General Index

Evanghelia Stead

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General Index

in Goethe's Faust I Outlined

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Dar Hadith al Hassania

General Index

Abend-Zeitung (Dresden) 279, 288n75

Abend-Zeitung. Artistisches Notizenblatt (Dresden) 104n45

abstraction 52, 86–87, 169, 190, 250, 322, 357;

outline, aesthetic medium → by Schlegel → and abstraction

Ackermann, Rudolph 170;

Tilt

Adam, Adolphe, 1852 Orfa, mime and ballet 309

Adelaide of Saxe-Meiningen see Queen Dowager

Aders, Eliza (wife of K.) 123

Aders, Karl (Charles) 121, 123

advertising 95, 102, 103–4, 105 (Fig. 3.8), 106, 108, 120, 122, 124, 126, 135, 136, 138, 139, 148n48, 149n59, 156, 161n93, 163, 169, 179, 184, 185 (Figs. 6.7a–b), 187, 191, 203, 208, 251, 282, 288, 299, 305, 347, 349, 352, 357, 358, 359, 362, 364, 365, 378

buyers’ psychology 54, 66, 126, 148, 149, 170, 189;

Beecham; Berryman; posters

Aeschylus 48, 86, 122, 213

aestheticism 206, 208

Aign, Walter 257n7

Albert Edward, Prince of Wales (later Edward VII) 358, 376–77

Albert of Saxe-Coburg and Gotha (Prince Consort to Queen Victoria) 287, 299, 358

Album aus der Damenzeitung Iris (post 1849) 237 (Fig. 7.21b), 238, 374, 376;

Schuler

Album national (L’) 281n50

albums 3, 4, 5, 73, 77, 95, 99, 102–7, 163, 168–72, 175, 176, 240, 241, 255, 262–68, 291, 302, 305, 308, 309, 333, 355, 356, 357, 358, 368

as symbolic objects 170–72, 171 (Figs. 5.19, 5.20)

combined 52, 54, 96, 105–7, 116, 181;

industrialized

friendship – (Stammbücher) 30, 30 (Fig. 1.2)

industrialized 220, 288, 358, 364, 365, 366, 368;

Album aus der Damenzeitung Iris; Colin; Darley; formats; Scenen aus Goethe’s Faust in acht lithographirten Bilder

alchemy

as graphic or poetic process 40, 297

as practice 208, 221;

Rembrandt

by analogy 352

visual allusions to – 170, 171 (Fig. 5.19), 204

Aldebert, Isaac, friend of H. C. Robinson 123

Alfieri, Vittorio 288, 289n82

Aljumily, Refat 149n60

Allan, David 240

allegories

by Cornelius 45, 150, 150 (Fig. 5.8)

by Leighton 172–75, 172 (Fig. 5.21)

by Riepenhausen 110, 111 (Figs. 3.10b, 3.11, 3.12)

in Hortus deliciarum 133–35

in poetry 224

in theatre (Holtei) 286

political 197, 212;

Index on MR → 7. Aesthetics, Inspiration, and Technique → allegory, treatment of

Allegra, Byron’s daughter 327

Allert, Beate 238n46

Allevy, Marie-Antoinette 281n48

allusions

textual 184, 303–4, 307, 325, 330, 332

visual 115, 115 (Figs. 3.16a–b), 305

visual/textual 302, 302 (Figs. 9.21a–b)

btw. Dickens and Phiz 319–21

almanacs 33, 36, 71, 110, 115, 116, 212

and moral message 112–14

and patriotic verse 113

Kleines Geschenk zum neuen Jahr für 1818 95, 109, 112–13, 112 (Fig. 3.13), 113 (Fig. 3.14a–c), 323, 370

Kleines Geschenk zum neuen Jahr für 1820 95, 109, 112 (Fig. 3.13), 114 (Fig. 3.15a–c), 115 (Fig. 3.16a–b), 323, 370;

keepsake literature

Amable, set designer 279

Amburger, Erik 287n73

Amyot, Thomas Edward, friend of H. C. Robinson 123

analogies, visual 48, 143, 144–45 (Figs. 5.4, 5.5), 170, 171 (Fig. 5.20), 247, 248 (Fig. 7.27), 313, 314–15 (Fig. 10.2–10.3), 320, 320 (Fig. 10.6), 321

and poetry 87

and reading 48, 287

as neoclassical principle 288

“Analysis” (1820 Boosey) 36n62, 118, 128, 133, 137, 138–40, 147, 148, 154n74, 166, 299n112, 359–60

Anster, John, Faust trans. 169, 368

Apel, Johann August 32, 33;

Scharfenberg circle

apes/aping see imitation

Apollinaire, Guillaume 197

arabesque 44n112, 50, 75, 76 (Fig. 2.11), 86, 112 (Fig. 3.13), 114, 130, 130 (Fig. 4.1), 192 (Fig. 6.12), 193–94, 221n18, 250

Ardit, E. 225, 372

archives

Blair Museum of Lithophanes 349 (Fig. 12.8)

Cotta (DLA, Marbach) 27nn21–22, 40n88, 59n36, 60n42, 63n58, 65n69, 69n81, 95nn2–3, 96, 96nn10–11, 99n28, 101nn33–35, 102nn36–41, 103n, 106n51, 220n12, 352n38, 359

Deutsches Literatur Archiv (DLA, Marbach) 44, 65, 98 (Fig. 3.1a), 99n26, 363

Dresden Stadtarchiv 60n40

Knittlingen Faust-Archiv 217, 373, 378

Knittlingen Faust-Museum 229, 231 (Fig. 7.16), 289 (Fig. 9.12)

KPM (Berlin, Charlottenburg) 334

Ross (LSHTM, London) 221, 221n17, 222 (Fig. 7.6 top), 223 (Fig. 7.7 top), 377

Weimar (GSA) 44, 58n27, 59n31, 62n54, 64nn60–61, 125n47, 148n42, 274nn17–18, 277n19, 283n58

Ariosto 259

Aristophanes, The Frogs 258

Arkas (mythology) 39

Armingeat, Jacqueline 254

Arndt, Walter, Faust trans. 5, 31, 74, 170, 261, 287

Art Journal (The) 27, 28nn30–31, 38, 38 (Fig. 1.6), 160, 163n101, 173n126, 240

art societies 112, 229, 236n36, 240

American Art-Union 241–42

Art Union of London 240

Saxon Art Association 27

Stuttgart art club (Württembergischer Kunstverein Stuttgart) 112

Art Union Monthly Journal 27

art hierarchies 3, 4, 26, 37, 39–40, 43, 45, 51, 133, 135, 180, 239

artefacts 3, 52, 117, 125, 166, 168, 169, 175, 176, 189, 192, 213, 239, 286, 307, 333–54, 355, 356

and emotional lives 62, 330, 334, 338, 347

and everyday poetics 330, 333, 334, 346, 347, 352

as “mysterious items” (Marx) 338

as provocation to thought 334, 335 (Fig. 12.1), 336–37 (Fig. 12.2), 339 (Fig. 12.3), 341 (Fig. 12.4), 342 (Fig. 12.5a), 343 (Fig. 12.5b), 345 (Fig. 12.6b), 347, 348 (Fig. 12.7), 350 (Fig. 12.9), 351 (Fig. 12.10), 371;

home decorations; lithophanes; porcelain plates; pipe bowls; tin figurines; Ulrich

Artemis (mythology) 39

asyndeton 333

Athenaeum (1799 Schlegel essay) 86, 87n103, 310

Athenaeum (The) 169–70, 240, 368

Atkins, Lillian Espy Reed 59, 139, 140n23, 142n31, 146, 148n53, 149, 180, 212–13, 355

Auclair, Mathias, and Pauline Girard 279n32, 284n

auctions 55–56, 56 (Fig. 2.2), 57n20, 123, 195, 197, 200, 221, 333, 334, 336–37 (Fig. 12.2), 340n17, 347, 350 (Fig. 12.9)

audiences see reader categories of R’s outlines

Audot, Louis-Désiré (son of L.-E.) 190

Audot, Louis-Eustache, bookseller and scribbler 187–89, 190

1826–29 announcements-cum-catalogues 190

1828 Faust. Vingt-six gravures d’après les dessins de Retsch 141, 179–81, 183, 184–90, 186 (Fig. 6.8), 187 (Fig. 6.9), 190 (Fig. 6.10), 191, 210, 362

alluring cover 187–88, 187 (Fig. 6.9)

blunted copies by Branche and Trueb 218

booklets owned by artists and writers 197, 297

outlets 201n89

theatre vogue 186–87, 198, 282, 372;

Voïart

1828– Shakespeare Gallery 170, 189

1828 Shakespeare, Hamlet 188, 189

1828–34 bilingual Musée de peinture et de sculpture 187

1829 Faust. Vingt-six gravures d’après les dessins de Retsch 186 (Fig. 6.8), 190, 363

1829 Schiller, Dragon de l’île de Rhodes, with R re-engraved 189

1829 Schiller, Fridolin probably after Ackermann and Tilt 170

and relations

15 prints with Polish captions 367

Bulcock 163, 198, 361

Kennerley’s copies 163

Librairie Romantique 198, 363

Meline 364

Audot, Louis-Joseph (son of L.-E.) 190

Augé, Christian, and Pascale Linant de Bellefonds 195n65

Augusta, Princess, future Queen of Prussia 56, 109, 110

Augustus II, aka Augustus II the Strong 27, 85

aura 138, 242, 347–49

as in W. Benjamin 252–54

enhanced

by replicas/reproduction 149, 253, 298

in circulation 3, 40, 59

Auvray Frères 184–85, 185 (Fig. 6.7a–b), 362

Auvray, printseller 181, 182 (Fig. 6.5), 183 (Fig. 6.6), 184, 188, 210

1824 lithographed Faust after R see Muret

avant-garde genres 184, 309

Avery-Quash, Susanna 135n89

Axmann, J., engraving Ramberg’s 1828–29 Faust plates 209 (Fig. 6.21)

Bacchus (mythology) 37, 40, 212, 271, 333;

Dionysus; Pan; Silenus

Bach, Max 95n1; 97n17

Baci Perugina, chocolates 251–52, 252 (Fig. 7.31a), 253 (Fig. 7.31b), 357

Baduel, Daniel, Aude Bertrand, and Christian Dauchel 203n95

Baldensperger, Fernand 203, 204n96

Ball, Douglas 172–73n125, 175n129

Ball, J. Meredith, 1887 Mephistopheles: March 299

Balzac, Honoré de 204

1830 pub. 1840 Gobseck 346

1831 La Peau de chagrin 346

1842 foreword to the Human Comedy 297

Bancroft, George 324–25

bande dessinée 120;

strip cartoon

Bann, Stephen 180

Barber, Giles 179n13

Barbier, Frédéric 180

Barbier, Faust adaptor 187

Barchou de Penhoen, Auguste 346

Batrachomyomachia (Battle of the Frogs and Mice), mock epic of the Iliad 258

Baudelaire, Charles 203

1863 Le Peintre de la vie moderne 227, 311

Baudry, Louis-Claude, bookseller and publisher 201–3, 206, 210

1840 Faust, ein Trauerspiel, beide Theile in einem Bande 201, 366

1840 synoptic frontispiece for all Faust I and Faust II editions 201, 202 (Fig. 6.17)

1843 Faust, eine Tragödie, beide Theile in einem Bande 201, 366

1855 new ed. 203, 367

European Bookstore (Baudry’s europäische Buchhandlung) 201

outlets 201

reading room 201;

series

Baudry’s widow 203

Bauer, Josephine 126n51, 126n53, 126n58

Bäumel, Jutta 37n72

Bechstein, Ludwig, 1832, 1833 Faustus 118

Beck, Andreas 264

Becker, Wilhelm Gottlieb 26, 40, 41

1804–11 Augusteum: Dresden’s antike Denkmäler enthaltend 26, 40–41 (Fig. 1.7)

Beecham, Thomas, of Lancashire, powders and pills 352, 353 (Figs. 12.11, 12.12), 378

Beethoven, Ludwig van, lied of 1803 Margaret at the Spinning Wheel 257

Belgian counterfeit editions (contrefaçons/préfaçons belges) 197–200

aesthetic and commercial effect of R 198, 200

set ideas nuanced 200, 210

Bell, George, and Sons, Faust editions 168, 368, 369;

Swanwick

Belle Assemblée (La) 154, 159n89

Bellotto, Bernardo 27

Benjamin, Walter 252;

aura

Bennett, Shelley M. 240n49

Benoit, Charles, Adam West, and Roland Weibexahl, 1857 Neue Bilder zu deutschen Dichtern 267;

parodies of Faust I

Benson, Arthur Burnett 324, 329n19;

Stith, C. P.

Bent, William see Monthly Literary Advertiser (The)

Bentley, Gerald Eades 123n35

Bentley, S. and R., printers 156

Benz, Richard 45, 50, 84, 109n75, 240

Béraud, Antony, Jean-Toussaint Merle, and Charles Nodier, 1828 Faust (or Le Docteur Faust) 186, 281–82, 290;

Dorval; Lefèvre; Lemaître

Berg, Hartmut 340n17, 342n22

Berliner Zinnfiguren 349;

tin figurines

Berlioz, Hector 185, 206n100

Bern Treaty 231

Bernardt, Käthe 212

Bernhard II, Duke of Saxe-Meiningen 58

Berryman, John, wood engraver 163

pink cover 162–63, 164 (Fig. 5.17 top), 176, 187–88, 361

Berthier, Patrick 286n65, 306n10, 306n13, 309n29

Berthoud, Henry, Jr, painter and engraver 159, 166

1824 Tartini’s Dream by Boilly 162

1825 British Theatrical Gallery by Daniel Terry 162

1825 Faustus: Illustrated in Twenty-Six Outlines by Retsch 159–62, 160 (Fig. 5.15), 161 (Fig. 5.16), 180, 182, 361

and Muret’s French copy 162, 179, 182, 182 (Fig. 6.5), 360;

Hullmandel

Berthoud, Henry, Sr (printseller, father of H., Jr) 159, 162

Bertin, Louise, 1831 Fausto: Opera semi-seria in quattro atti (Théâtre Italien) 282–83, 283 (Fig. 9.9), 372

Besser, Johann Heinrich, Perthes’s associate 37, 122

Bewick, William, painter 59

Bey, Hermann 377

Bible 130, 176

Book of Job 140, 141

John’s Gospel 130

multiplication of loaves and fishes 330

Proverbs 321

bibliophiles 148, 154, 204

as Faust in their libraries 162

bibliophilic protocols 4, 96, 118 (Fig. 3.18), 118–19, 124–25, 128, 129–30, 130 (Fig. 4.1), 147, 160–61, 162, 355

boundaries shifting 133–35, 136;

bookplates; books and prints as cultural objects; collectors; connoisseurs; ex libris; Dibdin; Grenville; Hoe

Bichebois, Louis, Pierre, Alphonse, lithographer 194, 195, 210

1828–29 title-page for J. Milbert, Itinéraire pittoresque du fleuve Hudson 193–94

1830 Blanc, Protestation des députés réunis chez Alexandre de Laborde 195

1830 Giard Faust cover 192, 193, 193 (Fig. 6.13), 194–95, 197, 203, 363–64

Biedermeier 32n47, 213, 347, 349 (Fig. 12.8), 343n23, 343n25

post-Biedermeier 107

Bielmeier, Katrin 26n13

Bierman, draughtsman? 288, 289 (Fig. 9.12), 373

bindings 3, 356n7

cloth – in red, black and gilt 170, 368

half-leather publisher’s – with gilt spines 201

in Mephistophelean red 168, 368

industrialized – 172–73, 172 (Fig. 5.21)

Japanese – 200, 241, 301, 340

R on alluring commercial – 77, 170–75, 171 (Figs. 5.19, 5.20), 172 (Fig. 5.21), 176, 379;

Leighton; Murton; spine designs

Birch, Charles Bell, artist 240

Birch, Jonathan, Faust I and Faust II trans. 137, 163, 167–70, 172, 172 (Fig. 5.21), 173, 174 (Fig. 5.23), 200, 352, 353 (Figs. 12.11, 12.12), 366–67, 376, 378

Black and Armstrong, publishers

1837 English Umrisse zu Faust, zweiter Theil by R 102, 365

1839 Birch’s Faust I 167, 168n115, 172 (Fig. 5.21), 173, 174 (Fig. 5.23), 366

commercializing R’s Umrisse zu Goethe’s Faust, erster und zweiter Theil 105, 365

Black, Young and Young, London publishers 101, 103

Blackwood’s Magazine 129

Blaeschke, Axel 1n2, 120n7

Blair Museum of Lithophanes 347, 348 (Fig. 12.7), 349 (Fig. 12.8), 374

Blake, William, and H. C. Robinson 121n18, 122–23

Illustrations of the Book of Job 88, 123

Blanc, Protestation des députés réunis chez Alexandre de Laborde 195

Blaze de Bury, Henri, 1847 Faust I trans. into French 180n24, 207 (Fig. 6.20), 233, 307, 375

Blocksberg (location) 304

in Goethe’s Faust I 286, 290

Bluebeard 318

Bobée, Auguste, French publisher 183

Boès, Karl, ed. of La Plume 208

Bogue, David, Tilt’s associate 170;

Tilt

Böhm, Angela 34n54

Böhme, E., printer 212

Bohte, Johann Heinrich, German bookseller in London 62, 95, 97, 124, 125, 128, 138, 139, 148, 156, 167

1820 Extracts letterpress (hybrid assortments) 124–25, 129, 130 (Fig. 4.1), 137, 139, 143, 147, 359

1821 (failed) bilingual landscape Faust with R interleaved 119, 125, 128, 156, 163, 175, 360

1823 Faust, eine Tragödie (in German) 163, 163n100

and Cotta 126

catalogues 97, 124, 126

importing R’s Umrisse 95, 97–99, 121, 124–25, 129, 136, 139, 141, 148, 359

launching R 125, 126–27;

London Magazine; Scott, J.; Wainewright

obituary 129

reading room (Deutsche Lesebibliothek) 125

Boieldieu, François-Adrien 185

Boileau, Daniel, Faustus trans. 128, 139, 140, 148, 356

Boisserée, Sulpiz 45, 48, 59, 61

1823 Geschichte und Beschreibung des Doms von Köln 49

Bonington, Richard Parkes 226

book as

cathedral 172

emotion-laden possession 62, 154

memento 325, 329

monitor of life 173

rose 323, 324, 325–29, 352;

artefacts; books and prints as cultural objects

book history 5, 357

book trade

Anglo-German – 99, 124–25, 124n40

British – 156, 159, 166, 175, 175n131

Brussels – 197–200

Dutch – 166

European – 166, 180, 215–16

French – 180, 187–88, 190–91, 201–6

German – 45, 106–8, 121, 122

and national literature 108, 122;

Cotta; Perthes

shifting rules 136

to relate to print trade (and stage) 3, 166, 180, 186, 338

triangular relations in – 179–81;

circulation; diffusion; distribution

book lovers see bibliophiles; bookplates; collectors; Dibdin; ex libris; Hoe; Laughlin; reader categories of R’s outlines; Wilder

bookplates 162

Evans, Lawrence B. 105n47

Forman, Harry Buxton 367

Glanville, T. W., heraldic – 147n40, 360

Hoe, R., III 173, 174 (Fig. 5.23), 376

Laughlin, James, gift of – 173–75, 174 (Fig. 5.23), 376

Sharp, Samuel 361;

ex libris

books and prints as cultural objects 2, 5, 5n11, 128, 176, 252–54, 355;

artefacts; objects; printed items; things

Boosey, Thomas and Sons, publishers, and Rodwell and Martin, printsellers 137, 138, 139, 162, 189, 305

1820 twofold ed. 58, 62, 118, 126, 128, 133, 135, 136, 137–39, 146 (Fig. 5.6), 151 (Fig. 5.9), 154, 175, 188–89, 221, 224, 264, 328 (Figs. 11.2, 11.3), 359–60, 367, 370

adapted to English Zeitgeist 139–45, 142 (Fig. 5.2), 144 (Fig. 5.4 top)

and Coleridge 120, 139, 140, 148, 151, 324;

Coleridge debate

enlarged end-users 139

“food for thought” to Goethe 58, 62, 80, 85–86, 138, 140

1820 ed. re-issued? 146–47

1821 Faustus: from the German of Goethe with 27 pl. 148–54, 166, 175, 224, 281, 323, 324, 360

Moses frontispiece adapting Cornelius to R 149–51, 150 (Fig. 5.8), 151 (Fig. 5.9), 180, 360

carping reviews of trans. 148–49

circular ornament 151, 151n68, 152 (Fig. 5.10a), 153 (Fig. 5.10b), 176, 360, 361

marketing strategy 149

1821 Faustus as text octavo with Goethe’s portrait 148, 149, 160, 161, 162, 163

read by publisher W. Heinemann 149, 149n65

Boosey, Thomas and Sons, publishers 154, 156

1824 Faustus from the German, stereotype ed. 154–59, 158 (Fig. 5.12), 169, 175, 305, 361, 364, 366

as shared reference 157–59

“kinetic” dimension 154–56, 155 (Figs. 5.11a–c)

bootlegging see copyright; pirating R

Borchmeyer, Dieter 89

Borges, Jorge Luis 5, 30

Borne, Ludwig 283

Börsch-Supan, Helmut, and Gottfried Riemann 277n20

Börsch-Supan, Helmut, and Lucius Grisebach 277n23

Bosch, Hieronymus 172

Böttiger, Karl August, on R 43, 65, 104, 108, 156, 188

Boucher, Antoine, Nerval’s uncle 190

Bouffé, Hugues, actor 333

Bourbon Restoration 179, 195, 227

Bourgoing, Paul de, lithophane patentee 346, 352

Bracebridge, Charles Holte (Holt) 56, 57, 58

Bracebridge, Selina, née Mills (wife of C.) 56–58

Brain, John, steel engraving R 137, 163, 168, 366, 368

diminutive illustrations 168, 369

in portfolio 169, 366, 367;

Birch

Branche, Jean-Antoine, engraver

1828 Audot Faust copies (with Trueb) after R 187, 198, 218, 362, 363;

Audot; Trueb

1828 Audot Hamlet copies on steel after R 189

1831 outline lithographs of Robert le Diable sets 187

Brandegee, Emily (granddaughter of C. P. Stith) 325, 327

Brentano, Clemens 323

Bresc-Bautier, Geneviève 195n65

bricolage see Lévi-Strauss

Bridgwater, Patrick 125n44

Britton, John 123

Brocken

Heine’s – tour 303–4

– spectre (Brockengespenst) 304;

