The Crow Who Aped the Partridge: Ibn al-MuqaffaÊ¿âs Aesopian Language in a Fable of KalÄ«la wa-Dimna

IstvÃ¡n T. KristÃ³-Nagy

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11 The Crow Who Aped the Partridge

Ibn al-MuqaffaÊ¿âs Aesopian Language in a Fable of KalÄ«la wa-Dimna

äºLâadab, toujours recommencÃ©

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IstvÃ¡n T. KristÃ³-Nagy

IstvÃ¡n T. KristÃ³-Nagy
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Page Range:: 367â434

DOI:: https://doi.org/10.1163/9789004526358_014

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Lâadab, toujours recommencÃ©

"Origins", Transmissions, and Metamorphoses of Adab literature

ä¸ç¼ï¼ Islamic Literatures: Texts and Studies, å·ï¼ 4

Cover Lâ<i>adab</i>, toujours recommencÃ©

ISBN:: 9789004526358

åºçç¤¾:: Brill

å°å·åºçæ¥æ:: 28 Jul 2023

Subjects

Front Matter

Part 1 Backgrounds and Foundations

Part 2 The âOriginsâ of Adab

Section 1 Adab and the Formation of Literary Canons

Section 2 Adab, Power and Ethics

Part 3 The Transmission of Adab: The Redefinition of Genres through the Centuries

Section 1 KalÄ«la wa-Dimna: Back and Forth from India to the West

Section 2 Evolution of Genres: The maqÄmÄt

Section 3 Changes in Function: The Anthologies

Part 4 Metamorphoses of Origins

Section 1 Science, Aesthetics and Mysticism

Section 2 Reconstructing Origins beyond Ruins?

Back Matter

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æè¦æµè§æ¬¡æ°	1675	894	209
å¨ææµè§æ¬¡æ°	30	14	1
PDFä¸è½½æ¬¡æ°	36	11	0

African Studies	Education	Media Studies
American Studies	History	Middle East and Islamic Studies
Ancient Near East and Egypt	Human Rights and Humanitarian Law	Musicology
Art History	International Law	Philosophy
Asian Studies	International Relations	Religious Studies
Biblical Studies	Jewish Studies	Slavic and Eurasian Studies
Biology	Languages and Linguistics	Social Sciences
Book History and Cartography	Life Sciences	Theology and World Christianity
Classical Studies	Literature and Cultural Studies

Subjects

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11 The Crow Who Aped the Partridge

Ibn al-MuqaffaÊ¿âs Aesopian Language in a Fable of KalÄ«la wa-Dimna

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Lâadab, toujours recommencÃ©

"Origins", Transmissions, and Metamorphoses of Adab literature

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Ibn al-MuqaffaÊ¿âs Aesopian Language in a Fable of KalÄ«la wa-Dimna

Lâadab, toujours recommencÃ©

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