. Both Nabokov's writings and his biography suggest that he shared Qohelet's view of life "under the sun" as hevel, but his own experience as a creator led him to believe that there is a higher-order reality than our own. The literary technique described here was Nabokov's attempt to show how one might cross the boundary into that higher reality. With a particular focus on Nabokov's novel Pale Fire, I will argue that the parallel to Ecclesiastes suggests that the writer of Eccl. 12:9-14 was also the writer of that entire book, who chose to drop the persona of Qohelet at the end of his book and speak as himself, to burst through the boundaries of death (in 12:7) and offer a view of the world that the Qohelet persona could not perceive.
Kauf
Sofortzugang erwerben (PDF-Download und unbegrenzter Online-Zugang):
Institutszugang
Melden Sie sich mit Open Athens, Shibboleth oder Ihren institutionellen Anmeldedaten an.
Persönliche Anmeldung
Melden Sie sich mit Ihrem brill.com-Konto an
| Insgesamt | Letzte 365 Tage | In den letzten 30 Tagen | |
|---|---|---|---|
| Aufrufe von Kurzbeschreibungen | 246 | 30 | 4 |
| Gesamttextansichten | 82 | 4 | 0 |
| PDF-Downloads | 101 | 9 | 0 |
Transcending the Boundary of Death: Ecclesiastes Through a Nabokovian Lens
in Biblical InterpretationSearch for other papers by Michael Carasik in
Current site
Google Scholar
PubMed
Abstract
Ch. 12 of Ecclesiastes depicts a scene that combines elements of the death of a person with others that describe the death of an entire world. Vladimir Nabokov's novel Invitation to a Beheading ends with a similar scene. Both Nabokov's writings and his biography suggest that he shared Qohelet's view of life "under the sun" as hevel, but his own experience as a creator led him to believe that there is a higher-order reality than our own. The literary technique described here was Nabokov's attempt to show how one might cross the boundary into that higher reality. With a particular focus on Nabokov's novel Pale Fire, I will argue that the parallel to Ecclesiastes suggests that the writer of Eccl. 12:9-14 was also the writer of that entire book, who chose to drop the persona of Qohelet at the end of his book and speak as himself, to burst through the boundaries of death (in 12:7) and offer a view of the world that the Qohelet persona could not perceive.
| Insgesamt | Letzte 365 Tage | In den letzten 30 Tagen | |
|---|---|---|---|
| Aufrufe von Kurzbeschreibungen | 246 | 30 | 4 |
| Gesamttextansichten | 82 | 4 | 0 |
| PDF-Downloads | 101 | 9 | 0 |