Index on MR → 3. Choice Faust I Scenes Outlined → Pl. 21 & 22

Brockhaus, Friedrich Arnold 167, 168, 172 (Fig. 5.21), 174 (Fig. 5.23), 366

Brown, Eluned 281n45

Browne, Hablôt Knight see Phiz

Brühl, Karl Friedrich v., theatre manager 277, 279, 286, 338, 356

Brunet, Jacques-Charles 180

Brunsiek, Sigrun 50, 273

Bry, Joseph (J. Bry aîné), French publisher

1848 Werther 203, 204

1850 Faust 203–4, 204 (Fig. 6.18), 210, 242–45, 243 (Fig. 7.23), 244 (Figs. 7.24a, 7.24b), 245 (Fig. 7.25), 253, 367, 376, 378

turning point in French reception 203, 206

inventor of roman de quatre sous 203;

Frère; Nerval; Maresq and Pelvey; series

Bühler, Roman 287n73

Bulcock, James, British publisher 162

1826 Faust prints in batches 162

1827 Retzsch’s Outlines re-engraved by Kennerley 162–63, 164 (Fig. 5.17 top), 188, 361

and Audot 163, 187, 198, 362, 367

extensive influence 163, 166, 218;

Berryman; Kennerley

Bulletin of the American Art-Union 241

Burckhardt, Jacob 43

Bürger, Gottfried August 33, 36, 40, 60, 67, 85, 85n, 287n72;

Index on MR → 6. Other Works → R’s outlines after → Bürger

Buri, Christian Karl Ernst Wilhelm 113

Burkhardt, Ramona 56n19

burlesque 245, 254–55, 268–69, 308, 313, 343, 373, 375

and tragedy 259, 261

vs. jingoism 269

vs. sentimentality 269

Burns, Robert, compared to Goethe 123

Burty, Philippe 177, 245n75

Burwick, Frederick 92n125, 149n60, 272, 281n44

Burwick, Frederick, and James McKusick, eds., 2007 Faustus. From the German of Goethe. Translated by Samuel Coleridge 124nn39–40, 125n64, 128n65, 128n70, 139, 149, 166n107;

Coleridge debate

Busch, Günter 45, 50, 239, 240n52, 240n55, 357n9

Busch, Werner 32n45, 86n99, 109–10n75, 239

Butler, Samuel, Hudibras 261

Butler, Stephen 186n41

Byfield, engravers’ family 135

Byfield, John, wood engraver 134–35, 134 (Fig. 4.4a–b), 135 (Fig. 4.4c), 184, 370

Byron, George Gordon (Noel) 2, 120, 197, 203, 221, 240, 304, 305n8, 322, 323, 356, 357

Byron’s rose 154, 323–27, 326 (Fig. 11.1a, 11.1b), 352;

Stith, C. P.

his Faustus ed. 55, 137, 148, 151, 154, 323–27, 329, 352, 360

politics/visit to USS Constitution 329

works by

Cain 120

Don Juan 324

Manfred 221

Lara 240

Cadmus (mythology) 39

Calcutta Journal of Politics and General Literature (The) 154

Caldesi, Leonida 299

Caleb (Bible) 212

Callisto (mythology) 39

Calloway, Stephen 176n133

Cambridge Chronicle 169n121

Campe, Joachim Heinrich, Theophron 113, 140

Canaletto 27

Canova, Antonio, outlines 187

Cappiello, Leonetto

1907 poster Thermogène and 1906 poster Maurin Quina 358

captions

absence of – to R’s outlines 2, 52, 54, 74, 87, 112, 122, 138

agency of 188–89, 205, 210, 233, 255, 360, 361, 362, 367, 369, 371

bilingual 170, 187n45, 189, 198, 363, 364

carved (Winzerzug) 212

changes in 149, 154, 179, 188–89

classy absence of 169, 192

compared 188

descriptive 138, 162

eccentric 161, 170, 361, 377

faulty 139, 149, 154, 204, 206

Faust I lines as – 110, 111 (Fig. 3.12), 113 (Figs. 3.14 a–c), 114 (Figs. 3.15 a–c), 226, 231, 231 (Fig. 7.16), 372

in parody 264, 267

later introduction of – 3, 138, 162, 181, 186, 187, 188, 360

superfluous 198

translated 163, 188, 367

uses of – 137, 154, 167, 168, 181, 186, 187, 188, 195, 201, 204, 205, 210, 219, 264, 282, 360, 362, 366, 369, 372, 376

caricature 180, 255, 257, 268, 301

reviving the original 259–61, 262–64, 268;

burlesque; parody

Carlowitz, Carl Adolf v., War Secretary 26

Carlyle, Thomas 57, 167

Carney, Margaret 347nn28–29, 347n33, 352n40

Carrà, Carlo 247, 250n79

Carré, Jean-Marie 140n23

Carus, Carl Gustav 43

“Carus album” 34–35, 35 (Fig. 1.5)

cathedrals 88n115, 180n23

Cologne 48–49

Frankfurt Kaiserdom 270

in Faust I and Faust iconography 46 (Figs. 1.9, 1.10), 47 (Figs. 1.11, 1.12a–b), 48, 80, 110–12, 111 (Fig. 3.11, 3.12)

Meissen 270

Cayet, Pierre Victor Palma, 16th-c. trans. of anon. Faust legend 203

censorship 122, 197

“impious” prologue 140–41, 142 (Fig. 5.2), 205;

Coleridge; Protestant → reserve in images; Roman Catholicism

censored male crotches 85, 108, 135, 141–42, 143, 162, 168, 221, 224, 362

vs. overt female charms 62, 85, 141–43, 144 (Fig. 5.4), 145, 162, 168, 182, 243

codpieces historical costume detail 143, 162, 201, 213–14, 215 (Fig. 7.2), 221;

Index on MR → 3. Choice Faust I Scenes Outlined → Pl. 6, 7, 8, 15; → 8. R’s Distinctive Outline Treatment → distinct features → eroticism/sexual yearning

Cerrito, Fanny, ballet dancer 309n26

Champfleury, 1883 Les Vignettes romantiques 206, 208, 377

Chapman and Hall, publishers 168, 173, 366

1843 Birch’s Faust II trans. (with F. A. Brockhaus) 168, 366

Charles X, French monarch 197, 363

Charles, Duke of Mecklenburg 298, 334–38

Charlet, Nicolas-Toussaint, artist 184

Chartier, Roger 120n2

“intensive and extensive reading” 242

Chauvet, J. 245, 246, 246 (Fig. 7.26);

Jourdain, G.

Chesterfield, Philip Dormer Stanhope, Earl of, 1774 Letters to His Son on the Art of Becoming a Man of the World and a Gentleman 140

Chodowiecki, Daniel 71, 86

Ciartes, portrait of Faust 208

cinema, early 322, 358;

“kinetic” versions

circulation 48, 49, 268

and copying/replication 108, 184, 212–15, 355–56

and extensive/intensive iconography 49, 242–54

and Faust I appropriation 5, 147, 175, 356

and typification 108

comparative/triangulated 3, 5, 179–80

European 54, 55, 166, 175, 215–16, 355–57

and beyond 241

from prints to objects 334–54

image – 48, 54, 252–54

in Britain 59, 121, 124–27, 175–76

in German States 51, 55, 71, 95, 109–12, 111 (Figs. 3.10a–b, 3.11, 3.12), 115–18

of reproductions and media 3, 48, 75n84, 356–57;

copying; distribution; diffusion; loose/scattered leaves; reception of Goethe’s Faust I

Claes, Marie-Christine 198n78

Clairmont, Claire 327

Clapham, John Harold 179

Clark, Lewis Gaylord, ed. of Knickerbocker 324

classicism 39, 45, 49, 60, 86, 88

and romanticism 49, 50, 87, 206, 288, 289–90, 357;

neoclassical; neoclassicism

Clayton, Tim, and Sheila O’Connell 180

Clösges, Elisabeth 50, 52n1, 86n95, 97

Cochran, Peter 329n18

Colburn, Henry 305

Coleridge, Samuel Taylor 2, 120, 121, 126, 140, 151, 166, 281n44, 288, 324

– debate (Faustus trans.) 55n17, 124n39, 136, 137, 149, 149n60, 166, 324;

Boosey → 1821 Faustus

Rime of the Ancient Mariner outlined 240

Colin, Alexandre 208, 372

1829 Album composé et dessiné sur pierre 225, 372

Faust and Margaret in the garden 225–26, 226 (Fig. 7.10)

Colin, Madame, Gretchen at the Spinning Wheel 224n23

collages 39, 118–19, 118 (Fig. 3.18), 135–36, 135 (Figs. 4.4a–b), 136 (Fig. 4.4c), 170, 171 (Fig. 5.19), 187–88, 187 (Fig. 6.9), 213, 370

collections

private

Dauer, Detlef (Magdeburg) 341 (Fig. 12.4), 343, 343 (Fig. 12.5b), 345 (Fig. 12.6b), 370, 374, 375

Kasten, Hans (Bremen) 221

Puppel (Berlin) 236n36

Wegner, Peter-Christian (Lübeck) 237 (Fig. 7.21b), 338, 339 (Fig. 12.3), 340, 342 (Fig. 12.5a), 374, 377;

Aders, K.; Britton; Hoe

private→ institutional

Berg Collection, NYPL (New York) 316 (Fig. 10.4), 318

Bodmer, Martin (Geneva) 57 (Fig. 2.3), 108, 362

Devéria, Achille (BnF, Paris) 206–8, 209 (Fig. 6.21), 225, 226 (Fig. 7.10), 227, 228 (Fig. 7.11), 229 (Fig. 7.12), 233, 234 (Fig. 7.18), 235 (Fig. 7.19), 371

Gabrielle Enthoven (V&A, London) 300 (Fig. 9.18), 301 (Fig. 9.20)

Goethe’s music collection (Weimar) 283

Kippenberg (Düsseldorf) 219, 282n51, 282n53, 372

Kretzschmar v. Kienbusch, Carl Otto (Princeton) 200

Lahmann, Johann Friedrich (Dresden) 69

Moosmann-Böhme (Knittlingen) 231 (Fig. 7.16), 289 (Fig. 9.12), 351, 352, 373, 378

Speck (Beinecke, Yale)¹ 99, 146–47, 184, 195, 200, 329, 355

Tille, Alexander (HAAB, Weimar) 48n120, 108, 221n18, 237 (Fig. 7.21a), 238, 361, 362, 374;

Grenville, T.; Stumme

institutional (public)

British Museum Prints and Drawings 97

Charlottenburg Palace (Berlin) 334

Goethe-Haus (Frankfurt) 334

Harvard’s Theatre Collection (Boston, Ma.) 291, 292 (Fig. 9.13)

Kupferstichkabinett (Berlin) 101n30, 278 (Fig. 9.5), 370

Modena (→ Dresden) 26–27

Paris Opera “Prints after Faust scenes” 203

Prints Cabinet (Kupferstich-Kabinett, Dresden) 44, 67, 70

Royal Collection Trust 358n15, 373, 376–77

Saint Petersburg (Hermitage) 58, 67

Theatersammlung, Universität Köln (Cologne) 189n49, 372

Theatre and Performance (V&A, London)

V&A (Victoria and Albert Museum) 58, 62;

libraries

collectors

R’s prints tempting – 4, 54, 106, 108, 125, 126, 127, 129, 136, 137, 139, 143, 151, 154, 159, 162, 168, 169, 175, 176, 179, 181–84, 191, 204, 210, 216, 220–21, 236, 255, 277, 349, 357, 367, 368;

bibliophiles; collections; connoisseurs; Dibdin; Robinson, H. C.; Sigismund

Collier, John D., ed. of Monthly Register 123, 156

Collier, John Payne (son of J. D.), Schiller trans. 123, 156, 170

colour

–ed lithographic prints after R 106, 107 (Fig. 3.9), 238–39, 238 (Fig. 7.22), 358, 368, 375

–ed version of Crowquill 255, 256 (Figs. 8.1a, 8.1b), 260 (Fig. 8.3b), 373

expressive/symbolic use of 89–92, 90 (Figs. 2.22, 2.23), 91 (Fig. 2.24, 2.25), 93 (Fig. 2.26), 250, 262, 287, 363, 378

of porcelain wares 338, 340, 352

on R portfolios and editions 52, 53 (Figs. 2.1a-b), 54, 96, 97, 102, 103 (Fig. 3.6), 105, 166, 212, 213, 365;

bindings; devil; Mephistopheles

comic/comedy 37, 89, 192 (Fig. 6.12), 193–94, 258, 264n21, 301, 319

and (impure) tragedy 89, 103, 133, 135, 175, 184, 192 (Fig. 6.12), 193–94, 210, 213, 279, 339

– relief 83;

burlesque; parody

commercial strategies 159, 356;

marketing

commodities 107, 241, 338;

Marx

comparative literature 5, 356

comparison as method 5, 38, 39–43, 45–49, 50, 52, 115, 356

brief – with music 257

btw. artworks 133–35, 136, 144–45, 146 (Fig. 5.6), 147 (Fig. 5.7), 227, 233, 247, 262–68, 307

by Flaxman 123

by Marianne v. Willemer 332

btw. lookalike exemplars and prints 4–5, 52, 95, 106, 120, 137, 138, 175–76, 179–81, 355

in language 38, 58–59

in visual analysis 28–30, 67–73, 87

compendia of Faust images 4, 49, 50, 208, 225, 233, 245, 355;

Devéria; Neubert

competition (commercial)

btw manufacturers 349

btw. printmakers 169, 227, 375

btw publishers 5, 95, 102–6, 128, 136, 137, 147–48, 156, 179, 184, 190, 201, 210, 268, 352;

marketing

Colnaghi, print publishers and art dealers 291

Concanen, Alfred 299

Concanen, Hugh (son of A.) 299

connoisseurs 49, 58, 60, 112, 121, 123, 139, 168, 183, 184, 200;

collectors; reader categories of R’s outlines

Constant, Benjamin 197

Constitutionnel (Le) 182n29

consumer goods 3, 154, 229

consumerist culture 3, 124, 166, 241, 245;

commodities; objects

Cooke, Simon 258

Cooper-Richet, Diana, Jean-Yves Mollier, and Ahmed Silem, 180n14

Cooper, John Michael 44

Cooper, Thompson 167n112

copperplates 95, 96, 99, 108, 138, 169

vs. steel engravings 106, 168

vs. woodcuts 135

copying

and copies of copies 5, 137, 321

and originals 58, 62, 115–17, 137

as process 4–5, 89, 108, 176, 179–80, 180n18, 184, 198, 212, 215–21, 268, 298, 355–57

experimental – 195, 196 (Fig. 6.15a–b), 364;

circulation; distribution; diffusion; duplicates/duplication; imitation; loose/scattered leaves; reception of Goethe’s Faust I; remediation; reproduction

1814–15 Vienna congress 108

lack of – 107, 109, 115, 122

Coralli, Jean 290

Corbould, Edward 358, 377

Cornelius, Aloys 48

Cornelius, Peter (son of A.) 3, 43, 45, 50, 59, 67, 97, 110, 115, 118, 180, 268, 272, 277, 343, 373

1816 (fully 1826) Bilder zu Goethe’s Faust 264, 280

and the gallery model (Bildreihe) 48–49, 52

dedication pl. 2 (“Prelude on the Stage”) 150, 150 (Fig. 5.8)

adapted by Moses to R 149–51, 151 (Fig. 5.9), 180, 360

Faust meeting Gretchen 46 (Fig. 1.10), 48

prison scene 280–81, 280 (Fig. 9.7)

title-page 274

1841 smaller Bilder zu Goethe’s Faust (Mey and Widmayer) 49

Faust drawings 45

on relation to R see Index on MR → 11. Influence → Cornelius

Corps Rhenania 343

Correggio 42

The Night (aka The Adoration of the Shepherds) as lithophane 346

Corsaire (Le) 182n29, 184, 281n50, 290n86

cosmopolitan/cosmopolitanism 122, 261

Cotta firm² 189, 208, 213, 356

commercial announcements (Circulaire) 66, 67, 95, 109

griffin mark (from 1839) 106, 365, 368;

Seibertz

order book (Auftragbuch) 95

printing works in Stuttgart 106

Stuttgart bookshop 54, 133, 370

Württemberg seat 60;

Kröner

Cotta, Georg v. (son of J. F.) 27, 40, 54, 65, 67, 69, 96, 101–6, 109, 126, 168, 208, 214, 220, 241, 339, 351, 358

1834 enlarged and retouched Faust I album (29 pl.) 8, 36, 54, 55, 69, 95, 96, 99, 102–5, 106, 108, 213, 216, 220, 241, 288, 339, 364, 365, 366, 371, 377

extra plates 22–24, 103, 104 (Fig. 3.7), 213, 214 (Fig. 7.1)

random order 103

delayed 99, 101

divergent/wanting dates 95, 99, 102, 104–5

1836 colourful Faust II portfolio 36, 54, 102, 103 (Fig. 3.6), 105, 105 (Fig. 3.8), 106, 167, 168, 365

pl. 10 172, 173 (Fig. 5.22)

1836 joint Faust I and Faust II album (40 pl.) 4, 54, 105, 106, 168, 220, 241, 288, 358, 365

divergent dates 52, 54, 105

random combination 105–6

n.d. Faust I and Faust II album 106–7

pre-1839? (or post 1840) printed by Cotta (no griffin) 4, 106, 106n54, 365

1884? printed by Kröner 4, 106–7, 107 (Fig. 3.9), 368

and R 101–5

decrying Faust I diverse frame sizes 102, 102n37

disputing price for re-engraving Faust I plates 101–2

as art publisher 104, 106

European connexions 102, 103, 106

Cotta, Johann Friedrich 2, 27, 35, 36, 39, 40, 42, 45, 49, 52, 59, 60–61, 62, 63–66, 67, 69, 96–99, 101, 106, 108, 109, 112, 122, 126, 133, 138, 156, 179, 323, 338, 359

1816 Umrisse zu Goethes Faust, R’s original portfolio 2, 8, 35, 36n62, 40, 42, 48, 56, 56 (Fig. 2.2), 65, 66, 67, 95–96, 97, 99, 101, 102, 103, 104, 121, 122, 124, 125, 125n48, 129, 137, 138, 175, 213, 220, 227, 307, 323, 338, 339, 359, 373

as twofold device 52–54, 53 (Figs. 2.1a–b)

“prints on demand” 96, 99

1818? alleged Tübingen ed. 95, 97–99, 124, 359

1820 Umrisse zu Goethes Faust, 2nd impr. 2, 8, 56, 57 (Fig. 2.3), 59, 87, 93, 95–97, 99, 108, 109n73, 125, 126, 128, 130 (Fig. 4.1), 138, 191–92, 334, 359, 363

improved paper quality 96, 97, 138;

plate margins

1828? putative ed. 43, 96, 97

1830 extra impr. 96, 97, 98 (Fig. 3.1a), 99, 108, 363

and R 63–67, 99–101

Cottin, Madeleine 306

Coudray, Clemens Wenzeslaus 101

Counter-Reformation 182;

Roman Catholicism

Coupin, Pierre-Alexandre 42, 49

Courrier des théâtres (Le) 290n86

covenant vs. wager 84–85, 85 (Fig. 2.21), 116 (Fig. 3.17a), 117, 128, 181 (Fig. 6.4), 186, 201, 208, 245, 245 (Fig. 7.25), 259, 264, 281, 371, 373, 378

signing with blood 127, 168, 352;

Mephistopheles

covers after R

alluring

colour and ivy in Nerval trans. 184, 185, 185 (Figs. 6.7a–b), 211, 362

see Audot; Frère; Tilt; Votteler

devout see Riepenhausen, E. L.

magic related see Berryman; enigmatic ornaments; Tilt

on scores

c.1831 piano – after Bertin 283, 283 (Fig. 9.9), 372

publicizing Irving’s silhouette 299

sensational see Bichebois

sentimental see Beecham; Librairie Gründ

synoptic see Frey, J. W.

covers for Goethe’s Faust I

sensational see Devéria

pretend/reverse see Lachgern

Craig, Edward Gordon 197, 197n67, 296–97, 298, 299, 362

Crayon (The) 25

Crick, Joyce 149n60

Croly, Rev. George 126, 139

croquis 180, 258, 306

crossbreed (items) see hybrid printed assemblages

crow, a/to crow 255, 258–59

Crowquill, Alfred (pseud. of brothers Alfred Henry and Charles Robert Forrester) 258

Crowquill, Alfred (pseud. of Alfred Henry Forrester) 206, 255–57, 258, 269, 357

1834 Faust: A Serio-Comic Poem with Twelve Outline Illustrations 123n31, 255, 258–62, 343, 373, 374, 375

as spiced-up trans. 259, 262

parodying R 256 (Figs. 8.1a, 8.1b), 259, 260 (Figs. 8.3a, 8.3b), 263 (Fig. 8.5), 265 (Fig. 8.6)

“The German in an English dress” (self-portrait) 259, 259 (Fig. 8.2), 261, 262, 266, 268, 344

turned into 1841 German album 262–68;

burlesque; heroic-comic; Lachgern

1854 A Bundle of Crowquills 258–59

Cruikshank family 318

Cruikshank, George 258

cultural history 43, 45, 115, 116, 175–76, 254, 332, 338

cultural practices 3, 5, 59, 176, 333

embodied in books and other items 30, 56, 147, 149, 154, 170, 175–76, 340

cultural transfers 54, 122, 132, 157, 179, 189, 257, 261, 340

Cupid (mythology) 38;

Eros

Dabezies, André 296n100

Danae (mythology) 39

Dante, Alighieri, works by

Inferno 77

Divina Commedia 86, 89, 110, 122, 189, 213

1793 Paradise outlined by Flaxman 141, 143, 143 (Fig. 5.3)

1833, 1840 outlined by R 36;

Flaxman

Darley, Felix Octavius Carr, outlines 240–42

1843 Scenes in Indian Life 241

1848 after W. Irving, The Legend of Sleepy Hollow 241

1849 after W. Irving, Rip Van Winkle 241

1856 (published) after S. Judd, Margaret 240

1879 Compositions in Outline from Hawthorne’s Scarlet Letter 241

Darley, Gillian 127n64

Daunicht, Richard 279n37, 280n39

David d’Angers, and R 27, 37, 42, 92, 290

Davison, Simmons, and Co, printers 157

Dawe, George (son of P.) 58

Dawe, Mary Margaret (daughter of P.) 58–59

Dawe, Philip, mezzotint engraver 58

De Quincey, Thomas 125n44, 129

“On the Knocking at the Gate in Macbeth” 233

Debreux, Marguerite (Mademoiselle Debreux) 299

Dédéyan, Charles 186, 190n55

Deflandre, M.-A. 191n57

Degreif, Uwe 112n83

Delacroix, Eugène 2, 50, 60, 128, 168, 177, 179, 206, 208, 226, 247, 284, 290, 291, 298, 333

1827 painting Mephistopheles Appearing to Faust 184

1828 lithographed Goethe portrait (← Schmeller) repurposed 198–200, 199 Figs. 6.16a–b), 208, 363

