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Barguet P. Le Temple d’Amon-Rê à Karnak: Essai d’Exégèse 1962 Cairo IFAO Publications de l’Institut Français d’Archéologie Orientale du Caire Recherches d’archéologie, de philologie, et d’histoire 21 )| false
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Wente, “Genealogy of the Royal Family,” 147.

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Wente, “Genealogy of the Royal Family,” 147; KRI IV, 257 nn. 8a–a, 12a, 15a–16a, 258 n. 11a–b, and 259 nn. 11a–b, 12a–b; Miller, “The Genealogy and Chronology of the Ramesside Period,” 99; Gnirs, Militär und Gesellschaft, 129; Schneider, “Siptah und Beja,” 141; Dodson, Poisoned Legacy, 44, 45 (fig. 40), 70–71 (fig. 72), 76, 107, 155 n. 12 and “Fade to Grey,” 146–48, 153, 155–56. In the fourth volume of his Ramesside Inscriptions, Kenneth Kitchen provides his own hand-copy of the texts from Seti II’s Triple Bark Shrine at Karnak, accepting this reconstruction of Bay’s erased name as being “according to F. Yurco” without further comment or support, but merely citing Wente’s note in An X-Ray Atlas. More recently, Aidan Dodson has also championed this idea in his monograph on the late 19th Dynasty, where he states: “it is clear that the prince’s figures and titles have replaced those of another individual, while in some cases the king is followed by a largely blank space where a figure and its text have been erased. The erased figures and texts were those of the Great Overseer of Sealers of the Entire Land (“chancellor”) Bay.” In fact, these erasures occur just twice, and only in Amun’s chapel. Dodson, like Yurco before him, indicates in his The Complete Royal Families of Ancient Egypt, that images of Prince Seti-Merenptah “replaced” those of Bay in the Mut and Khonsu chapels, although this is not the case. In “Fade to Grey,” however, he asserts that Bay’s putative images were simply “transformed” into those of the young prince.

Wente, “Genealogy of the Royal Family,” 147; KRI IV, 257 nn. 8a–a, 12a, 15a–16a, 258 n. 11a–b, and 259 nn. 11a–b, 12a–b; Miller, “The Genealogy and Chronology of the Ramesside Period,” 99; Gnirs, Militär und Gesellschaft, 129; Schneider, “Siptah und Beja,” 141; Dodson, Poisoned Legacy, 44, 45 (fig. 40), 70–71 (fig. 72), 76, 107, 155 n. 12 and “Fade to Grey,” 146–48, 153, 155–56. In the fourth volume of his Ramesside Inscriptions, Kenneth Kitchen provides his own hand-copy of the texts from Seti II’s Triple Bark Shrine at Karnak, accepting this reconstruction of Bay’s erased name as being “according to F. Yurco” without further comment or support, but merely citing Wente’s note in An X-Ray Atlas. More recently, Aidan Dodson has also championed this idea in his monograph on the late 19th Dynasty, where he states: “it is clear that the prince’s figures and titles have replaced those of another individual, while in some cases the king is followed by a largely blank space where a figure and its text have been erased. The erased figures and texts were those of the Great Overseer of Sealers of the Entire Land (“chancellor”) Bay.” In fact, these erasures occur just twice, and only in Amun’s chapel. Dodson, like Yurco before him, indicates in his The Complete Royal Families of Ancient Egypt, that images of Prince Seti-Merenptah “replaced” those of Bay in the Mut and Khonsu chapels, although this is not the case. In “Fade to Grey,” however, he asserts that Bay’s putative images were simply “transformed” into those of the young prince.)| false
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Dodson, Poisoned Legacy, 71.

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Grandet, Le Papyrus Harris I (BM 9999), 75, 5–6.

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Černý, “A Note on the Chancellor Bay,” 36.

Černý, “A Note on the Chancellor Bay,” 36.)| false
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