1828 in-folio Faust lithographs 49–50, 54n10, 60, 62, 92, 180, 181, 184, 187, 189, 198, 204, 205, 208, 245, 254, 270, 272, 273, 299, 333, 372;

Motte-Sautelet 1828 in-folio Faust

1843 Hamlet lithographs 307

1862 letter to Burty 177, 245n75

and R 84, 177, 206, 210, 239, 245, 247, 270, 291, 370

Faust meeting Gretchen compared 48, 242, 247, 248 Fig. 7.27 top)

freehand copies of R 177–79, 177 Fig. 6.1a–b), 178 (Fig. 6.2, 6.3), 216, 270, 298, 370

Delpech, François 162

Deneke, Otto 109

Denon, Dominique-Vivant, 1816–20 Monuments des arts du dessin 182

dénouement 172, 280–81, 313, 352

Deschamps, Léon, ed. of La Plume 208

Despléchin, Édouard, stage set designer 283–84, 284 (Fig. 9.10), 377

Derrida, Jacques 356

Deutsche Miscellen, Perthes’s newspaper project 122

Devéria, Achille 208, 208n106, 225, 226

1824–50s “Goethe” visual compendium 206, 209 (Fig. 6.21), 226 (Fig. 7.10), 227, 228 (Fig. 7.11), 229 (Fig. 7.12), 233, 234 (Fig. 7.18), 235 (Fig. 7.19), 371

1828 Faust cover as “the pencil’s Walpurgis” 206–8

Devéria, Eugène 208, 226

devil, the 262, 332

as censor in book of universe (Staël → Nerval) 211

as fearful spirit 298

as man and interiorised 127, 290–99

civilized 298–99, 304, 305, 309, 338

parallel btw. Faust and – 46 (Fig. 1.8), 48, 247, 248 (Fig. 7.27 top)

as typesetter and printer 297

depiction of 77, 80, 84, 351–52

and sexuality 74–75, 74 (Fig. 2.9), 75 (Fig. 2.10), 232 (Fig. 7.17)

in red 296

R model for –’s type 59, 162, 281, 291, 292 (Fig. 9.13), 296, 297–301, 302, 351

the –’s prying eye 72, 85–86, 92, 227, 229, 231, 233

in R’s The Chess Players 310, 358

is in the details 262;

Delacroix; irony; Johannot; meerschaum pipe; Mephistopheles; Momus; Old Nick

Dibdin, Thomas Frognall 2, 43–44, 54, 133–36, 139, 184, 213, 347, 370

1821 Bibliographical, Antiquarian and Picturesque Tour in France and Germany 43, 133–35, 134–35 (Fig. 4.4a–c), 139, 184

Dickens, Charles 2, 203, 303, 315, 318

1848 Dombey and Son 319

1850 David Copperfield 303, 313–21, 314 (Fig. 10.2), 316 (Fig. 10.4), 317 (Fig. 10.5), 376

and R 319

Dickson, Sarah 258n11

Diderot, Denis 289, 311

Didot, Jules, alias J. Didot aîné 191, 193, 195

Didot, Pierre, alias P. Didot aîné (brother of J.) 191, 193n59

Dieterich, Johann Christian, publisher 109–11, 111 (Fig. 3.10a), 362

diffusion (of prints/print culture) 3, 45, 48, 50, 86, 89, 89n123, 93, 108, 112, 115–16, 175, 257, 279, 301, 309, 310, 355, 357, 358;

circulation

digitization reducing effect 4, 5, 52, 166, 245n71;

remediation

Diodati group 32

Dionysus (mythology) 40;

Bacchus

Disraeli, Benjamin 2, 4, 303, 304, 305, 308, 311, 321

1826 Vivian Grey and R 304–6, 308, 311, 321

distribution (of prints/print culture) 108, 112, 175, 179, 200, 203–4, 215, 229, 367, 376;

book trade; circulation; diffusion

Dobbs, Brian 290n84

Dobsky, Arthur 49, 97n17

Doerffling (Dörffling) Carl Friedrich, Leipzig publisher 262, 264–67

1837 or 1839 English Novelist (The) 264n19

c.1844 Unter-Italien, panoramic prints 264

and Franke 264

Dolci, Carlo, The Penitent Magdalen 346

Don Quixote (the character) 261

Dondey-Dupré, publishers see Nerval

Dopp, Herman 197n70, 197n73, 200n82

Doré, Gustave 284

Döring, Georg 113, 114, 370

Dorval, Marie, as Marguerite 186, 281, 290–91, 294, 295 (Fig. 9.16)

Doy, Guinevere 177n2, 247nn76–77

Doyle, John (H. B.) 318

Dresden

Academy of Arts 25, 26

Armoury (Rüstkammer) 85

as Florence of the Elbe 27

court 26, 27, 34, 59, 212, 271

Gallery (Gemäldegalerie) 25, 26, 40, 44, 347

Gallery of Antiques 40

Green Vault 40

Prints Cabinet (Kupferstich-Kabinett) 44, 67, 70

Dresdner Geschichtsblätter 26n7

Dresen, Wolfgang 301

Drost, Wolfgang, and Marie-Hélène Girard 306n11

Dublin Review 167

Duchamp, Marcel, The Bride Stripped Bare by her Bachelors, Even 327

Duchartre, Pierre-Louis, and René Saulnier 184n33

Duke of Bedford 347;

Woburn

dumb shows/ballet as silent poems (Gautier) 309, 311

duplicates/duplication 5, 108, 110, 162, 166, 212, 213, 215, 218, 220, 297;

copying; reproduction

Dürer, Albrecht 61, 123

1498 Apocalypse 88

1514 Saint Jerome in his Study 130–32, 131 (Fig. 4.2)

Düsseldorf Association for the diffusion of religious images 227

Ebner, Georg, art publisher 110, 111 (Fig. 3.12);

Emminger

Écho de Paris (L’) 189n48, 290n86, 290n89

Eckermann, Johann Peter 49, 186n43, 272, 273, 282, 288n80

editions/prints

deluxe/fine 4, 5, 6, 96, 97, 102, 103, 106–7, 112, 138, 139, 148, 149, 159, 162, 167, 168, 169, 191–97, 204, 241, 245, 365, 369

large paper 138, 139, 187, 241, 255, 256 (Fig. 8.1a–b), 363, 373

pirated 96, 99, 107–12, 136, 137, 149, 154, 161, 307, 356

popular 5, 6, 49, 51, 108, 118, 157, 197, 200, 203–4, 210, 240, 247, 255, 264, 299–301, 343;

Belgian counterfeit editions; illustration

Eilfer wine (1811) 55, 330

Elkan, David Levy, painter and lithographer 267

“embellishments” period term for illustrations 138, 148, 155 (Fig. 5.11a–c), 158 (Figs. 5.12, 5.13), 167, 168, 222, 360, 361, 364, 366

Emerson, Ralph Waldo 169, 189, 240

Emminger, Eberhard 109, 110, 110n81, 112n83, 362

chalk lithograph after J. Riepenhausen, Faust’s First Meeting with Gretchen 110–12, 111 (Fig. 3.12), 362

Ende, C. G., printseller? 238, 238 (Fig. 7.22), 375

Engel, Karl 49n122, 97, 106n54, 166n104, 180n19, 201n88, 288, 333, 355, 365

Engelhardt, Christian Moritz, 1818 ed. Hortus deliciarum 133, 135

Engell, James 149n60

Engelmann, Godefroy, Franco-German lithographer 162

Engelsing, Rolf 242n69

engravings/etchings

as art and reproduction vehicle 64, 69, 70–71, 71 (Fig. 2.6), 89

imprinted onto minds 252–54, 290–91, 296–97, 298, 306–7;

metaphors; Index on MR → 7. Aesthetics, Inspiration, and Technique → etching

enigmas in fiction 310–11, 321

enigmatic ornaments 151, 151n68, 152 (Fig. 5.10a), 153 (Fig. 5.10b), 176, 360, 361

ephemera 333;

artefacts; trivial, triviality

epigram 38

epithalamium 330

Erdmann, Jürgen 287n71

Ernst I, Duke of Saxe-Coburg and Gotha 287, 299

Ernst, Max 39

Eros 114–15, 115 (Fig. 3.16a) 323;

Cupid

Essen, Gesa v. 86

Estes and Lauriat, Boston publishers, 1877 Illustrations to Goethe’s Faust 169, 368

etchings see engravings/etchings

Europe (mythology) 39

European Magazine and London Review 148n45, 149

European Magazine and Monthly Review 147

ex libris (MS)

Abbott, Ira A. 360

Bagot, Harry 163n100

Byron, George Gordon (Noel) 154n75, 329

Campbell, Tho[ma]s Theodore, Jr 361

Craig, Edward Gordon 362

Heinemann, William 149n65

Frere, George 360

L. 201

Parsons, Henry G. J. 149n65

Wilder, Amos Niven 153 (Fig. 5.10b), 360

Wilder, Thornton Niven 360

Wyeth, N. J. 201–3, 366;

bookplates

Examiner (The) 149n59, 154, 156n80, 161n93, 167, 170, 281n47

exchanges

commercial 59, 64, 124;

book trade

cross-cultural 58, 121–23, 136, 338, 356

cultural 121–23, 150–151

images as major currency in – 4, 58, 122

intellectual 189, 324

transnational 121–24, 136, 166, 180, 189, 264, 356;

gifts

exhibitions

Brera Academy annual – (Milan) 250, 377

Crystal Palace World – (1851 London) 28, 172, 240

Dresden Academy annual – 34, 39, 40, 43

Goethe centenary – (1932 Dresden) 236

Leipzig international – on Goethe illus. editions (1932) 50

Royal Academy annual – (London) 28

Tille –s (1899 catalogue) 227, 238, 360

Universal – (1867 Paris) 250, 377

Weimar –s 61

extra-illustration 36, 147, 149n66, 151, 153 (Fig. 5.10b), 159, 163n100, 209 (Fig. 6.21), 213, 215 (Fig. 7.2), 226 (Fig. 7.10), 227, 228 (Fig. 7.11), 229 (Fig. 7.12), 234 (Fig. 7.18), 235 (Fig. 7.19), 355, 371

Eytel, Wilhelm, amateur woodcuts after R 116 (Fig. 3.17a), 117, 117–18 (Fig. 3.17b), 373

Fairholt, F[rederick] W[illiam] 163n101

Fallbacher, Karl-Heinz 115n86

fancy vs. imagination 88;

imagination; Index on MR → 2. Personality and Characteristics → aptitudes → imaginative power; disposition → fancy

Fashionable (Le) 290n86

Faure, Jean-Baptiste, in Gounod’s Faust 299, 311

Faust (the legendary character)

and Bilderbogen 210

and carnival 268

and Don Juan 324

and magical books 189

as magician (Hexenmeister) 55, 87, 168

as old/genuine Germanic figure 2, 4n6, 48, 61, 117–18, 122, 140, 168, 184, 210, 261, 268n25, 269, 296

Faust (the character) as inventor of printing 184, 192–93, 210–11;

Fust

Faust/ Faust I iconography 4, 43, 45, 50, 208, 239, 274

and German art clubs 112

and inclusive studies 50, 108, 205, 225, 369;

compendia

and monumental editions 49, 75, 75n84, 149, 208, 268

and mythical past 116 (Fig. 3.17a), 117–18, 117 (Fig. 3.17b)

Goethe’s theatre Faust drawings 274, 275 (Fig. 9.3), 276 (Fig. 9.4)

heroic/Germanized – 4n6, 261, 268

R’s leading – 2–3, 6, 43, 75–77, 115, 176, 205, 239, 274, 298, 301, 331, 357

Faust as Man/everyman 2, 122, 140, 189, 192 (Fig. 6.12), 194, 224, 261, 270, 272–73, 297, 340, 342, 352, 358

Faust, die (German the fist), pun 193 (Fig. 6.13), 194

Faustus: or, The Demon of the Drachenfels (1850) 299

Fayt, René 200n81

Fechner, Werner, tin figurines 351, 378

and Barbara Rothmeier 351n37

Mephistopheles, Faust and Gretchen after R 351–52, 351 (Fig. 12.10)

Feldman, Theo, book dealer 200

Fénelon, François, Telemachus 113, 140

Ferniot, Paul 208

Feuerbach, Anselm 250

Feuillet-Dumus, Auguste (Auguste Feuillet), co-dir. of La Librairie Romantique 197–98, 364

1828 Faust: Tragédie de Goëthe 197–200, 199 (Figs. 6.16a–b), 363

Fichte, Johann Gottlieb, 1799 Die Bestimmung des Menschen 346

fine printing 102–4, 159, 169, 190–95;

editions/prints → deluxe/fine

Finlay, Nancy 240n58, 241n61

Fischer, Bernhard 44–45, 95, 96n12, 97, 99, 108, 112n82

Flaxman, John 2, 86, 110, 123, 169, 238, 240, 241, 274, 286, 310

and Goethe 61, 86, 124, 274, 275 (Fig. 9.3)

and Moses 137, 141, 142 (Fig. 5.2), 143 (Fig. 5.3)

major literary works outlined

Aeschylus’s tragedies 48, 86, 110, 122, 213

Dante, Divina Commedia 86, 110, 122, 189, 213

Circle of Angels around the Sun (Paradiso, X) 141, 143 (Fig. 5.3)

The Lovers Surprised (Inferno, V) 77

Hesiod 86, 110, 122, 213

Homer, Iliad 48, 86, 87, 110, 122, 123, 213, 238, 274

Jupiter Sending the Evil Dream to Agamemnon 274

The Council of the Gods 274

Homer, Odyssey 48, 86, 110, 122, 123, 213, 238;

Index on MR → 8. R’s Distinctive Outline Treatment→ adapting Flaxman

Fleischer, Ernst, Leipzig bookseller and publisher 89n122, 96, 97, 99, 101, 102, 103, 241, 358

Fleischer, Friedrich, Leipzig bookseller and publisher

Kupfersammlung zu Goethes sämmtlichen Werken 213–14, 317

Fletcher, Josiah, Norwich ed. and printer

Norwich Magazine (The) 169, 366

Norwich News 169, 366

Flor O’Squarr, Charles-Marie (Oscar-Charles Flor) 203n95

Fontallard, Henri-Gérard see Gérard

Fontane, Theodor, 1883 novel Count Petöfy 346

formats

competition btw. 168–70, 175

evocative 48, 52, 61, 110, 137, 138, 154, 175, 176, 191, 215, 355

homogenized 49, 103

landscape 2, 129, 148, 169, 227, 241, 262

landscape vs. portrait 129, 154, 160, 168, 175

large 70, 138, 227, 240

modified 3, 95, 96, 112

monumental 49, 52, 75, 149, 208

small/diminutive 168, 198, 241

unpretentious 48

varying 51, 149, 151, 163, 176, 213, 227, 238;

albums; octavos; portfolios; quartos

Forrester, Alfred Henry see Crowquill

Forrester, Charles Robert (brother of A. H.) see Crowquill

Forster-Hahn, Françoise 4, 52n3, 116, 261n14, 357n8

Förster, Karl 27

Français peints par eux-mêmes (Les) (1840–42) 297;

physiologies

Frantz, Adolf Ingram 167, 168n115

Frederick William IV, King of Prussia 167

Frère, Édouard, French artist

alluring cover 245, 245 (Fig. 7.25)

copying R 203, 204, 204 (Fig. 6.18), 210, 210 (Fig. 6.22), 242–43, 243 (Fig. 7.23), 244 (Figs. 7.24a, 7.24b), 245n71, 253, 367, 375, 376, 378;

Bry

Fretter-Pico, Ludwig, student, Corps Rhenania 343

Frey, Jean George, printer and lithographer 195

Frey, Johann Wilhelm, graphic artist 163–66, 165 (Fig. 5.18), 367

Friedländer, Carl Martin 200, 365

Friedrich August I, aka Frederick Augustus the Fair 26

Friedrich Wilhelm III 334

Friedrich, Caspar David 25, 26, 28, 42, 239nn45–46

and Goethe’s Faust I 31

and R 31–32, 37, 62, 239

1808–10 painting Der Mönch am Meer and R’s pl. 2 31, 239

c.1830 “Statements” 37

Frijlink, Hendrik, Dutch publisher and trans. 166, 367, 368

1865 Faust into Dutch with 6 vignettes after R 163–66, 165 (Fig. 5.18)

frogs, unpoetic animals see Aristophanes; Batrachomyomachia

frontispieces as mediating devices 107, 137, 360, 368, 369

1820 Kleines Geschenk 114, 115, 115 (Fig. 3.16a)

1821 Moses after Cornelius beckoning readers 149–51, 151 (Fig. 5.9), 180, 360

1825 J. M. Wright, The Decision of the Flower, in The Literary Souvenir 224–25, 225 (Fig. 7.9), 371

1828 Pinéas after R in Nerval trans. 85, 181 (Fig. 6.4), 185–86, 211, 307, 371

1829 R’s – for Faust in AlH 213–14, 215 (Fig. 7.2), 371

1832 “Kiss” plate mounted as – 157, 158 (Fig. 5.13), 233, 360

synoptic

1840 in Baudry ed. 201–3, 202 (Fig. 6.17), 366

1865 in Dutch ed. 165 (Fig. 5.18), 166, 367

Fugger v. dem Rech, Simone 26n15

Funès, Louis de 301

Fusenig, Thomas, and Sebastian Giesen 239n44

Füssli, Henry

and Retzsch 143

The Nightmare 143, 145 (Fig. 5.5)

Fust, Johann, printer and Gutenberg’s associate 211, 192

Galignani, Giovanni Antonio’s succrs 201

Galland, Antoine 352

Gallimard, Paul 245

Garde, Georg 298n108, 301n115

Garibaldi, Giuseppe Maria 250

Gaudin, Charles, 1868 Faust stereoscopic views 206

Gautier, Théophile 2, 184, 186, 208, 279, 284, 286, 287n69, 291n95, 303, 306, 307, 311, 378

fascinated by R’s prints 307–8

outlines paralleled to avant-garde performances 309, 321–22, 356

works by

1835 Mademoiselle de Maupin 307

1839 “La Toison d’or” 307, 308

1841 “Deux acteurs pour un rôle” 308

1841 Giselle 309

1846 Les Roués innocents 308–9, 321

1855 Les Beaux-arts en Europe 307

1865 Loin de Paris 306

1874 Portraits contemporains 284

Gazette de France (La) 179n4, 182n29, 184

Gazette littéraire 193

Geiger, Ludwig (L. G.) 272n4, 273n80, 288n80

Geisler-Szmulewicz, Anne 307n18

geistreich (geistvoll), qualifying R 35–36, 37, 44, 59, 61, 62, 80–86, 124

spirit/spirited in reception 5–6, 59, 62, 124, 138, 156, 310

Gentleman’s Magazine 129n74, 160n90, 162

George IV see King of Great Britain and Ireland

Gérard (Fontallard, Henri-Gérard) 184, 184n34

Géricault, Théodore 160, 252

The Raft of the Medusa reproduced 252

Gessner, Salomon, Idylls 34–35

Giard book trade lineage 190–91

Giard, Paris publisher 181, 190, 192, 195, 197, 210, 363

1830 Faust: Esquisses dessinées par Retsch reverting to German original 142, 179, 180, 184, 190, 191–93, 195, 197, 203, 211, 233, 363–64

cover lithograph by A. Bichebois 193 (Fig. 6.13), 195

etched title-page 192 (Fig. 6.12)

Speck exemplar of trial prints 195;

Laborde

Giard, Antoine 190

Giard, François 190

Gibbings, W. W., London publisher

1830s Illustrations to Goethe’s Faust in Twenty-Six (or Twenty-Seven) Outline Engravings by Moritz Retzsch 163, 169, 175, 364

Gibson, John, sculptor 28

Giesen, Sebastian 50, 61n44, 65, 86, 239;

Fusenig

gift books 169–70, 224–25, 238, 323;

almanacs; keepsake literature

gifts

and aesthetic message 57–59, 112, 121, 123–24, 136, 229

and art treasures 58

and charity 55–56

and circulation mechanisms 2, 55, 58, 121–24

and commercial symbolism 120, 122, 136

and cultural dialogue 59, 121–24

and literary value 121, 136, 324

and national/political symbolism 55–56, 120, 121–22, 136

and publicizing 55

birthday – 37, 338

by poets 55, 154, 254, 323–32

friendship/comradeship – 30, 30 (Fig. 1.2), 55, 343, 345 (Fig. 12.6b)

of pirated goods 109, 362

royal – 334–38, 335 (Fig. 12.1), 336–37 (Fig. 12.2);

exchanges; Goethe offering R’s Umrisse; Mauss

Gilbert, Mary E. 121n21

Gilmour, Joanna 126n54

Giraudeau, Abel, med. doctor and bibliophile 200

Giro d’Italia (Il), racing event 302

Gisborne, John 1, 154, 324;

Shelley, P. B.

Glaser, Curt 44

Gley, Julie, actress, as Margaret 293, 293 (Fig. 9.14)

Globe (Le), open letters on Goethe 185

Gluck, Christoph Willibald 288

Glück, Franz 98, 98 (Fig. 3.1a), 99, 363

Godey’s Lady’s Book 324

Godfroid, François 197n71

Goedeke, Karl 97, 355

Goethe, August (son of J. W.) 277

Goethe, Christiane v., née Vulpius (wife of J. W.) 323, 330

Goethe, Johann Wolfgang v., and R 59–62, 63–64, 65, 66, 67, 97, 109, 110, 124, 273, 358

drawings sent to Weimar 63, 66

Dresden visit 34, 60–61

English copies triggering R appraisal 60, 62

Goethe offering R’s Umrisse see Bracebridge, C. H.; Bracebridge, S.; Dawe, M. M.; Jena Patriotic Women’s Association; Köhler; Sophia Dorothea of Württemberg; Vigoureux; Willemer, J. J.; Willemer, M.

indirect relations 59–62, 64, 65

R commented by Meyer 61–62;

geistreich

Goethe, Johann Wolfgang v., and print technologies 54–55

and monumental editions 106, 213, 214, 268

Faust merged with printed object 55

in translated series vs. defeat of R’s prints 175

steering his works’ publication 106

Goethe, Johann Wolfgang v., compared to venerated poets 40, 122, 189, 213, 329

Goethe, Johann Wolfgang v., Faust I German editions

1790 Faust: Ein Fragment 1, 55, 308

1808 Faust, eine Tragödie 1, 2, 25, 30, 45, 52, 54, 63, 80, 213, 242, 255, 261

1816 Faust pocket ed. (Taschenausgabe) 52, 54, 113, 114, 118, 118 (Fig. 3.18), 128, 360, 370

1829 pocket Faust (AlH) 97

1830 pocket Faust 99

1833 Faust 104

Goethe, Johann Wolfgang v., Faust I

and explanations 113, 127, 138, 147, 156, 166, 168, 188

as (intellectual) chaos 1, 54, 55, 62, 157

as disguised comedy 89

as gloomy fantasy/nocturne 89, 332

as national/heritage tragedy 2, 4n6, 6, 45, 54, 118, 175, 253, 287, 304

revised 261, 269;

Faust (the legendary character)

as puzzling text 1, 89

as splinter/fragment 1–2, 3, 89, 133

as theatre within the theatre within the theatre 268, 272

impossible to stage 271–73

parodied 206, 255, 257, 259, 261, 262, 264, 266–69, 357

Goethe, Johann Wolfgang v., portraits used/inserted 104, 109;

Delacroix; Jagemann; Kiprinksi; Lips; Schmeller; Seibertz; Vincent, D.; Williaume; Woburn windows

Goethe, Johann Wolfgang v., works by (excepting Faust I)

Ausgabe letzter Hand (AlH) 36, 97, 106, 213, 215 (Fig. 7.2), 371

Dichtung und Wahrheit 347

Egmont 35, 168, 306

Elective Affinities 274, 286, 287

Erlking (The) 35

Faust II 2, 54, 106, 167, 168, 172–73, 201–2, 203–4, 307, 366, 367, 368, 378;

Index on MR → 4. Additional Faust I Outlines and Other Faust Drawings

Fisherman (The) 35

Götz von Berlichingen 59

Hermann and Dorothea 58

Iphigenia in Tauris 168

Italian Journey 303, 332

Letters from Switzerland 303

Tag- und Jahres-Hefte als Ergänzung meiner sonstigen Bekenntnisse 61, 274

Tasso 168

The Sorrows of Young Werther 60, 120, 203, 204, 205

Über Kunst und Altertum 42, 60, 61, 62, 128, 148, 325

West-östlicher Divan 55, 323

Wilhelm Meister’s Apprenticeship 35

Works (issued by Cotta) 55, 106, 213

Goethe, Ottilie v. (daughter-in-law of J. W.) 57

Goethe’s Faust I read in text and by image (per textual order)

Prelude on the Stage 128, 150–51, 150 (Fig. 5.8), 151 (Fig. 5.9), 192 (Fig. 6.12), 193–94, 200, 268, 272

Prologue in Heaven 1, 2, 69, 107, 117–18, 117 (Fig. 3.17b), 127, 133, 140–41, 141 (Fig. 5.1), 142 (Fig. 5.2), 149, 154, 157, 186, 189–190, 190 (Fig. 6.10), 193 (Fig. 6.13), 194–95, 200, 205, 270, 272, 273, 275 (Fig. 9.3), 334

night in Faust’s study 80, 89, 90 (Fig. 2.23), 128, 130, 133

outside the city walls 343

two souls 304, 305–6

Mephistopheles’s second appearance 130–32

entbehren 30–31

wager scene 2, 67, 68 (Figs. 2.4a–b), 84–85, 85 (Fig. 2.21), 116 (Fig. 3.17a), 117–18, 181 (Fig. 6.4), 185–86, 211;

covenant vs. wager; Pinéas

Auerbach’s tavern 296, 296 (Fig. 9.17), 330

Faust rejuvenated 141–42, 291

Faust meeting Gretchen 28–30, 45–49, 46 (Figs. 1.8, 1.9, 1.10), 47 (Figs. 1.11, 1.12a–b), 100;

Riepenhausen

in Margaret’s chamber (Faust musing/Mephistopheles hiding the jewels) 73–75, 74 (Fig. 2.9), 75 (Fig. 2.10), 279;

Kreling; Seibertz

garden scene 30, 224–31, 225 (Figs. 7.8, 7.9), 231 (Fig. 7.16), 327–29, 332, 351;

Colin; Grünewald; Maurin; Müller; Robert; Zimmermann

kiss in the summerhouse 1, 77, 78 (Figs. 2.13, 2.14), 79 (Figs. 2.15, 2.16), 217–18, 218 (Fig. 7.4), 222–24, 232–39, 232 (Fig. 7.17), 234 (Fig. 7.18), 327–29;

Maurin; Patzschke; Schuler; Wright; Zimmermann

Margaret at the spinning wheel 72 (Fig. 2.7), 73, 257

Margaret at the cathedral 80, 270–73, 271 (Fig. 9.1)

Mephistopheles’s sarcastic serenade 330

Walpurgis Night 1, 143–45, 146 (Figs. 5.6, 5.7), 149, 154, 157, 167, 205, 287, 303–4, 307, 312, 335, 351;

Shelley, P. B.

Faust confronting Mephistopheles 262, 263 (Figs. 8.4, 8.5), 264

galloping past the Rabenstein 83, 84 (Fig. 2.20), 204, 284, 284 (Fig. 9.11)

finale in prison 2, 72–73, 80, 81, 81 (Fig. 2.17), 84, 89, 92, 169, 170, 256 (Fig. 8.1b), 259, 261, 264, 280–81, 280 (Fig. 9.7), 283, 283 (Fig. 9.9), 284, 284 (Fig. 9.10);

Index on MR → 3. Choice Faust I Scenes Outlined → Pl. 25 & 26

Goethe’s Faust I translated

in verse 1, 128, 135–36, 139, 148, 149, 157, 167, 168, 169, 323–24, 360, 366, 368

into Dutch see Frijlink; Vleeschouwer

into English see Anster; Arndt; Birch; Boileau; Gower; Coleridge debate; Hayward; Latham; Luke; Shelley, P. B.; Soane; Swanwick; Taylor, B.

into French see Blaze de Bury; Nerval; Sainte-Aulaire; Stapfer

into Polish see Walicki; Zawadzki;translations (textual)

Goethe’s Faust I, reception see reception of Goethe’s Faust I

Goethe’s library 58, 125, 126, 128, 138, 148n50, 359

Goldsmith, Oliver 203

Göschen, Georg Joachim, Leipzig publisher 220

Goslee, Nancy Moore 157n87

Gotter, Pauline 63

Goubault, Christian 301n116

Goujon, Jean 187

Gounod, Charles

1859 opera Faust 204, 206, 257, 279, 283, 284, 284 (Fig. 9.10), 285 (Fig. 9. 11), 299, 301, 302, 311, 377

1861 German version Margarete 257

Goupil and Co. 241

Gower, Francis Leveson, 1823, 1825 Faust trans. into English 148n52, 149n61, 162–63, 361

Gradiva complex 306

Gräf, Hans Gerhard 273n11, 283n58

Grandjonc, Jacques 197n74

graphein (ancient Greek), to draw and to write 38

Grassi, Josef 25, 39, 40

Green, Rosalie 133nn85–86, 135n88

Greif, Stefan, and Andrea Ruhlig 148n52

Grenville, George, British prime minister 128

Grenville, Thomas (son of G.), bibliophile and diplomat 125, 128–29

Gretton, Tom 252

Grevedon, H., lithographer 208

Grewe, Cordula 44, 86

Griffiths, Antony 97n15, 180n18

Griffiths, Antony, and Frances Carey 180n18

Griffiths, Ralph, founding ed. of Monthly Magazine 126;

Wainewright

Grillparzer, Franz 266n22

Grolier Club 179, 376

Gros, Jean-Antoine 227

Grosse, Helmut, and Bernd Vogelsang 298n108, 298n110

grotesque (the)

and commodities (Marx) 338

in Faust I editions

1830 title-page in Giard ed. 192 (Fig. 6.12), 193

1884? cover by Votteler 106–7, 107 (Fig. 3.9)

L. Laborde’s interest in – 195–97

vs. sublime 257;

Crowquill; Index on MR → 8. R’s Distinctive Outline Treatment → distinct features → grotesque

Grovier, Kelly 149n60

Gründerzeit 281

Grüner, Vincenz Raimund, engraver and writer 43, 115

Grünewald, Heinrich Ferdinand 227, 230 (Fig. 7.15), 233, 238, 375

Grünewald, Rolf, moulder and engraver 351

Guenther, Peter W. 89n121, 357n8

Guiccioli, Teresa 325

Gulliver and the Brobdingnagians (Gulliver’s Travels by J. Swift) 319, 321

Gutenberg, Johannes 192, 205, 211

Gutzkow, Karl 298n110

Hafferberg, Hugo 287n73

Haine, Heiko 340n17

Hall, Anna Maria 27–28, 36, 37, 38, 54, 92

Hall, David D. 242n69

Hall, Samuel Carter (husband of A. M.) 27–28, 240

Hamilton, Lady Emma, née Amy Lyon (wife of Sir W.) 286

Hamilton, Sir William 286, 287

Hanley, Howard J. M., Margaret Cooper, and Susan Morris 156n78

Harmonia (mythology) 39

Harmonie (Weimar), social circle 274

Harper’s New Monthly Magazine 28

harpies 193 (Fig. 6.13), 194

Harrington, Peter, book expert 132

Harten, Ulrike 277n20, 277n23, 279

Hartmann, Christian Ferdinand 26, 60–61, 63, 227

Hartmann, Johann Georg (father of C. F.) 60

Hartmannsche(s) Haus, influential Stuttgart salon 60

Harvey, John R. 313, 318–20

Haskins, Susan 262n17

HathiTrust cyber-library 52, 54, 200

Hauhart, William Frederic 97n20, 120n4, 124, 167n113, 168n116

Hautecœur, Herménégilde-Honorat, printseller 294, 295 (Fig. 9.16)

Hayes, Kevin J. 80n87, 304n6, 310–11

Hayez, Francesco 242, 247, 250–52, 254, 357

1823 L’ultimo bacio dato a Giulieta da Romeo 247

1859 Il Bacio. Episodio della giovinezza. Costumi del secolo XIV 242, 247–51, 249 (Fig. 7.28), 377

as reproduction print in paintings 250

reworked and repurposed 251–54, 252 (Fig. 7.31a), 253 (Fig. 7.31b)

1861 Il Bacio 250–51, 251 (Fig. 7.29), 377

1867 Il Bacio or Il Bacio del volontario 250–51, 251 (Fig. 7.30), 377

and German painters 250

as illustrator and printmaker 250

Haymann, Christoph Johann Gottfried 40

Hayward, Abraham, 1833 first full Faust trans. into English 49n124, 167

Haywood, Ian, Susan Matthews, and Mary L. Shannon 138n8

Heath, Charles, engraver 214, 217 (Fig. 7.3b), 224, 225 (Fig. 7.9), 374

Hecker, Max 286n62

Heichen, Paul 106n55

Heidelberg website 52

Heine, Heinrich 2, 306, 321

1824 Die Harzreise 109n74, 303–4;

Brocken

1834 De l’Allemagne 304

1847 Der Doktor Faust, ein Tanzpoem 304

and R 109n74, 303, 304

vs. Goethe 303

Heinemann, William, critic 140, 143, 352n39

Heinemann, William, publisher 149, 149n65

Heinrich, Alfred 319n46

Heinrichs, Karl, draughtsman 351

Heinz, Adolf 301

Hellwig, Uwe 25, 26n4, 26n6, 26n10, 26n14, 27n18, 27n28, 50, 59n35, 89n122, 109n65, 110n78, 287n72, 358

Hen, Charles 197n70

Henning, Hans 166n104, 204

Henning, Rudolf, and Gerd Maier 110n81

Hera (mythology) 39

Hergé (born Georges Remi)

1956 L’Affaire Tournesol (1956 trans. The Calculus Affair) 302

1958 Cock en stock (1960 trans. The Red Sea Sharks) 302, 302 (Fig. 9.21a–b)

Hermann, L. 60, 287n72

Herment, Georges 340

heroic-comic poetry 261, 267

Herrad of Landsberg (Herrad of Hohenbourg), 12th c. Hortus deliciarum (Garden of Delights) 133–35, 136, 347;

Dibdin; Engelhardt

Hervé, 1869 Le Petit Faust 301

Hesiod see Flaxman

Hessling, Bruno 279n31

Hewitson, Mark 122n26

Hildebrand-Schat, Viola 3, 45n116, 50, 65, 80, 87, 92, 96, 99n28, 239, 273, 357

Hildebrand, J. M. C. 67

Hill, Jane Seymour, dwarf chiropodist (Dickens’s Miss Mowcher) 318

Hiller, Ferdinand 282

Hirschberg, Leopold 4, 33n50, 36n63, 39, 49, 54n12, 105, 109, 223n, 227, 340, 356

historicism 43, 349

and Faustian iconography 166, 239, 268, 349, 367

History of Dr Johann Faust (1587) 122, 268

1608 History of Dr Faust, trans. P. F. Gent 129n75

1696 rhymed English History of Dr John Faustus 129n75;

Cayet; Eytel; Pfitzer; Widmann

Hoe, Robert, III, printing-press maker and book lover 173, 174 (Fig. 5.23), 376

1885, pub. 1886 A Lecture on Bookbinding as a Fine Art 173

Höffner, Eckhard 108n57

Hofgarten, August Ferdinand 239

Hoflößnitz 40, 212

– Museum of Saxon Viticulture 212;

Oberlößnitz; Radebeul

Hogarth, William 70–71, 86, 110, 122, 127, 266, 318

1732 The Harlot’s Progress 70

1735 The Rake’s Progress 70, 127

mock-Hogarth by Lachgern 264–66, 266 (Fig. 8.8)

Holdermann, Carl, painter, engraver and actor 274

Holst, Theodore v. 37, 176

Holtei, Karl Eduard v. 27n24, 286

Holy Roman Empire 2, 270;

Reich

home decorations 222;

artefacts; objects; trivial, triviality

Homer see Flaxman

Horace (Vernet, Horace) 184, 184n34

Horne, Richard 154

Hosemann, Theodor, painter and lithographer 239, 373

Houghton, Mifflin and Co., Boston publishers 241

Houghton, Osgood and Co., Boston publishers 241

Howsam, Leslie 175n131

Huber, Therese, ed. Cotta’s Morgenblatt 36, 42, 52, 66

German preface of R’s Umrisse 35–36, 42, 66, 113, 220, 298–99, 373

affecting English prefaces 35, 36, 127, 140, 299

demon and Faust as one 127, 140, 298–99

Faust as any man’s guide 113, 122, 140

female almanac version 113

Hudibras, wandering knight see Butler

Hugo, Victor 92n125, 204, 272n5

1830 Hernani 194, 197

Hullmandel, Charles Joseph 159–62, 180, 182, 360, 361

1824 The Art of Drawing on Stone 160;

Berthoud, H., Jr

c.1824 Boilly’s Tartini’s Dream 162

printing Géricault’s lithographs 160

Humoristich-satirisches Bilder-Album (1849) 267–68;

parody

Humphreys, aka Humphrys, William, engraver 208, 224, 225 (Fig. 7.8), 233, 371

Hunt, Leigh 157

Hurst, Robinson and Co., British publishers and printers 224, 225 (Figs. 7.8, 7.9), 371

Hüttner, Johann Christian, literary agent in London 58, 60, 62, 125, 138, 148

hybrid printed assemblages 3, 52, 114, 119, 124–25, 126, 128, 129, 132, 136, 137, 156, 360

Iago (character in Shakespeare’s Othello) 291, 297

iconography 109, 200, 203, 272, 321, 334, 356

burlesque/satirical 255–69

emotional 3–4, 48, 62, 114–15, 136, 204, 214, 222–39, 250–52, 340

extensive 49, 117, 176, 203, 206, 212, 242–45, 250–54, 357, 367, 376

intensive 117, 176, 206, 212, 242, 245–47, 252, 253–54, 357

lit. writing with images 4

Republican 183, 189–90, 191 (Fig. 6.11)

reworked/derivative 1, 6, 95, 112, 120, 166, 203, 206, 208–10, 214–18, 224–25, 227–31, 233–36, 247, 253, 257, 355, 356–57

romantic 204, 210

synthetic 206;

Faust/ Faust I iconography

illuminism 190

Illustrated London News (The) 258, 299

illustration

as term

ahistorical 48, 48n120, 138, 166

as used in the 19th c. 49, 59, 129, 166, 240, 255, 306, 307, 309, 311

common/literal sense 4

improper/levelling 5, 166, 239, 313, 352

pervasive in scholarship 36, 43, 48, 49, 86, 166, 176, 239, 252

referring to text-bound images 36, 49, 54, 88, 138, 166–68, 169, 170, 195, 203–6, 208, 243–45, 301, 313, 315, 318

challenged 4, 5, 36, 166–67

effect of

and visual imagining 313–21

enticement 170, 171 (Fig. 5.20)

revealing political/cultural fabric 116

tantalizing screen 320

functions of

as depiction 127, 273

as textual explanation 127, 138, 166

as translation 127, 138

embellishment and lustre 138, 167, 213, 283 (Fig. 9.9)

historical – 25, 26

in counterfeit Belgian editions 197–200

in Germany 44, 86, 115

literary – 213

seen as

lowly category 43, 44;

embellishments; extra-illustration; translations (textual); translations (visual)

image and text

analogies btw 48

combined 3, 4, 54, 99, 105, 118–19, 124–25, 138–39, 147, 166, 169, 175, 198, 255, 257, 259, 315, 319, 324, 360, 363, 365;

Crowquill; Motte-Sautelet 1828 in-folio Faust

and performing arts (Gautier) 309–10

competition (visual/verbal divide) 86, 175;

Lessing

image vs. text 137, 175

text vs. image 86, 262

dependence from text 54, 80–81, 137, 138, 166, 149;

illustration

independence from text 52, 80–81, 94, 318

plates askance text 163, 168, 175, 198, 361, 367

reading in-between 4, 87, 150–51, 150 (Fig. 5.8), 151 (Fig. 5.9), 255

text subservient/ancillary to prints 104, 133, 138–39, 166–67, 175

image frames

and reading 195, 227, 232, 233, 273

double 89, 99, 129, 138, 205, 264, 363, 369

elaborate 105, 106–7, 107 (Fig. 3.9), 130, 130 (Fig. 4.1), 132, 160, 163n103, 193, 211, 226, 227, 363, 365, 369

in pipe bowls and lithophanes 341 (Fig. 12.4), 342 (Fig. 12.5a), 343, 343 (Fig. 12.5b), 345 (Fig. 12.6b), 347, 350 (Fig. 12.9), 370, 373, 374, 375

plain and thin 2, 52, 54, 70, 75, 81, 87, 89, 101, 181, 192

within an image 313, 318;

formats; margins

imagination 1, 157

and power of images 175, 252, 254, 291, 310, 312–13, 312 (Fig. 10.1), 318, 330, 357

visual – (Shelley) 1, 157, 157n87, 356

and printed artefacts 6, 176, 213

collective orientation of – 48, 62, 83, 87, 107, 213, 232, 242, 254, 298, 301, 302, 306, 309, 310, 320, 325, 330, 356

kinds of – (Ruskin) 88

objects’ effect on – 347;

bindings; covers after R; covers for Goethe’s Faust I; fancy vs. imagination; outline, aesthetic medium

imitation (aesthetics of) 186, 212

ars simiae/aping 186, 264, 268

in graphics 192

in tableaux vivants 286–87

mocking – see parody

R – craze 4, 212, 240, 298, 356

as hallmark of popularity 352–54

customized 137

with variation 179–80

replication (Nachahmung) 212, 216, 241

import taxes 97, 125, 139

importation

to Britain (England) 95, 97, 99, 120, 121, 124–29, 136, 139, 141, 148, 156;

Bohte

to France 49, 189, 201, 281

to the German States 264, 269

to the United States 240, 347

impressionism 206

Induno, Gerolamo, 1862 painting Triste presentimento 250

industrial

era 2, 124, 242

products/applications 4, 173, 216, 251

revolution 198

industrialisation/industrialized 4, 69, 108, 169, 180, 197, 220, 251, 261, 338

Ingres, Jean-Dominique 284

interactions

and circulating images 252–53;

image and text; outline, aesthetic medium

born from circulating prints 3, 186

btw book, print trade, and stage 166, 186

btw media 255

btw original and copies 119, 175, 221

interdisciplinarity 5, 43, 252, 357

Intermédiaire des chercheurs et des curieux (L’) 180n21

intermedial (combining several art media)

approach 357;

hybrid printed assemblages; multimedia

creations in motion 163, 255, 277, 356

dialogue 112

irony

and critical distance 255, 257, 261

fin-de-siècle – 253

in Goethe’s Faust I 89, 357

in texts (Disraeli, Gautier, Heine) 303–4, 304–5, 308, 321

perceived – in R’s prints 291

symbolic 157

the devil’s – 127, 167, 211, 221, 268, 296, 298;

devil; Momus; theatre productions →tongue-in-cheek Faust

Irving, Henry, as Mephistopheles 297, 299–301, 300 (Figs. 9.18, 9.19), 301 (Fig. 9.20), 311, 352

Irving, Washington 241, 308

1848 The Legend of Sleepy Hollow 241

1849 Rip Van Winkle 241;

Darley

Isbell, John Claiborne 1n2, 120n7, 247n78

Isler, Johann Luzius (Ivan Ivanovič Izler), leisure entrepreneur 287–88

Italy, as key artistic destination 25, 26–27, 30, 40, 45

Ittmann, John 44n112, 112n84, 115n86

ivy (hedera) and printing 211

Jabès, Edmond 356

Jackson, John 264

Jacob, Ulf, Simone Neuhäuser, and Gert Streidt 220n10

Jaeckel, Willi, 1925 Faust, eine Tragödie von Goethe 239

Jaeger (Jäger), Johann Christian (son of J. W. A.) 109

Jaeger (Jäger), Johann Wilhelm Abraham, Frankfurt bookseller and publisher 108–9, 112–15, 112 (Fig. 3.13), 113 (Fig. 3.14a–c), 114 (Fig. 3.15a–c), 115 (3.16a–b), 370;

almanacs

Jagemann, Ferdinand, Goethe’s portrait 148, 149, 160, 162, 163, 360, 361, 364

Jäger, R. 219, 220, 373

Jameson, Anna 26–27, 30, 36, 37, 39, 42, 43, 62, 101, 104, 358

1834 Fancies preface 27

1834 trans. chapter on R in Kunst-Blatt 39n82, 42, 104

1834 Visits and Sketches 27, 30n41, 36n64, 36n67, 37n71, 37n77, 62n56

Jammes, André, and Françoise Courbage 193n59

Janin, Jules, 1840 Pictures of the French 297

Janus (mythology) 37, 126

Janus Weathercock 126–28, 140, 143;

Wainewright

Jeanblanc, Helga 180, 201n87

Jefcoate, Graham 49n125, 124n40, 126n52, 126n62, 179n13

Jena Patriotic Women’s Association 55–56, 56 (Fig. 2.2)

Jensen, Jens Christian 110n79

Job (Bible) 44

Jocelyn, Percy 57n22;

Vigoureux

Johannot, Tony 206, 207 (Fig. 6.20), 210, 233, 301, 375

1847 title vignette cut out and mounted by Devéria 233, 234 (Fig. 7.18 bottom left)

John or Johne, (Carl) Wilhelm, architect 220n10

John, (August) Wilhelm, landscape painter 220n10

John, Eugenie, pen name E. Marlitt 220n10

John, Friedrich, printmaker and stipple etcher 220

“John,” MS signature 220, 373

Join-Diéterle, Catherine 187n47

Jollivet-Castelot, François, 1900 Les Sciences maudites 208, 378

Jooss, Birgit 286n67

Jouaust, Charles, French publisher 204

Jouaust, Damase (son of C.), bibliophilic editions 204

Jourdain, Frantz, architect and author 245, 378

Jourdain, Gaston (brother of F.), artist, and R 206, 242, 245, 246 (Fig. 7.26), 253, 378

Journal des artistes et des amateurs 187n46, 189

Journal des débats 179n12, 191n58, 203, 282, 289n83

Judd, Sylvester, 1856 pub. Margaret see Darley

Jullien, Dominique 352n41

July Monarchy 197, 363

Jung, Carl Gustav 127, 140

1934 The Development of Personality 140

1968 Memories, Dreams, Reflections 140

1971 Psychological Types 140n19

Jung, Marianne see Willemer, Marianne v.

Junod, Karen 121n18, 122n25, 123n27

Jupiter (mythology) 274;

Zeus

Kaenel, Philippe, and Rolf Reichardt 3n4

Karl August, Grand Duke v. Saxe-Weimar-Eisenach 58, 60

Kaulbach, Wilhelm v. 205, 239, 250, 261, 376

“Kiss” scene influenced by R 233, 233n34

Keane, Maureen 28n29

Keepsake for 1835 (The) 214, 217 (Fig. 7.3b), 374

keepsake literature 224–25, 225 (Figs. 7.8, 7.9);

almanacs

Kemp, Martin 221

Kennerley, John, line- and stipple engraving artist 162–63, 168, 189, 218, 361

and Audot 163, 187, 362

extensive influence 163, 218, 364;

Bulcock

Keppel, P., copying R’s plates for Zawadzki 163, 367

Kerr, Matthew P. M. 157n87

Kilgarriff, Tessa Maria 162n97

Kindermann, Heinz, theatre historian 280n40, 291, 293n96

Kindt, Hermann 59

“kinetic” versions of R’s outlines 81, 154–56, 155 (Fig. 5.11a–c), 169, 170, 175, 361, 366

King of Great Britain and Ireland (George IV) 358

King, B. B., London publisher 258, 259, 373, 374;

Crowquill

King, Edmund M. B. 175n129

Kinnaird, Douglas 325

Kiprinksi, Obrest, Goethe’s portrait lithographed by H. Grevedon 208

kiss in literature and art

1831 R’s Der Kuß: Altes und neues Coelibat 77–80

Huldbrand and Undine 77

Paolo and Francesca 77

Romeo and Juliet 247;

Hayez; Index on MR → 3. Choice Faust I Scenes Outlined → Pl. 15

Kladzig, Auguste, actress 272, 273

Klingemann, Ernst August 273, 290

1815 Faust popular romantic play 193

1829 Faust Braunschweig performance 89, 97n16, 273, 279–81

Klinger, Friedrich Maximilian, 1791 Fausts Leben, Thaten und Höllenfahrt 257

Klopstock, Friedrich Gottlieb, Works 220

Klussmann, Paul Gerhard 115n86

Klussmann, Paul Gerhard, and York-Gothart Mix 115n86

Knickerbocker (The), New York journal 324

Koch, Carl Wilhelm, trans. and theatre adaptor 286;

Zschokke

Koch, G., signatory painter of a R scene 338–40, 339 (Fig. 12.3), 377

Köhler, Heinrich Karl Ernst v. (Egor Egorovič Köhler) 58

Köhler, Heinrich Ludwig Andreas (son of H. K. E.) 58

Kollwitz, Käthe, Gretchen 331 (Fig. 11.4), 332

Konewka, Paul, 1871 English Faust silhouettes 170

Königliche Porzellan-Manufaktur (KPM)

lithophanes 347, 374

pipe bowls 340, 342 (Fig. 12.5a), 343 (Fig. 12.5b), 374

plates 334, 335 (Fig. 12.1), 336–37 (Fig. 12.2), 338, 370, 371;

artefacts; objects

Kopp, Heinrich 97n16

Körner, Christian Gottfried 61

Körner, Theodor (son of C. G.) 113

Krakovitch, Odile 197n68

Kraus, Karl 99

Kreling, August v. 75–77, 76 (Fig. 2.12), 239

Kretzschmar v. Kienbusch, Carl Otto, American collector 200

Kretzschmar, Bösenberg & Co., Dresden firm 349 (Fig. 12.8)

Kröner brothers, Adolf and Paul, acquiring Cotta’s firm 106, 368

Kröner, Adolf 106

Krüger, Eva 50, 77, 80, 176n133

Kruseman, Arie Cornelis, Dutch publisher 166n105

Kube, Karl Heinz 180n20

Kugler, Franz 43–44

Kuhn-Forte, Brigitte 110n76

Kuhn, Dorothea 54n8, 61, 66

Kuhn, Dorothea, Anneliese Kunz, and Margot Pehle 220n9

Kummer, Paul Georg 59n36

Kummer, Paul Gotthelf 59, 64–66, 219

Kunst-Blatt, Morgenblatt’s art supplement 39n82, 42, 104, 355n4

Kunzle, David 70n81

Kutschmann, Theodor 43

L. E. L. see Landon, Letitia Elizabeth

L. G. see Geiger, Ludwig

La Motte Fouqué, Caroline de (second wife of F.) 33

La Motte Fouqué, Friedrich

1811 Undine 30, 32, 33, 34, 77, 129

1813 Der Zauberring 33–34

1814 Die Jahreszeiten: Ein Cyclus romantischer Dichtungen 37

1814 Sintram und seine Gefährten 34

1817 Gedichte, zweiter Band 33n53

and R 30, 33–34, 37

Labatut, P.

1929 Werther with silhouette illustrations 205

1940s → 1970s educational Faust with controlled R images 205–6, 205 (Fig. 6.19), 210, 369

Laborde, Alexandre 191, 195, 197;

Blanc

1816–36 Monuments de France 191

1871–72 Catalogue des livres composant la bibliothèque de feu… 195n66, 197

Laborde, Léon de (son of A.) 195, 197, 210

1830 Giard Faust ascribed to 191–97, 211, 364

trial prints 196 (Fig. 6.15a–b);

Bichebois; Giard

1830 Voyage de l’Arabie Pétrée 195

1833 Essais de gravure 195

1871–72 Catalogue des livres composant la bibliothèque de feu… 195, 195n66, 197

Lachgern, Anselmus (pseud.) 206, 262, 357

1841 Bilder zu Goethe’s Faust 264–69, 265 (Fig. 8.7), 375

covers 262, 264, 266, 266 (Fig. 8.8), 267 (Fig. 8.9), 268;

Crowquill; Philogelos

and R 264, 266

Lacroix, Paul (Bibliophile Jacob) 204

Ladvocat, Pierre-François 183

Laheen, Kevin 57n22

Lamb, Charles 121

Lambert, Marij 198

Lanckorońska, Maria, and Arthur Rümann 113n85, 115n86

Landon, Letitia Elizabeth (L. E. L.)

1825 “The Decision of the Flower” 224n21, 371

1825 The Improvisatrice 224

1825 The Troubadour 224;

Watts, A. A.; Wright, J. M.

Lange, Victor 200n85

Langkavel, Martha 180n20

Lappenberg, Hamburg family 122

Lappenberg, Hans 122

Lappenberg, Johann Martin 121–22

LaRoche, Karl v., actor 290

Latham, Albert G., Faust trans. 5, 77, 84, 306, 352

Laugée, Thierry 206–8, 208nn105–6

Laughlin, James, poet and publisher 173–75, 174 (Fig. 5.23), 376

1949 ed. with R. Smyth of Goethe’s Faust 175

layouts

and reader categories 168, 355

in R’s compositions 247

imitated (Crowquill) 262

ironed-out differences in – 49

on standalone sheets 218–19

significant – in R editions 81–82, 135, 136, 154, 176, 361

imitated (Darley) 241

Le Men, Ségolène 180, 253

“extensive and intensive culture of the image” 242

Lecomte, Louis-Henry 290

Lecouvey, “great vault” close to Palais-Royal 184

Leda (mythology) 39

Lefèvre, Charles, theatre set designer 281, 283;

Tomkins

Lehár, Franz, The Merry Widow 301

Lehner, Gilbert 279

Leighton, John, aka Luke Limner, book designer 175, 176

book spine 172–73, 172 (Fig. 5.21), 175, 376

tomb mosaic 175

Leipzig 37, 42, 50, 59, 64, 66, 97, 101, 167

book fair 65, 125, 126, 128

book fair catalogues (Messekataloge) 66, 67

Leipziger Literatur-Zeitung 42, 43

Lemaître, Frédérick, actor, as Mephistopheles 186, 281, 290, 333

Souvenirs de Frédérick Lemaître 290n90

Lemmer, Klaus J. 27n20, 34n56, 44n109

Lessing, Gotthold Ephraim 192

1766 Laocoon, visual/verbal divide 86

questioned 286

Leu, Philipp 208n110

Lévêque, Jean-Maxime 283n60

Lever, Charles, Irish novelist, 1850 Roland Cashel 318

Lévi-Strauss, Claude, 1966 The Savage Mind 334

Lévy, Michel, French publisher 306;

Michel Lévy Frères

Lewald, August 298n108

Lewis, George Robert, artist 135;

Dibdin

Liberal (The) 157;

Hunt; Shelley, P. B.

Librairie Gründ, publishers

1938 cover of Faust after Frère (← R) 208–10, 210 (Fig. 6.22), 243, 378

libraries

private

Abel Giraudeau’s 200

Achille Devéria’s 208

Alexandre and Léon de Laborde’s 194 (Fig. 6.14), 195n66, 195–97

Antoine Boucher’s (uncle to Nerval) 190

Auguste Vincent’s 197

Bryan Waller Procter’s 197

Edward Gordon Craig’s 197

Franz Glück’s 98 (Fig. 3.1a), 99

John Britton’s 123

Walter Scott’s (Abbotsford) 59;

Goethe’s library

private → institutional

Thomas Grenville’s 124, 128–29

institutional

Beinecke Rare Book and Manuscript Library (Yale) 65, 109, 146, 147, 168n115, 175, 323

Bibliothèque nationale de France (Paris) 180, 182, 227

British Library (London) 129, 283

Elmer L. Andersen Library (Minneapolis) 124, 125

Free Library of Philadelphia 318, 320

Herzogin Anna Amalia Bibliothek (HAAB), Weimar 66, 92, 97, 109, 118, 119, 168n115, 221

Institut catholique de Toulouse (ICT) 205n98

King’s Library (British Library) 129

Library of the University of Michigan 25n6, 105n47

Royal Library (Paris) 49

Widener Library (Harvard) 200

Weimar (historic) library 109, 274;

HathiTrust cyber-library

library as theme in Faust 130, 130 (Fig. 4.1), 136

influenced by R 274, 276 (Fig. 9.4)

represented

after R 116 (Fig. 3.17a), 117, 161 (Fig. 5.16), 162, 165 (Fig. 5.18 top left), 181 (Fig. 6.4), 202 (Fig. 6.17 top left), 211, 264, 265 (Figs. 8.6, 8.7), 319, 335 (Fig. 12.1, l. 3 col. 1), 336 (Fig. 12.2 l. 1 col. 2–3), 339, 339 (Fig. 12.3)

by R 10, 22, 50, 68 (Fig. 2.4b), 72, 84, 85 (Fig. 2.21), 89, 90 (Fig. 2.23), 103, 104 (Fig. 3.7), 123–24, 132, 132 (Fig. 4.3), 270, 356

Lieber, Carl, painter, engraver and restorer 274

Lieber, Francis, R fan 37, 44

Lieber, Mathilde (wife of F.) 37

Lilith (in Goethe’s Walpurgis Night and after R) 311–13

Limper-Herz, Karen 129n71, 129n80

Linant de Bellefonds, Louis Maurice Adolphe, 1830 Voyage de l’Arabie Pétrée 195;

Laborde, L.

Lips, Johann Heinrich

1790 Faust frontispiece after The Alchemist by Rembrandt 55, 274

1791 Goethe’s portrait 118–19, 360

Literary Chronicle 156n80

Literary Gazette (The) 179, 224, 371

Literary Panorama and National Register (The) 99

Literary Souvenir; or Cabinet of Poetry and Romance (The) 208, 224, 225 (Figs. 7.8, 7.9), 233, 371;

keepsake literature; Watts, A. A.

literature

blending with life 28–31, 33, 50, 329;

types

as ethnic bond 2, 45, 54, 108, 118, 122, 129

in individual lives 332, 333, 342, 355

lithographs, lithographic prints 47 (Fig. 1.12b), 48, 49, 54n10, 70, 84, 85, 92, 95, 99, 108, 109, 110, 111 (Figs. 3.10b, 3.12), 112, 128, 160–61, 160 (Fig. 5.15), 161 (Fig. 5.16), 162, 166, 177, 179, 180, 181, 182, 182 (Fig. 6.5), 183, 183 (Fig. 6.6), 184, 185, 187, 193, 193 (Fig. 6.13), 194, 195, 196 (Fig. 6.15a), 197, 198, 199 (Figs. 6.16a–b), 200, 206, 208, 209 (Fig. 6.21 left), 210, 212, 223, 225–26, 226 (Fig. 7.10), 227–29, 228 (Fig. 7.11), 229 (Fig. 7.12), 230 (Figs. 7.13, 7.14, 7.15), 233, 235 (Fig. 7.19), 236, 236 (Fig. 7.20), 241, 245, 247, 248 (Fig. 7.27 top), 250, 257, 258, 264, 266, 266 (Fig. 8.8), 267 (Fig. 8.9), 270, 271, 283, 283 (Fig. 9.9), 288, 289 (Fig. 9.12), 293, 299, 307, 334, 340, 360, 361, 362, 363, 364, 367, 368, 371, 372, 373, 374, 375

colour lithographs 106–7, 107 (Fig. 3.9), 238–39, 238 (Fig. 7.22), 240, 241, 251, 258, 299, 358

lithography (technique) 42, 88, 95, 110, 159, 181, 182, 184, 195, 210, 213, 251, 333, 375

typolithography 88

lithophanes 236, 333, 340, 344, 346–47, 348 (Fig. 12.7), 349 (Fig. 12.8), 350 (Fig. 12.9), 352, 358, 373, 374

and art of storytelling 346

and creation 344–46

Lochnan, Katharine 54n10

Lockhart, John 59

Lohr, Günther 288n81

Lohrer, Liselotte 95n1, 106n55

London Gazette (The) 172

London Magazine (The) (LM) 34n55, 97, 99, 124, 125, 126–27, 128, 129, 138n3, 139, 140, 148nn46–47, 149, 163, 233

London Stereoscopic and Photographic Company 299

Longfellow, Henry Wadsworth 200, 241

Ballads and Other Poems 310n31

Longman and Co., early compared to Cotta 133

Loos, Adolf 99

loose/scattered leaves (fliegende Blätter) 212–13, 215–21, 241, 242

Lorentz, Alfred 156n82

Lorraine (Lothringen) 321, 333

Lost Art Internet Database 34n60

Louis-Philippe, last king of France 187, 197, 201, 363

Lowder, Gerald 221

Lowell, James Russell, American poet 200

Ludwig I of Bavaria 45

Ludwig, E., publisher in Graz 237 (Fig. 7.21b), 238, 376

Luise v. Baden 56

Luke, David, Faust trans. 5, 74, 291, 332, 343

Lumley, Edward, British publisher 175

1832 Faustus: from the German of Goethe with Shelley trans. 156–57, 158 (Fig. 5.13), 167, 233, 361, 364;

Shelley, P. B.; stereotype edition

Luther, Martin, pictorial life of 240

Lycaon (mythology) 39

Mabbott, Thomas M. 310n33, 311

Mac Orlan, Pierre 269

Mackall, Leonard L. 124, 128n70, 148n51, 359

MacLeod, Catriona 115n86

Maclise, Daniel 176, 357

Maffei, Andrea, Schiller trans. into Italian 250

Magasin pittoresque (Le) 25, 26, 54, 206, 264

Magdalene (aka Mary Magdalene) 262, 262n17, 281, 307, 346, 347;

Dolci; Rembrandt

Magedera, Ian H. 126n53

magic lantern see optical effects

Magnenat, C.?, draughtsman 195

Mahl, Bernd 117n, 271, 279n34, 279n37, 280nn42–43, 290n92, 294n97, 298n109, 301n117

Maierhofer, Waltraud 96n7, 213

Maisak, Petra 242n70, 274nn15–16

Maison d’Art (La), publishing firm 208, 378

Malaplate, Jean 186n41

Man, Felix H. 162n96

Marck, Jan van der 197n69, 197n72, 200n82

Maresq and Pelvey 203, 367, 376;

Bry

Margetson, William Henry 299

Maria Pavlovna, Grand Duchess of Saxe-Weimar-Eisenach 55–56

marketing 73, 125, 126, 170

strategy 149, 203, 251

tools 54, 56, 93, 102, 106, 149, 357

Markham, Sandra 327n16

Marlowe, Christopher 127, 128, 151, 154, 157, 168, 221, 259

The Tragicall History of Dr Faustus 127, 128, 148, 221, 259

Marquardt, Hertha 121nn12–13, 121n17, 122n22, 123n29, 123n33, 123n36

Marquart, Lea 180, 181n25

Marriage, Ellen 346

Martin, John 156

Marville, Charles 201

Marx, Karl, Capital: A Critique of Political Economy 338

Masia, Luca 251n87

Masson et Cie, French publishers 200, 203, 205–6, 205 (Fig. 6.19), 210, 369

materiality (material bibliography)

and cultural trends 5, 5n10, 59, 136, 216, 257, 334, 338, 355

and publishing trends 4, 93, 125, 156, 176, 198, 200

and reading practices 5, 77, 93, 120, 128, 136, 176, 216, 355

and symbolical or poetic value 5, 56–59, 120, 154, 157–59, 158 (Fig. 5.13), 176, 198, 233, 355

as vehicle of ideas 5, 59

Matisse, Henri, Luxe, calme et volupté 212

Maurin, Nicolas, artist 208, 226–27, 228 (Fig. 7.11), 233, 235 (Fig. 7.19)

Mauss, Marcel 338;

gifts

Max, Gabriel, 1880 Faust-Illustrationen: Zehn Zeichnungen 245, 312 (Fig. 10.1)

Maximilian I, King of Bavaria 133

May, Phil 299, 301 (Fig. 9.20)

Mays, J. C. C. 149n60, 151n70

Mazzocca, Fernando 247, 250

McIsaac, Peter 286

Meadows, Kenny 258

1839–40 Heads of the People 297

media 5, 6, 38, 124, 126, 224, 239, 255, 257, 297, 299, 315

– circulation 3

– culture 3, 222

– negotiation 3

media-driven modernity 268, 356

visual – 36, 45, 48;

multimedia; printed items; remediation; Index on MR → 9. Effect and Function of R’s Faust I Outlines → upshots → reproduction

Medwin, Thomas 120n10

meerschaum pipe

and translation 259, 259 (Fig. 8.2), 262, 267 (Fig. 8.9), 268, 343–44

the devil with – 262, 263 (Fig. 8.5), 268–69;

Crowquill; devil; Mephistopheles; Old Nick

Meissen, locality 227, 270

Meissen, porcelain factory 227, 340, 341 (Fig. 12.4), 347, 370, 374

melancholy 42, 250, 307

and Faust 2, 84, 89, 90 (Fig. 2.22, 2.23), 342

and Margaret 91 (Fig. 2.24), 92, 257, 298

Meline, Jean-Paul, counterfeit Belgian publisher

1833 pirating the Feuillet-Dumus Faust 200, 364

supplying Germany, Poland, Denmark, Russia 200

Meline, Léon Cans et Co., counterfeit Belgian publishers and exporters 200, 365

1838 re-issuing pirated Feuillet-Dumus Faust 200

popular in learned contexts 200

melodrama 206, 281, 290

and sensational images 208, 281

commercially successful 281, 291

melodramatic (manner, way) 290, 312–13, 321

Mengs, Anton Raphael 34

Méphisto (Le): Journal théâtral, musical, fantaisiste, illustré (Rouen) 301

Mephistopheles, treatment of 46–47 (Figs. 1.8–1.12a–b), 48

and sexuality 91 (Fig. 2.25), 103, 104 (Fig. 3.7), 224, 233, 339 (Fig. 12.3), 339–40

as (traditional) hellish spirit 48, 110, 111 (Figs. 3.10b, 3.11, 3.12), 140, 172, 172 (Fig. 5.21), 173 (Fig. 5.22), 183, 224, 236, 236 (Fig. 7.20), 245, 245 (Fig. 7.25)

as cunning schemer 67, 68 (Figs. 2.4a–b), 84, 107, 107 (Fig. 3.9), 133, 188, 214 (Fig. 7.1), 224, 308, 340, 341 (Fig. 12.4), 342 (Fig. 12.5a), 343 (Fig. 12.5b), 345 (Fig. 12.6b), 351, 351 (Fig. 12.10), 352

as Faust’s double 92, 140, 247, 248 (Fig. 7.27), 296, 304, 305

as man 42, 299, 309, 338

as stage director 150–51, 150 (Fig. 5.8), 151 (Fig. 5.9)

female 305–6, 315, 319, 321

hallmarked as sinewy after R 59, 67, 74–75, 74 (Fig. 2.9), 75 (Fig. 2.10), 84, 162, 206, 207 (Fig. 6.20), 217, 239, 290–91, 292 (Fig. 9.13), 297–302, 300 (Figs. 9.18, 9.19), 301 (Fig. 9.20), 351, 354, 358;

devil

in parody 255–68

Mephistophelean red 296, 296 (Fig. 9.17), 299–301, 334, 352, 363;

bindings

Mercure du dix-neuvième siècle (Le) 179n6

Mérimée, Prosper 197

metaphors 154, 213, 241, 306, 321, 323

etching/printing 307

expressive/potent 167, 239, 346

pictorial 307

romantic 157

visual 75, 75 (Fig. 2.10), 81 (Fig. 2.17), 84, 247

weaving – as trap 113

Metropolitan Magazine (The) 258n10

Mettais, Charles, draughtsman 204

Meusel, Johann Georg 39–40

1808 Archiv für Künstler und Kunstfreunde 39nn83–84

1809 Teutsches Künstllexikon 40

Meyer, Alfred Gotthold 277n23

Meyer, Johann Heinrich, Swiss painter and connoisseur 61, 62, 115, 274, 286

on R 42, 60, 69, 115

Meyer, Kuno, Celtic philologist 200, 210

Meyerbeer, Giacomo 185, 283, 283 (Fig. 9.9), 372

Meyerheim, Friedrich Eduard?, lithographer 239, 288, 289 (Fig. 9.12), 293, 373

mice, unpoetic animals see Batrachomyomachia

Michel Lévy Frères, publishers 206n104, 375;

Lévy

Michelangelo 182

Middleton, Thomas 157

Mignon (character from Wilhelm Meister’s Apprenticeship) 35, 306

Milano, Alberto 179n9

Milbert, Jacques, 1828–29 Itinéraire pittoresque du fleuve Hudson 194

Millais, John Everett, and R 176, 357

Millet, Jean-François 242, 253

Milner, Henry M., 1824 Faustus; or, The Demon’s Victim 281

Miltitz, Auguste v. (wife of C. B.) 32–33, 32 (Fig. 1.4), 34

Miltitz, Carl Borromäus v. 32–33, 32 (Fig. 1.4), 34, 36n69, 85;

Scharfenberg circle

Milton, John 88, 127

Paradise Lost 156

Minkus, Ludwig, 1864 ballet Néméa 309n29

Mix, York-Gothart 115n86

Möbius, Martin Richard 32n47

Mohr, Franz Karl, tin figurines after Goethe’s Faust 349–50

Mojem, Helmuth, and Barbara Potthast 54n7, 95n1

Moldenhauer, Dirk 121nn18–19, 122n24

Mollier, Jean-Yves 180

Momus, god of derision 259, 261, 262, 266, 268;

Old Nick

Mongan, Agnes 177n3

Moniteur universel (Le) 284, 291n95, 309n29

Monnier, Henry Bonaventure, 1826 Marchand d’estampes 184

Monstre et le Magicien (Le), 1826 melodrama after Frankenstein by M. Shelley 281

Monthly Literary Advertiser (MLA) (The) 138, 148

Monthly Magazine 126, 148, 149n57

Monthly Review 120

Moore, Thomas 325, 327

1817 Lalla Rookh 325

Moosmann, Peter 352

Moran, Daniel 54n7, 95n1

Morgenblatt für gebildete Stände 35, 36, 39, 42, 66, 112

Morgenstern, Karl, German philologist 58n26

Morley, Edith J. 121n15, 140n26

Morlon, A. 299

Mortzfeld, Peter 119n92, 360

Moschkau, Alfred 377

Moses (Bible) 140, 182

Moses, Henry, English engravings after R 35, 42, 58, 60, 62, 83, 84, 96, 118, 118 (Fig. 3.18), 123, 126, 128, 133, 135, 136, 137, 138–39, 146 (Fig. 5.6), 148, 149, 154, 155 (Fig. 5.11a–c), 156, 157, 158 (Figs. 5.12, 5.13), 161, 162, 167, 168, 169, 170, 171 (Figs. 5.19, 5.20), 176, 179, 181, 182, 183, 221, 224, 233, 243, 262, 264, 281, 305, 319, 323, 327, 328 (Figs. 11.2, 11.3), 359, 360, 361, 364, 366, 367, 368, 370, 375

adapting Cornelius to R 149–51, 150 (Fig. 5.8), 151 (Fig. 5.9), 180, 360

adapting R to English Zeitgeist 140–45, 141 (Fig. 5.1), 142 (Fig. 5.2), 144 (Fig. 5.4)

mushrooming of copies 136;

Boosey

Moshofer, Theres 231

Motion, Andrew 126n53

Motte-Sautelet 1828 in-folio Faust 180, 187, 198, 210, 227, 242, 248 (Fig. 7.27 top), 363, 371, 372;

Delacroix; Devéria

Motte, Charles 181, 198, 208, 225, 245

Moultrie, John 151

Müller, Carl, close to the Nazarenes 227

Müller, Friedrich v., Weimar chancellor 58, 101, 186, 290

Müller, Hermann Alexander 44

Müller, Karl, lithographer 227–29, 230 (Fig. 7.14), 233, 340, 375

multimedia/multimedial 75n84, 112, 115, 163;

intermedial

Münderloh, Johann Gabriel Wilhelm, Weimar merchant 57

Muret, Jean-Baptiste, French artist, first to copy R in France 42, 49, 85, 210

1824 Faust lithographs (Auvray) 179, 180, 181–84, 182 (Fig. 6.5), 183 (Fig. 6.6), 188, 208, 209 (Fig. 6.21), 233, 360

1828 2nd ed. (Auvray Frères) 185, 185 (Fig. 6.7b), 362

and England 161, 162, 182–83, 361

Muret’s copies copied 195, 203, 205, 206, 211, 243, 367, 376

Murray, Chris 149n60

Murray, Christopher, theatre historian 247n76, 281n46

Murray, John, publisher 325, 327

Murton, Charles, bookbinder 129–32, 146–47, 151n69, 154, 173, 221, 359, 360

Faust in his study 130–32, 130 (Fig. 4.1), 176

and visual/textual translation 130–32

Musset, Alfred de 311

Nachdruck (German), both reprint and pirated copy 108, 108n61, 108–12

Naeke, Gustav Heinrich 34, 39, 40, 43, 115, 239, 270, 334, 340, 371

1811 lost painting Faust and Margaret 46 (Fig. 1.9), 48, 334

engraved and lithographed 47 (Fig. 1.12a–b), 48, 334

preliminary sketches 47 (Fig. 1.11), 48

remediated on KPM porcelain painted plate 334–38, 337 (Fig. 12.2, l. 4 col. 3)

1811 painting Faust and Margaret in the Garden 43

Nagler, Georg Kaspar 40, 43, 44n109

1843 Neues allgemeines Künstler-Lexicon 39, 43, 97n17, 227, 358

1871 Monogrammisten (Die) 43n105

Napoleon Bonaparte 58, 195, 261, 323

Napoleon III 250

Napoleon, Prince (Napoléon-Joseph Bonaparte, cousin of N. III) 241

Nash, John, Regent’s Quadrant 159

nations competing in Europe 2, 5, 242, 252, 254, 261, 268, 321

Franco-British dispute in parody 261

Franco-German rivalry 106–7, 107 (Fig. 3.9), 321

Nauwerck, Ludwig 43, 115, 274

Nazarenes, the 45, 227

Nazarene style 58

Neefe, Hermann 279

negotiations

aesthetic 121–22, 124, 175

artistic 121–22, 322

commercial 63, 102, 121–22, 175

cultural 3, 4, 123, 127, 141–42, 179

political 322;

nations competing

Nehrlich, Gustav 239, 240

Neidhardt, Hans Joachim 32n46, 37n76, 45

neoclassical

ideal/style 40, 87, 151, 152 (Figs. 5.10a), 153 (Fig. 5.10b), 273, 277

motifs 84, 160

prints 54

theories of art 86

neoclassicism 42, 288

Nerval, Gérard de 2, 189, 190, 192, 203, 210, 244, 245, 253, 307, 362

1828 trans. Faust, tragédie de Goëthe 85, 180, 181, 184, 186, 188, 190, 193, 200, 210, 371

covers’ visual appeal 184, 185, 185 (Figs. 6.7a–b), 211, 362

frontispiece copying R 180, 181 (Fig. 6.4), 211, 257, 307, 371

1840 last Faust I and partial Faust II trans. 203, 242–43, 245

1850 Bry’s popular Faust 203, 367, 376

1936 Faust trans., preface by Gautier 208–10

1938 Gründ cover after Frère copying R 208–10, 210 (Fig. 6.22), 243, 378

and theatre 184–85, 186

legend of Goethe’s praise 186;

Bry; Frère; Fust; Jourdain, G.; Librairie Gründ

networks 99, 112, 121, 154, 162, 180;

book trade; circulation; diffusion; distribution

Neubert, Franz 49, 50, 52n2, 96n4, 180n19, 210n111, 355

Neureuther, Eugen Napoleon 50

New Directions Publishing 175, 376

Newark, Cormac 302

Nicholas I, Tsar 55

Nicolai, Friedrich, as “Buttock Fantasist” (Proktophantasmist) 304

Nicolovius, Alfred 109, 362

1828 Über Goethe: Literarische und artistische Nachrichten 109n73

Niessen, Carl 89, 221n13, 271, 287

Nightingale, Florence 57

Nisle, Julius 239, 240, 343

1840 Göthe-Gallerie steel engraved by W. Pobuda 239, 343, 344 (Fig. 12.6a), 374

1840 pl. remediated as pipe bowl picture 343, 345 (Fig. 12.6b), 375

Nodier, Charles 197, 289

on types 297–98;

typification/typifying

Norman, Frederick 121n14, 123

Norton, Caroline Sheridan 264n19

Notes & Queries 59, 157n87

Nouveau journal de Paris 290n87

Nymphenburg, porcelain factory 347

Nyx or Night (mythology) 259

O’Leary, Patrick 126n52

Oberlößnitz 25, 26, 27, 30;

Hoflößnitz; Radebeul

objects 3, 242, 254, 333, 339, 343, 347, 354

books and prints as commodities 107, 241, 338

emotional – 334, 342–43, 347, 352–54;

artefacts; books and prints as cultural objects

octavos 170, 175, 187, 210

domesticating the plates 167–68, 175, 355

standard – as illustrated books 167, 168–69, 241, 366, 369

text – 148, 149, 160–61, 162, 163

Odenkirchen, Stella Esther 50, 96n5, 97, 120, 124

Old German masters 45

Old Germanic style 109, 110

Old Nick 262;

devil; meerschaum pipe; Mephistopheles; Momus

Oldach, Julius, 1828 Mephistopheles and the Student 206

optical effects 299, 346

gas lighting 92

light bulb, invention of 346

limelight 92, 298

magic lantern 92, 288

phantasmagoria 104 (Fig. 3.7), 286, 294, 338–39, 339 (Fig. 12.3);

lithophanes

Orcutt, Kimberley 241n59, 242n65

Orcutt, Kimberley, and Allan McLeod 241n59

Ortmann, Erwin 347n34

Osiander, Christian Friedrich 54, 115

ottava rima 259

Otto E., lithographer 212

Otto, Regine 106n52

Oury, Gérard, 1966 film La Grande Vadrouille 301

outline style (history of) 86, 86nn97–99

and art hierarchies 40, 42–43, 51

as key interpretation of literary works 3–4, 33, 36, 129, 213

eclipsed 43, 89, 92, 206

in Germany 26, 40, 42, 44, 89

vogue of – 86, 89, 176

outline, aesthetic medium

by Schlegel

and abstraction 86–87, 167, 169;

abstractions

and initiation 86–87, 103, 169, 250, 309, 310, 321, 330;

allusions

and poetry 36, 87, 184, 330

evocative 5–6, 86–87, 136, 162, 190, 213, 250, 301–2, 309, 310, 315;

imagination

vs. painting 87

by Starobinski

stirring dream, fantasy, desire 87, 325–29

Schlegel overturned/extended

enriching covert plans/riddles 311, 312, 313–21, 325

conveying visual ciphers/veiled messages 310–11, 313, 315, 322

predicating avant-garde genres (Gautier) 309–11, 321

outline, meanings of

Aperçu, wax model for lithophane mould 352

bait of outline 253, 357

epitome/summary 149, 357

in this book 5–6, 357

texts into linear compositions 5, 6, 36, 77, 120, 122, 149, 154, 291;

picture story

uncertain naming in French 54, 180, 184

Overbeck, Johann Friedrich 43

1828 Italia und Germania 250

Ovid 39, 154

oxymoron 308, 321

Palacio, Jean de 206

Pan (mythology) 40

Pandore (La) 179n5, 182n29, 183

paragone see Lessing

Parenth, Ulrich 280n43

Parinet, Élisabeth 194n62, 195n64

parodies of Faust I 206, 254, 55

textual see Grillparzer; Vischer

textual and visual see Crowquill

visual see Benoit, West and Weibexahl; Humoristich-satirisches Bilder-Album; Lachgern

parody 255, 268, 355

and cultural tradition 255–57

and – of parody 262–68

as refined reading of Goethe’s Faust I 255, 257, 261, 268–69

as spiced-up translation 259–62

vs. nationalistic appropriation 261, 264–69;

burlesque

parody in Goethe’s Faust I 127, 168, 186

Parthenon (The): A Magazine of Art and Literature 88;

Φ.Χ.Ψ.

Partisans (Les). Revue de combat, d’art, de littérature et de sociologie 208, 210, 378

Partridge, John Bernard, English illustrator 299, 300 (Figs. 9.18, 9.19)

Paton, Joseph Noël

1847 painting The Quarrel of Oberon and Titania 307

1863 outlines for Coleridge’s Rime of the Ancient Mariner 240

Patzschke, Carl Friedrich, printmaker 238, 238 (Fig. 7.22), 375

Paul I, Tsar 55

Paul, Claude 206n100

Paul, Howard (George Henry Howard) 299

Paulin, Roger, William St Clair, and Elinor Shaffer 148n44, 149n60, 149nn63–64

Pavie, André, Médaillons romantiques: Lettres inédites 273, 296n101

Pavie, Victor (son of A.), Voyages et promenades romantiques 42, 60, 273, 290, 291n93, 296, 333, 346

Pavlovna, Maria, Grand Duchess of Saxe-Weimar-Eisenach 56;

Jena Patriotic Women’s Association

Pays (Le) 306

Peach, Annette 126n53

Peckus, Sarunas (Sharkey), and Ben Rapaport 340n16, 343n24

Penny Magazine (The) 264

Pereira-Arnstein, Louis v. 239

Perthes and Besser, booksellers’ firm 37, 122;

Besser

Perthes, Clemens Theodor 122nn22–23

Perthes, Friedrich Christoph (father of C. T.) 37, 55, 109

and H. C. Robinson 121–23, 176

German book trade representative 108, 121

1816 Der deutsche Buchhandel 122

Perugina (La), Italian firm see Baci Perugina

Petersen, Julius 271, 272n3, 279, 286n64, 288n79, 294n98, 298n111

Petit, Jacob, French ceramist 347, 348 (Fig. 12.7)

Pfäfflin, Anna Marie 277n23

Pfennig-Magazin (Das) 264

Pfitzer, Johann Nicolaus, 1674 Faust chapbook, 1834 Eytel illus. after R 116 (Fig. 3.17a), 117, 117 (Fig. 3.17b), 373

phantasmagoria see optical effects

Philogelos (3rd or 4th c. CE) 262;

Lachgern

Phiz (Hablôt K. Browne), Dickens illustrator 2, 258, 303, 313

1848 frontispiece Dickens, Dombey and Son 319

1849 I make the acquaintance of Miss Mowcher, illus. Dickens, David Copperfield 313–21, 314 (Fig. 10.2), 316 (Fig. 10.4), 317 (Fig. 10.5), 376

Phoenix Pottery, Kaolin and Fire Brick Company 347

Phönix: Frühlingszeitung für Deutschland 42

photographs 299, 301

photomechanical reproduction 112, 213

heliotype printing 241

photogravure (héliogravure) 241, 245, 246 (Fig. 7.26)

physiologies (literature on) 297

Picat-Guinoiseau, Ginette 185n38, 187n44, 290n88

Pichois, Claude 184n37

Pichot, Amédée, 1825 Voyage historique et littéraire en Angleterre et en Écosse 179, 291, 297, 298

picture story (visual narrative)

silent (in outline) 2, 3, 6, 9–21, 48, 54, 62, 70–71, 71 (Fig. 2.6), 80, 81–82, 87, 93, 103, 115, 120, 154, 169, 288, 309, 356n7, 357

captioned 54, 139, 210;

captions

Piéri-Bénard, Antoine-François 103

Pierrepont, Charles, styled Viscount Newark 214

Pieske, Christa 227n29, 229

Pietzsch, Eduard and Company, publishers/printers 223, 227, 229, 230 (Figs. 7.13, 7.14), 233 (Pietsch), 236 (Fig. 7.20), 375

Pillet aîné, printer 184

Pinéas

1828 pirating R 180, 181 (Fig. 6.4), 185, 211, 307, 371

1848 Dessin linéaire, ornement: Exercices gradués 185n40

pipe bowls 229, 333, 340–43, 358

c.1820? after R 340–43, 341 (Fig. 12.4), 370

c.1830–40 after R 340–43, 342 (Fig. 12.5a), 374

c.1830–40 after R 340–43, 343 (Fig. 12.5b), 374

1840 after Nisle influenced by R 343, 345 (Fig. 12.6b), 375;

artefacts; objects

Piper, Andrew 175

pirating R 96, 99, 107–12, 137, 149, 154, 307, 356, 362

via an intermediary 136, 137, 161;

Piroli, Tommaso, engraving Flaxman 48, 86, 110, 143 (Fig. 5.3)

plate margins of R editions and copies

close-cropped (1816 R portfolio) 52, 96

differing 110, 181

large

for diminutive prints 162, 163, 364, 366

in 1878 Bell & Sons quarto 168, 368

in Cotta albums 103, 106, 107, 364, 365, 368

in industrialised items 169

wide

in 1824 Muret 181–82, 360

in 1877 Estes & Lauriat 169

wider (1820 R portfolio) 96, 124, 125, 138, 191, 359

in 1830 Giard ← 1820 Cotta 363

lithographed pirated copy 108

Plaskitt, Emma 127n64

Plötz-Peters, Hannelore 334n11

Plume (La) 208

Poe, Edgar Allan 2, 303, 321, 356

1836 “Metzengerstein” 310

1840 “The Man of the Crowd” and R 80n88, 304–5n6, 310–11, 313

1845 “The Purloined Letter” 311

Polignac, Jules de 195, 197

Pollock, Walter Herries 297, 298, 299, 303

on Irving and R 297, 299, 311

1883 The Picture’s Secret 310, 311–13, 321

Pons, A.-J., “Notice artistique” on Faust 180

popular Faust-based entertainments 273, 279–82, 286–88, 289–91, 293–97, 299–301, 301–2

porcelain plates, painted 352

after Naeke 334, 337 (Fig. 12., l. 4 col. 3)

after R 334–40, 335 (Fig. 12.1), 336–37 (Fig. 12.2)

for greater numbers 338–40, 339 (Fig. 12.3), 351

scenes rejected 334;

artefacts; objects; things

portfolios of prints 264, 333, 356, 357, 359, 365, 366

artists’ – 110, 245, 307;

Darley

copied R – turned albums 169–72, 171 (Figs. 5.19, 5.20)

copied R – turned illustrated books 3, 137, 166–75

for collectors 48, 159, 162, 168, 169, 204, 216

for gentlemen 184, 204

original R – turned albums 3, 102–7, 175, 176

uses of – 149, 304–5

postcards 229, 258, 301

commercial 347, 349 (Fig. 12.8)

picture 229–31, 231 (Fig. 7.16)

posters 208, 258, 288, 299, 301;

Cappiello

title-page as – 163, 164 (Fig. 5.17 top)

Potyra, Rudolf 287n71

Pre-Raphaelites 357

Presse (La) 286n65, 287n69, 306nn13–15, 307, 308, 309nn27–28

prices 42, 49, 55, 63, 102, 104, 107–8, 114, 126, 137, 139, 156, 160, 161, 163, 164 (Fig. 5.17 top), 183, 184, 188, 189, 203, 204, 213, 351, 360, 361, 362

print culture 3–5, 216, 254, 356, 357

and Faust myth 211, 239, 356

by focus

comparative/triangular relations 180

France, French 180, 201–11

in Britain 137–76, 201

in diffusion 3, 5, 50, 356

in Europe 3, 4, 215–16

nature of

and new technologies 5;

engravings/etchings; lithography; reproduction; woodcuts

beyond outlines 254

bourgeois/industrial 2, 4, 69, 80, 99, 108, 112, 124, 139, 169, 172–73, 172 (Fig. 5.21), 197–98, 203, 216, 220, 222, 261, 338, 357, 368, 371, 376

fluidity of – vs. set ideas 204

mediating and tempting 80, 112, 122, 151, 154, 163, 357

myth of unaltered – 175–76, 179, 179n9

visual turn in 138

printed items

and literary readings 179

as ambassadors 55, 62, 59, 175, 322, 356

as archetypes/templates 54, 87, 149, 154–57, 167, 169, 170, 175, 184, 200, 213, 214, 218, 219, 220, 251, 271, 297, 301, 305, 306, 307, 339, 360, 361, 364, 365, 366, 372

as international language 37, 89, 95, 102, 106, 122, 123, 179, 358;

translations (textual); translations (visual)

remediated into objects/things 334–54

Procter, Bryan Waller (pseud. Barry Cornwall) 197, 362

Proescholdt-Obermann, Catherine Waltraud 120n8, 141

Proescholdt, Catherine W. 60n37

Protestant 197–98, 346

reserve in images 334;

Roman Catholicism

Proteus (mythology) 40

Proust, Marcel, À la Recherche du temps perdu 352

Prout, Samuel 58

Prowett, Septimus, publisher 156, 170, 361

Proyart, Jean-Baptiste de, book expert 195

Pückler-Muskau, Hermann v., Prince 220, 373

Pujoulx, Jean-Baptiste 277

Punch; or, The London Charivari 258, 299, 300 (Fig. 9.19)

Quarterly Review (The) 138n1, 139n13, 163

quartos 124, 129, 139, 148, 149, 154, 157, 162n99, 168, 203, 208, 361, 367

imperial 138, 139, 146, 175

oblong/landscape 128, 169, 175, 367

ordinary 138, 175

royal 156n79, 169, 175, 367

Queen Dowager (Adelaide of Saxe-Meiningen) 168

Quérard, Joseph-Marie 180

Quesnel, Jean 190;

Giard

Rabelais 203

Racine, Britannicus 289

Raczyński, Atanazy 43, 49n125

Radebeul 27, 37, 212, 271;

Hoflößnitz; Oberlößnitz

Radziwill, Anton v., Prince 163, 220, 239, 273, 279, 288, 302, 334, 367

1819–20 Faust as intermedial performance 277–79, 278 (Figs. 9.5, 9.6)

1835 score Compositionen 163n103, 374;

Scenen aus Goethe’s Faust in acht lithographirten Bildern; Zawadzki

Radziwill, Ferdinand (son of A.) 288, 289 (Fig. 9.12), 373

Radziwill, Luise v., Princess (wife of A.) 277, 338

Rahl, Karl Heinrich 43

Ramberg, Johann Heinrich 220, 272, 273, 280

1828–29 Faust plates in Minerva engraved by Axmann 208, 209 (Fig. 6.2 right)

Ramsden, Charles 129n81, 146n39

Ranieri de’ Calzabigi, theatre theoretician 288, 289n82

Raphael, Sistine Madonna 347

Rapp, Gottlob Heinrich 112

reader categories of R’s outlines across time (overview) 116, 139, 154, 168, 184, 197, 201, 204, 210, 216, 357–58

by occupation

aesthetes 210

art lovers 112, 120

artists and draughtsmen 120, 176, 179, 181, 184, 197, 204, 210, 215, 227, 233, 239, 240, 274, 298, 303, 357

book lovers 120

book traders 77, 201

bookbinders 120, 172

booksellers 120, 357

critics 139

intellectuals/literati 139, 195, 201, 210, 245

lycée pupils and undergraduates 210

men of letters 197, 210, 356n7

poets 139, 151–52, 159, 175, 254, 303, 324, 357

print collectors 125, 139, 176, 181, 184, 204, 210, 216

printers 201

printsellers 176

publishers 176

stage directors 210

theatre-goers 210, 357

translators 120

by social distinction

aristocrats 56, 106, 115, 121, 129, 139, 167, 168, 184, 195, 204, 210, 220, 245, 279, 304–5, 357, 358

bourgeoisie 80, 112, 203, 357

continental and German expats 125, 210

cultivated gentlefolk 201, 303, 304, 321

middle-class 37, 50, 52, 95, 106, 115, 168, 184, 208, 210, 227, 315, 338, 358

modest or popular classes 56, 201, 204, 210, 357, 358

royalty 358

upper and middle educated classes 56, 106, 115, 139, 198, 210, 357, 358

Victorian 37, 357

young girls of the bourgeoisie 309

other groups

art club subscribers 112

bookstore customers 357

connoisseurs 139, 184

enthusiasts 112, 125, 139, 184, 210, 216, 358

general/average 181, 184, 210, 357

non-Germanophone 127

reading circles and literary societies 201, 357

subscribers to reading rooms and lending libraries 357, 358;

Apollinaire; bookplates; bibliophiles; connoisseurs; collectors; Craig; Darley; Dibdin; ex libris; Giraudeau; Grenville; Hoe; Kretzschmar v. Kienbusch; Laughlin; Lowell; Meyer, K.; Procter; Vincent; Wyeth

readers’ reception 122–24, 305, 331–32

reading protocols

reading text 4

reading with images 4, 264, 307, 357;

image and text

interactive – 48, 52–54, 87, 127, 322;

hybrid printed assemblages

second-degree – (parody) 155–68

readymades 333

realism 43, 190, 206, 310

Reber, Franz v. 43

reception of Goethe’s Faust I 5, 45, 50, 97n20, 120n5, 120n8, 123, 140n23, 180, 185–86, 200, 203, 257, 356;

readers’ reception

comparative 3, 5, 60

dependent on images 1–3, 55, 59, 122, 163, 188, 192, 242, 255;

image and text; imagination → collective orientation of –; reading protocols

vs. lingual translation see translations (textual); translations (visual)

iconography as influential – 4, 116, 200, 356

negative (19th c.) – 1–2, 4, 120

R’s prints as reception matrix 2–3, 106, 156, 247, 257, 297, 340, 356, 357

typification as passport in – see typification/typifying

Recueil des monuments antiques 182;

Muret

Redonnel, Paul 208

Reed, Sue W. 240n58, 241n61

Reibel, Emmanuel 185n39, 206n99, 257nn7–8, 283n54

Reich

1806 dissolved 2, 108

imperial Germany’s resentment 107;

Holy Roman Empire

second – 299, 333

Reichardt, Rolf 180

Reifenscheid, Beate 115n86

Reimers, F., student, Corps Rhenania 343

Reina, Giuseppe, 1862 painting Triste novella 250

Reinhard, Karl Friedrich 101, 148, 186, 290, 291, 298

Rembrandt

1790 etching The Alchemist (renamed Faust) 180, 205, 274, 308

copied by Lips 55, 274

Mary Magdalene 307

remediation 5, 52, 93, 95, 120, 136, 184, 213, 215, 216, 227, 338, 340, 352, 355, 370–78;

objects; pipe bowls; porcelain plates; tin figurines

Renovanz, Julianne Henriette (Julie) 28, 29 (Fig. 1.1), 30, 30 (Fig. 1.2)

reproduction

as unequally mapped research area 239

invention vs. reproduction (Nodier) 297–98

techniques 51, 88, 195, 210, 212, 213, 242, 298:

copying; duplicates/duplication; photomechanical reproduction; Index on MR → 9. Effect and Function of R’s Faust I Outlines → upshots → reproduction

Rethel, Alfred, dances of death 88

revolutions

1848 uprisings 201, 261

Belgian Revolution 197

French Revolution 2, 180, 198

industrial – 198

July Revolution 197

technological – 154

Revue bibliographique des Pays-Bas et de l’étranger 198n75

Richardson, Samuel 203

Richter, Adrian Ludwig 26, 89

Riedel, A., artist 239

Riemer, Friedrich Wilhelm 66, 274, 286

Riepenhausen, Ernst Ludwig, engraver 110n76

and Goethe 109

copied cover? 110–12, 111 (Fig. 3.10b)

R’s Faust copied 109–10, 112, 362

Riepenhausen, Franz (Friedrich Franz, son of E. L.) 43, 61, 112, 112n82

c.1810? 14 chalk drawings after Faust 109–10

Riepenhausen, Johannes (Christian Johann, brother of F., son of E. L.) 43, 61, 112n82

c.1810? 14 chalk drawings after Faust 109–10

1811 Faust’s Meeting with Gretchen in front of the Church 110, 111 (Fig. 3.11), 112, 362

outline copy attrib. to Riepenhausen father 110, 111 (Fig. 3.10b);

Emminger

Rignoux, Thomas-François, Audot’s printer 170, 187, 189, 362

Rittner and Goupil 217 (Fig. 7.3b), 374

Ristori, Ernesto 291

rituals

amorous 327–29, 328 (Fig. 11.2)

and identification 217, 333

give-and-take 2, 59, 122;

gifts

romantic pranks and – 28–30

social 28, 55, 121, 176

symbolic 121

trade/commercial 121;

smoking; symbolism

Riverside Press (The) 241

Robert, Édouard, lithographer

Le Baiser after Retzsch 225, 229 (Fig. 7.12), 233, 234 (Fig. 7.18), 372

La Décision de la fleur after Retzsch 225, 372

Robertson, Ritchie 149n60

Robinson, Anthony (friend of H. C.) 123

Robinson, Henry Crabb 2, 133, 136, 140, 156, 176

and Flaxman 54, 87, 121, 123–24

as art connoisseur 54, 122–23

as mediator 121–24

as theatre-goer 281

Rodwell and Martin, printsellers 137, 142 (Fig. 5.2), 144 (Fig. 5.4 top), 146 (Fig. 5.6), 148, 224, 328 (Figs. 11.2, 11.3), 359;

Boosey

Roger, Christine 358n13

Roget, Peter Mark, future lexicologist 123

Rohde, Carsten 333n2, 338n13

Rohde, Carsten, Thorsten Valk, and Mathias Mayer 61n46

Roman Catholicism 27, 175, 182–83, 198, 205, 290, 303, 346, 354;

Counter-Reformation; Protestant → reserve in images

roman de quatre sous (dime brochures) 203

romantic

art 86, 206, 227, 233, 247, 357

characters/motifs 83, 206, 274

iconography 210, 245

ideas 34, 140, 197, 225, 363

literature 33, 39, 43

myth 247

sensationalism 25

sensibility/emotions 157, 214, 290

style 197, 277

theatre 128, 162, 187, 193, 273, 281, 288, 289–91, 333;

gifts; metaphors; rituals

romanticism 49, 50, 54, 87, 121, 126, 129, 183, 194, 198, 357

American 200

and printed editions 193, 198

English 1, 151, 166, 324, 329n18, 357

French 60, 185, 197, 208, 227

German 32–33, 39, 80, 109, 123, 240n48, 304

German vs. French 206

Italian 250

Roque, Georges, and Luciano Celes 115n87, 252n88

rose, as symbol 38, 154, 172, 172 (Fig. 5.21), 173 (Fig. 5.22), 175, 176, 318, 323–29, 326 (Figs. 11.1a, 11.1b), 332, 352

Rose, William 120n5

Rosen, Gerd, bookseller 89

Rosenbaum, Alexander 61n46, 96n8

Rosenblum, Robert 86n98, 124n38

Rosenkranz, Karl 189, 190n54

Ross, Ronald, and R 217, 221, 222 (Fig. 7.6 top), 223 (Fig. 7.7 top), 358, 377

Rossetti, Dante Gabriel, and R 50, 77n84, 80, 176, 357

Rothbart, Ferdinand 239

Rouen-Gazette 301

Rouget, François 203, 208, 210, 243, 243 (Fig. 7.23), 244 (Figs. 7.24a, 7.24b), 253

Rousseau, Jean-Jacques 203

La Nouvelle Héloïse 233

Rousset, 1829 Faust adaptor 187

Rümann, Arthur 49, 109n74, 239, 255n3, 257, 267, 273

Runge, Philipp Otto 37, 46, 92, 121, 239n46

Ruscheweyh, Ferdinand 49

Ruskin, John, on R 2, 88

1846 Modern Painters 88

1857 The Elements of Drawing 88

1883 The Art of England 88

1887 “The Black Arts: A Reverie in the Strand” 88–89

Russell, Charles William 167n114

Russell, George William 347

Ruttmann, Irene 288n81

Saint-Léon, born Charles Michel 309n26

Sainte-Aulaire, Louis-Clair Beaupoil de, 1823 Faust trans. 183

Salvat, Joseph, clergyman 205n98

Sampson Low, Marston & Co., publishers

1871 Paul Konewka’s Faust silhouettes 170

1875 Faust album with Moses prints and Anster trans. 169, 368

Sand, George 204

Sanders, Michael 304n4, 306n9

Sarony & Major, lithographic partnership 241

Sarony, Napoleon 241

Sartorius v. Waltershausen, Georg 66

satire 1, 37, 38, 43, 258, 266–68, 301, 304;

burlesque; grotesque; parody

Saturday Review (The) 240

Saunders and Otley, co-publishing Retzsch’s trilingual Fancies 27n26, 101

Sautelet, Auguste 183, 193;

Motte-Sautelet 1828 in-folio Faust

Saxl, Fritz 133n87

Saxon Art Association 27

Saxonia, Dresden periodical 227

Scenen aus Goethe’s Faust in acht lithographirten Bildern (1835) 239, 288, 289 (Fig. 9.12), 373

Schacky v., Baroness 231

Schanze, Helmut 268n25

Scharfenberg circle 32, 65

Scheffer, Ary 270

Schelling, Friedrich Wilhelm 63

Schieth, Lydia 113n85, 115n86

Schiller, Friedrich v. 36, 39, 43n100, 44n111, 54, 65n66, 67, 95, 96, 99, 101, 104, 109, 123, 151n68, 156, 170, 179, 188, 189, 214–16, 216 (Fig. 7.3a), 218, 227, 250, 307, 309, 324, 361, 372, 374

works by

1781 The Robbers 42

1801 The Maid of Orleans 113;

Index on MR → 6. Other Works → R’s outlines → Schiller

Schinkel, Karl Friedrich, as set designer 277–79, 278 (Fig. 9.5), 284, 288, 289, 293, 308, 338, 356, 370

Schlegel, August Wilhelm

1799 “Über Zeichnungen zu Gedichten und John Flaxman’s Umrisse” 86–87, 88, 136, 169, 213, 250, 309, 310, 315, 330

as Shakespeare trans. 168n115, 169

on Bohte 125, 139

Schlegel, Friedrich, Lectures on Dramatic Art and Literature 120

Schleiermacher, Friedrich Daniel 92

Schmeller, Johann Joseph, Goethe’s portrait later lithographed by Delacroix 198

Schmidt, Otto Eduard 32n46, 33n48, 33n51, 36n69

Schney, porcelain factory 343

Schnorr v. Carolsfeld, Julius (son of V. H.) 250

Schnorr v. Carolsfeld, Ludwig Ferdinand (son of V. H.) 239

Schnorr v. Carolsfeld, Veit Hans 220

Schnurmann, Claudia 37n74

Schorn, Ludwig 42, 87, 355

Schreiber, Carl F. 55n17, 139n11, 140n23, 355

Schröder, Friedrich Ludwig 277

Schubert, Franz, 1814 lied Margaret at the Spinning Wheel 257

Schuler, Édouard, engraver

1837 Faust and Gretchen engraving after R 236–38, 237 (Fig. 7.21a), 340, 373, 374, 375

post 1849 Faust and Gretchen steel engraving after R 236–38, 237 (Fig. 7.21b), 373, 375, 376;

Album aus der Damenzeitung Iris

and Flaxman 238

Schultze, Carl Friedrich, c.1818 outlines after Fouqué’s Undine 77, 129

Schulze, Gottlieb, Bohte’s printer 124, 125, 128, 163, 359

Schumacher, Doris 50, 54n12, 61n45

Schuster, Peter-Klaus 86n102

Schütz-Höffert, Sophie, actress 293–94, 294 (Fig. 9.15)

Schütz, Eduard, actor (husband of S.) 279, 293–94, 294 (Fig. 9.15)

Schwerdgeburth, Carl August, painter and court engraver 47 (Fig. 1.12a), 48, 274

Schwind, Moritz v. 118, 239

Scott, John, ed. of London Magazine 126, 136, 138

Scott, Sir Walter 121, 203, 204

1799 trans. of Götz von Berlichingen 59

1819 Ivanhoe 250

c.1820? R exemplar 59

Seeliger, Stephan 49nn121–22, 67

Seibertz, Engelbert 75, 76 (Fig. 2.11), 239, 261, 369

image of griffin-riding Goethe 208

Seifert, Siegfried 355n3

Semaine (La) 191n58

Semele (mythology) 39, 329

Semper, Gottfried 283

Seneca, Federico 251

Perugina logo 251–52, 252 (Fig. 7.31a)

Senefelder, Aloys 160

Senft, Didi, as red “Devil” 302

sentimental genre 49, 189, 203, 308

sentimentality 25, 52, 59, 80, 82, 88, 115, 120, 126n55, 133, 140n27, 150n67, 170, 233, 269, 308, 343, 357

series

Ausgabe letzter Hand (AlH) 96n7, 97, 106, 213, 215 (Fig. 7.2), 371

Baudry’s “European Bookstore” 201

Baudry’s “Foreign Languages Library” 201

Baudry’s “Library of the Best Old and New German Writers” 201

“Bohn’s Standard Library” 168

“Booklets of German Theatre” 239

Bry’s “Les Veillées littéraires illustrées” 203, 242, 245

“Everyman’s Library” 5

Ladvocat’s “Chefs-d’œuvre des théâtres étrangers” 183

Librairie Gründ’s “Bibliothèque précieuse” 208–10, 210 (Fig. 6.22), 378

Librairie Romantique’s “Théâtre romantique” 197

Maresq and Pelvey’s “Librairie centrale des publications à 20 centimes” 203, 367, 376

Masson et Cie’s “Nouvelle collection d’auteurs allemands” 205, 369

“New Directions College Books” 175

“Oxford World’s Classics” 5

sexuality see devil; Mephistopheles; Index on MR → 8. R’s Distinctive Outline Treatment → distinct features → eroticism/sexual yearning

Seydelmann Apollonia, née de Forgue (wife of J.), Dresden artist 34

Seydelmann Jacob (Josephus Johannes Crescentius), Dresden artist 34

Seydelmann, Carl (or Karl), actor 280, 289, 298, 301

Seymour, Robert 258

Shaffer, Elinor 148n44;

Paulin, St Clair, and Shaffer

Shakespeare

Hamlet (the character) 291

King Lear (the character) 261

Lady Macbeth (the character) 162

works by

King Lear 261n16

Othello 291;

Index on MR → 6. Other Works → R’s outlines → Shakespeare

Shelley, Harriet, née Westbrook (first wife of P. B.) 233

Shelley, Mary (second wife of P. B.)

1818 Frankenstein 32

1824 ed. Posthumous Poems by P. B. Shelley 157

Shelley, Percy Bysshe 1, 2, 357, 367

1821 Faustus ed. read by 1, 36, 137, 138, 148, 151–54, 324

1821 trans. “Prologue in Heaven” 120n5, 154, 157

1821 trans. “The May-Day Night Scene” 1, 83, 120n5, 145, 146 (Fig. 5.6), 154, 156–57, 159 (Fig. 5.14), 281

1824 Posthumous Poems 157

1832 symbolism of Lumley ed. 157–59, 158 (Figs. 5.12, 5.13), 364

and Goethe 1, 83, 157, 356

visual imagination and R’s plates 1, 138, 154, 157n87, 157–59, 159 (Fig. 5.14), 175, 232–33, 232 (Fig. 7.17), 233n32, 247

Sherwill, Markham 258, 258n9

Siddons, Mrs 162

Siegel, Jonah 88n116

Sigismund, Ernst, R connoisseur 27, 30n39, 36, 45, 61, 67, 69, 227n28

silence (aesthetic parameter) 89, 189, 324, 346

Silenus (mythology) 40, 41 (Fig. 1.7), 212

Silvanus (mythology) 40

Singer, Hans Wolfgang 44

1901 Allgemeines Künstler-Lexikon 44

1914 “Die Weinbergsszenen von Moritz Retzsch” 44n108

Singing Academy (Berlin) 277

Sloane, William M. 325, 327

Smith, Raphael, father to Eliza Aders 123

smoking

as diminutive theatre performance 340–43

as social habit/ritual 342

Smyth, Richard 175

Soane, George (son of Sir J.) 127, 136, 140, 143, 356

1818 Undine by Fouqué, free trans. and stage adaptation 129

1820 Extracts from Göthe’s Tragedy of Faustus 124, 127–28, 130, 137, 139, 359

1821 Faust partial verse trans. 128, 128n70, 148

“Dedication” 1823 published in Über Kunst und Altertum 148

praised by Goethe 148

Soane, George, [and Daniel Terry]

1825 Faustus: A Romantic Drama, aka The Devil and Dr Faustus 128, 162, 180, 281, 290, 371

1829 Cumberland ed. 291;

Faustus: or, The Demon of the Drachenfels; Terry

Soane, Sir John, architect 127

Société des Amis des Livres 200

Södergran, Edith 176

Solanki, Tanvi 286n66

Sophia Dorothea of Württemberg, Tsarina Maria Feodorovna 55–56, 56 (Fig. 2.2)

Sophia, Grand Duchess of Saxe-Weimar-Eisenach (daughter-in-law of S. D.) 56

Spagnoli, Luisa 251

Spenser, Edmund, The Faerie Queene 259–61

Spiess, Helmut 280n41, 286n63, 286n43

Spiess, Johann, 1587 printer of History of Dr Johann Faust 122

spine designs (Faust I)

as lay stained-glass window 172–73, 172 (Fig. 5.21), 175, 176, 376

gilt 147, 168, 195, 201, 368

implication of 162, 175, 211

no lettering (frontal display) 170, 375

ornate 170, 211

Spitzer, Gerd 26n11

Spohr, Louis, 1813 opera Faust (1830 Paris production) 187, 257

St. Petersburger Zeitung 287n74

Staël, Germaine de 80, 184, 186, 197, 304

1813 Germany (1814 De l’Allemagne) 1, 120

Goethe’s Faust I as “intellectual chaos” 1, 55, 157, 211

stage (the) and R’s impact 219, 254, 273–74, 277–81, 278 (Figs. 9.5, 9.6), 281–86, 283 (Fig. 9.9), 284 (Fig. 9.10), 285 (Fig. 9.11), 288, 289 (Fig. 9.12), 291–94, 292 (Fig. 9.13), 293 (Fig. 9.14), 294 (Fig. 9.15), 298, 301, 302, 307–8, 355–56, 358

English – 59, 129, 162, 247, 281, 291, 292 (Fig. 9.13), 296–99

French – 179–80, 184–88, 281–85, 283 (Fig. 9.9), 284 (Fig. 9.10), 285 (Fig. 9.11)

German/Austrian – 50, 181, 187, 189, 203, 277–81, 278 (Figs. 9.5, 9.6), 288, 289 (Fig. 9.12), 293, 293 (Fig. 9.14), 338, 356

pleasure-ground Faust 287–88

stage → printed media 299–301, 300 (Figs. 9.18, 9.19), 301 (Fig. 9.20)

stage → curios 333

stage designs/sets and the visual arts 2, 92, 108, 271–72, 273–74, 278 (Figs. 9.5, 9.6), 280–81, 280 (Fig. 9.7), 284;

Brühl; Despléchin; Schinkel; Terry; Thierry

standalone prints 48, 112, 116, 213, 215, 216, 221, 224, 229, 255, 371, 374

Stanhope, Philip Dormer, 4th Earl of Chesterfield see Chesterfield

Stapfer, Albert (son)

1823 Faust trans. 183, 186, 193, 200

1828 Motte-Sautelet in-folio Faust (Delacroix) 189, 193, 198, 208, 248 (Fig. 7.27 top), 372

mentioning R 180

1828 republ. with Audot copies by Librairie Romantique 198, 199 (Figs. 6.16 a–b), 363

1838 Meline Faust, revised trans. by C. M. Friedländer 200, 365

Starobinski, Jean 87, 87n106

Stassen, Franz 239

Stead, Evanghelia 3n4, 5nn10–11, 48n120, 75n84, 108n59, 112n84, 120n3, 166n106, 208n108, 238n37, 242n67, 253n90, 261n15, 357n8

Stead, Évanghélia, and Hélène Védrine 4n7

Steckelings, Karlheinz W. 347n28, 347n31, 347n33

steel engravings 106, 137, 162, 163, 168, 169, 189, 197, 213, 233, 236–39, 237 (Fig. 7.21b), 241, 258, 264, 343, 344 (Fig. 12.6a), 366, 367, 368, 374, 376

Steig, Michael 318, 319, 320

Stelzig, Eugene L. 121n11

stereoscopic views see Gaudin; London Stereoscopic and Photographic Co.

stereotype edition (1824 Boosey Faustus print template) 154–56, 155 (Figs. 5.11a–c), 360, 361;

Wilson, W.

stereotypes 298, 308, 351

and outlines 206, 301, 357

copying and – (coined typecasts) 298, 321, 357

myth and – 298

national – 297

playful use of – (Gautier) 306, 308, 309

reversible use of – (Gautier) 321;

typification/typifying

Stern, Ernst, 1920 coloured Faust ed. 239

Stieglitz, Christian Ludwig 115

Stieler, Joseph Karl 60, 61, 83, 273

stipple engravings 87, 145 (Fig. 5.5), 162, 213–14, 215 (Fig. 7.2), 220, 371

Stith, Ann Florence (daughter of C. P.) 327

Stith, Bolling Buckner Africanus (son of C. P.) 327

Stith, Catharine Potter 154, 323–29, 326 (Figs. 11.1a, 11.1b), 332, 352, 360

1830 song “Our Friendship” 324

1831 Thoughts on Female Education 324

1833 “The Chest of Bones” in Godey’s Lady’s Book 324n6

unsigned translations 324

Stith, Townshend (husband of C. P.) 323, 329

Stith, Victorina Sprague (daughter of C. P.) 327

Stone, Henry, American lithographer 142

1824 Illustrations of the Celebrated Tragedy of Faustus 142n30, 240, 361;

Wallenstein

Stothard, Thomas, and R 240

strip cartoon 54, 70, 82, 201;

bande dessinée

Strixner, Johann Nepomuk 47 (Fig. 1.12b), 48

Stubenrauch, Philipp v. 293, 293 (Fig. 9.14)

Stumme, Gerhard 89, 109, 110, 138, 145, 160, 161, 220–21, 361

Sue, Eugène 204

1842–43 The Mysteries of Paris 203

Supreme Being (cult and iconography) 189–90, 191 (Fig. 6.11)

Surrealists 39

surrogate prints 175, 236, 240, 305, 338, 356

Swanwick, Anna

1850 Faust I verse trans. in Dramatic Works of Goethe 168

1878 revised Faust I trans. with “Scenes from the Second Part” 168, 368

pub. 1878 as Goethe’s Faust, in Two Parts 368

1893 The First Part of Goethe’s Faust (“with R’s illustrations”) 369

symbolism 80, 83, 87, 157, 167, 247, 270, 296, 303, 310, 311, 313, 318, 321, 355, 357, 363

commercial and political 120

patriotic/nationalistic 250, 251

religious 109, 172;

colour

symbols 5, 84, 85 (Fig. 2.21), 221, 253, 270, 322

in ancient Greece 333

Symmons, Sarah 86n99, 86nn102–3

tableaux vivants/lebende Bilder

1787 Caserta performance of Emma, later Lady Hamilton 286

1821–22 Tableaux from Faust (Harmonie, Weimar) 274

1838 Lebende Bilder aus Faust with recitatives (Coburg) 286–87

and reading analogy 287

as hybrid creations 287

in Goethe’s Elective Affinities 274, 286–87

in Pollock’s The Picture’s Secret 313

R’s Chess Players performed 271

Tait’s Edinburgh Magazine 255n6

Tallis, John, 1852 Tallis’s History and Description of the Crystal Palace 172n124

Talma, François-Joseph 289

Tasso, Torquato 203, 259

Taylor of Norwich, William 120

Taylor, Arthur 123

Taylor, Barry 129n73, 129n77

Taylor, Bayard, American poet and 1870 trans. of Faust 169, 368, 369

Taylor, John (father of A.), Unitarian hymnist 123

Temperance movement, American 334

R’s Intemperance Tankard 333–34;

Tiffany

Terry, Daniel, actor

1825 author of British Theatrical Gallery 162

1825 co-author of Faustus: A Romantic Drama, aka The Devil and Dr Faustus 128, 162, 180, 281, 290, 299, 371;

Soane, G.

as Mephistopheles after R 59, 162, 247, 281, 291, 292 (Fig. 9.13), 299, 371

Terry, Ellen 299

text and image see image and text

texts accompanying R’s prints

as captions 3, 38, 110, 111 (Fig. 3.12), 113 (Figs. 3.14a–c), 114, 115 (Figs. 3.16a–b), 137, 138–39, 149, 154, 161, 255, 267, 300, 359, 360, 361, 362, 363, 364, 366, 367, 368, 369, 371, 372, 376, 377

as excerpts 1, 3, 4, 52, 54, 67, 80, 87, 99, 103, 104, 106, 108, 124, 127–28, 136, 137, 139, 154, 163, 169, 175, 220, 241, 255, 267, 288, 334, 361, 362, 364, 373

as introductions 35, 36, 52, 54, 60, 128, 139, 166, 167, 168, 175, 188, 192, 195, 219, 220, 255, 327, 361, 362, 363, 373

as synopses/summaries 1, 3, 4, 6, 62, 102, 135, 139, 140, 149, 154, 167, 195, 255, 323, 327, 364, 365, 367;

image and text; outline, aesthetic medium

Th. S. 25, 26, 27, 28, 30, 31n43, 34n59, 36n68, 37n73, 65, 101, 271n1

Thaeter, Julius, German printmaker 49, 118

theatre productions (often derivative of R)

Goethe’s Faust

1819–20 Radziwill’s Faust (Berlin, Monbijou) 277, 278 (Fig. 9.5), 279, 288, 289 (Fig. 9.12), 298, 302, 338;

Charles, Duke of Mecklenburg; Radziwill; Scenen aus Goethe’s Faust in acht lithographirten Bildern

1821 Tableaux from Faust (Harmonie, Weimar) 274

1829 Faust (Braunschweig) → Dresden, Hanover, Leipzig, Weimar, Bremen, Hamburg, Magdeburg, Munich, Stuttgart 89, 97, 273, 279–80, 293–94, 294 (Fig. 9.15)

1832 (Vienna) 291–93

1832 Faust (Stuttgart) 180

1838 (Berlin, Royal Theatre) 279, 280, 298

1838 Faust in six parts (Berlin Opera) 279

1839 (Vienna) 293, 293 (Fig. 9.14)

1854 (Munich, Royal Theatre) 279, 306, 307–8

1891 (Vienna, Hofburgtheater) 279

Goethe’s Faust adapted

1824 Faustus: or, The Demon’s Victim (London) 281

1825 Soane [and Terry], Faustus: A Romantic Drama (London, Drury Lane) 128, 162, 179, 247, 281n47, 289–90, 291, 294, 296, 299, 371;

Soane, G. [and Terry]

1827 The Devil and Dr Faustus (New York) 281

1827 Théaulon, Faust, drame lyrique en 3 actes (Paris, Théâtre des Nouveautés) 185

1828 Béraud, Merle, and Nodier, Faust (or Le Docteur Faust) (Paris, Porte-Saint-Martin) 186, 189, 220, 281–82, 283, 290, 294, 362;

Béraud, Merle, and Nodier

1829 Faust (Vienna, Prater) 287–88

1829 Rousset, Faust, ou Les Premières Amours d’un métaphysicien romantique after Barbier (Paris) 187

1831 Bertin, Fausto: Opera semi-seria (Paris, Théâtre Italien) 187, 282–83, 283 (Fig. 9.9)

1832 Lesguillon, Méphistophélès 187

1838 Lebende Bilder aus Faust with recitatives (Coburg Court Theatre) 286, 287

1851 The Devil and Dr Faustus (New York, Broadway Theatre) 281

1859 Isler’s summer show and musical attraction (Saint Petersburg, Villa monde brillant) 287–88

1885–88, 1894–1902 Faust with Irving as Mephistopheles (London, Lyceum Theatre, etc.) 297, 299–301, 300 (Figs. 9.18, 9.19), 301 (Fig. 9.20), 311, 352

Gounod, Faust

1859 première (Paris, Théâtre Lyrique) 204, 206, 257, 283–84, 284 (Fig. 9.10), 285 (Fig. 9.11 top)

1861 Margarete (Darmstadt) 257

1864 (London, J.-B. Faure as Mephistopheles) 299

1869 (Paris, Académie Impériale de Musique) 299

1908 (Opéra de Paris) 279

tongue-in-cheek Faust

1829 Le Cousin de Faust (Gaîté extravaganza) 187

1870 Le Petit Faust (Lyceum Theatre) 299

1968 merry Faust (East Berlin) 301

1978 Faust (Stuttgart) 301

theatre innovations 273, 277–79, 284, 288, 338, 356;

Brühl; Schinkel; stage (the) and R’s impact; stage designs/sets and the visual arts

Théaulon, Emmanuel, 1827 Faust, drame lyrique en 3 actes 185, 193, 210

Thelwall, John, British orator and poet 123

Thielmann (Thielemann), Joseph Adolf 34, 60, 61

Thielmann (Thielemann), Wilhelmine (wife of J. A.) 34, 60, 61

Thierry, Joseph, French painter 284, 285 (Fig. 9.11 top), 377

things 333–34, 338, 340;

artefacts; home decorations; objects; Ulrich

Thomson of Edinburgh, George 240

Thousand and One Nights (The) 352

Tieck, Ludwig 27, 280, 288, 289

Tiffany and Co., Intemperance Tankard by R 333–34

Tille, Alexander 48n120, 50, 108, 140, 141n28, 221n18, 227, 237 (Fig. 7.21a), 238, 333, 360, 361, 362, 374

1899 Bilderverzeichnis der Bode-Tilleschen Faust-Galerie 108, 227n27

Tilt, Charles, British publisher 170, 175

1828–32 R’s Gallery of Shakspeare (T. and Ackermann) 170

1829 Fridolin album with new trans. (T. and Ackermann) 189

1843 Goethe’s Faust by Retzsch (T. and Bogue) 170, 171 (Fig. 5.19), 176, 366, 375

1843 Illustrations of Goethe’s Faust (T. and Bogue) 77, 169, 170, 171 (Fig. 5.20), 176, 366, 375;

Ackermann; Audot

tin figurines or flats (Zinnfiguren)

and history 347–48

and cultural aura 349, 354, 358

display – (Vitrinenfiguren) after R 351–52, 351 (Fig. 12.10);

Berliner Zinnfiguren; Fechner; Mohr

title-pages

aesthetics 106, 115 (Fig. 3.16a), 163, 163n103, 164 (Fig. 5.17 top), 165 (Fig. 5.18), 166, 192 (Fig. 6.12), 197, 201, 283, 283 (Fig. 9.9), 361, 367, 368, 374

in red and black inks 168, 219, 241, 368, 369, 374;

Mephistopheles; covenant vs. wager → signing with blood

interpreting Goethe’s Faust I 192 (Fig. 6.12), 193–94, 195, 197, 363

tampered – 157, 158 (Figs. 5.12, 5.13)

Todd, David 179

Tomkins, English sceneshifter 281;

Lefèvre

Töpffer, Rodolphe, 1833 Story of Mr. Jabot 82

Toscani, Caetano (Cajetan) 25

Tour de France, racing event 302

toy theatres 218, 298, 299, 372

transcendentalists 169, 240, 368;

Emerson

translation (as mutating concept) 136

applied to R’s copied images (Ruskin) 88, 155, 188

rule of textual over visual – 167, 169, 179

visual vs. textual/interlingual – 122, 136, 179, 210, 356

translations (textual)

boosting illustrated books 49, 50, 85, 167–68, 169–70, 242–45, 243 (Fig. 7.23), 244 (Figs. 7.24a, 7.24b), 245 (Fig. 7.25)

calling for extra-illustration 159

of Goethe’s Faust I 1, 3, 4, 5, 49, 59n32, 62, 85, 115, 119, 120, 126, 127, 128, 128n70, 129n75, 135, 136, 137, 139–40, 147, 148–49, 151, 154, 156–57, 159, 163, 167–68, 169, 172, 180, 183, 183n32, 184, 185, 186, 188, 192, 193, 198, 200, 203, 204, 206n104, 208, 210–11, 233, 245, 253, 255, 257, 259, 281, 307, 352;

Goethe’s Faust I translated

of texts accompanying R’s prints 35, 188

of texts on R 37, 43

promoting/urging visual – 159, 162–3, 163–66, 164 (Fig. 5.17 top), 180, 181 (Fig. 5.4), 185, 185 (Figs. 6.7a–b), 208, 211, 233, 307, 355

vs. illustration 138, 139

translations (visual)

R’s prints as – 1, 3–4, 36, 50, 75, 75 (Fig. 2.10), 115, 122, 123, 124, 357

accompanying textual – 163, 179, 356

adapted to textual – 162–63, 164 (Fig. 5.17 top)

as poetry/poetic comment 35–36, 206

levelled as textual – 166

promoting textual – 163–66, 165 (Fig. 5.18), 190

steering textual – 127, 137, 166, 167, 175, 179, 273, 281, 356

turned into illustrated books 163, 166, 167–68

Trelawny, Edward John 324

Treuttel and Würtz, publishers 179, 179n13, 370

co-publishing R’s trilingual Fancies 101

trivial, triviality 254, 261, 286n68, 333, 338, 354;

artefacts; home decorations; objects; Ulrich

Trollope, Anthony 318

Trueb, engraver

1828 Audot copies (with Branche) after R 187, 190 (Fig. 6.10), 198, 206, 218, 362, 363;

Branche

Turkle, Sherry, Evocative Objects 334, 338n14

Turner, J. M. W. 88

Twyman, Michael 88n111, 160n91, 162n96

types

and etching/printing/reprinting 306–7, 321

and/vs. live creatures 62, 307

creating – 240, 279, 297–99, 301, 306–7, 311

psychological – (Jung) 140n19

typification/typifying 6, 48, 49, 62, 84, 108, 136, 214, 229, 240, 242, 270, 301, 357;

Nodier; printed items → as archetypes/templates; types; stereotypes

Über Kunst und Altertum 60, 61, 62, 128, 148, 325

Uhlig, Stefan H. 149n60

Ulrich, Laurel Thatcher, Ivan Gaskell, Sara J. Schechner, and Sarah Anne Carter, Tangible Things, Harvard exh. and seminars 334n6, 334n8

Universal Post Union 232

Ürményi, József, Hungarian politician 99, 363

USS Constitution, “Old Ironsides,” frigate 323, 324, 325, 329

ut pictura poesis 307

Van de Weyer, Sylvain 197

Van der Post, C. 166n104

Vaterländisches Museum 121n18, 122

Vaughan, William 3, 25, 26, 28, 45, 80, 88, 89n123, 120, 121, 125, 167, 176, 240, 255, 257, 303, 304nn5–6, 357

Veith and Hauser (qdt. as Auzer), Paris print publishers 102, 105, 365

Venus (mythology) 30

Verlohren, Heinrich Ludwig 59, 64, 65, 69

Vernet, Horace see Horace

Verweyen, Theodor, and Gunther Witting 266n22

Vicaire, Georges 180

Victoria, Queen 287, 299, 358, 373, 376

vignettes 99, 114, 115 (Fig. 3.16a), 151, 152–53 (Figs. 5.10a–b), 163–66, 165 (Fig. 5.18), 169, 176, 193, 197, 201, 203, 204 (Fig. 6.18), 205 (Fig. 6.19), 206, 208, 233, 234 (Fig. 7.18 bottom left), 240, 243, 243 (Fig. 7.23), 250, 266, 367, 369, 372, 374, 376, 378

Vigoureux, L. John 57, 57 (Fig. 2.3), 57n22, 97

Vilain, Robert 183n32, 198n77, 198n79

Villa, Luisa 305n8

Villain, François, French printer 181, 184, 360, 362

Villeneuve-Bargemon, Bertrand de 195n65

Villiers de L’Isle-Adam, 1886 L’Ève future 288

Vincent, Auguste, French composer and bibliophile 187n45, 197, 363

Vincent, Dominique (later Meulenbergh), half-brother of Frères Williaume 198

lithograph of Goethe’s portrait after Delacroix (← Schmeller) 198–200, 199 (Fig. 6.16a), 363

Vischer, Friedrich Theodor 266n22

Vittorio Emmanuele II 250

Vitzthum v. Eckstädt, Heinrich 26, 32, 61

Vleeschouwer, Lodewijk Joachim, 1842 Faust trans. into Dutch 166n104

Vogel v. Vogelstein, Carl 38, 239

Vogel, Dr, translator 39n82

Vogel, Gerd-Helge 37n72, 40, 50, 80, 88, 101, 212n1

Voïart, Élise 179, 186 (Fig. 6.8), 189, 362, 363

and pull of pictures 188

1828 Audot long Faust “Introduction” 188

Votteler, Christian, 1884? cover for Cotta 106–7, 107 (Fig. 3.9), 368

Wadepuhl, Walter 60n37

Wagner, [Friedrich], German engraver 213–14, 215 (Fig. 7.2), 371

Wagner, Richard 283

Wahlen, Adolphe, Belgian printer/bookseller 200

Wainewright, Thomas Griffiths 125, 126;

Janus Weathercock

Walicki, Alfons, 1844 Faust trans. into Polish 163, 368;

Zawadzki

Waliszewski, Kazimierz 55n18

Walker, Henry, 1868 Faust in Five Minutes 299

Wallenstein, [Jules de], 1824 pref. Illustrations of the Celebrated Tragedy of Faustus 142, 361;

Stone

Walpurgis Night (classical, in Faust II) 201;

Index on MR → 4. Additional Faust I Outlines

Walpurgis Night (in Faust I) see Goethe’s Faust I read in text and by image;Index on MR → 3. Choice Faust I Scenes Outlined → pl. 22

Walpurgis Night (traditional) 303, 304

Ward, Robert Plumer, 1825 Tremaine; or, A Man of Refinement 305

wars

American civil war 169

American War of Independence 241

Franco-Prussian War 107, 133, 250, 333

Napoleonic wars 2, 26, 56, 58, 96, 113, 120, 121, 122, 167, 179, 255, 277, 321

German war of liberation 34, 261

Hundred Days war 309

World War I 251, 287

World War II 32, 32 (Fig. 1.4), 34, 50, 206, 210, 270, 369, 378

Wartusch, Rüdiger 277n21, 277n25

Watts, Alaric A.

1825–35 ed. of Literary Souvenir (The); or, Cabinet of Poetry and Romance 208, 224–25, 225 (Figs. 7.8, 7.9), 371

1826 “The First Kiss: A Poetical Sketch” 224, 371

later renamed “A Scene from Faust” 224n23

1832 “The Deveria Family” 208n107

1851 Lyrics of the Heart: And Other Poems 224n23

Watts, Alaric Alfred (son of A. A.), Alaric Watts: A Narrative of his Life 224n22

Watzdorf, Luise v. 33, 36;

Scharfenberg circle

Webb, Timothy 120n5, 154n71, 157, 157n83, 233

Webster, John 157

Wegner, Peter-Christian 61n45, 236, 237 (Fig. 7.21b), 239, 338–40, 339 (Fig. 12.3), 342 (Fig. 12.5a), 374, 377

Wegner, Wolfgang 50, 118n90, 221, 225n25, 239, 240, 268n27, 357n8

Weiser-Aall, Lily 296n99

Weissenbruch, August Karl Wilhelm 197–98

Weissenbruch, Louis (son of A. K. W.), printer 197–98, 199 (Figs. 6.16a–b), 363

Wende-Hohenberger, Waltraud, and Karl Riha 266n22

Wende, Waltraud 266n22

Wengler, F., publisher in Aachen 267

Wenner, Johann Friedrich, publisher/printer 46 (Fig. 1.10), 49, 67, 110, 150 (Fig. 5.8), 280 (Fig. 9.7)

Werl, Adolph, bookseller and lithographer 267

Werner, Zacharias 112;

Riepenhausen

Wertheimber, Palmyre 307

Westley, Josiah, bookbinder 172, 376

Westleys and Co. (Westley, J., Frederick Westley, and William Clark, Partners) 172–73n125

Widmann, Georg Rudolf 184, 203

1599 Faust chapbook, 1834 Eytel illus. after R 116 (Fig. 3.17a), 117–18, 117 (Fig. 3.17b), 373

on Faust and printing 184, 210–11

Wieland, Christoph Martin, Works 220

Wilde, Oscar, 1891 The Picture of Dorian Gray 313

Wilder, Amos Niven 153 (Fig. 5.10b), 360

Wilder, Thornton Niven (brother of A. N.) 153 (Fig. 5.10b)

Willemer, Jakob Johann v. 55, 154, 323, 325, 329–30, 331, 332

Willemer, Marianne v., born Jung (third wife of J. J.) 55, 154, 323, 324, 325, 329–32

as die kleine 323, 329, 358

as Suleika 55, 323

self-identification with R’s Gretchen 329–30

Willemer, Rosine v. (daughter of J. J.) 330

Willemin and Aubert fils, engravers 133

William I, German Emperor 109

William I, King of The Netherlands 197, 198

William II, Elector of Hesse 195

Williams, Edwin 28

Williaume brothers, Joseph and François, lithographers 198

Goethe’s portrait after Delacroix (← Schmeller) 198–200, 199 (Fig. 6.16b), 363

Willis, Patricia C. 175n128

Wills, William Gorman, Irish dramatist and Faust adaptor 299

Wilson, John, and Son, Boston master printers 169, 169n121, 368

Wilson, W., English printer 137, 149, 154, 156, 360, 361;

stereotype edition; “kinetic” versions of R’s outlines

wit, witty 28, 44, 50, 88, 110, 221, 261, 299, 361;

geistreich

Wittwer, Samuel 334n11

Woburn, Cistercian abbey 347

Woburn windows (mounted lithophanes) 347, 350 (Fig. 12.9), 373

Wolff, Pius Alexander, actor 274

women

and charity 55–56

and emancipation 329

and writing 332

as weak creatures in almanacs 112–15

bluestockings in Heine 304

cryptic authorial status 324

education of – 324

fallen – 262;

Magdalene

Goethe “the greatest painter of –” (Gautier) 307

in tableaux vivants 286–87

scheming – in Vivian Grey 305–6, 321

woodcuts (wood engravings) 38, 38 (Fig. 1.6), 39, 43, 55, 75, 76 (Figs. 2.11, 2.12), 116 (Fig. 3.17a), 117, 117 (Fig. 3.17b), 118, 134–35 (Fig. 4.4a–b), 135, 151, 152 (Fig. 5.10a), 153 (Fig. 5.10b), 184, 189, 195, 197, 203, 204, 204 (Fig. 6.18), 243, 243 (Fig. 7.23), 244 (Figs. 7.24a, 7.24b), 245 (Fig. 7.25), 264, 360, 367, 370, 373, 376

word-and-image see image and text

– studies 357

Wordsworth, William 28, 121

Wright, John Masey, reworking R 208, 224–25, 225 (Figs. 7.8, 7.9), 233, 371;

Heath; Humphreys; Landon; Watts

Wright, Thomas 58–59;

Dawe, M. M.

Wyeth, Nathaniel Jarvis 203, 210

Xenophon, Cyropaedia 140

Young, Charles Mayne, actor 291, 297

Zahn, Johann Karl Wilhelm 277

Zatti, Susanna 250n84

Zawadzki, Józef, 1844 Vilnius Faust publisher 163, 367;

Radziwill; Walicki

Zeitung für die elegante Welt 43, 65

Zelter, Carl Friedrich 66, 273, 277, 279, 290n85

Zeus (mythology) 39;

Jupiter

Zimmermann, Friedrich August 223, 227, 229, 233, 236, 238, 239n38, 373

Faust and Gretchen lithographed after R 227–29, 230 (Fig. 7.13), 233–36, 236 (Fig. 7.20), 238, 340, 375

Zöllner, Ludwig Theodor, printer 227, 238–39, 238 (Fig. 7.22), 375

Zschoche, Herrmann 28n34, 28nn36–37, 31n44

Zschokke, Heinrich, “Love and Hate” 287

Zucker, Paul 277nn23–24

Φ.Χ.Ψ., cryptic signatory in the Parthenon 88

Fußnoten

This entry does not include caption, footnote and appendices references, easy to follow by interested readers.

Undecidable references to Cotta either father or son

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Goethe's Faust I Outlined

Moritz Retzsch's Prints in Circulation

Reihe: Library of the Written Word, Band: 113 und Library of the Written Word - The Industrial World, Band: 113

ISBN:: 9789004543010

Verleger:: Brill

Print-Publikationsdatum:: 12 Jul 2023

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Goethe's Faust I Outlined

Moritz Retzsch's Prints in Circulation

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